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Thesis W/ Corrections
Renouncing the Le-: Working-class conserva7sm in France, 1930-1939 Joseph Starkey A Thesis submi+ed for the Degree of PhD at Cardiff University 2014 Abstract Histories of the working class in France have largely ignored the existence of working-class conservaGsm. This is parGcularly true of histories of the interwar period. Yet, there were an array of Catholic and right-wing groups during these years that endeavoured to bring workers within their orbit. Moreover, many workers judged that their interests were be+er served by these groups. This thesis explores the parGcipaGon of workers in Catholic and right-wing groups during the 1930s. What did these groups claim to offer workers within the wider context of their ideological goals? In which ways did conservaGve workers understand and express their interests, and why did they idenGfy the supposed ‘enemies of the leT’ as the best means of defending them? What was the daily experience of conservaGve workers like, and how did this experience contribute to the formaGon of ‘non-leT’ poliGcal idenGGes? These quesGons are addressed in a study of the largest Catholic and right-wing groups in France during the 1930s. This thesis argues that, during a period of leT-wing ascendancy, these groups made the recruitment of workers a top priority. To this end, they harnessed parGcular elements of mass poliGcal culture and adapted them to their own ideological ends. However, the ideology of these groups did not simply reflect the interests of the workers that supported them. This thesis argues that the interests of conservaGve workers were a raGonal and complex product of their own experience. -
German Hegemony and the Socialist International's Place in Interwar
02_EHQ 31/1 articles 30/11/00 1:53 pm Page 101 William Lee Blackwood German Hegemony and the Socialist International’s Place in Interwar European Diplomacy When the guns fell silent on the western front in November 1918, socialism was about to become a governing force throughout Europe. Just six months later, a Czech socialist could marvel at the convocation of an international socialist conference on post- war reconstruction in a Swiss spa, where, across the lake, stood buildings occupied by now-exiled members of the deposed Habsburg ruling class. In May 1923, as Europe’s socialist parties met in Hamburg, Germany, finally to put an end to the war-induced fracturing within their ranks by launching a new organization, the Labour and Socialist International (LSI), the German Communist Party’s main daily published a pull-out flier for posting on factory walls. Bearing the sarcastic title the International of Ministers, it presented to workers a list of forty-one socialists and the national offices held by them in Germany, Austria, Czechoslovakia, Belgium, Poland, France, Sweden, and Denmark. Commenting on the activities of the LSI, in Paris a Russian Menshevik émigré turned prominent left-wing pundit scoffed at the new International’s executive body, which he sarcastically dubbed ‘the International Socialist Cabinet’, since ‘all of its members were ministers, ex-ministers, or prospec- tive ministers of State’.1 Whether one accepted or rejected its new status, socialism’s virtually overnight transformation from an outsider to a consummate insider at the end of Europe’s first total war provided the most striking measure of the quantum leap into what can aptly be described as Europe’s ‘social democratic moment’.2 Moreover, unlike the period after Europe’s second total war, when many of socialism’s basic postulates became permanently embedded in the post-1945 social-welfare-state con- European History Quarterly Copyright © 2001 SAGE Publications, London, Thousand Oaks, CA and New Delhi, Vol. -
The Surreal Voice in Milan's Itinerant Poetics: Delio Tessa to Franco Loi
City University of New York (CUNY) CUNY Academic Works Dissertations, Theses, and Capstone Projects CUNY Graduate Center 2-2021 The Surreal Voice in Milan's Itinerant Poetics: Delio Tessa to Franco Loi Jason Collins The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/4143 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] THE SURREALIST VOICE IN MILAN’S ITINERANT POETICS: DELIO TESSA TO FRANCO LOI by JASON M. COLLINS A dissertation submitted to the Graduate Faculty in Comparative Literature in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2021 i © 2021 JASON M. COLLINS All Rights Reserved ii The Surreal Voice in Milan’s Itinerant Poetics: Delio Tessa to Franco Loi by Jason M. Collins This manuscript has been read and accepted for the Graduate Faculty in Comparative Literature in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy _________________ ____________Paolo Fasoli___________ Date Chair of Examining Committee _________________ ____________Giancarlo Lombardi_____ Date Executive Officer Supervisory Committee Paolo Fasoli André Aciman Hermann Haller THE CITY UNIVERSITY OF NEW YORK iii ABSTRACT The Surreal Voice in Milan’s Itinerant Poetics: Delio Tessa to Franco Loi by Jason M. Collins Advisor: Paolo Fasoli Over the course of Italy’s linguistic history, dialect literature has evolved a s a genre unto itself. -
SIAC HOME Files/STALINISM TRADITION and the WORKING CLASS.Pdf
Stalinism, Tradition, and the Working Class A response to comrades who honeymoon in the past DON MILLIGAN Mayday in London, 1928 2 The Dictatorship of the Proletariat There is one, only one, essential element in the Marxist critique of capitalism. It is very simple and very plain, but in it are focused all the many- faceted analyses of the capitalist order. It is this: there is a striking contradiction between the increasingly social character of the process of production and the anti-social character of capitalist property. [. ] This contradiction between the anti-social character of [private] property and the social character of our production is the source of all anarchy and irrationality in capitalism.1 Isaac Deutscher n the Marxist tradition ‘dictatorship’ means domination and, just to confuse matters, it also carries with it the Irather more conventional political meaning that refers to a state of lawless and arbitrary rule by a tyrant or an association of tyrants. In the former rather than the latter sense Marxists have always thought of capitalist society as ‘the dictatorship of the bourgeoisie’. After all, capitalist society is founded upon the defence of private property against all comers, and the state and legal system is organized to ensure that the most favourable social and political conditions for the businessman and the entrepreneur prevail. The state guarantees the right of the owners of private capital to employ workers to generate profits in order to finance a new round of private investment, and so on. Irrespective of whether or not the state or political form of capitalist rule is oligarchic, dictatorial, or democratic, Marxists in the past, and today, regard the bourgeois domination of society as ‘dictatorial’. -
And Bernardo Bertolucci's 1900
The “Betrayed Resistance” in Valentino Orsini’s Corbari (1970) and Bernardo Bertolucci’s 1900 (1976) Dominic Gavin The connections between Italian film and history have been the object of renewed attention in recent years. A number of studies have provided re-readings of Italian cinema, especially from the perspective of public memory. Charting the interrelations of cinema, the public use of history, and historiography, these studies include reevaluations of the cinema of the Resistance, the war film, the Holocaust and the Fascist dictatorship.1 The ongoing debates over Resistance memory in particular—the “never-ending liberation,” in the words of one historian—have provided a motive for reconsidering popular cultural productions as vehicles of collective perceptions of the past.2 If Italian film studies came relatively late to the issues of cinema and public memory, this approach has now become mainstream.3 In this essay, I am concerned with films on the Resistance during the 1970s. These belong to a wider grouping of contemporary cinematic productions that deal with the Fascist dictatorship and antifascism. These films raise a series of critical questions. How did the general film field contribute to the wider processing of historical memory, and how did it relate to political violence in Italy?4 To what extent did the work of Italian filmmakers participate in the “new discourse” of international cinema in the 1970s concerning the treatment of Nazism and the occupation,5 or to what extent were filmmakers engaged in reaffirming populist -
14707176.Pdf
I c/66-14 AN ESSAY ON REVISIONISM IN THE ITALIAN COMMUNIST PARTY Giorgio Galli Massachusetts Institute of Technology Center for International Studies International Communism Project The following essay explores the evolution of Italian Communist re- visionism. In general when we speak of "revisionism" in the Italian Communist Party (PCI) we usually refer to the question of whether the conquest of power is possible and of what strategy the Party puts forward in order to achieve it: the classical questions, in short, which were at the center of the first great revisionist debate in the Second International. Extensive comparisons have therefore been made between Italian "revisionism" and its classical antecedents. But first a brief review of the PCI's attitude toward the Italian Con- stitution may be illuminating. At a particularly signi icant moment in its recent history, the Eighth Congress of December 1956, the PCI approved the "Elements for a Policy Declaration" which regards the Italian Constitution that went into effect in January 1948, as an "important victory on the Italian road to Socialism," and illustrates one fundamental aspect of it in the follow- ing manner: As far as private property is concerned, it is guaranteed by law, 'with the aim of safeguarding its social function and making it accessible to all,' and it is precisely for this reason that the Constitution lays down limits for it and even provides for expro- priation, with compensation, for 'reasons of general interest.' It is not, therefore, unreasonable to state that the Republican Constitution . sets up some of the conditions which may, when they are put into effect . -
Durham E-Theses
Durham E-Theses English Folk under the Red Flag: The Impact of Alan Bush's `Workers' Music' on 20th Century Britain's Left-Wing Music Scene ROBINSON, ALICE,MERIEL How to cite: ROBINSON, ALICE,MERIEL (2021) English Folk under the Red Flag: The Impact of Alan Bush's `Workers' Music' on 20th Century Britain's Left-Wing Music Scene , Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/13924/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk 2 English Folk under the Red Flag: The Impact of Alan Bush’s ‘Workers’ Music’ on 20 th Century Britain’s Left-Wing Music Scene Alice Robinson Abstract Workers’ music: songs to fight injustice, inequality and establish the rights of the working classes. This was a new, radical genre of music which communist composer, Alan Bush, envisioned in 1930s Britain. -
Beyond the Law of Value: Class Struggle and Socialisttransformation
chapter 11 Beyond the Law of Value: Class Struggle and Socialist Transformation If only one tenth of the human energy that is now expended on reform- ing capitalism, protesting its depredations and cobbling together elect- oral alliances within the arena of bourgeois politics could be channelled instead into an effective revolutionary/transformative political practice, one suspects that the era of socialist globalization would be close at hand … The objective, historical conditions for a socialist transformation are not only ripe; they have become altogether rotten. The global capital- ist order is presently in an advanced state of decay. The vital task today is to bring human consciousness and activity – the ‘subjective factor’ – into correspondence with the urgent need to confront and transform that objective reality.1 Such was my assessment in Global Capitalism in Crisis, published in the imme- diate aftermath of the Great Recession of 2008–09. Nearly a decade on, one must concede perforce that little progress has been made in accomplishing the vital task prescribed. The capitalist class has waged a remarkably success- ful campaign to suppress the emergence of a mass socialist workers movement capable of addressing the ‘triple crisis’ of twenty-first-century capitalism that was outlined in Chapter 1. In the face of persistent global economic malaise, growing inequality, accel- erating climate change, and worsening international relations portending world war, global capitalism has avoided a crisis of legitimacy proportionate to the dangers facing humanity. This anomaly speaks volumes about the power of ideology, as deployed by the main beneficiaries of the capitalist order, to ‘obscure social reality and deflect attention from the demonstrable connec- tions that exist between the capitalist profit system and the multiple crises of the contemporary world’.2 InThe German Ideology, Marx and Engels wrote: ‘The ideas of the ruling class are in every epoch the ruling ideas: i.e. -
The “Bordigist Current”
THE “BORDIGIST CURRENT” (1919-1999) Italy, France, Belgium Philippe Bourrinet Index Introduction ...........................................................................................................5 1. The origins (1912-1926) ........................................................................................11 2. German Left or Italian Left? ...................................................................................30 3. The Birth of the Left Fraction of the PCI ..............................................................45 1933-39 Bilan. Milestones on the road to defeat 4. The Weight of the Counter-Revolution..................................................................65 5. The War in Spain: No Betrayal! .............................................................................88 6. Towards war or revolution? (1937-39) ..................................................................103 7. Balance sheet of the Russian Revolution...............................................................115 1939-45 Trial by fire 8. The ordeal of war: from fraction to party? ............................................................137 9. The “Partito Comunista Internazionalista” ...........................................................153 Conclusion..........................................................................................................167 Appendix 1 DECLARATION OF PRINCIPLES OF THE BELGIAN FRACTION OF THE INTERNATIONAL COMMUNIST LEFT...................170 Appendix 2 Manifesto of the Communist Left -
"A Road to Peace and Freedom": the International Workers Order and The
“ A ROAD TO PEACE AND FREEDOM ” Robert M. Zecker “ A ROAD TO PEACE AND FREEDOM ” The International Workers Order and the Struggle for Economic Justice and Civil Rights, 1930–1954 TEMPLE UNIVERSITY PRESS Philadelphia • Rome • Tokyo TEMPLE UNIVERSITY PRESS Philadelphia, Pennsylvania 19122 www.temple.edu/tempress Copyright © 2018 by Temple University—Of The Commonwealth System of Higher Education All rights reserved Published 2018 All reasonable attempts were made to locate the copyright holders for the materials published in this book. If you believe you may be one of them, please contact Temple University Press, and the publisher will include appropriate acknowledgment in subsequent editions of the book. Library of Congress Cataloging-in-Publication Data Names: Zecker, Robert, 1962- author. Title: A road to peace and freedom : the International Workers Order and the struggle for economic justice and civil rights, 1930-1954 / Robert M. Zecker. Description: Philadelphia : Temple University Press, 2018. | Includes index. Identifiers: LCCN 2017035619| ISBN 9781439915158 (cloth : alk. paper) | ISBN 9781439915165 (paper : alk. paper) Subjects: LCSH: International Workers Order. | International labor activities—History—20th century. | Labor unions—United States—History—20th century. | Working class—Societies, etc.—History—20th century. | Working class—United States—Societies, etc.—History—20th century. | Labor movement—United States—History—20th century. | Civil rights and socialism—United States—History—20th century. Classification: LCC HD6475.A2 -
Capitalism Has Failed — What Next?
The Jus Semper Global Alliance In Pursuit of the People and Planet Paradigm Sustainable Human Development November 2020 ESSAYS ON TRUE DEMOCRACY AND CAPITALISM Capitalism Has Failed — What Next? John Bellamy Foster ess than two decades into the twenty-first century, it is evident that capitalism has L failed as a social system. The world is mired in economic stagnation, financialisation, and the most extreme inequality in human history, accompanied by mass unemployment and underemployment, precariousness, poverty, hunger, wasted output and lives, and what at this point can only be called a planetary ecological “death spiral.”1 The digital revolution, the greatest technological advance of our time, has rapidly mutated from a promise of free communication and liberated production into new means of surveillance, control, and displacement of the working population. The institutions of liberal democracy are at the point of collapse, while fascism, the rear guard of the capitalist system, is again on the march, along with patriarchy, racism, imperialism, and war. To say that capitalism is a failed system is not, of course, to suggest that its breakdown and disintegration is imminent.2 It does, however, mean that it has passed from being a historically necessary and creative system at its inception to being a historically unnecessary and destructive one in the present century. Today, more than ever, the world is faced with the epochal choice between “the revolutionary reconstitution of society at large and the common ruin of the contending classes.”3 1 ↩ George Monbiot, “The Earth Is in a Death Spiral. It will Take Radical Action to Save Us,” Guardian, November 14, 2018; Leonid Bershidsky, “Underemployment is the New Unemployment,” Bloomberg, September 26, 2018. -
Livio Maitan Bio-Bibliographical Sketch
Lubitz' TrotskyanaNet Livio Maitan Bio-Bibliographical Sketch Contents: Basic biographical data Biographical sketch Selective bibliography Sidelines, notes on archives Basic biographical data Name: Livio Maitan Other names (by-names, pseud. etc.): Claudio ; Domingo ; Fausto ; Claudio Giuliani ; L.M. ; Libero ; Livio ; Claudio Mangani ; Mario Date and place of birth: April 1, 1923, Venezia [Venice] (Italy) Date and place of death: September 16, 2004, Roma [Rome] (Italy) Nationality: Italian Occupations, careers, etc.: historian, lecturer, journalist, translator, editor, party leader, professional revolutionary Time of activity in Trotskyist movement: 1947 - 2004 (lifelong Trotskyist) Biographical sketch This short biographical sketch is chiefly based upon autobiographical notes which Livio Maitan sent to me on request in 1996 and on some of the obituaries listed below (see Selective bibliography: Books and articles about Maitan, below). Livio Maitan – together with Ernest Mandel and Pierre Frank the European top-leader and chief the- oretician of the Fourth International (International/United Secretariat) during the 1950s-1980s – was born in Venezia (Venice) on April 1, 1923 as a son of a teacher and a housewife. Maitan got married in 1954 and was divorced in 1983; he had two sons, Gianni (b. 1959) and Marco (b. 1963). In 1942, when studying classical literature (Greek and Latin) at the University of Padua, he became active in the anti-fascist resistance movement and in 1943 he joined the illegal PSIUP (Partito So- cialista Italiano di Unità Proletaria, Italian Socialist Party of Proletarian Unity). In 1944 he was sen- tenced by a fascist court, escaped to Switzerland and had to spent several months in internment camps there before he could return to Italy in May 1945.