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From the Woman in White to La Donna in Bianco Saverio Tomaiuolo
Screening Collins in (and out of) Italy: from The Woman in White to La donna in bianco Saverio Tomaiuolo Abstract The Woman in White is an intrinsically visual narrative, in which images are as excessive as its themes. In light of the impact and influence of theatricality and of melodrama on Collins’s novel, visuality and sensation are thus constantly aligned in this narrative, which addresses its audience through a constant reference to the powerful appeal on the mind (and imagination) of the sensorial organ of sight. The first- rate value attributed by Collins to optical perception may be considered one of the reasons why many of his texts, and in particular The Woman in White, have had a fruitful visual afterlife on TV and cinema. After introducing a selection of movies and of TV renditions of Collins’s most famous novel, my essay will focus on its Italian adaptation, broadcast with the title of La donna in bianco on the National Public Broadcasting Company (RAI) in 1980. A common denominator in almost all screen translations of Collins’s story is their focusing on marital brutality, women’s legal imbalance, and female assertiveness. In this sense, my analysis aims at showing that Collins’s visual narrative succeeded in addressing its Italian audience in a specific historical, political and cultural phase of the nation’s history, during which divorce as well as social and domestic violence (including the inhumane treatment of the insane) were still cogent issues. Key Words Wilkie Collins; The Woman in White; divorce; domestic violence; La donna in bianco; Italian television; adaptation; treatment of the insane; RAI; BBC. -
The Dracula Film Adaptations
DRACULA IN THE DARK DRACULA IN THE DARK The Dracula Film Adaptations JAMES CRAIG HOLTE Contributions to the Study of Science Fiction and Fantasy, Number 73 Donald Palumbo, Series Adviser GREENWOOD PRESS Westport, Connecticut • London Recent Titles in Contributions to the Study of Science Fiction and Fantasy Robbe-Grillet and the Fantastic: A Collection of Essays Virginia Harger-Grinling and Tony Chadwick, editors The Dystopian Impulse in Modern Literature: Fiction as Social Criticism M. Keith Booker The Company of Camelot: Arthurian Characters in Romance and Fantasy Charlotte Spivack and Roberta Lynne Staples Science Fiction Fandom Joe Sanders, editor Philip K. Dick: Contemporary Critical Interpretations Samuel J. Umland, editor Lord Dunsany: Master of the Anglo-Irish Imagination S. T. Joshi Modes of the Fantastic: Selected Essays from the Twelfth International Conference on the Fantastic in the Arts Robert A. Latham and Robert A. Collins, editors Functions of the Fantastic: Selected Essays from the Thirteenth International Conference on the Fantastic in the Arts Joe Sanders, editor Cosmic Engineers: A Study of Hard Science Fiction Gary Westfahl The Fantastic Sublime: Romanticism and Transcendence in Nineteenth-Century Children’s Fantasy Literature David Sandner Visions of the Fantastic: Selected Essays from the Fifteenth International Conference on the Fantastic in the Arts Allienne R. Becker, editor The Dark Fantastic: Selected Essays from the Ninth International Conference on the Fantastic in the Arts C. W. Sullivan III, editor Library of Congress Cataloging-in-Publication Data Holte, James Craig. Dracula in the dark : the Dracula film adaptations / James Craig Holte. p. cm.—(Contributions to the study of science fiction and fantasy, ISSN 0193–6875 ; no. -
Lacon 1 Film Program
BY WAY OF INTRODUCTION This film program represents for the most part an extremely personal selection by me, Bill Warren, with the help of Donald F. Glut. Usually convention film programs tend to show the established classics -- THINGS TO COME, METROPOLIS, WAR OF THE WORLDS, THEM - and, of course, those are good films. But they are seen so very often -- on tv, at non-sf film programs, at regional cons, and so forth -- that we decided to try to organize a program of good and/or entertaining movies that are rarely seen. We feel we have made a good selection, with films chosen for a variety of reasons. Some of the films on the program were, until quite recently, thought to be missing or impossible to view, like JUST IMAGINE, TRANSATLANTIC TUNNEL, or DR JEKYLL AND MR. HYDE. Others, since they are such glorious stinkers, have been relegated to 3 a.m. once-a-year tv showings, like VOODOO MAN or PLAN 9 FROM OUTER SPACE. Other fairly recent movies (and good ones, at that) were, we felt, seen by far too few people, either due to poor distribution by the releasing companies, or because they didn't make enough money to ensure a wide release, like TARGETS or THE DEVIL'S BRIDE. Still others are relatively obscure foreign films, a couple of which we took a sight-unseen gamble on, basing our selections on favorable reviews; this includes films like THE GLADIATORS and END OF AUGUST AT THE HOTEL OZONE. And finally, there are a number of films here which are personal favorites of Don's or mine which we want other people to like; this includes INTERNATIONAL HOUSE, MAD LOVE, NIGHT OF THE HUNTER, RADIO RANCH, and SPY SMASHER RETURNS. -
Calendar of Cultural Events 2003
CCaalleennddaarr ooff CCuullttuurraall EEvveennttss SLOVAK TOURIST BOARD 22000033 JANUARY 2003 24th January THE BLESSING OF YOUNG WINES - the social event in Západoslovenské Museum the place of the event: Trnava, the address: Trhová 3, Trnava Tel: +421/ 33/ 5906 111 26th January THE St. PAUL´S CONVERSION FEAST - the social event the contact: Municipal Office in Nevidzany Tel.: +421/ 37/ 634 32 21 THE CITY DANCE FESTIVAL - the 12th dance festival the place of the event: Robotnícky dom, Banská Bystrica Tel.: +421/ 48/ 414 24 72 EUROPE IN LEVICE - the presentation of European countries with international participation the place of the event: Mestské kultúrne stredisko(the City Culture Centre), address: Sládkovičova 2, 934 01 Levice Tel: +421/ 36/ 631 24 67, Fax: +421/ 36/ 631 28 22 1 FEBRUARY 2003 14th – 16th February THE St. VALENTINE´S WEEKEND AT THE CASTLE – THE KISS 2003 - a guided tour through the castle enlighted by the spirit of St. Valentine, love stories, games, competitions and duels of chosen couples, St. Valentine´s night at the castle with refreshments for two, and other surprises the place of the event: The Bojnice Castle, the contact person: Ms. Adriana Jelenekova, the address: Hrad Bojnice, 972 01 Bojnice Tel.: +421/ 46/ 543 06 24, 543 06 33, Fax: +421/ 46/ 543 00 51 E-mail: [email protected] , http://www.bojnicecastle.sk 28th February – 2nd March FISHING - specialized exhibition address: Incheba a.s., Viedenská cesta 7, 852 51 Bratislava 5 Tel.: +421/ 2/ 672 71 111, Fax: +421/ 2/ 672 72 055 E-mail: [email protected] , http://www.incheba.sk THE MOST BEAUTIFUL CALENDAR OF SLOVAKIA 2002 - the 11th annual exhibition of calendars about Slovakia the place of the event: Štátna vedecká knižnica (State Scientist Library), address: Lazovná č. -
Univerzita Palackého V Olomouci Filozofická Fakulta Katedra Anglistiky a Amerikanistiky Hana Zámečníčková the Metamorphos
Univerzita Palackého v Olomouci Filozofická fakulta Katedra anglistiky a amerikanistiky Hana Zámečníčková The Metamorphosis of the Character of Count Dracula during the Century Bakalářská práce Studijní obor: anglická filologie Vedoucí práce: PhDr. Libor Práger, Ph.D Olomouc 2013 Prohlašuji, že jsem tuto bakalářskou práci vypracovala samostatně a uvedla úplný seznam citované a použité literatury. V Olomouci dne ............................. .................................. Table of contents: 1 Introduction.......................................................................................................................1 1.1 Dracula as a subject of study.................................................................................2 2 Dracula in the novel..........................................................................................................6 2.1 The visual appearance of Count Dracula...............................................................6 2.2 Dracula's Personality.............................................................................................7 2.3 Dracula as a supernatural being.............................................................................8 2.4 Dracula as a metaphor..........................................................................................11 3 Dracula emerges on screen.............................................................................................15 3.1 Dracula in the 1920s............................................................................................15 -
Good to Know, Better to See ! Kysuc Orav" Mal Fatr" 50
EN Good to know, better to see ! Kysuc Orav" Mal Fatr" 50. BABIA HORA Rajeck Liptov dolin" Turie# 47. HVIEZDOSLAVOVA Čierne HÁJOVŇA Oravská 9. TROJMEDZIE Polhora 59. KAMENNÉ GULE k é BRATISLAVA e s k y v s u c k B d r a y d K y s O s k Klin 60. SNOWPARADISE e 46. KLIN 58. ROPNÝ PRAMEŇ ČADCA VEĽKÁ RAČA B Oščadnica 45. Korňa 16. HISTORICKÉ MOSTY NÁMESTOVO SLANICKÝ OSTROV UMENIA TURZOVKA 48. ORAVSKÁ KRÁSNO 55. MÚZEUM KYSUCKEJ LESNÁ ŽELEZNICA 57. MARIÁNSKE PÚTNICKÉ DEDINY VO VYCHYLOVKE MIESTO ŽIVČÁKOVÁ NAD KYSUCOU Stará 8. 61. BESKYDSKO Bystrica HISTORICKÁ LESNÁ í k ÚVRAŤOVÁ ŽELEZNICA Oravská Lesná 42. KOSTOL o r n –JAVORNÍCKA LYŽIARSKA VŠETKÝCH SVÄTÝCH TRSTENÁ J a v BEŽECKÁ MAGISTRÁLA Nová Bystrica # 56. SLOVENSKÝ ORLOJ u r M a g TVRDOŠÍN KYSUCKÉ s k " NOVÉ O r a v MESTO 1. ORAVSKÝ HRAD 44. MÚZEUM ORAVSKEJ 52. 54. 6. HRAD BUDATÍN 21. JÁNOŠÍKOVE DNI SKI PARK Oravský PODROHÁČSKE DEDINY V ZUBERCI A EXPOZÍCIA DROTÁRSTVO KUBÍNSKA HOĽA Podzámok FOLKLÓRNE 49. BRESTOVSKÁ Belá 5. JÁNOŠÍKOVE SLÁVNOSTI JASKYŇA 13. SOBÁŠNY PALÁC 18. STRANÍK Terchová DIERY 10. PLTE NA ORAVE Zuberec 53. ROHÁČE –SPÁLENÁ BYTČA 14. BURIANOVA VEŽA 19. VRÁTNA FREE 51. AQUARELAX ŽILINA 15. KATAKOMBY 17. BELSKÉ TIME ZONE DOLNÝ KUBÍN SKALY DOLNÝ KUBÍN 43. DREVENÝ ARTIKULÁRNY 7. ROHÁČSKE PLESÁ 20. NOVÁ 11. HRAD STREČNO 25. SÚĽOVSKÉ SYNAGÓGA EVANJELICKÝ KOSTOL LEŠTINY Z SKALY 10. PLTE NA VÁHU Leštiny á 12. LIETAVSKÝ Strečno p a HRAD C d n Súľov-Hradná hoc T a 26. STRATENÝ ˇsk t RAJECKÉ F a t r # vrch r BUDZOGÁŇ TEPLICE a l " M 35. -
Sigismund of Luxembourg's Pledgings in Hungary
DOI: 10.14754/CEU.2018.10 Doctoral Dissertation “Our Lord the King Looks for Money in Every Corner” Sigismund of Luxembourg’s Pledgings in Hungary By: János Incze Supervisor(s): Katalin Szende, Balázs Nagy Submitted to the Medieval Studies Department, and the Doctoral School of History Central European University, Budapest in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Medieval Studies, and for the degree of Doctor of Philosophy in History CEU eTD Collection Budapest, Hungary 2018 DOI: 10.14754/CEU.2018.10 Table of Contents Introduction ..................................................................................................................................... 3 Chapter 1. Pledging and Borrowing in Late Medieval Monarchies: an Overview ......................... 9 Western Europe ......................................................................................................................... 11 Central Europe and Scandinavia ............................................................................................... 16 Chapter 2. The Price of Ascending to the Throne ........................................................................ 26 Preceding events ....................................................................................................................... 26 The Váh-Danube interfluve under Moravian rule .................................................................... 29 Regaining the territory ............................................................................................................. -
Dracula: the Music and Film
October 1999 Brooklyn Academy of Music 1999 Next Wave Festival BAMcinematek Brooklyn Philharmonic 651 ARTS Jennifer Bartlett, House: Large Grid, 1998 BAM Next Wave Festival sponsored by PHILIP MORRIS ~lA6(Blll COMPANIES INC. Brooklyn Academy of Music Bruce C. Ratner Chairman of the Board Karen Brooks Hopkins Joseph V. Melillo President Executive Prod ucer presents in association with Universal Pictures Dracula: the Music and Film Running time: BAM Opera House approximately 1 hour October 26 and 27, 1999, at 7:30 p.m. and 25 minutes, with Original Music Philip Glass no intermission Performed by Philip Glass and Kronos Quartet Violin David Harrington Violin John Sherba Viola Hank Dutt Cello Jennifer Culp Conductor Michael Riesman Music Production Kurt Munkasci Scenery and Lighting Designer John Michael Deegan Sound Designer Mark Grey Producer Linda Greenberg Tour Management Pomegranate Arts © Dunvagen Music Publishers, Inc. Dracula: The Music and Film has been made possible with the generous support of Universal Family & Home Entertainment Productions, and Universal Studios Home Video. Technical support for the development of Dracula: The Music and Film was provided by The John Harms Center for the Arts, Englewood, New Jersey. Film sound equipment donated by Dolby Laboratories, Inc. Additional loud speakers provided by Meyer Sound Laboratories, Berkeley, California. 17 • • thp 1\/11 I,ir ~ nrl ~i Im Production Manager Doug Witney Aud io Engineer Mark Grey Production Stage Manager, Lighting Supervisor Larry Neff Company Manager Carol Patella Music Production Euphorbia Productions Stylist Kasia Walicka Maimone Assistant Stylist Stacy Saltzman Press Representation Annie Ohayon and Reyna Mastrosimone, Annie Ohayon Media (New York, New York) Kronos Quartet Managing Director Janet Cowperthwaite Associate Director Laird Rodet Technical Director Larry Neff Business Manager Sandie Schaaf Office Manager Leslie Mainer Assistant to Managing Director Ave Maria Hackett Record ing Projects Coord inator Sidney Chen PO. -
Dracula Please Visit Us Online At
Joe Coe* (Assistant to the Production Manager) OUR SPONSORS ABOUT CENTER REPERTORY COMPANY This is Joe’s third season with Center REP and he couldn’t be happier to be a part of such an amazing Chevron (Season Sponsor) has been the leading Center REP is the resident, professional theatre ENTER ERTORY OMPANY OF ALNUT REEK team of professionals and friends! Joe has had corporate sponsor of Center REP and the Lesher company of the Lesher Center for the Arts. Our C REP C W C the pleasure of working with such companies Center for the Arts for the past nine years. In season consists of eight productions a year – a Michael Butler, Artistic Director Scott Denison, Managing Director as Berkeley Repertory Theatre, American fact, Chevron has been a partner of the LCA variety of musicals, dramas and comedies, both Conservatory Theatre, Summer Repertory since the beginning, providing funding for classic and contemporary, that continually strive Theatre, Suicide Kings touring production of capital improvements, event sponsorships and to reach new levels of artistic excellence and presents In Spite of Everything, Boston Conservatory, more. Chevron generously supports every professional standards. SpeakEasy Stage Company, and Jose Mateo Center REP show throughout the season, and Ballet Theatre. Joe would like to thank all of his is the primary sponsor for events including Our mission is to celebrate the power of the colleagues here at the LCA for a great season and the Chevron Family Theatre Festival in July. human imagination by producing emotionally for making it such a joy to work here! Chevron has proven itself not just as a generous engaging, intellectually involving, and visually supporter, but also a valued friend of the arts. -
Expressionism and Bram Stoker╎s Dracula on the Stage
Susquehanna University Scholarly Commons Senior Scholars Day Apr 28th, 12:00 AM - 12:00 AM At the Mercy of Monsters: Expressionism and Bram Stoker’s Dracula on the Stage Nicholas Cardillo Follow this and additional works at: https://scholarlycommons.susqu.edu/ssd Part of the Dramatic Literature, Criticism and Theory Commons, Literature in English, British Isles Commons, and the Theatre History Commons Cardillo, Nicholas, "At the Mercy of Monsters: Expressionism and Bram Stoker’s Dracula on the Stage" (2020). Senior Scholars Day. 32. https://scholarlycommons.susqu.edu/ssd/2020/posters/32 This Event is brought to you for free and open access by Scholarly Commons. It has been accepted for inclusion in Senior Scholars Day by an authorized administrator of Scholarly Commons. For more information, please contact [email protected]. Cardillo 1 Nick Cardillo Dr. Andes Dramatic Theory & Criticism 16 April 2019 At the Mercy of Monsters: Expressionism and Bram Stoker’s Dracula on the Stage Bram Stoker’s novel, Dracula, is today considered a cornerstone of horror fiction. From its pages sprang one of literature’s most enduring creations and today Count Dracula is known the world over as a figure of not only the printed word, but the silver screen and beyond. Count Dracula has taken on a life of his own; a character so clearly defined in the public consciousness that he is no longer tethered to the Gothic genre alone and who has become a figure of both parody and horrific reverence. Among Dracula’s many forays into mediums of visual art are several plays all of which seek to put Bram Stoker’s characters (if not his entire original story) on the stage and dramatize horror. -
1. Information System of Important Geosites in the Slovak Republic
LOVAK 18 (2018) • 1 Content SGEOLOGICAL MAGAZINE ISSN 1335-096X IMPORTANT GEOLOGICAL AND MONTANISTIC SITES OF SLOVAKIA Content Preface List of Acronyms 1. Liščák, P. & Antalík, M.: Information System of Important Geosites in the Slovak Republic .....................................5 2. Ozdín, D. & Kúšik, D.: Mineralogical Heritage of Slovakia – A Significant Contribution to Knowledge of Minerals in the World ......................................................................................................................69 3. Sombathy, E., Kúšik, D. & Mižák, J.: Slovak Mining Road ........................................................................................83 COVER: Left-up: Lava flows of pyroxenic andesite with conspicuous columnar jointing in the area of the hill Štangarígeľ (pen-and- ink drawing by Vlastimil Konečný). Right-up: A ceremonial visit to the Glanzenberg Hereditary Adit. Left-down: A qualitatively exceptional sample (10 x 6 cm) of the emerald-green euchroite from the Ľubietová – Svätodušná deposit. The size of the euchroite crystals is up to 2 cm. Finding of 2003 (Photo: T. Bancík). Right-down: Memorial Plaque commemorating a visit of Francis I, Holy Roman Emperor, spouse of Maria Theresa, to the Glanzenberg Hereditary Adit on June 7, 1751. Edited by: RNDr. Pavel Liščák, CSc. Mgr. Dušan Kúšik, PhD. Reviewers: RNDr. Boris Antal, CSc. Assoc. Prof. Štefan Ferenc, PhD. RNDr. Martina Moravcová, PhD. © State Geological Institute of Dionýz Štúr Bratislava 2018, Slovak Republic ISSN 1335-096X Preface Important Geological and Montanistic Sites of Slovakia Since the restoration of the Slovak Geological Magazine issuing in 2013 there has been published wide spectrum of themes covering both basic and applied research in geology. However, the theme of geoheritage and geotourism has not been covered yet, despite the SGIDŠ workers have significantly contributed also to this booming sector of geological science. -
Castles in Žina Region Žiký Turcký Kraj 1 Budín Castle
EN Castles in Žina region Žiký turcký kraj www.zilinskyturistickykraj.sk 1 Budín Castle The history of the castle dates back to the mid-13th Century. It was constructed in order to serve as a point of control of the most important trade routes leading along the rivers Váh and Kysuca. The oldest part of the castle is a cylindrical tower, which originally formed the entire castle. It was surrounded by low circuit Katarína Suňogová was walled up in the walls with a moat, probably traversed by a drawbridge. Budatín Castle is there - Did you tower of Budatín Castle? The order to fore included in the list of the so-called water castles in Slovakia. know... ? wall her up came from her own father be - The castle's ownership passed through the hands of several proprietors, e.g. cause she refused to marry Ján Jakušič, a Matthew Csák of Trenčín, the Balassa family and the Csáky family. The last pro - groom her father had chosen for her. Instead, Ka - tarína loved a knight named Fraňo Forgáč, who rescued prietor, Count Gejza Csáky, was the owner of the castle until 1945. Since 1953 Katarína from her prison. When Jakušič found out about Budatín Castle has housed the Považie Museum in Žilina. the rescue, he challenged him to a duel. Fraňo was killed An integral part of Budatín Castle is the tinker craft – a Slovak phenomenon. during the duel and Katarína had no choice but to marry The permanent exhibition of tinker crafts is the only specialised exhibition of its Jakušič – the man she didn’t love and the man who had kind in the world.