DOCSLIB.ORG

Information to Users

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Information to Users INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quaiity of the copy submitted. Broken or indistinct print, colored or poor quality Illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Photographs included in the original manuscript have been reproduced xerogtaphically in this copy. Higher quality 6" x 9* black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. ProQuest Information and Learning 300 North Zeeb Road, Ann Arbor. Ml 48106-1346 USA 800-521-0600 UMÏ TRACES OF DISSENT: PERSIÜS AND THE SATIRE OF NERO'S GOLDEN AGE DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy m the Graduate School of The Ohio State University By Peter John Nani, B.A., M.A. ***** The Ohio State University 2001 Dissertation Committee: Professor Kirk Freudenburg, Adviser Professor William W. Batstone Adviser Professor Frank T. Coulson Department of Greek and Latm UMI Number 3031235 Copyright 2001 by Nani, Peter John Ail rights reserved. UMI* UMI Microform 3031235 Copyright2002 by Bell & Koweït Information and Learning Company. All rights reserved. This microform edition is protected against unauthorized copying under Title 17, United States Code. Bell & Howell Information and Learning Company 300 North Zeeb Road P.O. Box 1346 Ann Arbor, Ml 48106-1346 Copyright by Peter [ohn Nani 2001 ABSTRACT While Horace's Sermones play a prominent role in Persius' Satires, other poetic voices filter into these poems that have gone unnoticed. They are fimdamental to the way Persius negotiates a place for his satires both inside the traditions of formal verse satire and invective, and in opposition to the Neronian literary climate. Nero's presence in Persius' satires is cued by external poetic voices that figure into the way in which Persius formulates the problem of writing under Nero. It is no coincidence that these voices issue fi:om poems where Persius refers to the practices of poetic composition, the prologue and Satires 3 and 5. I focus my study on these poems. Studies of the prologue fail to recognize how Persius' choice of the choliambic meter figures into the makeup of his persona as a poetic outsider. I demonstrate how, in adopting this meter, Persius taps into the ethos of the meter's creator, Hipponax, who also asserted his poetic independence. This claim to poetic independence factors into the prologue where Persius condemns the Neronian literary scene, beholden to Nero's Alexandrian tastes. Scholars have generally overlooked the role the pastoral world plays in Persius' third satire. The ingratiatory Eclogues of Calpumius Siculus offer an ii example of how pastoral under Nero becomes a vehicle for disseminating Neronian Golden Age propaganda. Persius^ third satire responds to this "Calpumian" pastoral voice. In the fifth satire, Persius dismisses trite literary motifs of tragedy, the poetic tradition most actively re-appropriated by Nero, the emperor- performer in the late 50s and 60s A.D. I argue that Persius draws upon his own more overtly "political" voices &om S. 1 and S. 3 to criticize contemporary tragedy for its enslavement to Nero's literary tastes. I show that Nero's patronage of literature posed a considerable problem for Persius, and an excellent opportunity for satire. The difficulties of writing under Nero is a problem that Persius returns to repeatedly. Apart from the Horafian voice featured throughout Persius' poems, other voices filter into his satires which figure into the ways he responds to the contemporary literary scene. Ill To my mother and the memory of my father IV ACKNOWLEDGMENTS There are many to whom I owe a great debt of gratitude for their assistance with various aspects of this dissertation. Writing a dissertation on Roman satire, I could not have been more fortunate than having Kirk Freudenburg as my adviser. His knowledge and keen insights have not only shaped my understanding of satire and Roman literature in general, but they have greatly influenced my own ideas on Persius that form the basis for this project. To him, I owe great thanks. I am also very grateful to the other members of my committee: Will Batstone and Frank Coulson. Throughout my studies at Ohio State, Will has always challenged me to think critically and to read sensitively. I have learned greatly ftom him. Frank first introduced me to Persius in the Spring of 1995 in his Latin 703 course. He has added far more to this dissertation than "making sure all the Fs are dotted." There are others who have provided support in graduate school and throughout the writing process. These individuals in their own way have made this project more bearable. My heartfelt thanks are owed to Ben Weaver for his encouragement and good humor; to Sean and Nicole Wellington for their warm hospitality, fidendship, and levity; to Eric Schwendeman for his wit and readiness to provide a synonym when I was looking for just the right word; and especially to Katherine Panagakos for helping in innumerable ways, particularly for nagging me to get this firüshed. I owe a great deal of thanks to my brothers and sisters who have all provided love and encouragement throughout the years: Dave, Judy, Jane, Steve, and Kathy. Finally, I owe my deepest gratitude to the love and support of my parents who sacrificed a great deal to ensure that all of their children received outstanding educations. I am truly fortunate to have been raised in a household where great value was placed on learning. So it is to my mother and to the memory of my father that I dedicate this dissertation. vr VITA August 22,1970...............................Bom -Laglewood, California 1992 B,A. Classics, University of Notre Dame 1994................................................. M.A. Classical Studies, Tulane University 1994 - present ................................ .Graduate Teaching Associate, The Ohio State University FIELDS OF STUDY Major Field: Greek and Latin VII TABLE OF CONTENTS Abstract....................................................................................................................ü Dedication ...............................................................................................................iv Acknowledgments -------------------------------------------------------------------------- .v Vita........................................................................................................................ vii titroduction ___________________________ 1 Chapters: 1. Persius^ Prologue and the Iambic Tradition ....................................................10 2. The Pastoral World of Satire 3 ........................................................................ 76 3. Feasts and Freedom in Satire 5. ................................ 130 4. Conclusion ------------------------------------------------------------------------------180 Bibliography----------------------------------------------- 185 v in INTRODUCTION The Roman satiric poet Auies Persius Flaccus ("Persius") died of a stomach disorder on November 24, A.D. 62, ten days shy of his twenty-eighth birthday. What we know about his life largely depends on his Vita attributed to the first century grammarian Probus. According to this brief account, if it can be trusted, Persius was a Roman knight, connected by birth and marriage to some of the most eminent men at Rome. While he was a young boy, his father died, as did his step-father. At the age of sixteen, he began studying under Annaeus Comutus, a prominent teacher of Stoicism, and remained devoted to him thereafter. A shy and gentle man devoted to his mother, sister, and aunt, Persius also associated with leading poets of the day, particularly the lyric poet Caesius Bassus, the dedicatee of his sixth satire. Bassus^ lyrics, which Quintilian ranks as second to those of Horace, no longer survive. We are also told that Persius was a Mend of the poet Lucan, once a close associate of Nero, whose epic on the civil war between Caesar and Pompey is commonly believed to have caused his rift with the emperor that subsequently led to his death. Late in life, Persius is said to have known Seneca but to have been unimpressed by his talent. Persius' six satires and fourteen line choliambic prologue are the rather curious legacy he has left to us. Often faulted for their obscure metaphors and density of expression, these poems are among the most difficult (if not at times the most impenetrable) in all of Roman poetry. Yet, he tells us in these poems that they are to be read as "satire" in the tradition(s) of Ludlius and Horace, a debt he acknowledges explicitly at the end of his first satire and "intertextually" in his nearly every line. We know firom his
Load more

Recommended publications
  • Caesars and Misopogon: a Linguistic Approach of Flavius Claudius Julianus’ Political Satires
    The Buckingham Journal of Language and Linguistics 2015 Volume 8 pp 107-120 CAESARS AND MISOPOGON: A LINGUISTIC APPROACH OF FLAVIUS CLAUDIUS JULIANUS’ POLITICAL SATIRES. Georgios Alexandropoulos [email protected] ABSTRACT This study examines the linguistic practice of two political satires1 (Misopogon or Beard - Hater and Caesars) written by Flavius Claudius Julian2 the Emperor. Its purpose is to describe the way that Julian organizes the coherence and intertextuality of his texts and to draw conclusions about the text, the context of the satires and Julian’s political character. 1. INTRODUCTION Misopogon or Beard - Hater3, is a satirical essay and Julian’s reply to the people of Antioch who satirized him in anapestic verses and neglected his way of political thinking. The political ideology he represented was repelled by the Syrian populace and the corrupt officials of Antioch. Caesars is a Julian’s satire, in which all the emperors reveal the principles of their character and policy before the gods and then they choose the winner. Julian writes Caesars in an attempt to criticize the emperors of the past (mainly Constantine) whose worth, both as a Christian and as an emperor, Julian severely questions. He writes Misopogon when he decides to begin his campaign against the Persians. When he tried to revive the cult relative to ancient divine source of Castalia at the temple of Apollo in the suburb of Daphne, the priests mentioned that the relics of the Christian martyr Babylas prevented the appearance of God. Then Julian committed the great error to order the removal of the remains of the altar and thus they were accompanied by a large procession of faithful Christians.
    [Show full text]
  • 2012.02.01 Jeffrey RUSTEN, the Birth of Comedy
    CJ -Online, 2012.02.01 BOOK REVIEW The Birth of Comedy: Texts, Documents, and Art from Athenian Comic Competitions, 486–280 . Edited by Jeffrey RUSTEN . Baltimore and London: Johns Hopkins University Press, 2011. Pp. xx + 794. Hardcover, $110.00/£57.00. ISBN 978-0- 8018-9448-0. The world of Greek comedy has always been a mysterious universe for amateurs. The naive enthusiasm of Renaissance intellectuals, who, immediately after the publication of the editio princeps of the eleven Aristophanic comedies, edited their complete translations (without footnotes!) in Latin (Andreas Divus) and Italian (the Rositini brothers), has decreased as time has passed. In contrast to the fate of Greek tragedies, Aristophanes’ and Menander’s comedies have always been rare- ly performed; even the most recent translations cannot refrain from using ex- planatory notes if they want their readers to understand the nuances of the Greek text. Apart from the two main authors, the other comic poets (Cratinus, Eupolis, Alexis, Diphilus, Philemon) are almost unknown, in spite of the good reputation they had in the ancient world. From this point of view the difference with tragedy is even greater: among the majority of people, the three tragic poets of the fifth century BCE enjoy a much wider popularity than the single representative of ancient Greek comedy; Menander’s popularity (a fairly recent one, based on the papyrological discoveries of the last century) cannot compete with that of his Roman followers, Plautus and Terence. But things are changing: since the end
    [Show full text]
  • The Cult of Glykon of Abonuteichos from Lucian of Samosata to Cognitive Science
    Cultural and Religious Studies, June 2020, Vol. 8, No. 6, 357-365 doi: 10.17265/2328-2177/2020.06.004 D D AV I D PUBLISHING Building the Supernatural: The Cult of Glykon of Abonuteichos From Lucian of Samosata to Cognitive Science Guido Migliorati Università Cattolica del Sacro Cuore, Brescia, Italy We can argue that the making and the spread of the cult of Glykon of Abonuteichos can be explained through a cognitivist template. Lucian of Samosata’s Pseudomantis booklet and the material evidence, which testifies to the building and the spread of Glykon’s cult by Alexander of Abonuteichos, belong to a historical context characterized by instability, deadly epidemics and military pressure. It is a historical context, therefore, in which people feel reality with anxiety; one of the reactions is the growing up of the belief in prophylactic and prophetic cults, capable to protecting and forecasting. Since Lucian had pointed out that fear and hope were the forces that dominated the lives of men, just as the same had denounced that Alexander of Abonuteichos was ready to exploit those forces to his advantage, the cult of Glykon could be labeled as a trick. However, cognitive science and specifically the hard-wired brain circuit research may offer an alternative explanation: the interaction between potential risk of low probability, but high impact events (unstoppable irruptions of the Germans, or generalized impotence against the spread of disease) can impact on the hard-wired brain circuit activity capable of keeping social and individual anxiety, implicitly conditioning mentality and behavior of a religious “entrepreneur” and consumers, both concerned about protection and forecasting, fear and hope.
    [Show full text]
  • The Burial of the Urban Poor in Italy in the Late Republic and Early Empire
    Death, disposal and the destitute: The burial of the urban poor in Italy in the late Republic and early Empire Emma-Jayne Graham Thesis submitted for the degree of Doctor of Philosophy Department of Archaeology University of Sheffield December 2004 IMAGING SERVICES NORTH Boston Spa, Wetherby West Yorkshire, LS23 7BQ www.bl.uk The following have been excluded from this digital copy at the request of the university: Fig 12 on page 24 Fig 16 on page 61 Fig 24 on page 162 Fig 25 on page 163 Fig 26 on page 164 Fig 28 on page 168 Fig 30on page 170 Fig 31 on page 173 Abstract Recent studies of Roman funerary practices have demonstrated that these activities were a vital component of urban social and religious processes. These investigations have, however, largely privileged the importance of these activities to the upper levels of society. Attempts to examine the responses of the lower classes to death, and its consequent demands for disposal and commemoration, have focused on the activities of freedmen and slaves anxious to establish or maintain their social position. The free poor, living on the edge of subsistence, are often disregarded and believed to have been unceremoniously discarded within anonymous mass graves (puticuli) such as those discovered at Rome by Lanciani in the late nineteenth century. This thesis re-examines the archaeological and historical evidence for the funerary practices of the urban poor in Italy within their appropriate social, legal and religious context. The thesis attempts to demonstrate that the desire for commemoration and the need to provide legitimate burial were strong at all social levels and linked to several factors common to all social strata.
    [Show full text]
  • Snakes on Ancient Coins by Peter E
    Snakes on Ancient Coins by Peter E. Lewis An albino reticulated python (Wikimedia Commons). NAKES have always had an aura of In Judaism and Christianity there was needed healing travelled to Epidaurus Smystery and danger about them, and a tendency to see snakes as evil. This from all over the Greek and Roman world. in ancient times people were fascinated was because in the book of Genesis a In his temple Asclepius was shown with by them. It is therefore not surprising snake represents Satan and tempts Eve his hand on the head of a snake, indi - that snakes feature in Greco-Roman to disobey God. But the ancient Greeks cating that it was his agent. ( Figure 4 ) religion and that they appear commonly and Romans had a positive view of On a coin of Epidaurus he is also shown on ancient coins. snakes. They knew that if someone was with his hand on a snake. ( Figure 5 ) The bitten by a snake they could die, but this ruins of the temple can still be seen. meant that snakes had power over life Near the temple there was a building in and death. Moreover they observed that a which the sick slept with snakes. ( Figure snake could shed its skin and in a way be 6) Presumably the snakes were tame reborn. So they had power over renewal and non-poisonous, but the psychological and resurrection. All this meant that effect of sleeping with them must have snakes were not like ordinary creatures: been enormous. No wonder many people they belonged to the supernatural realm.
    [Show full text]
  • Emily Savage Virtue and Vice in Juvenal's Satires
    Emily Savage Virtue and Vice in Juvenal's Satires Thesis Advisor: Dr. William Wycislo Spring 2004 Acknowledgments My sincerest thanks go to Dr. Wycislo, without whose time and effort this project would have never have happened. Abstract Juvenal was a satirist who has made his mark on our literature and vernacular ever since his works first gained prominence (Kimball 6). His use of allusion and epic references gave his satires a timeless quality. His satires were more than just social commentary; they were passionate pleas to better his society. Juvenal claimed to give the uncensored truth about the evils that surrounded him (Highet 157). He argued that virtue and vice were replacing one another in the Roman Empire. In order to gain better understanding of his claim, in the following paper, I looked into his moral origins as well as his arguments on virtue and vice before drawing conclusions based on Juvenal, his outlook on society, and his solutions. Before we can understand how Juvenal chose to praise or condemn individuals and circumstances, we need to understand his moral origins. Much of Juvenal's beliefs come from writings on early Rome and long held Roman traditions. I focused on the writings of Livy, Cicero, and Polybius as well as the importance of concepts such as pietas andjides. I also examined the different philosophies that influenced Juvenal. The bulk of the paper deals with virtue and vice replacing one another. This trend is present in three areas: interpersonal relationships, Roman cultural trends, and religious issues. First, Juvenal insisted that a focus on wealth, extravagance, and luxury dissolved the common bonds between citizens (Courtney 231).
    [Show full text]
  • Roman Literature from Its Earliest Period to the Augustan Age
    The Project Gutenberg EBook of History of Roman Literature from its Earliest Period to the Augustan Age. Volume I by John Dunlop This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at http://www.gutenberg.org/license Title: History of Roman Literature from its Earliest Period to the Augustan Age. Volume I Author: John Dunlop Release Date: April 1, 2011 [Ebook 35750] Language: English ***START OF THE PROJECT GUTENBERG EBOOK HISTORY OF ROMAN LITERATURE FROM ITS EARLIEST PERIOD TO THE AUGUSTAN AGE. VOLUME I*** HISTORY OF ROMAN LITERATURE, FROM ITS EARLIEST PERIOD TO THE AUGUSTAN AGE. IN TWO VOLUMES. BY John Dunlop, AUTHOR OF THE HISTORY OF FICTION. ivHistory of Roman Literature from its Earliest Period to the Augustan Age. Volume I FROM THE LAST LONDON EDITION. VOL. I. PUBLISHED BY E. LITTELL, CHESTNUT STREET, PHILADELPHIA. G. & C. CARVILL, BROADWAY, NEW YORK. 1827 James Kay, Jun. Printer, S. E. Corner of Race & Sixth Streets, Philadelphia. Contents. Preface . ix Etruria . 11 Livius Andronicus . 49 Cneius Nævius . 55 Ennius . 63 Plautus . 108 Cæcilius . 202 Afranius . 204 Luscius Lavinius . 206 Trabea . 209 Terence . 211 Pacuvius . 256 Attius . 262 Satire . 286 Lucilius . 294 Titus Lucretius Carus . 311 Caius Valerius Catullus . 340 Valerius Ædituus . 411 Laberius . 418 Publius Syrus . 423 Index . 453 Transcriber's note . 457 [iii] PREFACE. There are few subjects on which a greater number of laborious volumes have been compiled, than the History and Antiquities of ROME.
    [Show full text]
  • Terence's Plays
    chapter 2 Terence’s Plays: Commentary and Illustration from Manuscript to Print 2.1 Terence as an Educational Classic: Text and Commentary from Antiquity to Medieval and Renaissance Europe Publius Terentius Afer, or Terence, was the author of six plays which premiered in Rome between 166 and 160 bc— Andria, Heauton timorumenos, Eunuchus, Phormio, Hecyra, and Adelphoe. Some information on the circumstances of the production of each play can be obtained from the didascaliae,1 while the prologues reveal that they were produced in a vibrant and at times vitriolic literary environment. A biographical tradition concerning Terence only devel- oped much later; in the early second century ad Suetonius wrote a Life, which was subsequently supplemented and attached to the commentary of Aelius Donatus (for which see below), while in Late Antiquity it appears that another very brief Life, known as the Vita Ambrosiana, was composed, which provides a few facts independent of the Life found in Donatus.2 In these traditions, we are told that Terence came originally from Carthage in Northern Africa (hence his cognomen, Afer, or ‘the African’); that he was taken to Rome at a young age as a slave, and was adopted and freed there by a senator, Terentius Lucanus, from whom he took his name, and by whom he was educated; that he subsequently was befriended by some of the leading figures in Roman society associated with Scipio Africanus Aemilianus (185/ 4– 129 bc); and that he died young on a trip to Greece, where he had gone in order to purchase more comedies to translate.
    [Show full text]
  • Select Epigrams from the Greek Anthology
    SELECT EPIGRAMS FROM THE GREEK ANTHOLOGY J. W. MACKAIL∗ Fellow of Balliol College, Oxford. PREPARER’S NOTE This book was published in 1890 by Longmans, Green, and Co., London; and New York: 15 East 16th Street. The epigrams in the book are given both in Greek and in English. This text includes only the English. Where Greek is present in short citations, it has been given here in transliterated form and marked with brackets. A chapter of Notes on the translations has also been omitted. eti pou proima leuxoia Meleager in /Anth. Pal./ iv. 1. Dim now and soil’d, Like the soil’d tissue of white violets Left, freshly gather’d, on their native bank. M. Arnold, /Sohrab and Rustum/. PREFACE The purpose of this book is to present a complete collection, subject to certain definitions and exceptions which will be mentioned later, of all the best extant Greek Epigrams. Although many epigrams not given here have in different ways a special interest of their own, none, it is hoped, have been excluded which are of the first excellence in any style. But, while it would be easy to agree on three-fourths of the matter to be included in such a scope, perhaps hardly any two persons would be in exact accordance with regard to the rest; with many pieces which lie on the border line of excellence, the decision must be made on a balance of very slight considerations, and becomes in the end one rather of personal taste than of any fixed principle. For the Greek Anthology proper, use has chiefly been made of the two ∗PDF created by pdfbooks.co.za 1 great works of Jacobs,
    [Show full text]
  • Burial Customs and the Pollution of Death in Ancient Rome BURIAL CUSTOMS and the POLLUTION of DEATH in ANCIENT ROME: PROCEDURES and PARADOXES
    Burial customs and the pollution of death in ancient Rome BURIAL CUSTOMS AND THE POLLUTION OF DEATH IN ANCIENT ROME: PROCEDURES AND PARADOXES ABSTRACT The Roman attitude towards the dead in the period spanning the end of the Republic and the high point of the Empire was determined mainly by religious views on the (im)mortality of the soul and the concept of the “pollution of death”. Contamina- tion through contact with the dead was thought to affect interpersonal relationships, interfere with official duties and prevent contact with the gods. However, considera- tions of hygiene relating to possible physical contamination also played a role. In this study the traditions relating to the correct preparation of the body and the sub- sequent funerary procedures leading up to inhumation or incineration are reviewed and the influence of social status is considered. Obvious paradoxes in the Roman at- titude towards the dead are discussed, e.g. the contrast between the respect for the recently departed on the one hand, and the condoning of brutal executions and public blood sports on the other. These paradoxes can largely be explained as reflecting the very practical policies of legislators and priests for whom considerations of hygiene were a higher priority than cultural/religious views. 1. INTRODUCTION The Roman approach to disposing of the dead in the Republican era and the early Empire (the period from approximately 250 BC to AD 250) was determined in part by diverse cultural/religious beliefs in respect of the continued existence of the soul after death and the con- cept of the “pollution of death”.
    [Show full text]
  • And Voltaire's
    A COMPARATIVE ANALYSIS OF POPE’S “ESSAY ON MAN” AND VOLTAIRE’S “DISCOURS EN VERS SUR L’HONME” A THESIS SUBMITTED TO THE FACULTY OF ATLANTA UNIVERSITY IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTERS OF ARTS BY ANNIE BERNICE WIMBUSH SCHOOL OF ARTS AND SCIENCES ATLANTA, GEORGIA NAY 1966 TABLE OF CONTENTS Page PREFACE . a a . • • • . iii. Chapter I. THENENANDTHEIRWORKS. a• • • • • . a aa 1 The Life of Alexander Pope The Life of Voltaire II. ABRIEFRESUNEOFTHETWOPOENS . aa • . • •. a a 20 Pope’s “Essay on Man” Voltaire’s “Discours En Vers Sur L’Hoimne” III. A COMPARISON OF THE TWO POEMS . a • • 30 B IBLIOGRAPHY a a a a a a a a a a a • a a a • a a a a a a a 45 ii PREFACE In the annals of posterity few men of letters are lauded with the universal renown and fame as are the two literary giants, Voltaire and Pope. Such creative impetus and “esprit” that was uniquely theirs in sures their place among the truly great. The histories and literatures of France and England show these twQ men as strongly influential on philosophical thinking. Their very characters and temperaments even helped to shape and transform man’s outlook on life in the eighteenth century and onward.. On the one hand, there is Voltaire, the French poet, philosopher, historian and publicist whose ideas became the ideas of hundreds of others and whose art remains with us today as monuments of a great mind. On the other there is Pope, the English satirical poet and philosopher, endowed with a hypersensitive soul, who concerned himself with the ordinary aspects of literary and social life, and these aspects he portrayed in his unique and excellent verse, Both men were deeply involved in the controversial issues of the time.
    [Show full text]
  • Download Horace: the SATIRES, EPISTLES and ARS POETICA
    +RUDFH 4XLQWXV+RUDWLXV)ODFFXV 7KH6DWLUHV(SLVWOHVDQG$UV3RHWLFD Translated by A. S. Kline ã2005 All Rights Reserved This work may be freely reproduced, stored, and transmitted, electronically or otherwise, for any non- commercial purpose. &RQWHQWV Satires: Book I Satire I - On Discontent............................11 BkISatI:1-22 Everyone is discontented with their lot .......11 BkISatI:23-60 All work to make themselves rich, but why? ..........................................................................................12 BkISatI:61-91 The miseries of the wealthy.......................13 BkISatI:92-121 Set a limit to your desire for riches..........14 Satires: Book I Satire II – On Extremism .........................16 BkISatII:1-22 When it comes to money men practise extremes............................................................................16 BkISatII:23-46 And in sexual matters some prefer adultery ..........................................................................................17 BkISatII:47-63 While others avoid wives like the plague.17 BkISatII:64-85 The sin’s the same, but wives are more trouble...............................................................................18 BkISatII:86-110 Wives present endless obstacles.............19 BkISatII:111-134 No married women for me!..................20 Satires: Book I Satire III – On Tolerance..........................22 BkISatIII:1-24 Tigellius the Singer’s faults......................22 BkISatIII:25-54 Where is our tolerance though? ..............23 BkISatIII:55-75
    [Show full text]