The Burial of the Urban Poor in Italy in the Late Republic and Early Empire
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Umbria from the Iron Age to the Augustan Era
UMBRIA FROM THE IRON AGE TO THE AUGUSTAN ERA PhD Guy Jolyon Bradley University College London BieC ILONOIK.] ProQuest Number: 10055445 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest. ProQuest 10055445 Published by ProQuest LLC(2016). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. Microform Edition © ProQuest LLC. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 Abstract This thesis compares Umbria before and after the Roman conquest in order to assess the impact of the imposition of Roman control over this area of central Italy. There are four sections specifically on Umbria and two more general chapters of introduction and conclusion. The introductory chapter examines the most important issues for the history of the Italian regions in this period and the extent to which they are relevant to Umbria, given the type of evidence that survives. The chapter focuses on the concept of state formation, and the information about it provided by evidence for urbanisation, coinage, and the creation of treaties. The second chapter looks at the archaeological and other available evidence for the history of Umbria before the Roman conquest, and maps the beginnings of the formation of the state through the growth in social complexity, urbanisation and the emergence of cult places. -
A Regulatory Review of Formal and Informal Funeral Insurance Markets in South Africa a Market Review and Regulatory Proposal
A regulatory review of formal and informal funeral insurance markets in South Africa A market review and regulatory proposal prepared for Finmark Trust April 2005 26/04/2005: VERSION 4.5 Author: Hennie Bester Doubell Chamberlain Ryan Short Richard Walker Genesis Analytics (Pty) Ltd 2nd Floor, No 3 Melrose Square, Melrose Arch, Johannesburg South Africa, 2196. Post to: Suite 3, Private Bag X1, Melrose Arch, Johannesburg, South Africa, 2076. Tel: +27 11 214 4080, Fax: +27 11 214 4099 www.genesis-analytics.com FOREWORD The need to provide for funerals is one of the key drivers of financial behaviour for many South Africans and has led to a relatively sophisticated and widely accessed informal financial sector. It is estimated that over 6 million people currently belong to burial societies where an estimated R6 billion is invested every year- in addition to the wide usage of stokvels (or savings clubs). These informal groups play an extremely important role in mitigating the risks of poor households and, interestingly, are often complemented or supported by formal providers - as can be seen in the Financial Diaries project1. However it was evident from the scoping study FinMark Trust completed on making insurance markets work for the poor2, that the existing legislative and regulatory environment was especially inhibitive to the potential graduation of the so-called „informal mutual assistance (common bond) organisations‟ ability to become insurers in their own right. At the same time, however, there is a heated debate about the extent of abuse in both the informal and formal funeral insurance market. In light of the above, the following report sheds light on the operations of this key market (from formal to informal), assesses the extent of the abuse and current regulatory environment and proposes some amendments to the current regulatory regime. -
Transcript 6
Transcript What was the Parentalia? Dr Emma-Jayne Graham: The Parentalia was a nine-day Roman festival that took place every year between 13th and 21st February. During the festival families would gather together to celebrate, to remember and to appease the dead. Initially in their homes but also in the cemetery. The main purpose of the Parentalia seems to have been to make sure that the restless dead were content in the afterlife. That they stayed in their graves and that they didn’t terrorise the living. The first eight days of the Parentalia saw people in their homes performing rituals of purification. And for this reason we know very little about these private aspects of the festival. But, on the final day, known as the Feralia they would congregate in the cemetery and honour the dead with a very public display of offerings, of prayers and of flowers. Culminating in a great banquet held right there in the cemetery outside the tomb and in the company of their ancestors. And some tombs were equipped with small ovens. Meaning that fresh bread could be made right there on the spot ready for the occasion. And individual graves also sometimes had tubes inserted into them so that the dead could receive their share of the wine, of the honey and of the bread that their relatives were enjoying. The poet Ovid writes about the Parentalia in his work on the Roman calendar and he describes it as an inauspicious time for business and for weddings. Because it was a moment when the unlucky shades of the dead were very close to the world of the living. -
The Evolution of the Roman Calendar Dwayne Meisner, University of Regina
The Evolution of the Roman Calendar Dwayne Meisner, University of Regina Abstract The Roman calendar was first developed as a lunar | 290 calendar, so it was difficult for the Romans to reconcile this with the natural solar year. In 45 BC, Julius Caesar reformed the calendar, creating a solar year of 365 days with leap years every four years. This article explains the process by which the Roman calendar evolved and argues that the reason February has 28 days is that Caesar did not want to interfere with religious festivals that occurred in February. Beginning as a lunar calendar, the Romans developed a lunisolar system that tried to reconcile lunar months with the solar year, with the unfortunate result that the calendar was often inaccurate by up to four months. Caesar fixed this by changing the lengths of most months, but made no change to February because of the tradition of intercalation, which the article explains, and because of festivals that were celebrated in February that were connected to the Roman New Year, which had originally been on March 1. Introduction The reason why February has 28 days in the modern calendar is that Caesar did not want to interfere with festivals that honored the dead, some of which were Past Imperfect 15 (2009) | © | ISSN 1711-053X | eISSN 1718-4487 connected to the position of the Roman New Year. In the earliest calendars of the Roman Republic, the year began on March 1, because the consuls, after whom the year was named, began their years in office on the Ides of March. -
Chapter-8.Pdf
8 HISTORY FOCUS Connecting Art and History from 500 BCE-500- CE Major civilizations and empires developed an early but short-lived enjoying outdoor sports are common, flourishedaround the world at this formof democracy. In the fourth as in the Banqueters and Musicians time (see Map 4). The great wealth and century BCE, the Macedonians from the Tomb of the Leopards power of these empires produced elite conquered the Greeks and, under (Fig. 8.9). The Sarcophagus with classes who commissioned amazing Alexander the Great, invaded Persia Reclining Couple (Fig. 8.8) indicates works of art, among which were and defeated King Darius. Alexander's that Etruscan women enjoyed monumental tombs and funerary art empire, stretching as far as India and considerable independence. They that preserved their fame. the Middle East, further spread Greek attended symposia and sporting In Greece, which consisted of influence. events, were equals at banquets with independent city-states, 500-338 BCE The Etruscan civilization, their husbands, owned property is considered the Classical period. consisting of city-states, occupied independently, and likely had a In Athens, artworks reflectedGreek much of central Italy. What we know high rate of literacy. Beginning in humanism with their idealized yet about the Etruscans comes largely 509 BCE, the Romans began naturalistic representations of the from excavations of their tombs chipping away at Etruria, and human figure,as seen in the Grave and funerary art. Tomb paintings of they completely overwhelmed the Stele ofHegeso (Fig. 8.15). Athens also lively people feasting, dancing, or Etruscans by 273 BCE. Map 4 The Assyrian and Persian Empires. -
The Grave Goods of Roman Hierapolis
THE GRAVE GOODS OF ROMAN HIERAPOLIS AN ANALYSIS OF THE FINDS FROM FOUR MULTIPLE BURIAL TOMBS Hallvard Indgjerd Department of Archaeology, Conservation and History University of Oslo This thesis is submitted for the degree of Master of Arts June 2014 The Grave Goods of Roman Hierapolis ABSTRACT The Hellenistic and Roman city of Hierapolis in Phrygia, South-Western Asia Minor, boasts one of the largest necropoleis known from the Roman world. While the grave monuments have seen long-lasting interest, few funerary contexts have been subject to excavation and publication. The present study analyses the artefact finds from four tombs, investigating the context of grave gifts and funerary practices with focus on the Roman imperial period. It considers to what extent the finds influence and reflect varying identities of Hierapolitan individuals over time. Combined, the tombs use cover more than 1500 years, paralleling the life-span of the city itself. Although the material is far too small to give a conclusive view of funerary assem- blages in Hierapolis, the attempted close study and contextual integration of the objects does yield some results with implications for further studies of funerary contexts on the site and in the wider region. The use of standard grave goods items, such as unguentaria, lamps and coins, is found to peak in the 1st and 2nd centuries AD. Clay unguentaria were used alongside glass ones more than a century longer than what is usually seen outside of Asia Minor, and this period saw the development of new forms, partially resembling Hellenistic types. Some burials did not include any grave gifts, and none were extraordinarily rich, pointing towards a standardised, minimalistic set of funerary objects. -
The Roman Cemetery at Ostia/Portus As a Lived Environment Author: E-J Graham Pages: 133–143
Paper Information: Title: The Quick and the Dead in the Extra-Urban Landscape: The Roman Cemetery at Ostia/Portus as a Lived Environment Author: E-J Graham Pages: 133–143 DOI: http://doi.org/10.16995/TRAC2004_133_143 Publication Date: 31 March 2005 Volume Information: Bruhn, J., Croxford, B., and Grigoropoulos, D. (eds) 2005. TRAC 2004: Proceedings of the Fourteenth Annual Theoretical Roman Archaeology Conference, Durham 2004. Oxford: Oxbow Books. Copyright and Hardcopy Editions: The following paper was originally published in print format by Oxbow Books for TRAC. Hard copy editions of this volume may still be available, and can be purchased direct from Oxbow at http://www.oxbowbooks.com. TRAC has now made this paper available as Open Access through an agreement with the publisher. Copyright remains with TRAC and the individual author(s), and all use or quotation of this paper and/or its contents must be acknowledged. This paper was released in digital Open Access format in April 2013. The quick and the dead in the extra-urban landscape: the Roman cemetery at Ostia/Portus as a lived environment E-J Graham Introduction The urban cemeteries of the Roman world have often been described as ‘cities of the dead.’ The organisational and structural similarities between the so-called ‘streets of tombs’ which developed on the outskirts of major Italian urban areas such as Rome, Ostia and Pompeii, and the spaces within the city walls themselves have been highlighted by scholars wishing to demonstrate that the living city ‘found its double in these ‘cities of the dead’’ (Koortbojian, 1996: 232). -
Ancient Narrative Volume 5
The Ancient Novels and the New Testament: Possible Contacts1 ILARIA RAMELLI Catholic University of Milan Late in the reign of Nero, in Rome, Petronius, a member of the so-called ‘Neronian Circle’ and Nero’s arbiter in matters of taste or arbiter elegantia- rum, wrote his novel, Satyricon. It was during the time of, or soon after, the first Christian persecution,2 which was initiated by Nero himself against the members of a religion that a decision of the Senate in A.D. 35 had labelled as an ‘illicit superstition.’ According to Tertullian, Tiberius in the Senate proposed to recognize the Christians’ religion, but the senators refused, and proclaimed Christianity a superstitio illicita, so that every Christian could be put to death. But Tiberius, thanks to his tribunicia potestas, vetoed the Chris- tians’ condemnations, and there was no Roman persecution until the time of Nero.3 According to Tacitus (Ann. 15, 44), in A.D. 64, at the time of the ————— 1 This article is the revised version of the paper presented at the SBL Annual Meeting, Atlanta, Nov. 22–25 2003, Ancient Fiction and Early Christian and Jewish Narrative Group. 2 See e.g. Rowell 1958, 14–24, who identifies Petraites, mentioned in Sat. 52, 3 and 71, 6 with the famous gladiator of the Neronian age; Schnur 1959, and Moreno 1962/4, accord- ing to whom the economic background of the Satyricon points to the Neronian age; Rose 1962, who dates the novel between the end of A.D. 64 and the summer of 65; Id. 1971, esp. -
The Forming Process of Fiumicino Giuseppe Strappa, Marta Crognale Dipartimento Di Architettura E Progetto
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Archivio della ricerca- Università di Roma La Sapienza The Forming Process of Fiumicino Giuseppe Strappa, Marta Crognale Dipartimento di Architettura e Progetto. Università degli Studi “Sapienza” di Roma Facoltà di Architettura. Piazza Borghese n. 9. 00186 - Roma E-mail: gstrappa @yahoo.com, [email protected] Keywords: Fiumicino, Portuense, forming process Abstract This work, carried out within the Lettura e Progetto (Lpa) Laboratory of "Sapienza", University of Rome, and based on the “processual” method, proposes the regeneration, through the reading and interpretation of the forming process, of the urban settlement of Fiumicino, on the east coast of Rome. The area was formed by a set of fragmented interventions developed in different phases, with heterogeneous destinations and, apparently, no relation of necessity between them. The site appears mainly linked to the development of illegal buildings that date back to the second postwar period. However, a deeper analysis based on the reading and interpretation of the character of the building fabric, shows the existence of a clear relation of historical continuity between the today town and the territorial structures developed starting from the ancient city of Portus. Through this reading emerges the plan of a town connected to the activities of Porto Canale (Channel Port) in function since XVI Century. From the analysis of the historical cartography appears as a matrix route based on the continuation of the ancient via Portuense was formed in time and developed on the building routes that have resulted. We propose a hypothesis of regeneration in the existing fabric through the densification of routes at higher urban vocation. -
Solid Shape Drawing on the Commodore 64
Solid Shape Drawing on the Commodore 64 by Richard Rylander omputer graphics is one of the easy-to-use graphics capabilities to fastest growing areas of com the masses. The “ masses,” however, Cputer software and hardware may still find the Macintosh pricey, development. The old saying that especially if they just want to play “ one picture is worth a thousand around a bit with MacPaint. Low- words” couldn’t be truer when you cost computers, such as the Commo consider the effectiveness of a pie dore 64, while lacking the slick chart or bar graph versus columns of graphic interaction of the Mac, are numbers. Even the simplest of home selling for such ridiculously low computers is capable of at least this prices ($150 at the time o f writing basic form of computer graphics. But this article) that they are hard to pass the term computer graphics usually up. They have the potential for some brings to mind more exciting images fairly sophisticated graphics, but so than just mundane business far most of the commercially avail applications. able software has done little more Special visual effects for motion than add the usual “ point plotting” pictures and some television adver and “ line drawing” commands. tisements are now being done with This article describes a software computers to create scenes o f “ en package that will allow you to create hanced reality.” W e see spacecraft your own computer-generated making impossible manuevers or scenes, such as “ Coffee and Donuts” shimmering corporate logos “ flying in Figure 1 (page 55) and “ Goblets” Pumping pixels requires tight, efficient code. -
Archeologia E Modificazioni Ambientali Lungo Il Corso Del Fiume Velino Archaeology and Environmental Changes Along the Velino River
Mem. Descr. Carta Geol. d’It. XCVi (2014), pp. 169-188, figg. 22 Archeologia e modificazioni ambientali lungo il corso del fiume Velino Archaeology and environmental changes along the Velino river CAMerieri P. (*), MAttioli t. (**) riASSUnto - Gli autori analizzano l’evoluzione del paesaggio 1. - introdUzione della Conca Velina (rieti, lazio, italia centrale) nel periodo compreso tra l’età del bronzo e la romanizzazione. Partendo dalla correlazione dei dati ricavati dai sondaggi geologici e lo scopo di questa relazione è quello di proporre da una nuova lettura topografica e dell’assetto idrogeologico una lettura, in parte già presentata dagli scriventi in oc- dell’area, gli autori sostengono che l’antica linea di riva del casione di recenti incontri di studio ed esposizioni mu- bacino lacustre che occupava la Piana di rieti, il Canale di seali (CAMerieri, 2009a, 2009b; CAMerieri et alii, cds; repasto e l’area di Marmore variò nel corso dell’età del CAMerieri & de SAntiS, 2009; CArAnCini et alii, 2009), bronzo e dell’età del ferro tra le quote 365/367 metri s.l.m. e 375/376 metri s.l.m. influenzando lo sviluppo degli abitati riguardante l’evoluzione dell’ambiente e del paesaggio del perilacustri. Successivamente con la conquista del territorio Bacino di Rieti e dell’area della Cascata delle Marmore nel pe- da parte di MAnio CUrio dentAto si assiste al primo vero riodo compreso tra l’età del bronzo e la romanizzazione, intervento di regimentazione delle acque e bonifica della cioè nel lasso di tempo in cui si registra la prima sistema- piana della Conca di rieti. -
The Beautiful Burial in Roman Egypt
OXFORD STUDIES IN ANCIENT CULTURE AND REPRESENTATION General Editors Simon Price R. R. R. Smith Oliver Taplin OXFORD STUDIES IN ANCIENT CULTURE AND REPRESENTATION Oxford Studies in Ancient Culture and Representation publishes signiWcant inter- disciplinary research into the visual, social, political, and religious cultures of the ancient Mediterranean world. The series includes work which combines diVerent kinds of representations which are usually treated separately. The overarching programme is to integrate images, monuments, texts, performances and rituals with the places, participants, and broader historical environment that gave them meaning. The Beautiful Burial in Roman Egypt Art, Identity, and Funerary Religion CHRISTINA RIGGS 1 3 Great Clarendon Street, Oxford ox2 6dp Oxford University Press is a department of the University of Oxford. It furthers the University’s objective of excellence in research, scholarship, and education by publishing worldwide in Oxford New York Auckland Cape Town Dar es Salaam Hong Kong Karachi Kuala Lumpur Madrid Melbourne Mexico City Nairobi New Delhi Shanghai Taipei Toronto With oYces in Argentina Austria Brazil Chile Czech Republic France Greece Guatemala Hungary Italy Japan Poland Portugal Singapore South Korea Switzerland Thailand Turkey Ukraine Vietnam Oxford is a registered trade mark of Oxford University Press in the UK and in certain other countries Published in the United States by Oxford University Press Inc., New York © Christina Riggs 2005 The moral rights of the author have been asserted Database right Oxford University Press (maker) First published 2005 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, or under terms agreed with the appropriate reprographics rights organization.