Romance of the Perilous Land Is a Game Very Much Inspired by the Oldest Fantasy Roleplaying Game Created in the 1970S, but It Is Also Its Own Creation
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Living Legend
Sample file 0 Living Legend The epic tales of the ancient Dhakaani Empire are more than just stories. Episode 4 of Convergence Manifesto An Across Eberron Adventure CREDITS Writers: Will Brolley & Mark Navarre-Jones Editors: Wayne Chang, Laura Hirsbrunner, Anthony Turco Executive Producer: Keith Baker Cover Art & Design: Kristóf Köteles, Laura Hirsbrunner Interior Art: Kristóf Köteles Layout: Anthony Turco Playtesters: Jenna Montcalm, Jennifer Navarre, Scott Ramsey, Troy Whitesell, and James Montcalm Special thanks from Will to Laura Hirsbrunner. Published by Across Eberron, an Eberron community project. Disclaimer: The Across Eberron editorial staff urges caution in all hypothetical dealings with sentient narratives and living stories. Not all tales have happy endings. DUNGEONS & DRAGONS, D&D, Wizards of the Coast, Forgotten Realms, Ravenloft, Eberron, the dragon ampersand, Ravnica and all other Wizards of the Coast product names, and their respective logosSample are trademarks of Wizards of the Coast in the USA and other countries. file This work contains material that is copyright Wizards of the Coast and/or other authors. Such material is used with permission under the Community Content Agreement for Dungeon Masters Guild. All other original material in this work is copyright 2020 by Across Eberron and published under the Community Content Agreement for Dungeon Masters Guild. 1 While running the adventure, look out for the following INTRODUCTION formatting: Welcome to Living Legend, episode 4 of Convergence Manifesto, an Across Eberron adventure path. This adventure is Text like this is intended to be read aloud or paraphrased for your the sequel to AE01-03: Rime or Reason, available on the players. -
Return to the Temple of Elemental Evil ERRATA and FAQ
Return to the Temple of Elemental Evil ERRATA AND FAQ A collaborative product of the members of Monte Cook's Return to the Temple of Elemental Evil web forum. Compiled, edited, and formatted by Siobharek. PDF version edited by ZansForCans. Modified: 11 February 2003 The definitive source for this errata and FAQ can be found in the ‘sticky’ threads at the top of the topic list on Monte Cook's Return to the Temple of Elemental Evil web forum. None of these errata or FAQ are official in any way (i.e. Monte or WotC have not said "That's right."), but most have been agreed to be accurate and true to the core rulebooks by many DMs running this adventure. NPC stats corrections are grouped in the appropriate chapter that the NPC appears in. In some cases, there is no ‘fix’ suggested—the errata is simply provided to alert you to a discrepancy. You didn’t think we’d do all the work for you, did you? It may seem like there are quite a lot of errata for this product. There are! Part of the explanation we have heard is that Monte was working on the adventure while D&D 3e was still being finalized. The rest we simply blame on his editors. ;) We welcome further corrections and additions to this list. However, when and if you find something that doesn't seem right, please check in every available rulebook. For instance, adding the right number of feats and stat increases to monsters with classes can be fiendishly hard but check it and double check it as much as you can. -
The Hero with Three Faces
Wilfrid Laurier University Scholars Commons @ Laurier Theses and Dissertations (Comprehensive) 1974 The Hero With Three Faces Rebecca Susanne Larson Wilfrid Laurier University Follow this and additional works at: https://scholars.wlu.ca/etd Part of the English Language and Literature Commons, and the Religion Commons Recommended Citation Larson, Rebecca Susanne, "The Hero With Three Faces" (1974). Theses and Dissertations (Comprehensive). 1523. https://scholars.wlu.ca/etd/1523 This Thesis is brought to you for free and open access by Scholars Commons @ Laurier. It has been accepted for inclusion in Theses and Dissertations (Comprehensive) by an authorized administrator of Scholars Commons @ Laurier. For more information, please contact [email protected]. ABSTRACT THE HERO WITH THRF.F. FACES By REBECCA SUSANNF. LARSON A study of the relationship between myth and litera ture in relation to: 1) the origin and form of myth as literature developed through the Legend of King Arthur; and 2) the function of myth as literature tracing Dr. Philip Potter's motif of salvation through the novels Zorba the Greek, Don Quixote and The Once and Future King. 1 THE HERO WITH THREE FACES By REBECCA SUSANNE LARSON B.A. Waterloo Lutheran University, 1971 THESIS Submitted in partial fulfillment of the requirements for the Master of Arts deqree Wilfrid Laurier University 1974 Examining Committee Dr. Lawrence Toombs Dr. Aarne Siirala Dr. Eduard Riegert ii UMI Number: EC56506 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent on the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. -
Sir Gawain and the Green Knight: Not Really a Chivalric Romance Mladen M
Sir Gawain and the Green Knight: Not Really a Chivalric Romance Mladen M. Jakovljević University in Kosovska Mitrovica, Faculty of Philosophy, Department of English, Filipa Višnjića bb, 38220 Kosovska Mitrovica, Serbia [email protected] Vladislava S. Gordić Petković University of Novi Sad, Faculty of Philosophy, Department of English Studies, Dr Zorana Djindjića 2, 21101 Novi Sad, Serbia [email protected] Medieval English romance Sir Gawain and the Green Knight is unique not only in its form, content and structure, but also in the poet’s skillful use of conventions that play with the reader’s expectations by introducing elements that make the poem exquisitely ambivalent and place it in the fuzzy area where reality and fiction overlap. Although the poem seemingly praises the strength and purity of chivalry and knighthood, it actually subtly criticizes and comments on their failure when practiced outside the court and in real life. This is particularly noticeable when the poem’s symbolism, its hero, and the society he comes from are read against historical context, i.e. as reflections of the realities of medieval life. Accordingly, Sir Gawain and the Green Knight can be read as a poem that praises chivalry and knighthood more by way of commenting on their dissipation than through overt affirmation, as the future of the kingdom, its rulers and society, with its faulty Christian knights, is far from bright, given the cracks and flaws that mar its seemingly glossy façade. Keywords: English literature / medieval romance / Sir Gawain and the Green Knight / love / knighthood / chivalry Sir Gawain and the Green Knight is one of the best medieval English romances and also one of the most unconventional. -
Ultimate Bestiary: Revenge of the Horde Game Master's Toolbox
Game Master’s Toolbox Ultimate Bestiary: SampleRevenge of the Horde file Pathfinder Roleplaying Game Compatible 1 Legal Credits Nord Games Inc. is not a liated with Wizards of the Coast™. We Author: Ralph Stickley make no claim to or challenge to any trademarks held by Wizards Lead Designers: Chris Haskins, Ralph Stickley of the Coast™. Proo ng: Lou Fryer, David Gibson, Emma Stickley Nord Games, Inc., 2017, all rights reserved. Product Identity: e following items are hereby identi ed as Nord Games Inc.’s Product Community Proofers: Lee Acker, Gregory Aikema, Ryan Identity, as de ned in the Open Game License version 1.0a, Section Ammann, Jason Autry, Matthew Bahls, Sally Beasley, Ellen 1(e), and are not Open Game Content: product and product Bertagnolli, Wayne Canepa, Matthew Chinavicharana-Mole, Gary line names, logos and identifying marks including trade dress; Dowell, Renee Dunn, Jonathon Dyer, Jeremy Esch, Greg Estvander, artifacts; creatures; characters; stories, storylines, plots, thematic Steve Fletcher, Andrew Harshman, Matt MacGregor, Kyle elements, dialogue, incidents, language, artwork, symbols, designs, Madruga, Ron Olexsak, P. José Oliveras, Larry Owens, Jitse Paping, depictions, likenesses, formats, poses, concepts, themes and Leigh Pierce, Tim Rose, Sean Sapp, Julian Tysoe, Brett Waldick, graphic, photographic and other visual or audio representations; omas Woodall names and descriptions of characters, spells, enchantments, Art Director: Ralph Stickley personalities, teams, personas, likenesses and special abilities; Layout and Typesetting: Ralph Stickley places, locations, environments, creatures, equipment, magical or supernatural abilities or e ects, logos, symbols, or graphic designs; Illustrators: Konrad Krogull, Takashi Tan and any other trademark or registered trademark clearly identi ed Conversion: David Ross as Product Identity. -
Backgrounds of Faerûn" Supplement, We Focused on the Human Kingdoms
BBaacckkgrgroouunnddss ooff FFaaeerrûûnn:: NNaattiioonnss ooff DDeessttrruuccttiioonn EEnnrriicchhSample yyoouurr cchhaarraacctteerrss wwiitthh tthhiiss ssuupppplleemmeenntt ccoonnttaaiinniinngg bbaacckkggrroouunnddss ffoorr 1100 oofffile tthhee FFoorrggootttteenn RReeaallmmss ddaannggeerroouuss ddeenniizzeennss:: tthhee bbrruuttiisshh bbuuggbbeeaarr,, tthhee vviicciioouuss vveerrbbeeeegg,, tthhee ffrriieennddllyy ffiirrbboollgg,, tthhee ggrreeeeddyy ggoobblliinnss,, tthhee vviioolleenntt vvooaaddkkiinn,, tthhee hhoorrrriiffiicc hhoobbggoobblliinnss,, tthhee hhaarrrroowwiinngg hhaallff--ooggrreess,, tthhee ssaavvaaggee ggrriimmlloocckkss,, tthhee ffiieerrccee ffoorrmmoorriiaann aanndd tthhee mmiixxeedd--uupp mmooggrreellffoollkk!! Welcome To The Realms n the "Backgrounds of Faerûn" supplement, we focused on the human kingdoms. In each of these On the "Backgrounds of Faerûn" smaller supplements, we investigate groups of the The supplement "Backgrounds of Faerûn" is another title other races that inhabit the world. Thematically, written by myself on the Dungeon Master's Guild. It's they'll be grouped by family such as Dwarf, Elf, or intended to be a supplment for the human dominated Gnome. kingdoms of the realms and is otherwise the same as this book. It's not a books of racial specific backgrounds, as many I cities in the Forgotten Realms allow all sorts of different folks Each supplement will contain races both old and new, their from different backgrounds. equipment, their spells, and many other features for these If you don't own it, don't worry. The rules contained in each races. Existing races will be given the regions they're native of these smaller supplements are more than enough to use to with bonds for each. If you're picking one of these races, for your characters. they're intended to work with the existing backgrounds in the If you do happen to own it, then the rules here are easily Player's Handbook or with the backgrounds from the combined with those rules. -
Medieval Beliefs in Arthur's Atlantic Voyages
3 MEDIEVAL BELIEFS IN ARTHUR’S ATLANTIC VOYAGES ARTHUR’S DEATH OVERSEAS IN GEOFFREY’S HISTORY Geoffrey’s Reconcilation of Two Traditions The thesis set out in this book, that Arthur sailed west to a distant land in the sixth century, here identified as North America, is not a new one. It was present at the time that Geoffrey of Monmouth wrote his famous History of the Kings of Britain in c. 1138. Geoffrey drew on a wide range of material to write his book and would have been familiar with the entry in the Annales Cambriae that Arthur died at the battle of Camlann along with Mordred (Medraut) in 537/539. Camlann was thought to be located in Britain. In his pseudo-history, Geoffrey expands this data into a tale of adultery and betrayal. He presents Mordred as Arthur’s nephew, usurping the crown and having a sexual relationship with Guinevere (Gwenhwyfar), while Arthur was fighting in Europe. Hearing this news, Arthur returns to Britain and engages Mordred in a series of battles until Mordred flees to Cornwall. There at the River Camblam (Geoffrey’s location for Camlann) the final battle took place, where Mordred is killed. However at this point Geoffrey inexplicably departs from the basic data of the Annales Cambriae. Instead of Arthur dying at Camlann, Geoffrey presents him as only being severely wounded and abruptly states that he was then carried off to the Isle of Avalon so that his wounds might be healed. No information or explanation concerning the Isle of Avalon is given. The key question of interest is why did not Geoffrey simply allow Arthur’s life to end at Camlann, as in the Annales Cambriae, dying a heroic death but winning the battle against the traitors and heathens opposed to him? The answer to this is that Geoffrey was aware of a different tradition that had Arthur dying at a distant place overseas. -
Volo's Complete Subrace Handbook V1.0
CONTENTS -S- Dwarf Shroudeye................................. 19 Azerblood.................................. 3 Snatchbeak............................... 19 Dream Dwarf............................ 3 Kobold Urdunnir.................................... 3 Dragonwrought......................... 20 Wild Dwarf................................ 4 Lickspittle.................................. 20 Elf Pitstalker.................................... 21 Avariel (Revised)...................... 5 Orc Celadrin.................................... 5 Gray Orc.................................... 22 Grugach (Revised)................... 5 Mountain Orc............................ 22 Lythari....................................... 5 Orog (Underdark Orc)............. 23 Variant Sea Elf......................... 6 Neo-Orog (Thayan Red Orc)... 23 Genasi Yuan-Ti Air.............................................. 7 Yuan-Ti Malison........................ 24 Earth......................................... 7 Yuan-Ti Pureblood (Revised)... 24 Fire............................................ 7 Storm........................................ 8 -R R- Water......................................... 8 Grung............................................. 25 Gnome Blue Skin................................... 25 Deep Gnome (Revised)........... 9 Gold Skin................................... 25 Forest Gnome (Revised)......... 9 Green Skin................................ 25 Imago (Chaos Gnome)............ 9 Orange Skin.............................. 25 River Gnome........................... -
The Virgin Mary As the Arms of King Arthur
The Virgin Mary as the Arms of King Arthur C. Baxter∗ www.Colin-Baxter.com © 2019, 2020 Colin Baxter January, 2020 Abstract We present an account of how the Virgin Mary came to have a medieval heraldic association with King Arthur, and suggest a possible reason why the association began in England. Writers on Arthurian heraldry and literature sometime mention that King Arthur used a depiction of the Virgin Mary as his coat-of-arms. Usually little detail is given, other than indicating that the arms are fictitious, and perhaps quoting Nennius, a supposed Welsh monk, as the authority to the claim that Arthur bore the image of the Virgin Mary. The ultimate source of the heraldic association of King Arthur with the Virgin Mary is the Historia Brittonum, which although appearing fanciful at times, is an account of the history of the British Isles from the time of its first settlers up to the Sixth Century. As well as a history, the Historia Brittonum also contains other material such as genealogies and place names. From textual arguments, it is thought to have been written or compiled in Wales, sometime in the Ninth Century by an anonymous author (Fitzpatrick-Mathews, 2015). The attribution of its authorship to a Welsh monk called Nennuis is now discredited. However, the Historia Brittonum is not a Ninth Century document as such, but comprises over forty enigmatic and confusing Latin manuscripts, all of which contain different versions of text. All the extant copies are medieval in origin and therefore date four to five hundred years after the estimated time of an original compilation. -
The Sunless Citadel Combat Reference Document
The Sunless Citadel Combat Reference Document Monster Statistics and Reinforcement Information Introduction: This reference document was created for DMs planning to run The Sunless Citadel from Tales from the Yawning Portal. The material contained herein has three purposes: (1) to speed combat by eliminating the need to flip back and forth between pages within the same book, (2) to organize the information about the reinforcement movements of creatures within the Sunless Citadel, and (3) to apply monster variants and adjustments to save you the time of having to do this yourself. The game is better when combat is organized, exciting, and quick. More dice rolling, less page flipping! This reference assumes you have a Monster Manual (MM) and Tales from the Yawning Portal (TYP). by Aaron Harrell DUNGEONS & DRAGONS, D&D, Wizards of the Coast, Forgotten Realms, the dragon ampersand, Player’s Handbook, Monster Manual, Dungeon Master’s Guide, D&D Adventurers League, all other Wizards of the Coast product names, and their respective logos are trademarks of Wizards of the Coast in the USA and other countries. All characters and their distinctive likenesses are Sampleproperty of Wizards of the Coast. This material is protected under the copyright laws of the United States of America. Any reproduction or unauthorized use fileof the material or artwork contained herein is prohibited without the express written permission of Wizards of the Coast. ©2017 Wizards of the Coast LLC, PO Box 707, Renton, WA 98057-0707, USA. Manufactured by Hasbro SA, Rue Emile-Boéchat 31, 2800 Delémont, CH. Represented by Hasbro Europe, 4 The Square, Stockley Park, Uxbridge, Middlesex, UB11 1ET, UK. -
The 5E Guide to Sex
THE 5E GUIDE TO SEX TABLE OF CONTENTS Part One: Sex 2 Part Three: Sexual Items 13 Getting Laid 2 Mundane Items 13 Hooking Up 2 Adventuring Equipment 13 The Dirty Deed 3 Sexual Services 14 Pregnancy 5 Magical Items 14 Terminating Pregnancy 5 Part Four: Sexual Magic 19 Gestation and Birth 5 Part Five: Sexual Monsters 22 Part Two: Sexual Characters 7 Alraune 22 Sex Among Races 7 Demon: zeroa (tentacle demon) 24 Aaracockra 7 Nymph 25 Aasimar 7 Philotes 26 Dragonborn 7 Malcanthet, Queen of the Succubi 28 Dwarf 7 Appendix: The Bard’s Checklist 30 Elf 7 Firbolg 7 Genasi 7 Goblinoid 7 Goliath 7 Gnome 8 Half-elf 8 Half-orc 8 Halfling 8 Human 8 Kenku 8 Kobold 8 Lizardfolk 8 Orc 8 Tabaxi 8 Tiefling 8 Triton 9 Yuan-ti Pureblood 9 Sex Among Classes 9 Barbarian 9 Bard 9 Cleric 9 Druid 9 Fighter 10 Monk 10 Paladin 10 Ranger 10 Rogue 10 Sorcerer 10 Warlock 11 Wizard 11 Other Characteristics 11 New Background: Courtesan 11 Sexual Fetishes 12 1 PART ONE: SEX all, which imposes disadvantage. An NPC may also GETTING LAID simply choose to want or not want to have sex, in which A character looking to get laid in Dungeons & Dragons case no roll is required: the seduction simply can use the following systems to hook up with someone, automatically succeeds or fails, as appropriate. perform the deed…and then deal with the Fucking Legends. Legendary creatures are a cut above consequences. the rest, and they know it. A creature that possesses While real-life was used as a touchstone for most of legendary actions adds its proficiency bonus to both its the rules in this document, the main goal was ease of seduction DC and satisfaction DC (see below) play and fun. -
DRAGON Magazine Is Published Monthly by Dragon Publishing, a Division of TSR Hobbies, Inc
March 1981 Dragon 1 Dragon Vol. V, No. 9 Vol. V, No. 9 March 1981 Publisher . E. Gary Gygax Editor . Jake Jaquet Assistant editor . Kim Mohan Kim Mohan bout my handling of your manuscript in- Editorial staff . Bryce Knorr Assistant editor, THE DRAGON volves the discovery and correction of Marilyn Mays Dragon Publishing three “typos.” Okay, I’ll give you the be- Sales & Circulation . Debbie Chiusano nefit of the doubt on “FINEOUS.” But a Corey Koebernick Dear Orcface: lot of people think “persistance” is the Office staff . Dawn Pekul You couldn’t resist, could you? Those correct spelling of that word, and I’m not Cherie Knull little red scribbles on contributor’s manu- so inclined to believe it was “just” a typo. Roger Raupp scripts didn’t get you enough play, did As far as “assistant” goes, I can tell by Contributing editors . Roger Moore they? You. had to try for the big time and the typing on the top of your letter that Ed Greenwood savage someone in public, didn’t you? you’re having a hard time breaking an “The Write Way to Get Published” in old habit. DRAGON #45 has probably fixed the I’m truly sorry if you or anyone got the This month’s contributing artists: name Kim Mohan in everyone’s mind. impression from my editing remarks that John Blumen James Holloway You’re now the nasty little man who says I am a “nasty little man who says horrible Todd Oleck Steve Swenston horrible things to eager new writers, things to new writers.” Sure I took a few Dave LaForce David Trampier leaving their egos crushed and their manu- shots at you, but that was just return fire.