Medieval Beliefs in Arthur's Atlantic Voyages
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How Geoffrey of Monmouth Influenced the Story of King Arthur
Western Oregon University Digital Commons@WOU Student Theses, Papers and Projects (History) Department of History 6-10-2019 The Creation of a King: How Geoffrey of Monmouth Influenced the Story of King Arthur Marcos Morales II [email protected] Follow this and additional works at: https://digitalcommons.wou.edu/his Part of the Cultural History Commons, Medieval History Commons, and the Medieval Studies Commons Recommended Citation Morales II, Marcos, "The Creation of a King: How Geoffrey of Monmouth Influenced the Story of King Arthur" (2019). Student Theses, Papers and Projects (History). 276. https://digitalcommons.wou.edu/his/276 This Paper is brought to you for free and open access by the Department of History at Digital Commons@WOU. It has been accepted for inclusion in Student Theses, Papers and Projects (History) by an authorized administrator of Digital Commons@WOU. For more information, please contact [email protected], [email protected], [email protected]. The Creation of a King: How Geoffrey of Monmouth Influenced the Story of King Arthur. By: Marcos Morales II Senior Seminar: HST 499 Professor David Doellinger Western Oregon University June 05, 2019 Readers Professor Elizabeth Swedo Professor Bau Hwa Hsieh Copyright © Marcos Morales II Arthur, with a single division in which he had posted six thousand, six hundred, and sixty-six men, charged at the squadron where he knew Mordred was. They hacked a way through with their swords and Arthur continued to advance, inflicting terrible slaughter as he went. It was at this point that the accursed traitor was killed and many thousands of his men with him.1 With the inclusion of this feat between King Arthur and his enemies, Geoffrey of Monmouth shows Arthur as a mighty warrior, one who stops at nothing to defeat his foes. -
Katedra Anglistiky a Amerikanistiky Bakalářská Diplomová Práce 2018
Masarykova univerzita Filozofická fakulta Katedra anglistiky a amerikanistiky Bakalářská diplomová práce Kateřina Ježová 2018 2018 Kateřina Ježová Hřbet Masaryk University Faculty of Arts Department of English and American Studies English Language and Literature Kateřina Ježová Development of Arthurian Legend and Its Characters in Medieval Literature Bachelor’s Diploma Thesis Supervisor: Mgr. Milada Franková, CSc., M.A. 2018 I declare that I have worked on this thesis independently, using only the primary and secondary sources listed in the bibliography. …………………………………………….. Author’s signature I would like to thank my supervisor Milada Franková for the useful comments and encouragement during the writing process. I would also like to thank my family and my boyfriend who supported me every single day. Table of Contents CHAPTER 1: Introduction………………………………………………………………1 CHAPTER 2: The Origins of the Arthurian Legends …………………………………..4 Geoffrey of Monmouth……………………………………………. …..……..4 The History of the Kings of Britain….. … …………….7 Sir Thomas Malory……………………………………………… . ……… …10 Le Morte Darthur……………………………………………………….12 CHAPTER 3: Difference of the Story in the Legend………………………….. .. …..16 Merlin……… …… ……………………………………………………………18 Arthur……………………….. ……………………………………………...…22 The Round Table……………………………………………………………….25 Mordred………………………………………………………………………...27 Morgan le Fay………………………………………………………………….30 CHAPTER 4: Conclusion…………………………………………………………...…33 Works Cited……………………………………………………………………………35 Summary……………………………………………………………………………….37 Resumé……………………………………………………………………………...…38 -
Reader's Companion to John Cowper Powys's a Glastonbury Romance
John Cowper Powys’s A Glastonbury Romance: A Reader’s Companion Updated and Expanded Edition W. J. Keith December 2010 . “Reader’s Companions” by Prof. W.J. Keith to other Powys works are available at: https://www.powys-society.org/Articles.html Preface The aim of this list is to provide background information that will enrich a reading of Powys’s novel/ romance. It glosses biblical, literary and other allusions, identifies quotations, explains geographical and historical references, and offers any commentary that may throw light on the more complex aspects of the text. Biblical citations are from the Authorized (King James) Version. (When any quotation is involved, the passage is listed under the first word even if it is “a” or “the”.) References are to the first edition of A Glastonbury Romance, but I follow G. Wilson Knight’s admirable example in including the equivalent page-numbers of the 1955 Macdonald edition (which are also those of the 1975 Picador edition), here in square brackets. Cuts were made in the latter edition, mainly in the “Wookey Hole” chapter as a result of the libel action of 1934. References to JCP’s works published in his lifetime are not listed in “Works Cited” but are also to first editions (see the Powys Society’s Checklist) or to reprints reproducing the original pagination, with the following exceptions: Wolf Solent (London: Macdonald, 1961), Weymouth Sands (London: Macdonald, 1963), Maiden Castle (ed. Ian Hughes. Cardiff: University of Wales Press, 1990), Psychoanalysis and Morality (London: Village Press, 1975), The Owl, the Duck and – Miss Rowe! Miss Rowe! (London: Village Press, 1975), and A Philosophy of Solitude, in which the first English edition is used. -
The Hero with Three Faces
Wilfrid Laurier University Scholars Commons @ Laurier Theses and Dissertations (Comprehensive) 1974 The Hero With Three Faces Rebecca Susanne Larson Wilfrid Laurier University Follow this and additional works at: https://scholars.wlu.ca/etd Part of the English Language and Literature Commons, and the Religion Commons Recommended Citation Larson, Rebecca Susanne, "The Hero With Three Faces" (1974). Theses and Dissertations (Comprehensive). 1523. https://scholars.wlu.ca/etd/1523 This Thesis is brought to you for free and open access by Scholars Commons @ Laurier. It has been accepted for inclusion in Theses and Dissertations (Comprehensive) by an authorized administrator of Scholars Commons @ Laurier. For more information, please contact [email protected]. ABSTRACT THE HERO WITH THRF.F. FACES By REBECCA SUSANNF. LARSON A study of the relationship between myth and litera ture in relation to: 1) the origin and form of myth as literature developed through the Legend of King Arthur; and 2) the function of myth as literature tracing Dr. Philip Potter's motif of salvation through the novels Zorba the Greek, Don Quixote and The Once and Future King. 1 THE HERO WITH THREE FACES By REBECCA SUSANNE LARSON B.A. Waterloo Lutheran University, 1971 THESIS Submitted in partial fulfillment of the requirements for the Master of Arts deqree Wilfrid Laurier University 1974 Examining Committee Dr. Lawrence Toombs Dr. Aarne Siirala Dr. Eduard Riegert ii UMI Number: EC56506 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent on the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. -
Introduction: the Legend of King Arthur
Department of History University of Wisconsin-Eau Claire “HIC FACET ARTHURUS, REX QUONDAM, REXQUE FUTURUS” THE ANALYSIS OF ORIGINAL MEDIEVAL SOURCES IN THE SEARCH FOR THE HISTORICAL KING ARTHUR Final Paper History 489: Research Seminar Professor Thomas Miller Cooperating Professor: Professor Matthew Waters By Erin Pevan November 21, 2006 1 Copyright for this work is owned by the author. This digital version is published by McIntyre Library, University of Wisconsin – Eau Claire with the consent of the author. 2 Department of History University of Wisconsin-Eau Claire Abstract of: “HIC FACET ARTHURUS, REX QUONDAM, REXQUE FUTURUS” THE ANALYSIS OF ORIGINAL MEDIEVAL SOURCES IN THE SEARCH FOR THE HISTORICAL KING ARTHUR Final Paper History 489: Research Seminar Professor Thomas Miller Cooperating Professor: Matthew Waters By Erin Pevan November 21, 2006 The stories of Arthurian literary tradition have provided our modern age with gripping tales of chivalry, adventure, and betrayal. King Arthur remains a hero of legend in the annals of the British Isles. However, one question remains: did King Arthur actually exist? Early medieval historical sources provide clues that have identified various figures that may have been the template for King Arthur. Such candidates such as the second century Roman general Lucius Artorius Castus, the fifth century Breton leader Riothamus, and the sixth century British leader Ambrosius Aurelianus hold high esteem as possible candidates for the historical King Arthur. Through the analysis of original sources and authors such as the Easter Annals, Nennius, Bede, Gildas, and the Annales Cambriae, parallels can be established which connect these historical figures to aspects of the Arthur of literary tradition. -
A Welsh Classical Dictionary
A WELSH CLASSICAL DICTIONARY DACHUN, saint of Bodmin. See s.n. Credan. He has been wrongly identified with an Irish saint Dagan in LBS II.281, 285. G.H.Doble seems to have been misled in the same way (The Saints of Cornwall, IV. 156). DAGAN or DANOG, abbot of Llancarfan. He appears as Danoc in one of the ‘Llancarfan Charters’ appended to the Life of St.Cadog (§62 in VSB p.130). Here he is a clerical witness with Sulien (presumably abbot) and king Morgan [ab Athrwys]. He appears as abbot of Llancarfan in five charters in the Book of Llandaf, where he is called Danoc abbas Carbani Uallis (BLD 179c), and Dagan(us) abbas Carbani Uallis (BLD 158, 175, 186b, 195). In these five charters he is contemporary with bishop Berthwyn and Ithel ap Morgan, king of Glywysing. He succeeded Sulien as abbot and was succeeded by Paul. See Trans.Cym., 1948 pp.291-2, (but ignore the dates), and compare Wendy Davies, LlCh p.55 where Danog and Dagan are distinguished. Wendy Davies dates the BLD charters c.A.D.722 to 740 (ibid., pp.102 - 114). DALLDAF ail CUNIN COF. (Legendary). He is included in the tale of ‘Culhwch and Olwen’ as one of the warriors of Arthur's Court: Dalldaf eil Kimin Cof (WM 460, RM 106). In a triad (TYP no.73) he is called Dalldaf eil Cunyn Cof, one of the ‘Three Peers’ of Arthur's Court. In another triad (TYP no.41) we are told that Fferlas (Grey Fetlock), the horse of Dalldaf eil Cunin Cof, was one of the ‘Three Lovers' Horses’ (or perhaps ‘Beloved Horses’). -
Glastonbury, England
GLASTONBURY England September 12, 2009 Words and photos by Victor E. Smith© The magical, The mystical, The mysterious, The miraculous All start as an inkling deep within, The twinkling of a tiny star in distant space, Blinking on and off, Beckoning one across the chasm between the all-too-real And the utterly fantastic. The entrance to a mystical place Merry Christmas and Happy New Year to my family and friends. Christmas Eve, 2009 Like most westerners, I’m fascinated by the legends of King Arthur and the Holy Grail. This summer, by chance (?), I picked up the book King Arthur’s Avalon, The Story of Glastonbury, by Geoffrey Ashe and was in the middle of it when I was asked to go to London on business. My first day there would be my only free day, and Glastonbury is well out of the city, so I asked a trusted friend, who had spent some years in England, if he thought the effort worthwhile. “I love Glastonbury,” he said with a light in his eyes that I knew I had to go there. So, early in the morning of September 12, 2009, I pushed through a fog of jet lag and got myself to Paddington Station. The train headed southwest— my first foray into the English country- English countryside around Castle Cary. A sinkhole in the foreground side—and arrived two hours later in demonstrates that low-lying area was once covered by water. Castle Cary, with Glastonbury still several miles away. But there was a taxi in the parking lot and its driver, an area native, proved hospitable and informative. -
Sir Gawain and the Green Knight: Not Really a Chivalric Romance Mladen M
Sir Gawain and the Green Knight: Not Really a Chivalric Romance Mladen M. Jakovljević University in Kosovska Mitrovica, Faculty of Philosophy, Department of English, Filipa Višnjića bb, 38220 Kosovska Mitrovica, Serbia [email protected] Vladislava S. Gordić Petković University of Novi Sad, Faculty of Philosophy, Department of English Studies, Dr Zorana Djindjića 2, 21101 Novi Sad, Serbia [email protected] Medieval English romance Sir Gawain and the Green Knight is unique not only in its form, content and structure, but also in the poet’s skillful use of conventions that play with the reader’s expectations by introducing elements that make the poem exquisitely ambivalent and place it in the fuzzy area where reality and fiction overlap. Although the poem seemingly praises the strength and purity of chivalry and knighthood, it actually subtly criticizes and comments on their failure when practiced outside the court and in real life. This is particularly noticeable when the poem’s symbolism, its hero, and the society he comes from are read against historical context, i.e. as reflections of the realities of medieval life. Accordingly, Sir Gawain and the Green Knight can be read as a poem that praises chivalry and knighthood more by way of commenting on their dissipation than through overt affirmation, as the future of the kingdom, its rulers and society, with its faulty Christian knights, is far from bright, given the cracks and flaws that mar its seemingly glossy façade. Keywords: English literature / medieval romance / Sir Gawain and the Green Knight / love / knighthood / chivalry Sir Gawain and the Green Knight is one of the best medieval English romances and also one of the most unconventional. -
Journey Planet 57—January 2021 ~Table of Contents~ 2
Arthur, King of the Britons Editors Chris Garcia, Chuck Serface, James Bacon Journey Planet 57—January 2021 ~Table of Contents~ 2 Page 5 King Arthur Plays Vegas: The Excalibur Editorial by Christopher J. Garcia by Christopher J. Garcia Page 38 Page 7 In Time of Despair and Great Darkness Letters of Comment by Ken Scholes by Lloyd Penney Page 49 Page 12 Camelot Instant Fanzine Article: Arthur and Merlin by Laura Frankos by Christopher J. Garcia and Chuck Serface Page 55 Page 16 A Retro-Review: Monty Python’s Spamalot The Story of Arthur by Steven H Silver Retold by Bob Hole Page 58 Page 19 Arthurs for Our Time: Recent Interpretations Arthur, Alfred, and the Myth of England of the Legend by Julian West by Chuck Serface Page 62 Page 23 Lady Charlotte and King Arthur Two Cups of Blood: Dracula vs. King Arthur by Cardinal Cox by Derek McCaw Page 64 Page 29 From a Certain Point of View: Merlin & Nimue Knights of Pendragon: The Other Arthurian Comic by Steven H Silver by Helena Nash Page 31 Page 75 Interview with Dorsey Armstrong Tristan, Isolde, and Camelot 3000 by Christopher J. Garcia by Christopher J. Garcia Page 35 King Arthur in Fifteen Stamps Page 77 by Bob Hole “It’s Only a CGI Model”: Arthurian Movies of the Twenty-First Century Page 36 by Tony Keen Arthur, King of the Britons 3 ~Table of Contents~ Page 81 Cover by Vanessa Applegate Terry Gilliam's The Fisher King by Neil Rest Page 1—DeepDreamGenerator Combination of Page 84 King Arthur Tapestry of the Nine Worthies and My Barbarian’s “Morgan Le Fey” . -
Bangor University DOCTOR of PHILOSOPHY Image and Reality In
Bangor University DOCTOR OF PHILOSOPHY Image and Reality in Medieval Weaponry and Warfare: Wales c.1100 – c.1450 Colcough, Samantha Award date: 2015 Awarding institution: Bangor University Link to publication General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal ? Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Download date: 24. Sep. 2021 BANGOR UNIVERSITY SCHOOL OF HISTORY, WELSH HISTORY AND ARCHAEOLOGY Note: Some of the images in this digital version of the thesis have been removed due to Copyright restrictions Image and Reality in Medieval Weaponry and Warfare: Wales c.1100 – c.1450 Samantha Jane Colclough Note: Some of the images in this digital version of the thesis have been removed due to Copyright restrictions [i] Summary The established image of the art of war in medieval Wales is based on the analysis of historical documents, the majority of which have been written by foreign hands, most notably those associated with the English court. -
An Unhappy Knight: the Diffusion and Bastardization of Mordred in Arthurian Legends from Select Works of the Sixth Through the Fifteenth Centuries
An Unhappy Knight: The Diffusion and Bastardization of Mordred in Arthurian Legends from Select Works of the Sixth through the Fifteenth Centuries by Emerson Storm Fillman Richards University of Florida Center for Medieval and Early Modern Studies Department of English Department of Geography 16 June, 2010 Richards 1 Table of Contents: I. Introduction to Thesis 2 II. Geographical Diffusion 6 i. Geographic Effect on Interpretation of Arthurian Literature 15 III. Temporal Diffusion 18 i. Historia Regum Britanniae, A Starting Point 20 ii. Diffusion between Geoffrey of Monmouth & Gervase of Tilbury 22 iii. Otia imperialia 24 IV. Conclusion: Redemption of Mordred 27 Appendix 31 Bibliography 34 Richards 2 I. Introduction To Thesis Every nation has endemic legends, yet some “endemic” legends are paradoxically transnational; one such multinational “endemic” story is the set of legends forming the narrative of King Arthur and his knights of the Round Table. Despite a specific hearth in Wales, Arthurian legend has permeated European literature and culture. In order to further the understanding of the evolution of a medieval narrative tradition, specifically the Arthurian legend and the significance of the character Mordred to this series of legends, scholars must locate the different concerns, values and interests of the peoples that created the literature. The geographical movements, reasons for movement and subsequent locations of the authors, or performers, of Arthurian legend (as well as, any written and orally transmitted cultural artifact) are not only of interest, but necessary, to a complete scholarly understanding of the different Arthurian works and the contemporaneous time periods in which they were created. -
Arthurian Personal Names in Medieval Welsh Poetry
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Aberystwyth Research Portal ʹͲͳͷ Summary The aim of this work is to provide an extensive survey of the Arthurian personal names in the works of Beirdd y Tywysogion (the Poets of the Princes) and Beirdd yr Uchelwyr (the Poets of the Nobility) from c.1100 to c.1525. This work explores how the images of Arthur and other Arthurian characters (Gwenhwyfar, Llachau, Uthr, Eigr, Cai, Bedwyr, Gwalchmai, Melwas, Medrawd, Peredur, Owain, Luned, Geraint, Enid, and finally, Twrch Trwyth) depicted mainly in medieval Welsh prose tales are reflected in the works of poets during that period, traces their developments and changes over time, and, occasionally, has a peep into reminiscences of possible Arthurian tales that are now lost to us, so that readers will see the interaction between the two aspects of middle Welsh literary tradition. Table of Contents Acknowledgements ...................................................................................................... 3 Bibliographical Abbreviations and Short Titles ....................................................... 4 Introduction .................................................................................................................. 9 Chapter 1: Possible Sources in Welsh and Latin for the References to Arthur in Medieval Welsh Poetry .............................................................................................. 17 1.1. Arthur in the White Book of Rhydderch and the