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Transitional Justice in the Aftermath of Civil Conflict
Transitional Justice in the Aftermath of Civil Conflict Lessons from Peru, Guatemala and El Salvador Author Jo-Marie Burt Transitional Justice in the Aftermath of Civil Conflict: Lessons from Peru, Guatemala and El Salvador Author Jo-Marie Burt 1779 Massachusetts Ave., NW, Suite 710 Washington, D.C. 20036 T: (202) 462 7701 | F: (202) 462 7703 www.dplf.org 2018 Due Process of Law Foundation All rights reserved Printed in the United States of America Published by Due Process of Law Foundation Washington D.C., 20036 www.dplf.org ISBN: 978-0-9912414-6-0 Cover design: ULTRAdesigns Cover photos: José Ángel Mejía, Salvadoran journalist; Jo-Marie Burt; DPLF Graphic design: ULTRAdesigns Author Acknowledgements iii Author Acknowledgements This report would not have been possible without the generosity of so many friends, colleagues and collaborators whose insights were critical to the preparation of this report. The experience of writing this report helped reinforce my belief that the theory of transitional justice much emanate from, and constantly be nourished from the experiences of those who engage in its day-to-day work: the survivors, the families of victims, the human rights defenders, lawyers, judicial operators, whose labor creates the things we understand to be transitional justice. My first debt of gratitude is to Katya Salazar, Executive Director of the Due Process of Law Foundation (DPLF), and Leonor Arteaga, Impunity and Grave Human Rights Senior Program Officer at DPLF, for their invitation to collaborate in the preparation of a grant proposal to the Bureau of Democracy, Labor and Human Rights, which led to the two-year funded project on transitional justice in post-conflict Peru, Guatemala and El Salvador that is the basis for this report. -
Jamaica in the Tourism Global Value Chain
Jamaica in the Tourism Global Value Chain April 2018 Prepared by Karina Fernandez-Stark and Penny Bamber Contributing researcher: Vivian Couto, Jack Daly and Danny Hamrick Duke Global Value Chains Center, Duke University Global Value Chains Center This research was prepared by the Duke University Global Value Chains Center on behalf of the Organization of American States (OAS). This study is part of the establishment of Small Business Development Centers in the Caribbean. The report is based on both primary and secondary information sources. In addition to interviews with firms operating in the sector and supporting institutions, the report draws on secondary research and information sources. The project report is available at www.gvcc.duke.edu. Acknowledgements The Duke University Global Value Chains Center would like to thank all of the interviewees, who gave generously of their time and expertise, as well as Renee Penco of the Organization of American States (OAS) for her extensive support. The Duke University Global Value Chain Center undertakes client-sponsored research that addresses economic and social development issues for governments, foundations and international organizations. We do this principally by utilizing the global value chain (GVC) framework, created by Founding Director Gary Gereffi, and supplemented by other analytical tools. As a university- based research center, we address clients’ real-world questions with transparency and rigor. www.gvcc.duke.edu. Duke Global Value Chain Center, Duke University © April 2018 -
Performing Blackness in the Danza De Caporales
Roper, Danielle. 2019. Blackface at the Andean Fiesta: Performing Blackness in the Danza de Caporales. Latin American Research Review 54(2), pp. 381–397. DOI: https://doi.org/10.25222/larr.300 OTHER ARTS AND HUMANITIES Blackface at the Andean Fiesta: Performing Blackness in the Danza de Caporales Danielle Roper University of Chicago, US [email protected] This study assesses the deployment of blackface in a performance of the Danza de Caporales at La Fiesta de la Virgen de la Candelaria in Puno, Peru, by the performance troupe Sambos Illimani con Sentimiento y Devoción. Since blackface is so widely associated with the nineteenth- century US blackface minstrel tradition, this article develops the concept of “hemispheric blackface” to expand common understandings of the form. It historicizes Sambos’ deployment of blackface within an Andean performance tradition known as the Tundique, and then traces the way multiple hemispheric performance traditions can converge in a single blackface act. It underscores the amorphous nature of blackface itself and critically assesses its role in producing anti-blackness in the performance. Este ensayo analiza el uso de “blackface” (literalmente, cara negra: término que designa el uso de maquillaje negro cubriendo un rostro de piel más pálida) en la Danza de Caporales puesta en escena por el grupo Sambos Illimani con Sentimiento y Devoción que tuvo lugar en la fiesta de la Virgen de la Candelaria en Puno, Perú. Ya que el “blackface” es frecuentemente asociado a una tradición estadounidense del siglo XIX, este artículo desarrolla el concepto de “hemispheric blackface” (cara-negra hemisférica) para dar cuenta de elementos comunes en este género escénico. -
Fondazione Internazionale Trieste Per Il Progresso E La Libertà Delle Scienze and SISSA Interdisciplinary Laboratory
EUROPEAN CITY OF SCIENCE 2020 Freedom for Science, Science for Freedom 1 FREEDOM FOR SCIENCE, SCIENCE FOR FREEDOM Dear Dr. Tindemans I would like to express again the support of the Italian Ministry of Education, University and Research – MIUR – to the candidature of Trieste to host the Euro Science Open forum (ESOF) in 2020. The candidature is solid and the proposed PROESOF2020 program, with the specifc goal of promoting discussion and deepening European scientifc collaboration ahead of the opening of ESOF is an unprecedented initiative represents an added value to the Valeria Fedeli proposal. Minister of Instruction, University and Research The motto “Freedom for Science, Science for Freedom”, is a refection of our times. Not only does it apply to the modern age, but it also provides guidance in the face of rapidly changing societies resulting from technological advancements and innovations, and Trieste, for it’s very well known high concentration of national and international Scientifc Institutions, functioning both as institutes of higher education as well as science and technology parks for high level research, and for both geographic and historical reasons, could not be a more ftting city to be named the European City of Science. Euro Science Open Forum would surely gain extra visibility and play an unprecedented role in the integration of Europe and in the relations between Europe and the Far-East and the South Mediterranean, and we believe that, with all its outreach and scientifc opportunities, ESOF 2020 would represent a milestone in Italy’ events to promote the role of science in society in a European context. -
Trieste ’45-’54
An history documentary of 52 minutes by Renzo Carbonera Produced by INTRODUCTION 2 BLUE JEANS AND SHORT SKIRT: Trieste ’45-’54 Treatment for a history documentary of 52’ by Renzo Carbonera Between 1945 and 1954 the city of Trieste and the surrounding area between the mountains and the sea B were a “Free Territory” protected by the newly-formed United Nations. It was an uncertain, difficult time, caught between the Allied Occupation and the bogeyman of Tito’s Yugoslavia. But is was also a time of strong ties with the United States; a mirror for American dreams lived or shattered; a time of boogie-woogie, blue jeans, short skirts and American cigarettes. The army day parade in Trieste, made to increase the sense of security in the civilian population TREATMENT 3 View of Trieste from the San Giusto hill today, zooming in with the TV camera and starting from the industrial port,up to the seafront,to the Old Port and the Victory lighthouse.Wide-angle shots of some of the streets in the city centre, traffic and the noises of city life, medium close-ups and close-ups of old pastry shops, elegant 19th century buildings, markets and fish restaurants. Medium shot of Piazza Unità with people strolling around and stopping at the bars. The atmosphere of Trieste is still muffled, as if wrapped in what the writer Jan Morris called that “sweet tristesse”, but at the same time the city has maintained its multicultural and vaguely hedonistic character even with the passage of time. In some ways, the city seems lively and animated, with crowds of people and traffic filling the centre,but this impression alternates with the decadent charm of the only partially restored 19th century buildings, the perennially underused port, the old quarters of Cavana and Cittavecchia and the air of melancholy of a fallen empire (the Austrian-Hungarian empire that made the city what it is). -
ERIK ŠVAB Ufficio +39 040 762712, Cell +39 348 5914914
INFORMAZIONI PERSONALI Nome ERIK ŠVAB Indirizzo VIA COMMERCIALE 173, 34134 TRIESTE Telefono Ufficio +39 040 762712, Cell +39 348 5914914 Fax +39 040 762792 E-mail [email protected] Cittadinanza ITALIANA e SLOVENA Data di nascita 02/12/1970 ESPERIENZA PROFESSIONALE • Date (da – a) Dal 10 maggio 2007 ad oggi •Nome e indirizzo del datore di lavoro EUROSERVIS SRL – Via Cicerone 4, Trieste, Italia • Tipo di azienda o settore Società di progettazione comunitaria e consulenza • Tipo di impiego Presidente e amministratore delegato - Rappresentante legale della società • Principali mansioni e responsabilità Collaborazione transfrontaliera; progetti internazionali; esperienza diretta di predisposizione, gestione e rendicontazione di oltre 200 progetti di collaborazione transfrontaliera e internazionale attuati e gestiti; Coordinamento e gestione progetti strategici approvati nell’ambito del Programma di cooperazione internazionale Italia- Slovenia 2007-2013 e Interreg 2014-2020. Mansioni specifiche in progettazione europea a valere su diversi programmi europei. Consulenze internazionali e finanziamenti europei, nazionali, regionali e provinciali alle imprese. Responsabile della gestione della società e delle società controllate e collegate. Organizzazione di convegni, seminari e workshop e altre manifestazioni internazionali. • Date (da – a) Dal 17 aprile 2007 ad oggi •Nome e indirizzo del datore di lavoro EVROPSKI CENTER DOO / SRL – Trg Edvarda Kardelja 3, 5000 - Nova Gorica, SLO • Tipo di azienda o settore Società di progettazione comunitaria -
Viewees Who Donated Their Time and Knowledge to the Dissertation Research
SSStttooonnnyyy BBBrrrooooookkk UUUnnniiivvveeerrrsssiiitttyyy The official electronic file of this thesis or dissertation is maintained by the University Libraries on behalf of The Graduate School at Stony Brook University. ©©© AAAllllll RRRiiiggghhhtttsss RRReeessseeerrrvvveeeddd bbbyyy AAAuuuttthhhooorrr... Selling Sacred Cities: Tourism, Region, and Nation in Cusco, Peru A Dissertation Presented by Mark Charles Rice to The Graduate School in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in History Stony Brook University May 2014 Copyright by Mark Rice 2014 Stony Brook University The Graduate School Mark Charles Rice We, the dissertation committee for the above candidate for the Doctor of Philosophy degree, hereby recommend acceptance of this dissertation. Paul Gootenberg – Dissertation Advisor SUNY Distinguished Professor, History, Stony Brook University Eric Zolov – Chairperson of Defense Associate Professor, History, Stony Brook University Brooke Larson Professor, History, Stony Brook University Deborah Poole Professor, Anthropology, Johns Hopkins University This dissertation is accepted by the Graduate School Charles Taber Dean of the Graduate School ii Abstract of the Dissertation Selling Sacred Cities: Tourism, Region, and Nation in Cusco, Peru by Mark Charles Rice Doctor of Philosophy in History Stony Brook University 2014 It is hard to imagine a more iconic representation of Peru than the Inca archeological complex of Machu Picchu located in the Cusco region. However, when US explorer, Hiram Bingham, announced that he had discovered the “lost city” in 1911, few would have predicted Machu Picchu’s rise to fame during the twentieth century. My dissertation traces the unlikely transformation of Machu Picchu into its present-day role as a modern tourism destination and a representation of Peruvian national identity. -
The Judgment Against Fujimori for Human Rights Violations*
American University International Law Review Volume 25 Article 4 Issue 4 Volume 25, No. 4 2010 The udJ gment Against Fujimori for Human Rights Violations Aimee Sullivan Follow this and additional works at: http://digitalcommons.wcl.american.edu/auilr Part of the Human Rights Law Commons, and the International Law Commons Recommended Citation Sullivan, Aimee. "The udJ gment Against Fujimori for Human Rights Violations." American University International Law Review 25, no.4 (2010): 657-842. This Translation is brought to you for free and open access by the Washington College of Law Journals & Law Reviews at Digital Commons @ American University Washington College of Law. It has been accepted for inclusion in American University International Law Review by an authorized administrator of Digital Commons @ American University Washington College of Law. For more information, please contact [email protected]. TRANSLATION THE JUDGMENT AGAINST FUJIMORI FOR HUMAN RIGHTS VIOLATIONS* TRANSLATED BY AIMEE SULLIVAN** ABBREVIATIONS ......................................................................... 661 PREFACE ........................................................................................ 664 INTRODUCTION ........................................................................... 667 1. EVIDENCE ............................................................................... 668 2. AGGRAVATED KIDNAPPING, MURDER, GRIEVOUS BODILY HARM, CRIMES AGAINST HUMANITY: BARRIOS ALTOS AND LA CANTUTA ............................................................... -
I Musei E Le Collezioni Demoetnoantropologiche Della Minoranza Slovena Nella Provincia Di Udine Un’Indagine Empirica
Laurea magistrale in Economia e gestione delle arti e delle attività culturali Tesi di Laurea I musei e le collezioni demoetnoantropologiche della minoranza slovena nella provincia di Udine Un’indagine empirica Relatore Prof. Michele Tamma Correlatore Prof. Elisa Bellato Laureando Lucija Tavčar Matricola 966070 Anno Accademico 2017/2018 0.0 Indice Laurea magistrale in Economia e gestione delle arti e delle attività culturali 1 0.0 Indice 2 1. I musei demoetnoantropologici della comunità slovena nella Provincia di Udine 4 1. 1 Introduzione 4 1. 2 La nuova museologia e lo sviluppo dei musei comunitari 9 1.3 I beni demoetnoantropologici e il loro significato per la comunità 12 1.4 I ruoli delle realtà museali 18 1.5 I musei per uno sviluppo economico locale sostenibile 21 2. Analisi della popolazione museale 26 2. 1. Metodologia 26 2.2 La diffusione dei musei sul territorio della Provincia di Udine 33 2.3 Il coinvolgimento dei musei nei progetti dedicati alle realtà museali demoetnoantrolopogiche 57 2.4 I Soggetti di gestione delle realtà museali 69 2. 5 Osservazione della popolazione dal punto di vista operativo 76 2.5 Il numero di abitanti, l'altitudine e le realtà museali: il ruolo resistenziale 87 3. I dossier dei musei demoetnoantropologici della comunità slovena 93 3.1 Dossier Lusevera/Bardo 93 3. 2 Collezioni Testimonianze della civiltà contadina Taipana e Prossenicco 102 3.3 Dossier Museo delle Genti della Val Resia / Muzeo tih rozajanskih judi 113 3. 4 Dossier Museo degli arrotini 126 3.5 Dossier Casa rurale del territorio 137 3.6 Dossier Museo storico Balus 143 3.7 Dossier sul Museo del Matajur / Muzej Varha Matajura 149 3.8 Dossier Casa Raccaro / Rakarjev hram 164 3. -
Moving Away from Silence: Music of the Peruvian Altiplano and the Experiment of Urban Migration / Thomas Turino
MOVING AWAY FROM SILENCE CHICAGO STUDIES IN ETHNOMUSICOLOGY edited by Philip V. Bohlman and Bruno Nettl EDITORIAL BOARD Margaret J. Kartomi Hiromi Lorraine Sakata Anthony Seeger Kay Kaufman Shelemay Bonnie c. Wade Thomas Turino MOVING AWAY FROM SILENCE Music of the Peruvian Altiplano and the Experience of Urban Migration THE UNIVERSITY OF CHICAGO PRESS Chicago & London THOMAS TURlNo is associate professor of music at the University of Ulinois, Urbana. The University of Chicago Press, Chicago 60637 The University of Chicago Press, Ltd., London © 1993 by The University of Chicago All rights reserved. Published 1993 Printed in the United States ofAmerica 02 01 00 99 98 97 96 95 94 93 1 2 3 4 5 6 ISBN (cloth): 0-226-81699-0 ISBN (paper): 0-226-81700-8 Library of Congress Cataloging-in-Publication Data Turino, Thomas. Moving away from silence: music of the Peruvian Altiplano and the experiment of urban migration / Thomas Turino. p. cm. - (Chicago studies in ethnomusicology) Discography: p. Includes bibliographical references and index. I. Folk music-Peru-Conirna (District)-History and criticism. 2. Folk music-Peru-Lirna-History and criticism. 3. Rural-urban migration-Peru. I. Title. II. Series. ML3575.P4T87 1993 761.62'688508536 dc20 92-26935 CIP MN @) The paper used in this publication meets the minimum requirements of the American National Standard for Information Sciences-Permanence of Paper for Printed Library Materials, ANSI 239.48-1984. For Elisabeth CONTENTS List of Illustrations ix Acknowledgments xi Introduction: From Conima to Lima -
Democratización De La Función
Democratización de la Función de Inteligencia El Nexo de la Cultura Nacional y la Inteligencia Estratégica Russell G. Swenson y Susana C. Lemozy Coordinadores NATIONAL DEFENSE INTELLIGENCE COLLEGE WASHINGTON, DC Enero de 2009 Las opiniones expresadas en este libro son de los autores y no representan ni las políticas ni puntos de vista de las organizaciones o los gobiernos respectivos El Colegio Nacional de Inteligencia y de Defensa apoya y fomenta investigaciones académicas y aplicadas que enfocan y mejoran las capacidades de las comunidades de inteligencia en la realización de sus misiones Democratización de la Función de Inteligencia—El Nexo de la Cultura Nacional y la Inteligencia Estratégica, Russell G. Swenson y Susana C. Lemozy, Coordinadores Este libro incorpora las contribuciones de veintiocho autores que representan un panorama de quince países. Es de esperar que el libro sea de utilidad en las escuelas de Inteligencia gubernamentales y civiles por toda la región, y que emer- jan otras investigaciones sobre el tema estimuladas por el presente. Se presentan evidencias en el libro de que la función de inteligencia a nivel nacional y estratégico experimenta cambios de índole evolucionario e involucionario, que la permiten, por sus cuadros profesionales, refl ejar y ejecutar lo democrático tan bien como lo represivo, en cualquier país. Los ensayos de autores estadounidenses que son empleados de gobierno de los EE.UU. fueron sometidos a una reexaminación de seguridad de información, y fueron aprobados por la Ofi cina de Revisión de Manuscritos del Departamento de Defensa. Russell G. Swenson, PhD, Director de la Prensa del CNID ii | Número de indización de la Biblioteca del Congreso de los EE.UU 2008929996 ISBN 978-1-932946-21-5 Contenidos v PRÓLOGO Marco Cepik xi PRESENTACIÓN Russell G. -
Staging Lo Andino: the Scissors Dance, Spectacle, and Indigenous Citizenship in the New Peru
Staging lo Andino: the Scissors Dance, Spectacle, and Indigenous Citizenship in the New Peru DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Jason Alton Bush, MA Graduate Program in Theatre The Ohio State University 2011 Dissertation Committee: Lesley Ferris, Co-Advisor Katherine Borland, Co-Advisor Ana Puga Copyright by Jason Bush 2011 Abstract “Staging Lo Andino: Danza de las Tijeras, Spectacle, and Indigenous Citizenship in the New Peru,” draws on more than sixteen months of fieldwork in Peru, financed by Ohio State‟s competitive Presidential Fellowship for dissertation research and writing. I investigate a historical ethnography of the Peruvian scissors dance, an acrobatic indigenous ritual dance historically associated with the stigma of indigeneity, poverty, and devil worship. After the interventions of Peruvian public intellectual José María Arguedas (1911-1969), the scissors dance became an emblem of indigenous Andean identity and valued as cultural patrimony of the nation. Once repudiated by dominant elites because it embodied the survival of indigenous spiritual practices, the scissors dance is now a celebrated emblem of Peru‟s cultural diversity and the perseverance of Andean traditions in the modern world. I examine the complex processes whereby anthropologists, cultural entrepreneurs, cosmopolitan artists, and indigenous performers themselves have staged the scissors dance as a symbolic resource in the construction of the emergent imaginary of a “New Peru.” I use the term “New Peru” to designate a flexible repertoire of utopian images and discourses designed to imagine the belated overcoming of colonial structures of power and the formation of a modern nation with foundations in the Pre-Columbian past.