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WRAP THESIS Shilliam 1986.Pdf
University of Warwick institutional repository: http://go.warwick.ac.uk/wrap A Thesis Submitted for the Degree of PhD at the University of Warwick http://go.warwick.ac.uk/wrap/34806 This thesis is made available online and is protected by original copyright. Please scroll down to view the document itself. Please refer to the repository record for this item for information to help you to cite it. Our policy information is available from the repository home page. FOREIGN INFLUENCES ON AND INNOVATION IN ENGLISH TOMB SCULPTURE IN THE FIRST HALF OF THE SIXTEENTH CENTURY by Nicola Jane Shilliam B.A. (Warwick) Ph.D. dissertation Warwick University History of Art September 1986 SUMMARY This study is an investigation of stylistic and iconographic innovation in English tomb sculpture from the accession of King Henry VIII through the first half of the sixteenth century, a period during which Tudor society and Tudor art were in transition as a result of greater interaction with continental Europe. The form of the tomb was moulded by contemporary cultural, temporal and spiritual innovations, as well as by the force of artistic personalities and the directives of patrons. Conversely, tomb sculpture is an inherently conservative art, and old traditions and practices were resistant to innovation. The early chapters examine different means of change as illustrated by a particular group of tombs. The most direct innovations were introduced by the royal tombs by Pietro Torrigiano in Westminster Abbey. The function of Italian merchants in England as intermediaries between Italian artists and English patrons is considered. Italian artists also introduced terracotta to England. -
Tournai Cathedral
canons and other church functionaries said prayers for the diocese. Services in the Middle Ages would have Tournai Cathedral (Belgium) been rich with sound, movement, colour and fragrance, bringing the Cathedral to life: liturgical No 1009 vestments and ornaments, processions, musical instruments, boys' choirs at the services of Prime and Vespers and the periodic ringing of bells would have made this a "multimedia" performance much appreciated at the time. Today services are led by the bishop on special occasions and by the canons on a daily basis. Over the centuries of uninterrupted Identification worship, the church has accumulated a number of precious objects which are still kept in the Cathedral Nomination Notre-Dame Cathedral in Tournai and used during services. Location City of Tournai, Province of Hainaut, The Cathedral also fulfils a social function: even today Wallonian Region it is a place of solidarity. In the Middle Ages, religion was closely associated with concern for the less State Party Belgium privileged, expressed in caring for the sick, giving alms, or taking responsibility for the weakest in Date 6 July 1999 society. The city of Tournai still possesses buildings that bear witness to this social function of the church, such as the former hospital of Note-Dame, now the Academy of Fine Arts. Justification by State Party The church's intellectual role is also inextricably In the case of the nave and transept, the early date of linked with the life of the Cathedral and was the elevation to four levels and its subsequent manifested initially in the education of the populace widespread extension meets the criterion of through the preaching of the clergy. -
Local Romanesque Architecture in Germany and Its Fifteenth-Century Reinterpretation
Originalveröffentlichung in: Enenkel, Karl A. E. ; Ottenheym, Konrad A. (Hrsgg.): The quest for an appropriate past in literature, art and architecture, Leiden 2019, S. 511-585 (Intersections ; 60) chapter 19 Translating the Past: Local Romanesque Architecture in Germany and Its Fifteenth-Century Reinterpretation Stephan Hoppe The early history of northern Renaissance architecture has long been pre- sented as being the inexorable occurrence of an almost viral dissemination of Italian Renaissance forms and motifs.1 For the last two decades, however, the interconnected and parallel histories of enfolding Renaissance humanism have produced new analytical models of reciprocal exchange and of an ac- tively creative reception of knowledge, ideas, and texts yet to be adopted more widely by art historical research.2 In what follows, the focus will be on a particular part of the history of early German Renaissance architecture, i.e. on the new engagement with the historical – and by then long out-of-date – world of Romanesque architectural style and its possible connections to emerging Renaissance historiography 1 Cf. Hitchcock H.-R., German Renaissance Architecture (Princeton, NJ: 1981). 2 Burke P., The Renaissance (Atlantic Highlands, NJ: 1987); Black R., “Humanism”, in Allmand C. (ed.), The New Cambridge Medieval History, c. 1415–c. 1500, vol. 7 (Cambridge: 1998) 243–277; Helmrath J., “Diffusion des Humanismus. Zur Einführung”, in Helmrath J. – Muhlack U. – Walther G. (eds.), Diffusion des Humanismus. Studien zur nationalen Geschichtsschreibung europäischer Humanisten (Göttingen: 2002) 9–34; Muhlack U., Renaissance und Humanismus (Berlin – Boston: 2017); Roeck B., Der Morgen der Welt. Die Geschichte der Renaissance (Munich: 2017). For more on the field of modern research in early German humanism, see note 98 below. -
Surprising Discoveries
2018-2019 Surprising Discoveries Your guide to creating memorable group visits to southern Belgium © Hallet Jacques Discover Wallonia THE NETHERLANDS UNITED KINGDOM THE NETHERLANDS Antwerp NORTH SEA Ostende Bruges FLANDERS Dunkerque THE NETHERLANDS Calais Brussels 02 Map GERMANY Waterloo Liège 03 Welcome FRANCE Villers-la-Ville Tournai 04 Tournai and Mons Spa Mons Namur Binche 10 Waterloo and Beyond Charleroi Durbuy Dinant 14 Namur and Dinant FRANCE La Roche-en-Ardenne 20 Liège and Spa Bastogne Saint-Hubert 26 Bastogne and La Roche GRAND DUCHY OF LUXEMBOURG Bouillon 30 Top 10 and major recurring events 31 Testimonials from coach operators FRANCE Produced with the co-operation of the Belgian Tourist Office – Wallonia. Telephone: 020 7531 0390. Email: [email protected]. www.walloniabelgiumtourism.co.uk. All rights reserved. No part of this guide may be reproduced, stored in a retrieval system, or transmitted in any other means, electronic, mechanical, photographic, recording or otherwise without the prior written consent of the publisher. Commissioning editor & picture editor: Philippe Marée. Graphic Design & Print Production: Lielens & Partners. Revealed is printed on Essential Gloss paper which is an FSC certified paper. Although Location every effort is made to ensure that the editorial content is true and accurate at time of going to press the Belgian Tourist Office – Wallonia cannot be held responsible for any claims made within this publication. Map Welcome to Belgium. Welcome to Wallonia. Memorable experiences in southern Belgium start here! It gives me very great pleasure to welcome you distilleries, from vineyards to cheese producers, and to this special guide that I know will inspire you to from waffles to chocolate, Wallonia’s gastronomic create memorable group visits to southern Belgium. -
Interior Convertions: Redesigning The
NUMERO 10 - dicembre 2016 Conversioni interne: Marcus van der Meulen Ridisegnare la chiesa parrocchiale per un riuso adattivo Marcus van der Meulen studied Architecture and Interior Architecture at Leuven Catholic University ( St. Lucas Institute for Architecture, Ghent ) and Monument Preservation at the Institute of Conservation & Restoration. He did courses in Architectural History at Cambridge University. As an Interior Architect he has Interior convertions: been active in several reuse designs and projects in the past years. Redesigning the Village Church for Adaptive Reuse Currently Marcus is director at Square, a platform for adaptive reuse and redesign of religious architecture. At present he focusses on the reuse of post-war churches in the urban landscape. As an Interior Historian he researches ecclesiastical interiors with special interest for the medieval and modernist periods, his book Così come sempre più chiese parrocchiali perdono As more and more village churches loose their original Brass Eagle Lecterns in England: 1470-1520 is due next year. la loro funzione originaria di luogo di culto, il riuso function as a house of worship adaptive reuse is adattivo è una strategia sempre più popolare per la an increasingly popular strategy for preservation of conservazione del patrimonio religioso. Trasformare il religious heritage. Transforming the local house of locale luogo di culto per mettere in scena una nuova worship to stage a new scenography implies a redesign scenografia implica una riprogettazione degli interni. of the interior. Three types of ecclesiastical architecture Tre tipi di architettura ecclesiastica sono riscontrabili in rural Groningen, the Netherlands, have been nelle aree rurali di Groningen, i Paesi Bassi, sono stati redesigned in recent years to house a new functionality. -
L'a R T V Iv a N T E T S E S in S T It U T Io
NUMÉRO 26/2007 L’ART VIVANT ET SES INSTITUTIONS NUMERO NUMERO 26/2007 Association sans but lucratif Place du 20-Août 7, B-4000 Liège Tél. : 04/366.56.04. - Fax : 04/366.58.54. Prix de vente - cotisation :32 € / Rédacteur en chef de la revue :Jean-Patrick Duchesne, rue Georges Thone 14, B-4020 Liège / Secrétaire : Isabelle Verhoeven, rue Vivegnis 447, B-4000 Liège / Trésor ier :Yves Randaxhe, rue de Harlez 33, B-4000 Liège / Compte n° 792- 5524042-41 d'Art&fact, Liège / Direction scienti- fique du numéro :Julie Bawin / Comité de lecture :Jean-Patrick Duchesne, Julie Bawin et Julie Hanique / Première de couverture : Éric DUYCKAERTS, performance, 8 juin 2007, 52e Biennale de Venise. Photos : Virginie Le Touze. Quatrième de couverture : Éric DUYCKAERTS, Entrelacs borroméens d'après Pierre Soury, 2007. Art&fact ISSN 0774-1863 L’art vivant et ses institutions Revue des historiens de l’art, des archéologues et des musicologues de l’Université de Liège Numéro 26/2007 Publié avec le soutien de la Communauté française de Belgique Ministère de la Culture et des Affaires sociales et du Ministère de la Région wallonne Division de l’Emploi et de la Formation professionnelle, ainsi qu’avec l’aide financière du Fonds national de Recherche Scientifique - FNRS L’art vivant et ses institutions INSTRUCTIONS ET INFORMATIONS AUX AUTEURS 1. Les textes originaux doivent parvenir à la tenir aux modèles suivants : pour un ouvrage, rédaction en format Word par e-mail (art-et- NOM, prénom, Titre, lieu d'édition, année, [email protected]) ou sur CD-rom. -
Bicycling Belgium's Best Breweries
Overview Bicycle Tours in Belgium: Bicycling Belgium's Best Breweries OVERVIEW You don't want to miss this unique beer and bicycling opportunity - the only tour of Belgium that mixes excellent bicycling, lodging, food, plus visits to some of the important Belgian breweries. Starting near the capital of Belgium, we'll pedal through West Flanders (the Flemish part of Belgium) and finish in Tournai in the region of Wallonia where French is spoken. This tour concentrates on two important beer regions (to add a third, join our 11-day tour!), the Lambic region just south of Brussels, famous for its wild yeast fermentation method which results in a sour beer, and the breweries around Bruges (or Brugge in Flemish), a mix of Trappist (monk-brewed) breweries as well as historical breweries such as DeCam. Two night stays at the beginning and middle of this trip means less packing, and more beer and bicycling! You'll also bicycle through important WWI battleground sites. Gentle cycling terrain makes this a great tour for everyone; in fact the only "requirement" is that you enjoy good beer and fun! ***If this sounds great but you'd like a longer tour, check out our Bicycling Belgium's Best Breweries Plus! tour, which extends this itinerary by 3 days.*** HIGHLIGHTS Cycling, quiet roads and paths Waterloo, Flanders, Field Museum Lambic, beer Historic, hotels Guided, brewery visits WWI, battle and historical sites 1 Trappist brewery TOUR FACTS Tour Style : Learn more about our tours at https://www.experienceplus.com/tours/bike-tour-styles/-tours 8 days, 7 nights accommodation; 7 breakfasts, 4 dinners, 1 lunch; 3 guided brewery visits; 'beer Includes bar" in Bruges, 1 tastings with dinner; shuttle from and to Brussels Countries Belgium Begin/End Brussels / Tournai Arrive/Depart Brussels Int'l Airport (BRU) / Brussels Int'l Airport Total Distance 321 km - with the option for 48 more (198 km with 30 extra) Avg. -
Unesco World Heritage Convention
Unesco World Heritage Convention Belgian efforts for global heritage care Unesco World Heritage Convention Belgian efforts for global heritage care Coverphoto's large: Marcel vanhulst © MrBC - above: © BeLSPO - center: Guy Focant © SPW - under: © onroerend erfgoed, photo oswald pauwels Foreword Dear reader, Soon Unesco will recognise a world heritage site for the thousandth time. Only sites with an Outstanding Universal Value are added to the World Heritage List. This recognition emphasises the general importance of the heritage site and the need to continue to protect it. Of the long list, everyone undoubtedly knows the Chinese wall, the Egyptian pyramids and the Taj Mahal in India. But do you also know the Belgian world heritage sites? Do you know what makes those sites so special? And do you know what efforts our country makes to help protect the world heritage in other places or continents? You will find the answers to all these questions in this brochure. However, this publication is also a beautiful example of the good cooperation between the different authorities and partners in Belgium, which I have been privileged enough to experience on a daily basis in the Permanent Delegation of Belgium to Unesco. My special thanks go to the Flemish Commission for Unesco and the Commission belge francophone et germanophone pour l'UNESCO, at whose initiative this brochure was compiled. Moreover, I would like to express my gratitude to the various partners to this project, in particular, Development Cooperation, Belgian Science Policy Office, the Walloon Heritage Institute, the Flanders Heritage Agency and the Directorate for Monuments and Sites of the Brussels-Capital Region. -
Klein Wetsinge : the Redesign of a Village Church in Rural Groningen
KLEIN WETSINGE : THE REDESIGN OF A VILLAGE CHURCH IN RURAL GRONINGEN . Today I will be talking about Klein Wetsinge - a redesigned village church in rural Groningen - a project that earlier this year was nominated BNA building of the Year in the Netherlands. The jury valued the design solutions of the new program as an attempt to rejuvenate , regenerate a small settlement. Like many villages across Europe, the redundancy of the local church is only one of several problems the community is facing. The Reitdiep area were this settlement of two streets and a windmill Klein Wetsinge is located , witnesses many problems. The depopulation of the Groningen countryside first became problematic in the 1960's .Unemployment in this province is the highest in the country. Several attempts to counter this trend have all failed. More threatening the preservation of religious heritage in this region are , somewhat unexpected , earthquakes . This year alone over 80 registered earthquakes in this region , though not on the scale of Armatrice , the heaviest of them was in 2012 which severly damaged the thirteenth century church of Huizinge - and several others in the region. One of the was at Klein Wetsinge. What to do with this abandoned building , this damaged church that was in need of costly restoration ? This countryside may look bucolic , the reason it attracts visitors , life in these villages is not . In Klein Wetsinge it was decided a restoration ,which was much needed as the woodwork was in a poor condition , was an opportunity to redesign the building and give it a second life. The new program for the building was drafted by the new owner of the church - the charity SOGK ( Stichting Oude Groninger Kerken ) which now owns over 80 churches in the province of Groningen , in collaboration with the local community , some sixty people living in two setlements. -
Technique of Mural Paintings from the Tournai Cathedral
TECHNIQUE OF MURAL PAINTINGS FROM THE TOURNAI CATHEDRAL L. Lepot*, S. Denoël** and B. Gilbert* * Analytical Chemistry and Electrochemistry, Bldg. B6C, Sart Tilman, Liège, B-4000 **European Center of Archaeometry. Bldg. B5, Sart Tilman, Liège, B-4000 Introduction The Cathedral Notre-Dame of Tournai is one of the most beautiful religious edifice of Belgium. Long of 134 meters, it is the largest church of the country and one of the precursor of the Gothic cathedrals. In 2000, it was classified as UNESCO's World Inheritance. Three great historical periods have contributed to the actual appearance of the cathedral. The oldest parts are the nave and the transept, in Romanesque style. In 1243, the bishop of Tournai Gautier de Marvis (1219- 1252) decided to replace the small Romanesque choir by a large gothic one, whose construction was completed in 1255. During the Renaissance a portico and a choir screen were added. After a storm in 1999, the stability of the building was in danger and an important stabilization work has been initiated. A large part of the cathedral has been closed to the public and scaffoldings have been installed which allowed scientists to perform a closer examination of, among other features, residual wall paintings. Objectives The main objectives of our investigation are : Anonymous, Angels , Transept,Cathedral of Tournai, XIIth century • to identify the nature of the principal components of wall micro-fragments (various pigments and binders) by micro-Raman spectroscopy, The Cathedral Notre-Dame of Tournai Experimental -
An Archaeological Mystery Revealed by Radiocarbon
Radiocarbon, Vol 56, Nr 2, 2014, p 603–617 DOI: 10.2458/56.16951 © 2014 by the Arizona Board of Regents on behalf of the University of Arizona AN ARCHAEOLOGICAL MYSTERY REVEALED BY RADIOCARBON DATING OF CROSS-FLOW NANOFILTRATED AMINO ACIDS DERIVED FROM BONE COLLAGEN, SILK, AND HAIR: CASE STUDY OF THE BISHOPS BALDWIN I AND RADBOT II FROM NOYON-TOURNAI Mathieu Boudin1,2 • Pascal Boeckx2 • Peter Vandenabeele3 • Mark Van Strydonck1 ABSTRACT. Excavations in the cathedral of Tournai revealed two sepultures, which were identified by the excavators as those of bishops because of their special location in the cathedral. One burial was assigned to Baldwin I, who died in AD 1068, because (1) a ring with the inscription “BAL” was found and (2) a funeral stone with text was present on top of the grave mentioning the name Baldewinus. The second burial probably belongs to Radbot II, who was the successor of Baldwin I, and died in AD 1098. Both burials contained textiles (silk), the skeleton, a wooden pastoral staff, and human hair was still present on the skull of what was presumed to be Radbot II. All the protein-containing materials were degraded and/ or contaminated. Standard sample pretreatment methods were not able to remove all the contaminants. Single and double cross-flow nanofiltration of the hydrolyzed protein-containing materials were performed. The sample quality for radiocarbon dating was improved and 14C data revealed interesting and surprising results. The 14C dates of the wooden pastoral staff and permeate femur confirm that the skeleton and tomb belong to bishop Baldwin I. -
Digital Close-Range Photogrammetry of Statue-Colonnes Applied on the Tournai Cathedral (Belgium)
________CIPA 2005 XX International Symposium, 26 September – 01 October, 2005, Torino, Italy________ DIGITAL CLOSE-RANGE PHOTOGRAMMETRY OF STATUE-COLONNES APPLIED ON THE TOURNAI CATHEDRAL (BELGIUM) P. Andriesa, C. Fasseura ,J. Debie b, R. Goossens a , D. Devriendt a a Ghent University, Department of Geography, Krijgslaan 281 S8, 9000 Ghent, Belgium (dennis.devriendt , rudi.goossens, paskal.andries, christophe.fasseur)@ugent.be b Division du Patrimoine Ministère de la Règion Wallonne de Belgique. [email protected] KEY WORDS: Close Range, Digital Photogrammetry, Orthoimage ABSTRACT This essay aims examine the possibilities of close-range photogrammetry applied on walls with pronounced relief differences e.g. statues. It involves softcopy photogrammetrical processing in a digital interface. Especially the achievability, to produce orthophotographs of walls with remarkable height-differences, will be studied. An orthophotograph is a photo with correct X-, Yand Z-coordinates and realised with two orthogonal snaps of the same object. These snaps, also called stereopair, must overlap each other for a certain percentage. In general mostly an overlap of 60 percent is advised. To calculate the correct height-coordinates (Z), we use the parallax difference of an object on the two snaps of a stereopair. In our case, we couldn’t choose freely the distance camera- object. We were forced to work with a very short distance. Taking the large height-differences on the object into account, we are dealing with an important radial relief displacement, and thus parallax, resulting in important stereo shadow. This shadow always causes errors in the results, because certain picture information is lost. The software package ViruoZoTM was used to create orthophotos.