DOCSLIB.ORG

WRAP THESIS Shilliam 1986.Pdf

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
WRAP THESIS Shilliam 1986.Pdf University of Warwick institutional repository: http://go.warwick.ac.uk/wrap A Thesis Submitted for the Degree of PhD at the University of Warwick http://go.warwick.ac.uk/wrap/34806 This thesis is made available online and is protected by original copyright. Please scroll down to view the document itself. Please refer to the repository record for this item for information to help you to cite it. Our policy information is available from the repository home page. FOREIGN INFLUENCES ON AND INNOVATION IN ENGLISH TOMB SCULPTURE IN THE FIRST HALF OF THE SIXTEENTH CENTURY by Nicola Jane Shilliam B.A. (Warwick) Ph.D. dissertation Warwick University History of Art September 1986 SUMMARY This study is an investigation of stylistic and iconographic innovation in English tomb sculpture from the accession of King Henry VIII through the first half of the sixteenth century, a period during which Tudor society and Tudor art were in transition as a result of greater interaction with continental Europe. The form of the tomb was moulded by contemporary cultural, temporal and spiritual innovations, as well as by the force of artistic personalities and the directives of patrons. Conversely, tomb sculpture is an inherently conservative art, and old traditions and practices were resistant to innovation. The early chapters examine different means of change as illustrated by a particular group of tombs. The most direct innovations were introduced by the royal tombs by Pietro Torrigiano in Westminster Abbey. The function of Italian merchants in England as intermediaries between Italian artists and English patrons is considered. Italian artists also introduced terracotta to England. A group of terracotta tombs in East Anglia, previously attributed by tradition to Italian artists, is re-examined. A less direct initiation of iconographic and stylistic innovation occurred through English artists' use of foreign patterns. The synthesis of such two-dimensional imagery by English sculptors is examined in certain tombs in Hampshire and Sussex. The influence of the Florentine royal tombs on English tomb sculpture in the latter half of the period is illustrated by alabaster tombs from an English workshop and by three other important tombs. The abandoned Italian project for the tomb of Henry VIII is studied in the context of the religious, political and economic changes that contributed to the breakdown of a supportive environment for Italian artists in England. Finally, the relevance of religious Injunctions and iconoclasm to the evolution of English tomb sculpture by the middle of the century is considered. TABLE OF CONTENTS Acknowledgements ....................................... ii Listof Abbreviations in Text ..........................iv Listof Illustrations ..................................vi Introduction ........................................... 1 Chapter I: Pietro Torrigiano and the Royal Tombs ...... 16 ChapterII: Intermediaries ............................. 60 ChapterIII: Terracotta ................................ 80 Chapter IV: Tombs in Sussex and Hampshire .............. 138 Chapter V: Tomb Sculpture in the Latter Half of the Reignof Henry VIII .................................. 184 Conclusion ............................................. 243 Bibliography ........................................... 249 ACKNOWLEDGEMENTS I would like to express my gratitude to several individuals and institutions for the help and advice they offered during my years of research for the preparation of this dissertation. In particular, I should like to express my gratitude to Julian Gardner, who continued to support my endeavours, even from a great distance. At Warwick I benefited from conversations with Richard Morris and Paul Hills and Robin Clifton, who first encouraged the particular interests that led to this work. Loveday Gee and Alan Watson gave much generous help with my photographic expeditions. I should like to acknowledge my gratitude to Professors J.B. Trapp, Michael Baxandall, Sydney Anglo, Keith Thomas, and the late Sir Anthony Blunt, for their influence on my work. In London the staffs of the Warburg Institute and the Institute of Historical Research were particularly helpful. At Yale I was inspired and helped by Gloria Kury, Walter Cahn, George Hersey and Andrea Norris. The staff at the Yale Center for British Art, especially Anne-Marie Logan, and the former director, Edmund P. Pillsbury, were extremely supportive. For assistance with travel in Italy, France and Spain I thank Barbara and Charles Robertson, the Courtauld Institute Summer School and the Ruskin Society for enabling me to undertake fieldwork and photography in England. My support and travels in the U.S.A. were made possible by the generous support of the Andrew W. Mellon Foundation. Other individuals who gave help with this project were Pauline Plummer, Robin Clifton, Janet Mitchell, -1- Michael Maslin, Shaun Twiss, Reginald Cave, Mr. and Mrs. Avens, Mr. and Mrs. Sharp and the vicars of many English country churches. Last, but with tremendous gratitude, I thank my parents, Ida, Susanne, Christopher, Nicholas, Diane, Richard Smithey and especially Oliver Avens for unfailingly generous help. -2- List of Abbreviations in the Text Ailgemeines Lexikon U. Thieme and F. Becker, eds., Aligemeines Lexikon der bildenen Ktinstler von der antike bis zur gegenwart, Leipzig, 1907-1949. 47 vols. D.N.B. L. Stephen and S. Lee, eds., Dictionary of National Biography, London, 1882- T.E.A.S. Transactions of the Essex Archaeological Society. E.N.P. E. Panofsky, Early Netherlandish Painting, New York, 1971. I.R.S. J. Pope-Henriessy, An Introduction to Italian Sculpture, London and New York, 1971, vol. 2. N. Pevsner, B.E. N. Pevsner, ed., The Buildings of England, Harmondsworth, 1951-74. 41 vols. P.M.L.A. Proceedings of the Modern Language Association. R.C.H.M. Royal Commission on the Ancient and Historical Monuments and constructions of England, H.M. Stationery Office, 1910- S.A.C. Sussex Archaeological Collections. T.R.P. P.L. Hughes and J.F. Larkin, eds., Tudor Royal Proclamations, New Haven and London, 1969. G. Vasari, Levite G. Milanesi, ed., Levite de'2 eccellenti pittori, scultori ed - iv - V archite_itori italiani, 9 vols., Florence, 1909 ed. V.C.H. W. Page, et aL, eds., Victoria Counties History of England, London, 1906- L&P J.S. Brewer, etal., eds., Letters and Papers, Foreign and Domestic, of the Reign of Henry VIII, 1509-1547, 21 vols., in 35 parts, London, H.!1.S.O., 1862-1910. Key to Abbreviations in Illustrations (C) Courtauld Institute negative. (W) Warwick University negative. (NMR) National Monuments Record. (S) Shilliam negative. (E) University of East Anglia negative. 1. Tomb of Robert Sherborne, Bishop of Chichester. Chichester Cathedral, Sussex. (S) 2. Tomb of Charles VIII of France. Guido Mazzoni. (Gaignires drawing, no. 1344 B.N. Est. Rs. Pe Ia fol. 48) 3. Tomb of Condestable Alvaro de Luna arid Wife. Sebastian de Almonacid. Capilla de Santiago, Toledo Cathedral. (Sanz Vega negative) 4. Tomb of Louis XII and Anne of Brittany. A. Giusti and assistants. St. Denis, Paris. (A. Blunt, Art and Architecture in France, 1500-1700, Harmondsworth, 1953, p1. 14) 5. Tomb of Lady Margaret Beaufort. Pietro Torrigiano. Westminster Abbey, London. (RHCM) 6. Tomb of Prince Don Juan. Domenico Fancelli. Santo Tomas, Avila. (H. Keutner, Sculpture from Renaissance to Rococco, London, 1969, fig. 94) 7. Tomb of King Ferdinand and Queen Isabella. Domenico Fancelli. Capilla Real, Granada Cathedral. (L. Dominguez negative) 8. Tomb of Francis II, Duke of Brittany and Marguerite de Foix. Michele Colombe. Nantes Cathedral. (H. Keutner, op. cit., fig. EJ) 9. Tomb of the Children of Charles VIII. Michel Colombe and Girolamo da Fiesole. Tours Cathedral. (Pierre Pradel, Michel Colombe, Paris 1953, p1. XXVII) 10. Tomb of Pope Sixtus IV. Antonio Pollaiuolo. Grotte Vatican, Rome. (J. Pope-Hennessy, I.R.S., fig. 72) U.. Tomb of Mary of Burgundy. Renier van Thienen, Jan Borman, and others. Bruges cathedral, Belgium. (J.A. van Houte, De geschiedenis van Brugge, 1982, fig. 124) 12. Tomb of Lady Margaret Beaufort, detail. Pietro Torrigiano. Westminster Abbey, London. (C) 13. Tomb of Mary of Burgundy, detail. Jan Borman (cast by vi vii Reriier van Thienen). Bruges Cathedral, Belgium. (T. Muller, Sculpture in the Netherlands, Germany, France and Spain, 1400-1500, Baltimore, 1966, fig. l6lA) 14. Tomb of Henry VII and Elizabeth of York. Pietro Torrigiano. Westminster Abbey, London. (C) 15. Tomb of Henry VII, detail. Pietro Torrigiano. Westminster Abbey, London. (C) 16. Tomb of Henry VII, detail. Pietro Torrigiano. Westminster Abbey London. (C) 17. Tomb of Henry VII, detail. Pietro Torrigiano. Westminster Abbey, London. (C) 18. Tomb of Henry VII, detail. Pietro Torrigiano. Westminster Abbey, London. (C) 19. Tomb of Henry VII, detail. Pietro Torrigiano. Westminster Abbey, London. (C) 20. Tomb of Henry VII, detail. Pietro Torrigiarlo. Westminster Abbey, London. (C) 21. Tomb of Henry VII, detail. Pietro Torrigiano. Westminster Abbey, London. (C) 22. Tomb of Henry VII, detail. Pietro Torrigiano. Westminster Abbey, London. (C) 23. Tomb of Henry VII, detail. Pietro Torrigiano. Westminster Abbey, London. (C) 24. Tomb of Henry VII, detail. Pietro Torrigiano. Westminster Abbey, London. (C) 25. Tomb of Henry VII, detail. Pietro Torrigiano. Westminster Abbey, London. (C) 26. Tomb of Henry VII, detail. Pietro Torrigiano. Westminster Abbey, London. (C) 27. Tomb of Medea Colleoni. Antonio Amadeo. Colleoni Chapel, Bergamo. (J. Pope-Hennessy,
Load more

Recommended publications
  • Chronicles of the Family Baker"
    Chronicles of the Family by Lee C.Baker i ii Table of Contents 1 THE MEDIEVAL BAKERS........................................................................................1 2 THE BAKERS OF SISSINGHURST.........................................................................20 3 THE BAKERS OF LONDON AND OXFORD ............................................................49 4 THE BAKERS AT HOTHFIELD ..............................................................................58 5 COMING OUT OF ENGLAND.................................................................................70 6 THE DAYS AT MILFORD .......................................................................................85 7 EAST HAMPTON, L. I. ...........................................................................................96 8 AMAGANSETT BY THE SEA ................................................................................114 9 STATEN ISLAND AND NEW AMSTERDAM ..........................................................127 10 THE ELIZABETH TOWN PIONEERS ....................................................................138 11 THE BAKERS OF ELIZABETH TOWN AND WESTFIELD ......................................171 12 THE NEIGHBORS AT NEWARK...........................................................................198 13 THE NEIGHBORS AT RAHWAY ...........................................................................208 14 WHO IS JONATHAN BAKER?..............................................................................219 15 THE JONATHAN I. BAKER CONFUSION
    [Show full text]
  • The University of Bradford Institutional Repository
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Bradford Scholars The University of Bradford Institutional Repository http://bradscholars.brad.ac.uk This work is made available online in accordance with publisher policies. Please refer to the repository record for this item and our Policy Document available from the repository home page for further information. To see the final version of this work please visit the publisher’s website. Where available access to the published online version may require a subscription. Author(s): Gibson, Alex M. Title: An Introduction to the Study of Henges: Time for a Change? Publication year: 2012 Book title: Enclosing the Neolithic : Recent studies in Britain and Ireland. Report No: BAR International Series 2440. Publisher: Archaeopress. Link to publisher’s site: http://www.archaeopress.com/archaeopressshop/public/defaultAll.asp?QuickSear ch=2440 Citation: Gibson, A. (2012). An Introduction to the Study of Henges: Time for a Change? In: Gibson, A. (ed.). Enclosing the Neolithic: Recent studies in Britain and Europe. Oxford: Archaeopress. BAR International Series 2440, pp. 1-20. Copyright statement: © Archaeopress and the individual authors 2012. An Introduction to the Study of Henges: Time for a Change? Alex Gibson Abstract This paper summarises 80 years of ‘henge’ studies. It considers the range of monuments originally considered henges and how more diverse sites became added to the original list. It examines the diversity of monuments considered to be henges, their origins, their associated monument types and their dates. Since the introduction of the term, archaeologists have often been uncomfortable with it.
    [Show full text]
  • BA0063 2013-001 Radial Leaded Capacitor Assembly Location Change Notification Jan 13 Final
    Syfer Technology Limited Old Stoke Road Arminghall, Norwich, Norfolk NR14 8SQ England Tel: +44 (0)1603 723347 Fax +44 (0)1603 723301 Email: [email protected] Web: www.syfer.com Anglia Sandall Road Wisbech Cambridgeshire PE13 2PS United Kingdom BA0063 February 2013 PCN reference: 2013/01 Subject: Radial Leaded Capacitor Assembly Location Change Dear Customer, Syfer Technology Ltd has been manufacturing radial leaded capacitors at our UK manufacturing facility from the early 1980s. Due to facility space requirements needed to develop and manufacture new products, it has been decided to sub-contract the radial assembly process. Ceramic Chip Capacitor Encapsulation Material Lead to Chip Capacitor Solder Joint Lead Fig. 1. Radial Capacitor Construction Diagram The critical part of the radial component (the ceramic chip capacitor) will still be manufactured, electrically tested and inspected by Syfer. Registered Office: Old Stoke Road Arminghall, Norwich NR14 8SQ England Registered in England: No 2092166 (FA4/971/1) The radial assembly process including soldering leads onto the chip capacitor, encapsulation, print and radial electrical test will be conducted by the sub-contractor. The sub-contractor is certified to ISO9001 and has a proven history of manufacturing and supplying radial leaded capacitors. Syfer has conducted reliability tests on components manufactured by the sub-contractor as part of qualification and ongoing monitoring requirements. The change in location for the radial leaded capacitor assembly does not affect component specifications (including dimensional, performance or reliability) and, as such, there is no change to the Syfer part number. Radial leaded capacitors manufactured by the sub-contractor will gradually be phased into customer supply from March 2013.
    [Show full text]
  • Speakers of the House of Commons
    Parliamentary Information List BRIEFING PAPER 04637a 21 August 2015 Speakers of the House of Commons Speaker Date Constituency Notes Peter de Montfort 1258 − William Trussell 1327 − Appeared as joint spokesman of Lords and Commons. Styled 'Procurator' Henry Beaumont 1332 (Mar) − Appeared as joint spokesman of Lords and Commons. Sir Geoffrey Le Scrope 1332 (Sep) − Appeared as joint spokesman of Lords and Commons. Probably Chief Justice. William Trussell 1340 − William Trussell 1343 − Appeared for the Commons alone. William de Thorpe 1347-1348 − Probably Chief Justice. Baron of the Exchequer, 1352. William de Shareshull 1351-1352 − Probably Chief Justice. Sir Henry Green 1361-1363¹ − Doubtful if he acted as Speaker. All of the above were Presiding Officers rather than Speakers Sir Peter de la Mare 1376 − Sir Thomas Hungerford 1377 (Jan-Mar) Wiltshire The first to be designated Speaker. Sir Peter de la Mare 1377 (Oct-Nov) Herefordshire Sir James Pickering 1378 (Oct-Nov) Westmorland Sir John Guildesborough 1380 Essex Sir Richard Waldegrave 1381-1382 Suffolk Sir James Pickering 1383-1390 Yorkshire During these years the records are defective and this Speaker's service might not have been unbroken. Sir John Bussy 1394-1398 Lincolnshire Beheaded 1399 Sir John Cheyne 1399 (Oct) Gloucestershire Resigned after only two days in office. John Dorewood 1399 (Oct-Nov) Essex Possibly the first lawyer to become Speaker. Sir Arnold Savage 1401(Jan-Mar) Kent Sir Henry Redford 1402 (Oct-Nov) Lincolnshire Sir Arnold Savage 1404 (Jan-Apr) Kent Sir William Sturmy 1404 (Oct-Nov) Devonshire Or Esturmy Sir John Tiptoft 1406 Huntingdonshire Created Baron Tiptoft, 1426.
    [Show full text]
  • Annual Report 1973
    Annual Report 1973 National Gallery of Art 1973 ANNUAL REPORT National Gallery of Art Library of Congress Catalog Card Number 70-173826. All rights reserved. No part of this publication may be reproduced without the written permission of the National Gallery of Art, Washington, D.C. 20565. Cover photograph by Barbara Leckie; photographs on pages 14, 68, 69, 82, 88, inside back cover by Edward Lehmann; photograph on 87 by Stewart Bros; all other photographs by the photographic staff of the National Gallery of Art, Henry B. Seville, Chief. Nude Woman, Pablo Picasso, Ailsa Mellon Bruce Fund Woman Ironing, Edgar Degas, Gift of Mr. and Mrs. Paul Mellon CONTENTS 9 ORGANIZATION 11 DIRECTOR'S REVIEW OF THE YEAR 25 APPROPRIATIONS 26 CURATORIAL ACTIVITIES 26 Acquisitions and Gifts of Works of Art 50 Lenders 52 Reports of Professional Departments 7 5 ADVANCED STUDY AND RESEARCH 77 NATIONAL PROGRAMS 79 REPORT OF THE ADMINISTRATOR 79 Employees of the National Gallery of Art 82 Attendance 82 Building Maintenance and Security 83 MUSIC AT THE GALLERY 87 THE EAST BUILDING THE BOARD OF TRUSTEES OF THE NATIONAL GALLERY OF ART The Chief Justice, The Secretary of State, The Secretary of the Warren E. Burger William P. Rogers Treasury, George P. Shultz The Secretary of the Paul Mellon, President John Hay Whitney. Smithsonian Institution, Vice-President S. Dillon Ripley Lessing J. Rosenwald Franklin D. Murphy ORGANIZATION The 36th annual report of the National Gallery of Art reflects another year of continuing growth and change. Although technically established by Congress as a bureau of the Smithsonian Institution, the National Gallery is an autonomous and separately administered organization and is governed by its own Board of Trustees.
    [Show full text]
  • AFOTC Newsletter No 8 .Pub
    Camino Chronicle Australian Friends of the Camino Newsletter No 8, March 2014 Page 1 AFotC Newsletter #8 March 2014 MESSAGE FROM OUR CHAIRMAN As some of you are aware, I made a winter Camino over the recent Christmas period. This was very much a solitary journey. There were few pilgrims on the road, perhaps a dozen or so initially, increasing to about 30 by the time I got to Galicia. On my first night, at St Jean-Pied-de-Port, I shared the albergue with an Englishman, a South American, 2 Italians, 2 Koreans, as well as 6 Australians from Darwin. Along the way I continued to meet numerous Italians and many Koreans. But I also met more Australians at various points along the way, Jill (from Victoria) whom I had arranged to meet in Burgos before I left, being one. With so few pilgrims on the road I often walked for days on end without meeting anyone. With six weeks to complete the journey from St Jean to Santiago I could take my time, though my days were governed by what accommodation was avail- able. Being winter, many places were closed and often there was no choice as to where I could stay. I was blessed with a couple of weeks of mostly fine weather initially, though it was still very cold. The path was often frozen, making it easy to walk on the mud! A couple of months later and I suspect it would be a differ- ent story. Galicia though turned on the tap! Here the water just poured out of the hillsides.
    [Show full text]
  • Ferrara Di Ferrara
    PROVINCIA COMUNE DI FERRARA DI FERRARA Visit Ferraraand its province United Nations Ferrara, City of Educational, Scientific and the Renaissance Cultural Organization and its Po Delta Parco Urbano G. Bassani Via R. Bacchelli A short history 2 Viale Orlando Furioso Living the city 3 A year of events CIMITERO The bicycle, queen of the roads DELLA CERTOSA Shopping and markets Cuisine Via Arianuova Viale Po Corso Ercole I d’Este ITINERARIES IN TOWN 6 CIMITERO EBRAICO THE MEDIAEVAL Parco Corso Porta Po CENTRE Via Ariosto Massari Piazzale C.so B. Rossetti Via Borso Stazione Via d.Corso Vigne Porta Mare ITINERARIES IN TOWN 20 Viale Cavour THE RENAISSANCE ADDITION Corso Ercole I d’Este Via Garibaldi ITINERARIES IN TOWN 32 RENAISSANCE Corso Giovecca RESIDENCES Piazza AND CHURCHES Trento e Trieste V. Mazzini ITINERARIES IN TOWN 40 Parco Darsena di San Paolo Pareschi WHERE THE RIVER Piazza Travaglio ONCE FLOWED Punta della ITINERARIES IN TOWN 46 Giovecca THE WALLS Via Cammello Po di Volano Via XX Settembre Via Bologna Porta VISIT THE PROVINCE 50 San Pietro Useful information 69 Chiesa di San Giorgio READER’S GUIDE Route indications Along with the Pedestrian Roadsigns sited in the Historic Centre, this booklet will guide the visitor through the most important areas of the The “MUSEO DI QUALITÀ“ city. is recognised by the Regional Emilia-Romagna The five themed routes are identified with different colour schemes. “Istituto per i Beni Artistici Culturali e Naturali” Please, check the opening hours and temporary closings on the The starting point for all these routes is the Tourist Information official Museums and Monuments schedule distributed by Office at the Estense Castle.
    [Show full text]
  • Terracotta Tableau Sculpture in Italy, 1450-1530
    PALPABLE POLITICS AND EMBODIED PASSIONS: TERRACOTTA TABLEAU SCULPTURE IN ITALY, 1450-1530 by Betsy Bennett Purvis A thesis submitted in conformity with the requirements for the degree of Doctorate of Philosophy Department of Art University of Toronto ©Copyright by Betsy Bennett Purvis 2012 Palpable Politics and Embodied Passions: Terracotta Tableau Sculpture in Italy, 1450-1530 Doctorate of Philosophy 2012 Betsy Bennett Purvis Department of Art University of Toronto ABSTRACT Polychrome terracotta tableau sculpture is one of the most unique genres of 15th- century Italian Renaissance sculpture. In particular, Lamentation tableaux by Niccolò dell’Arca and Guido Mazzoni, with their intense sense of realism and expressive pathos, are among the most potent representatives of the Renaissance fascination with life-like imagery and its use as a powerful means of conveying psychologically and emotionally moving narratives. This dissertation examines the versatility of terracotta within the artistic economy of Italian Renaissance sculpture as well as its distinct mimetic qualities and expressive capacities. It casts new light on the historical conditions surrounding the development of the Lamentation tableau and repositions this particular genre of sculpture as a significant form of figurative sculpture, rather than simply an artifact of popular culture. In terms of historical context, this dissertation explores overlooked links between the theme of the Lamentation, the Holy Sepulcher in Jerusalem, codes of chivalric honor and piety, and resurgent crusade rhetoric spurred by the fall of Constantinople in 1453. Reconnected to its religious and political history rooted in medieval forms of Sepulchre devotion, the terracotta Lamentation tableau emerges as a key monument that both ii reflected and directed the cultural and political tensions surrounding East-West relations in later 15th-century Italy.
    [Show full text]
  • Report To: Housing & City Support
    Agenda Item 09 Report PC20/21-01 Report to Planning Committee Date 9 July 2020 By Director of Planning Local Authority Chichester District Council Application Number SDNP/20/01693/FUL Applicant Mr Mike Ruddock Application Construction of 12 treehouses to provide tourism accommodation across 2 woodland sites within the estate (5 x 1 bedroom units at Lodge Wood and 7 x 1 bedroom units at High Field Copse), access and parking, cycle storage, drainage and biodiversity enhancements and woodland management. Address Cowdray Park, A272 Easebourne St to Heath End Lane, Easebourne, West Sussex Recommendation: That planning permission be granted subject to the conditions set out in paragraph 10.1 of the report. Executive Summary The applicant seeks permission for the erection of 12 treehouses across two woodland sites within the Cowdray Estate to provide sustainable tourist accommodation within close proximity of Midhurst and public rights of way. The application follows the refusal of a previous scheme for 10 treehouses on one of the proposed sites (Lodge Wood) due to the size and scale of development and the harm deriving from the imposition of a suburban form of development on the historic woodland character; and associated impacts on biodiversity and priority habitat (see committee report and meeting minutes appended at Appendices 2 and 3). The current scheme has been subject to collaborative working between the applicant’s design team and specialist officers and as a result is considered to be a fully landscape-led proposal. The scheme would conserve and enhance the unique heritage, woodland and ecological character of each site, whilst also accruing significant benefits that would align with the Second Purpose and Duty of the National Park, including the provision of tourist accommodation, opportunities for the understanding and enjoyment of the National Park’s special qualities, and benefitting the local economy.
    [Show full text]
  • Huguenot Merchants Settled in England 1644 Who Purchased Lincolnshire Estates in the 18Th Century, and Acquired Ayscough Estates by Marriage
    List of Parliamentary Families 51 Boucherett Origins: Huguenot merchants settled in England 1644 who purchased Lincolnshire estates in the 18th century, and acquired Ayscough estates by marriage. 1. Ayscough Boucherett – Great Grimsby 1796-1803 Seats: Stallingborough Hall, Lincolnshire (acq. by mar. c. 1700, sales from 1789, demolished first half 19th c.); Willingham Hall (House), Lincolnshire (acq. 18th c., built 1790, demolished c. 1962) Estates: Bateman 5834 (E) 7823; wealth in 1905 £38,500. Notes: Family extinct 1905 upon the death of Jessie Boucherett (in ODNB). BABINGTON Origins: Landowners at Bavington, Northumberland by 1274. William Babington had a spectacular legal career, Chief Justice of Common Pleas 1423-36. (Payling, Political Society in Lancastrian England, 36-39) Five MPs between 1399 and 1536, several kts of the shire. 1. Matthew Babington – Leicestershire 1660 2. Thomas Babington – Leicester 1685-87 1689-90 3. Philip Babington – Berwick-on-Tweed 1689-90 4. Thomas Babington – Leicester 1800-18 Seat: Rothley Temple (Temple Hall), Leicestershire (medieval, purch. c. 1550 and add. 1565, sold 1845, remod. later 19th c., hotel) Estates: Worth £2,000 pa in 1776. Notes: Four members of the family in ODNB. BACON [Frank] Bacon Origins: The first Bacon of note was son of a sheepreeve, although ancestors were recorded as early as 1286. He was a lawyer, MP 1542, Lord Keeper of the Great Seal 1558. Estates were purchased at the Dissolution. His brother was a London merchant. Eldest son created the first baronet 1611. Younger son Lord Chancellor 1618, created a viscount 1621. Eight further MPs in the 16th and 17th centuries, including kts of the shire for Norfolk and Suffolk.
    [Show full text]
  • Fire Damages Cathedral in France, Arson Probe Launched
    SUNDAY, JULY 19, 2020 06 News in brief u Thousands Fire damages cathedral in Thai of mainly young youth take to and black-clad Thai protesters street in pro- converged democracy at Bangkok’s France, arson probe launched protest Democracy Monument as the city’s largest and rowdiest anti-government protest in years stretched deep into the night. Thailand, a kingdom whose “everything was in order last rambunctious politics is defined by coups and often deadly street protests, is facing an The blaze destroyed night,” and that “a very close unprecedented economic shock due to the coronavirus pandemic. With the economy stained• glass windows inspection was made before it in freefall, anger is boiling against a government stacked with elderly former generals closed, like every other evening.” and supporters of the royalist establishment. and the grand organ Ferlay played down any com- parison with the 1972 blaze or u A drug dealer convicted of murdering five people, including two at the Saint-Pierre-et- young girls, was executed by lethal injection, the third federal inmate to Saint-Paul cathedral, with Notre-Dame, which caught fire during repair work in April be put to death in the United States this week. Dustin Lee Honken, 52, of Britt, which dates from last year. Iowa, was pronounced dead at 4:36 pm (2036 GMT) at Terre Haute prison in the the 15th Century midwest state of Indiana, the Justice Department said. Honken was convicted in Reinforced roof Iowa in 2004 of the 1993 murders of two drug dealers who became government informants and were going to testify about his methamphetamine operation.
    [Show full text]
  • Bodies of Knowledge: the Presentation of Personified Figures in Engraved Allegorical Series Produced in the Netherlands, 1548-1600
    University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2015 Bodies of Knowledge: The Presentation of Personified Figures in Engraved Allegorical Series Produced in the Netherlands, 1548-1600 Geoffrey Shamos University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the History of Art, Architecture, and Archaeology Commons Recommended Citation Shamos, Geoffrey, "Bodies of Knowledge: The Presentation of Personified Figures in Engraved Allegorical Series Produced in the Netherlands, 1548-1600" (2015). Publicly Accessible Penn Dissertations. 1128. https://repository.upenn.edu/edissertations/1128 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/1128 For more information, please contact [email protected]. Bodies of Knowledge: The Presentation of Personified Figures in Engraved Allegorical Series Produced in the Netherlands, 1548-1600 Abstract During the second half of the sixteenth century, engraved series of allegorical subjects featuring personified figures flourished for several decades in the Low Countries before falling into disfavor. Designed by the Netherlandsâ?? leading artists and cut by professional engravers, such series were collected primarily by the urban intelligentsia, who appreciated the use of personification for the representation of immaterial concepts and for the transmission of knowledge, both in prints and in public spectacles. The pairing of embodied forms and serial format was particularly well suited to the portrayal of abstract themes with multiple components, such as the Four Elements, Four Seasons, Seven Planets, Five Senses, or Seven Virtues and Seven Vices. While many of the themes had existed prior to their adoption in Netherlandish graphics, their pictorial rendering had rarely been so pervasive or systematic.
    [Show full text]