Local Romanesque Architecture in Germany and Its Fifteenth-Century Reinterpretation
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Bruges Through the Eyes of a Child
CITY WALKS Bruges through the eyes of a child The city centre in four walks Explore Bruges; discover the known and less well-known tourist attractions in a child-friendly way intr od u c t i o n Dear Sir/Madam, We are proud to present this child-friendly guide that was published to mark the 20th anniversary of our local childcare advisory council in Bruges. With the four proposed walks in this brochure, we particularly want to offer children and families a playful introduction to our city. The guide is also suitable for group activities (with or without parents) organised by childcare initiatives, schools, youth movements and other organisations. Bruges has a lot to offer for young children and families. There are plenty of hidden parks, playgrounds, child-friendly museums and catering establishments that are worth discovering. We hope that with this guide, you will discover our beautiful city in an unforgettable and playful way. Pablo Annys, Alderman for Social Affairs Dirk De fauw, Mayor 3 Put on your walking boots Sharpen your senses And have a great walk ma nu a l This guide will take you on four fun and active walks in Bruges. On each walk, there are different assignments that you can carry out together with the children (ages 4 to 12). Finding the way We always mention the starting point. You can follow the route on a map. The photos next to the assignments show you the way. You carry out the assignments as you make your way round. The box texts contain more details. -
Borrowing Images of Empire: the Contribution of Research on The
Medieval Studies, vol. 22, 2018 / Studia z Dziejów Średniowiecza, tom 22, 2018 Piotr Samól (Gdansk Univeristy of Technology) https://orcid.org/ 0000-0001-6021-1692 Piotr Samól Borrowing Images of Empire: The contribution of research on the artistic influence of the Holy Roman Empire on Polish Romanesque architecture in the eleventh and twelfth centuries1 Borrowing Images of Empire… Keywords: Romanesque architecture, Poland, Ostrów Lednicki, monumental stone buildings Although knowledge concerning Romanesque architecture in Poland has developed over many years, most cathedrals and ducal or royal seats have not been comprehensively examined. Moreover, a substan- tial number of contemporary scholarly works have erased the thin line between material evidence and its interpretation. As a consequence, the architectural remains of Polish Romanesque edifices are often considered the basis for wider comparative research. Meanwhile, fragmentarily preserved structures of Romanesque buildings have allowed scholars to conduct research on their origins and models, but they have rarely provided enough information for spatial recon- structions of them. This means that one might investigate the process of transposing patterns from the Holy Roman Empire to Poland instead of the influence of Polish masons’ lodges on each other. Therefore, this paper has two aims. The first is to look at how imperial pat- terns affected the main stone structures (cathedrals and collegiate 1 Originally, my paper entitled ‘In the Shadow of Salian and Hohenstaufen Cathedrals: The Artistic Influence of the Holy Roman Empire on Polish Romanesque Architecture in the Eleventh and Twelfth Centuries’ was given at the ‘Borrowing Images of Empire’ seminar during the Medieval Congress in Leeds in July 2014. -
The Capital Sculpture of Wells Cathedral: Masons, Patrons and The
The Capital Sculpture of Wells Cathedral: Masons, Patrons and the Margins of English Gothic Architecture MATTHEW M. REEVE For Eric Fernie This paper considers the sculpted capitals in Wells cathedral. Although integral to the early Gothic fabric, they have hitherto eluded close examination as either a component of the building or as an important cycle of ecclesiastical imagery in their own right. Consideration of the archaeological evidence suggests that the capitals were introduced mid-way through the building campaigns and were likely the products of the cathedral’s masons rather than part of an original scheme for the cathedral as a whole. Possible sources for the images are considered. The distribution of the capitals in lay and clerical spaces of the cathedral leads to discussion of how the imagery might have been meaningful to diCerent audiences on either side of the choir screen. introduction THE capital sculpture of Wells Cathedral has the dubious honour of being one of the most frequently published but least studied image cycles in English medieval art. The capitals of the nave, transepts, and north porch of the early Gothic church are ornamented with a rich array of figural sculptures ranging from hybrid human-animals, dragons, and Old Testament prophets, to representations of the trades that inhabit stiC-leaf foliage, which were originally highlighted with paint (Figs 1, 2).1 The capitals sit upon a highly sophisticated pier design formed by a central cruciform support with triple shafts at each termination and in the angles, which oCered the possibility for a range of continuous and individual sculpted designs in the capitals above (Fig. -
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•i CORNELL UNIVERSITY LIBRARY BOUGHT WITH THE INCOME OF THE SAGE ENDOWMENT FUND GIVEN IN 1 83 1 BY HENRY WILLIAMS SAGE Cornell University Library Z1023 .C89 Of the decorative illustration of books 3 1924 029 555 426 olin Cornell University Library The original of tiiis book is in tine Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924029555426 THE EX-LIBRIS SERIES. Edited by Gleeson White. THE DECORATIVE ILLUSTRATION OF BOOKS. BY WALTER CRANE. *ancf& SOJfS THE DECORATIVE OFILLUSTRATION OF BOOKS OLD AND NEW BY WALTER CRANE ^ LONDON: GEORGE BELL AND SONS YORK STREET, COVENT GARDEN, W.C. NEW YORK: 66 FIFTH AVENUE MDCCCXCVI 5 PRINTED AT THE CHISWICK PRESS BY CHARLES WHITTINGHAM & CO. TOOKS COURT, CHANCERY LANE, LONDON, E.C. PREFACE. HIS book had its origin in the course of three (Cantor) Lectures given before the Society of Arts in 1889; they have been amplified and added to, and further chapters have been written, treating of the very active period in printing and decorative book- illustration we have seen since that time, as well as some remarks and suggestions touching the general principles and conditions governing the design of book pages and ornaments. It is not nearly so complete or comprehensive as I could have wished, but there are natural limits to the bulk of a volume in the " Ex-Libris" series, and it has been only possible to carry on such a work in the intervals snatched from the absorbing work of designing. -
Contents Inhalt
34 Rome, Pantheon, c. 120 A.D. Contents 34 Rome, Temple of Minerva Medica, c. 300 A.D. 35 Rome, Calidarium, Thermae of Caracalla, 211-217 A.D. Inhalt 35 Trier (Germany), Porta Nigra, c. 300 A.D. 36 NTmes (France), Pont du Gard, c. 15 B.C. 37 Rome, Arch of Constantine, 315 A.D. (Plan and elevation 1:800, Elevation 1:200) 38-47 Early Christian Basilicas and Baptisteries Frühchristliche Basiliken und Baptisterien 8- 9 Introduction by Ogden Hannaford 40 Rome, Basilica of Constantine, 310-13 41 Rome, San Pietro (Old Cathedral), 324 42 Ravenna, Sant' Apollinare Nuovo, c. 430-526 10-19 Great Buildings of Egypt, Mesopotamia and Persia 42 Ravenna, Sant'Apollinare in Classe, 534-549 Grosse Bauten Ägyptens, Mesopotamiens und Persiens 43 Rome, Sant' Agnese Fuori Le Mura, 7th cent. 43 Rome, San Clemente, 1084-1108 12 Giza (Egypt), Site Plan (Scale 1:5000) 44 Rome, Santa Costanza, c. 350 13 Giza, Pyramid of Cheops, c. 2550 B.C. (1:800) 44 Rome, Baptistery of Constantine (Lateran), 430-440 14 Karnak (Egypt), Site Plan, 1550-942 B.C. (1:5000) 44 Nocera (Italy), Baptistery, 450 15 Abu-Simbel (Egypt), Great Temple of Ramesses II, c. 1250 B.C. 45 Ravenna, Orthodox Baptistery, c. 450 (1:800, 1:200) 15 Mycenae (Greece), Treasury of Atreus, c. 1350 B.C. 16 Medinet Habu (Egypt), Funerary Temple of Ramesses II, c. 1175 B.C. 17 Edfu (Egypt), Great Temple of Horus, 237-57 B.C. 46-53 Byzantine Central and Cross-domed Churches 18 Khorsabad (Iraq), Palace of Sargon, 721 B.C. -
IN FO R M a TIO N to U SERS This Manuscript Has Been Reproduced from the Microfilm Master. UMI Films the Text Directly From
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleed through, substandard margin*, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. A Ben A Howeii Information Company 300 North Zeeb Road Ann Arbor. Ml 48106-1346 USA 313.761-4700 800.521-0600 RENDERING TO CAESAR: SECULAR OBEDIENCE AND CONFESSIONAL LOYALTY IN MORITZ OF SAXONY'S DIPLOMACY ON THE EVE OF THE SCMALKALDIC WAR DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By James E. -
Walking Where Luther Walked: an In-Depth Study-Tour of Reformation Germany 29 April – 8 May, 2019
Walking Where Luther Walked: An In-Depth Study-Tour of Reformation Germany 29 April – 8 May, 2019 With Dr. Iain Provan Marshall Sheppard Professor of Biblical Studies, Regent College, Vancouver, Canada Worms Cathedral Wartburg Castle Erfurt Cathedral Martin Luther Statue at Wittenberg Acquire a comprehensive understanding of the Once we arrive at Eisenach (home for the next two nights), we factors that led to (and sustained) the Reformation. will hear Iain deliver his third lecture concerning Luther’s “kidnapping” (1521) near this city and his time of seclusion in the Wartburg Castle. This impressive castle dominates the xperience the origin of our Protestant Christian faith. E landscape and overlooks the City of Eisenach. Dinner is at our hotel, the Hotel Kaiserhof. ( B, L, D ) DAY 1: Mon. 29 April: Depart for Germany DAY 4: Today, we depart from Vancouver on overnight flight to Thu. 02 May: Eisenach Frankfurt. Group seating will be pre-assigned by the airline for Today’s itinerary is focused in and around Eisenach. We begin our flight. Dinner and complimentary in-flight service will be with a guided tour of the Wartburg Castle where we shall see the provided this evening. ( D) Great Hall, the Elisabeth Gallery and Luther’s place of ‘imprisonment.’ DAY 2: After some free time to enjoy lunch, we shall visit the house Tue. 30 April: Arrive Germany, Worms where Luther lived for a while when he was a schoolboy. Upon arrival at Frankfurt Airport, we are met by our Tour Another highlight for today is a visit to the Bach House, which Manager, Patricia, who will assist us throughout the journey. -
WRAP THESIS Shilliam 1986.Pdf
University of Warwick institutional repository: http://go.warwick.ac.uk/wrap A Thesis Submitted for the Degree of PhD at the University of Warwick http://go.warwick.ac.uk/wrap/34806 This thesis is made available online and is protected by original copyright. Please scroll down to view the document itself. Please refer to the repository record for this item for information to help you to cite it. Our policy information is available from the repository home page. FOREIGN INFLUENCES ON AND INNOVATION IN ENGLISH TOMB SCULPTURE IN THE FIRST HALF OF THE SIXTEENTH CENTURY by Nicola Jane Shilliam B.A. (Warwick) Ph.D. dissertation Warwick University History of Art September 1986 SUMMARY This study is an investigation of stylistic and iconographic innovation in English tomb sculpture from the accession of King Henry VIII through the first half of the sixteenth century, a period during which Tudor society and Tudor art were in transition as a result of greater interaction with continental Europe. The form of the tomb was moulded by contemporary cultural, temporal and spiritual innovations, as well as by the force of artistic personalities and the directives of patrons. Conversely, tomb sculpture is an inherently conservative art, and old traditions and practices were resistant to innovation. The early chapters examine different means of change as illustrated by a particular group of tombs. The most direct innovations were introduced by the royal tombs by Pietro Torrigiano in Westminster Abbey. The function of Italian merchants in England as intermediaries between Italian artists and English patrons is considered. Italian artists also introduced terracotta to England. -
Charles A. Whitaker Auction Co. October 29-30 Session Two Lot 549-1244
Charles A. Whitaker Auction Co. October 29-30 Session Two Lot 549-1244 549 FRENCH CHINOISERIE BROCADE SILK, c. 1740-1750. Four small panels including one pieced, having ivory pattern on raspberry ground. Three pieces 24 wide x 15 1/2, 26 and 31. One 28 1/2 x 17. Holes and tears, fair. $57.50 550 LOT of SILK TEXILES, 18th C. Consisting of a red velvet panel, cushion cover and valance, the valance having shield-form tabs (applique and tassels removed), and a panel with narrow stripes in cream, dusty rose, yellow and green on a tiny checked weave. Fair. $34.50 551 THREE PRINTED COTTON PANELS, 19th C. One striped in teal with small white leaves and white with red and tan botehs, probably Persian. One English floral print. Both excellent. One large pieced panel with pomegranate trees, probably Indian, (oxidizing browns, mends and tears) poor. $103.50 552 BEADED NEEDLEWORK VICTORIAN BELL PULL. Wool flowers with beaded foliage on a ground of crystal beads having a Bohemian glass finial. (Glass cracked, backing shattered, minor bead loss) needlework intact, fair. $230.00 553 LOT of ASSORTED SMALL BEAD and NEEDLEWORK, 18th-19th C. Including two 18th C. petit point rectangles of figures in landscapes, three rectangles of needlework birds, a silk satin embroidered bag having gilt metal doves and chenille bell tassels, two framed 18th C embroideries: one eagle in tree, one basket of fruit. Good-excellent. $345.00 554 TWO PIECED SILK TEXTILES with FLORAL BROCADE, 18th C. Dusty pink damask bedcover with a serpentine floral in pastel hues, backed in blue silk, (some splits, mostly at seams). -
Beitrag Zur Kenntnis Der Steinfliegen Sachsens (Plecoptera)
© Entomologische Nachrichten und Berichte; downloadEntomologische unter www.biologiezentrum.at Nachrichten und Berichte, 41,1997/4 213 W. Joost, Gotha & R. K üttner , Schweikershain Beitrag zur Kenntnis der Steinfliegen Sachsens (Plecoptera) Zusammenfasssung Es wird ein kurzer Abriß zur Erforschungsgeschichte der Plecoptera in Sachsen gege ben, wobei besonders die Verdienste des Lehrers M ichael R ostock (1821-1893) gewürdigt werden. Für 49 Pleco- ptera-Arten liegen aus fast allen Landesteilen neue faunistische Daten vor. Von den 3435 determinierten Steinflie gen entfielen allein 997 Exemplare auf Leuctra nigra, die 28 % vom Gesamtfang repräsentieren. Für 17 in Sachsen seltene Arten werden Angaben zum Vorkommen und zur Ökologie mitgeteilt. Summary Contribution to the stoneflies (Plecoptera) of Saxony - A brief historical account of Plecoptera research in Saxony is presented, with emphasis on the merits of the teacher M ichael Rostock (1821-1893). New faunistical data for 49 Plecoptera species are published from almost all parts of the country. A total of 3435 stoneflies were identified, of which 997 specimens belong to Leuctra nigra, corresponding to 28% of the total catch. Data on occurence and ecology are presented for 17 species which are rare in Saxony. „Diese Thiere haben nur den Zweck, von anderen Thieren, namentlich Fischen, gefressen zu werden ... Das dies ihr einziger Zweck ist, soll damit nicht gesagt sein. Sie sollen, um einiges zu erwähnen, ein Glied sein in der grossen Kette der Schöpfung; sie sollen die Landschaft beleben, sie sollen dem Naturforscher Stoff geben zu seinen Studien etc “ M ichael Rostock (1879) 1 Einleitung Vielen Dank auch Herrn D ietrich B raasch , Potsdam, Die vorliegende Arbeit stellt Nachweise von sächsi für einige Fundortangaben zu seinen früheren Auf schen Steinfliegen von 1953-1995 zusammen. -
AUSTRALIAN ROMANESQUE a History of Romanesque-Inspired Architecture in Australia by John W. East 2016
AUSTRALIAN ROMANESQUE A History of Romanesque-Inspired Architecture in Australia by John W. East 2016 CONTENTS 1. Introduction . 1 2. The Romanesque Style . 4 3. Australian Romanesque: An Overview . 25 4. New South Wales and the Australian Capital Territory . 52 5. Victoria . 92 6. Queensland . 122 7. Western Australia . 138 8. South Australia . 156 9. Tasmania . 170 Chapter 1: Introduction In Australia there are four Catholic cathedrals designed in the Romanesque style (Canberra, Newcastle, Port Pirie and Geraldton) and one Anglican cathedral (Parramatta). These buildings are significant in their local communities, but the numbers of people who visit them each year are minuscule when compared with the numbers visiting Australia's most famous Romanesque building, the large Sydney retail complex known as the Queen Victoria Building. God and Mammon, and the Romanesque serves them both. Do those who come to pray in the cathedrals, and those who come to shop in the galleries of the QVB, take much notice of the architecture? Probably not, and yet the Romanesque is a style of considerable character, with a history stretching back to Antiquity. It was never extensively used in Australia, but there are nonetheless hundreds of buildings in the Romanesque style still standing in Australia's towns and cities. Perhaps it is time to start looking more closely at these buildings? They will not disappoint. The heyday of the Australian Romanesque occurred in the fifty years between 1890 and 1940, and it was largely a brick-based style. As it happens, those years also marked the zenith of craft brickwork in Australia, because it was only in the late nineteenth century that Australia began to produce high-quality, durable bricks in a wide range of colours. -
Tournai Cathedral
canons and other church functionaries said prayers for the diocese. Services in the Middle Ages would have Tournai Cathedral (Belgium) been rich with sound, movement, colour and fragrance, bringing the Cathedral to life: liturgical No 1009 vestments and ornaments, processions, musical instruments, boys' choirs at the services of Prime and Vespers and the periodic ringing of bells would have made this a "multimedia" performance much appreciated at the time. Today services are led by the bishop on special occasions and by the canons on a daily basis. Over the centuries of uninterrupted Identification worship, the church has accumulated a number of precious objects which are still kept in the Cathedral Nomination Notre-Dame Cathedral in Tournai and used during services. Location City of Tournai, Province of Hainaut, The Cathedral also fulfils a social function: even today Wallonian Region it is a place of solidarity. In the Middle Ages, religion was closely associated with concern for the less State Party Belgium privileged, expressed in caring for the sick, giving alms, or taking responsibility for the weakest in Date 6 July 1999 society. The city of Tournai still possesses buildings that bear witness to this social function of the church, such as the former hospital of Note-Dame, now the Academy of Fine Arts. Justification by State Party The church's intellectual role is also inextricably In the case of the nave and transept, the early date of linked with the life of the Cathedral and was the elevation to four levels and its subsequent manifested initially in the education of the populace widespread extension meets the criterion of through the preaching of the clergy.