Definition[Edit]
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Gothic Cathedral. the Architecture of the Great Church
Book Reviews Canterbury Cathedral sAndits Roman- up to date by summarising recent scholar- pulpitum,in his new scheme seems to be a esque Sculpture. By Deborah Kahn. 230 ship on the architectural iconography of matter of deduction rather than record. pp. + 278 b. & w. ills. (Harvey Miller, the crypt, the date of its sculpture, and In fact the account rolls explicitly state London, 1991), ?38. ISBN 0-905203-18-6. the Imperialpedigree of the cushioncapital. that Eastry'srefurbishment included a new The subjectof the remainderof this chapter pulpitumand its inner western opening is Our present understanding of English is less well-trodden ground, namely the still in place. romanesque sculpture has been shaped surviving capital sculpture of the external The alternative suggestion, favoured by very largely by the writings, over some blank arcading of Anselm's choir. This is Woodman and others, that the fragments four decades, of George Zarnecki. His will interesting and little-known material and formed part of the twelfth-century cloister remain the great work of synthesis. It falls it could well have been treated in greater superseded by the one in whose structure to his followers either to elaborate on his detail, given the author's particularlyclose they were re-used, is rather summarily dis- model, with perhaps a little fine-tuning, association with it. missedby Kahn. There are, afterall, healthy or to try to approach the material in some The principal contribution which De- precedents for the redeployment of dis- radically different way, always at the risk borah Kahn has already made to our mantled twelfth-century cloister parts in of destabilising the edifice and possibly knowledge of the cathedral and monastic whatever structure replaced them on the of reducing it yet again to fragments. -
Borrowing Images of Empire: the Contribution of Research on The
Medieval Studies, vol. 22, 2018 / Studia z Dziejów Średniowiecza, tom 22, 2018 Piotr Samól (Gdansk Univeristy of Technology) https://orcid.org/ 0000-0001-6021-1692 Piotr Samól Borrowing Images of Empire: The contribution of research on the artistic influence of the Holy Roman Empire on Polish Romanesque architecture in the eleventh and twelfth centuries1 Borrowing Images of Empire… Keywords: Romanesque architecture, Poland, Ostrów Lednicki, monumental stone buildings Although knowledge concerning Romanesque architecture in Poland has developed over many years, most cathedrals and ducal or royal seats have not been comprehensively examined. Moreover, a substan- tial number of contemporary scholarly works have erased the thin line between material evidence and its interpretation. As a consequence, the architectural remains of Polish Romanesque edifices are often considered the basis for wider comparative research. Meanwhile, fragmentarily preserved structures of Romanesque buildings have allowed scholars to conduct research on their origins and models, but they have rarely provided enough information for spatial recon- structions of them. This means that one might investigate the process of transposing patterns from the Holy Roman Empire to Poland instead of the influence of Polish masons’ lodges on each other. Therefore, this paper has two aims. The first is to look at how imperial pat- terns affected the main stone structures (cathedrals and collegiate 1 Originally, my paper entitled ‘In the Shadow of Salian and Hohenstaufen Cathedrals: The Artistic Influence of the Holy Roman Empire on Polish Romanesque Architecture in the Eleventh and Twelfth Centuries’ was given at the ‘Borrowing Images of Empire’ seminar during the Medieval Congress in Leeds in July 2014. -
The English Claim to Gothic: Contemporary Approaches to an Age-Old Debate (Under the Direction of DR STEFAAN VAN LIEFFERINGE)
ABSTRACT MARY ELIZABETH BLUME The English Claim to Gothic: Contemporary Approaches to an Age-Old Debate (Under the Direction of DR STEFAAN VAN LIEFFERINGE) The Gothic Revival of the nineteenth century in Europe aroused a debate concerning the origin of a style already six centuries old. Besides the underlying quandary of how to define or identify “Gothic” structures, the Victorian revivalists fought vehemently over the national birthright of the style. Although Gothic has been traditionally acknowledged as having French origins, English revivalists insisted on the autonomy of English Gothic as a distinct and independent style of architecture in origin and development. Surprisingly, nearly two centuries later, the debate over Gothic’s nationality persists, though the nationalistic tug-of-war has given way to the more scholarly contest to uncover the style’s authentic origins. Traditionally, scholarship took structural or formal approaches, which struggled to classify structures into rigidly defined periods of formal development. As the Gothic style did not develop in such a cleanly linear fashion, this practice of retrospective labeling took a second place to cultural approaches that consider the Gothic style as a material manifestation of an overarching conscious Gothic cultural movement. Nevertheless, scholars still frequently look to the Isle-de-France when discussing Gothic’s formal and cultural beginnings. Gothic historians have entered a period of reflection upon the field’s historiography, questioning methodological paradigms. This -
Architecture for Worship: Re-‐Thinking Sacred Space in The
Architecture for Worship: Re-Thinking Sacred Space in the Contemporary United States of America RICHARD S. VOSKO The purpose of this paper is to examine the symbolic value of religious buildings in the United States. It will focus particularly on places of worship and the theologies conveyed by them in an ever-changing socio-religious landscape. First, I will cite some of the emerging challenges that surface when thinking about conventional religious buildings. I will then describe those architectural "common denominators" that are important when re-thinking sacred space in a contemporary age. Churches, synagogues, and mosques exist primarily because of the convictions of the membership that built them. The foundations for these spaces are rooted in proud traditions and, sometimes, the idealistic hopes of each congregation. In a world that is seemingly embarked on a never-ending journey of war, poverty, and oppression these structures can be oases of peace, prosperity, and justice. They are, in this sense, potentially sacred spaces. The Search for the Sacred The search for the sacred is fraught with incredible distractions and challenges. The earth itself is an endangered species. Pollution is taken for granted. Rain forests are being depleted. Incurable diseases kill thousands daily. Millions have no pure water to drink. Some people are malnourished while others throw food away. Poverty and wealth live side by side, often in the same neighborhoods. Domestic abuse traumatizes family life. Nations are held captive by imperialistic regimes. And terrorism lurks everywhere. What do religious buildings, particularly places of worship, have to say about all of this? Where do homeless, hungry, abused, and stressed-out people find a sense of the sacred in their lives? One might even ask, where is God during this time of turmoil and inequity? By some estimates nine billion dollars were spent on the construction of religious buildings in the year 2000. -
Contents Inhalt
34 Rome, Pantheon, c. 120 A.D. Contents 34 Rome, Temple of Minerva Medica, c. 300 A.D. 35 Rome, Calidarium, Thermae of Caracalla, 211-217 A.D. Inhalt 35 Trier (Germany), Porta Nigra, c. 300 A.D. 36 NTmes (France), Pont du Gard, c. 15 B.C. 37 Rome, Arch of Constantine, 315 A.D. (Plan and elevation 1:800, Elevation 1:200) 38-47 Early Christian Basilicas and Baptisteries Frühchristliche Basiliken und Baptisterien 8- 9 Introduction by Ogden Hannaford 40 Rome, Basilica of Constantine, 310-13 41 Rome, San Pietro (Old Cathedral), 324 42 Ravenna, Sant' Apollinare Nuovo, c. 430-526 10-19 Great Buildings of Egypt, Mesopotamia and Persia 42 Ravenna, Sant'Apollinare in Classe, 534-549 Grosse Bauten Ägyptens, Mesopotamiens und Persiens 43 Rome, Sant' Agnese Fuori Le Mura, 7th cent. 43 Rome, San Clemente, 1084-1108 12 Giza (Egypt), Site Plan (Scale 1:5000) 44 Rome, Santa Costanza, c. 350 13 Giza, Pyramid of Cheops, c. 2550 B.C. (1:800) 44 Rome, Baptistery of Constantine (Lateran), 430-440 14 Karnak (Egypt), Site Plan, 1550-942 B.C. (1:5000) 44 Nocera (Italy), Baptistery, 450 15 Abu-Simbel (Egypt), Great Temple of Ramesses II, c. 1250 B.C. 45 Ravenna, Orthodox Baptistery, c. 450 (1:800, 1:200) 15 Mycenae (Greece), Treasury of Atreus, c. 1350 B.C. 16 Medinet Habu (Egypt), Funerary Temple of Ramesses II, c. 1175 B.C. 17 Edfu (Egypt), Great Temple of Horus, 237-57 B.C. 46-53 Byzantine Central and Cross-domed Churches 18 Khorsabad (Iraq), Palace of Sargon, 721 B.C. -
AUSTRALIAN ROMANESQUE a History of Romanesque-Inspired Architecture in Australia by John W. East 2016
AUSTRALIAN ROMANESQUE A History of Romanesque-Inspired Architecture in Australia by John W. East 2016 CONTENTS 1. Introduction . 1 2. The Romanesque Style . 4 3. Australian Romanesque: An Overview . 25 4. New South Wales and the Australian Capital Territory . 52 5. Victoria . 92 6. Queensland . 122 7. Western Australia . 138 8. South Australia . 156 9. Tasmania . 170 Chapter 1: Introduction In Australia there are four Catholic cathedrals designed in the Romanesque style (Canberra, Newcastle, Port Pirie and Geraldton) and one Anglican cathedral (Parramatta). These buildings are significant in their local communities, but the numbers of people who visit them each year are minuscule when compared with the numbers visiting Australia's most famous Romanesque building, the large Sydney retail complex known as the Queen Victoria Building. God and Mammon, and the Romanesque serves them both. Do those who come to pray in the cathedrals, and those who come to shop in the galleries of the QVB, take much notice of the architecture? Probably not, and yet the Romanesque is a style of considerable character, with a history stretching back to Antiquity. It was never extensively used in Australia, but there are nonetheless hundreds of buildings in the Romanesque style still standing in Australia's towns and cities. Perhaps it is time to start looking more closely at these buildings? They will not disappoint. The heyday of the Australian Romanesque occurred in the fifty years between 1890 and 1940, and it was largely a brick-based style. As it happens, those years also marked the zenith of craft brickwork in Australia, because it was only in the late nineteenth century that Australia began to produce high-quality, durable bricks in a wide range of colours. -
The Vernacular in Church Architecture
Le Corbusier’s pilgrimage chapel at Ronchamp, France. Photo: Groucho / CC BY-NC-ND 2.0 / https://www.flickr. com/photos/grou- cho/13556662883 LIVING STONES The Vernacular in Church Architecture Alexis Vinogradov 1 Gregory Dix, The The liturgy of the Early Christian era the heart of worship that is ultimately Shape of the Lit- was about doing rather than saying. to be expressed and enhanced by both urgy (Westminster: Dacre Press, 1945), This distinction is borrowed from Dom art and architecture. Of course this con- 12–15. Kiprian Kern, Gregory Dix by Fr. Kyprian Kern, who sideration must include literature, mu- Евхаристия (Paris: was responsible for the first major Or- sic, and ritual movement and gesture. YMCA-Press, 1947). thodox investigation of the sources 2 and practices of the Christian eccle- Our earliest archaeological discover- Marcel Jousse, L’An- 1 thropologie du geste sia. The Jesuit scholar Marcel Jousse ies substantiate the nature of the “do- (Paris: Gallimard, reinforces this assertion in writing of ing” performed by the Church. The 2008). the early Christian practice and un- celebrants did not initially constitute derstanding of “eating and drinking” a distinct caste, for all who were gath- the word, rooted in a mimesis of ges- ered were involved in the rites. One tures passed on through generations.2 can therefore understand the emer- “Do this in remembrance of me,” says gence throughout Christian history of Christ at the last gathering with his anti-clerical movements, which have disciples (Lk. 22:19). pushed back against the progressive exclusion of the faithful from areas The present essay is about the ver- deemed “sacred” in relation to the nacular in church architecture. -
Local Romanesque Architecture in Germany and Its Fifteenth-Century Reinterpretation
Originalveröffentlichung in: Enenkel, Karl A. E. ; Ottenheym, Konrad A. (Hrsgg.): The quest for an appropriate past in literature, art and architecture, Leiden 2019, S. 511-585 (Intersections ; 60) chapter 19 Translating the Past: Local Romanesque Architecture in Germany and Its Fifteenth-Century Reinterpretation Stephan Hoppe The early history of northern Renaissance architecture has long been pre- sented as being the inexorable occurrence of an almost viral dissemination of Italian Renaissance forms and motifs.1 For the last two decades, however, the interconnected and parallel histories of enfolding Renaissance humanism have produced new analytical models of reciprocal exchange and of an ac- tively creative reception of knowledge, ideas, and texts yet to be adopted more widely by art historical research.2 In what follows, the focus will be on a particular part of the history of early German Renaissance architecture, i.e. on the new engagement with the historical – and by then long out-of-date – world of Romanesque architectural style and its possible connections to emerging Renaissance historiography 1 Cf. Hitchcock H.-R., German Renaissance Architecture (Princeton, NJ: 1981). 2 Burke P., The Renaissance (Atlantic Highlands, NJ: 1987); Black R., “Humanism”, in Allmand C. (ed.), The New Cambridge Medieval History, c. 1415–c. 1500, vol. 7 (Cambridge: 1998) 243–277; Helmrath J., “Diffusion des Humanismus. Zur Einführung”, in Helmrath J. – Muhlack U. – Walther G. (eds.), Diffusion des Humanismus. Studien zur nationalen Geschichtsschreibung europäischer Humanisten (Göttingen: 2002) 9–34; Muhlack U., Renaissance und Humanismus (Berlin – Boston: 2017); Roeck B., Der Morgen der Welt. Die Geschichte der Renaissance (Munich: 2017). For more on the field of modern research in early German humanism, see note 98 below. -
Catalonian Architectural Identity
Catalan Identity as Expressed Through Architecture Devon G. Shifflett HIST 348-01: The History of Spain November 18, 2020 1 Catalonia (Catalunya) is an autonomous community in Spain with a unique culture and language developed over hundreds of years. This unique culture and language led to Catalans developing a concept of Catalan identity which encapsulates Catalonia’s history, cuisine, architecture, culture, and language. Catalan architects have developed distinctly Catalan styles of architecture to display Catalan identity in a public and physical setting; the resulting buildings serve as a physical embodiment of Catalan identity and signify spaces within Catalan cities as distinctly Catalonian. The major architectural movements that accomplish this are Modernisme, Noucentisme, and Postmodernism. These architectural movements have produced unique and beautiful buildings in Catalonia that serve as symbols for Catalan national unity. Catalonia’s long history, which spans thousands of years, contributes heavily to the development of Catalan identity and nationalism. Various Celtiberian tribes initially inhabited the region of Iberia that later became Catalonia.1 During the Second Punic War (218-201 BC), Rome began its conquest of the Iberian Peninsula, which was occupied by the Carthaginians and Celtiberians, and established significant colonies around the Pyrennees mountain range that eventually become Barcelona and Tarragona; it was during Roman rule that Christianity began to spread throughout Catalonia, which is an important facet of Catalan identity.2 Throughout the centuries following Roman rule, the Visigoths, Frankish, and Moorish peoples ruled Catalonia, with Moorish rule beginning to flounder in the tenth-century.3 Approximately the year 1060 marked the beginning of Catalan independence; throughout this period of independence, Catalonia was very prosperous and contributed heavily to the Reconquista.4 This period of independence did not last long, though, with Catalonia and Aragon's union beginning in 1 Thomas N. -
OWHC-Application
, Proposal for a strong and active OWHC Regional Secretariat North West Europe Content 1. The objectives of Regional Secretariats .......................................................... 5 A Objectives B Resources 2. General proposals ......................................... 5 A Lobbying B Website C Publication D Exchange of Expertise E Strong voice of the member citiesx F Enhance output of regional conferences G Networking 3. Background information: City of Regensburg ........................................6 A Resources B Benefit of a Regional Secretariatx in Regensburg: Coordination Political support, networks and output Financial aspects 4. Next steps ...........................................................8 A Communication initiative B Strategic initiative C Solidarity initiative D Expertise initiative E Resources Titelfotos: Bamberg, Bergen, Edinburgh: Matthias Ripp, Bern: chrchr_75, Brügge: Markus Bechtold, Stralsund: antoinou2958, Innenteil: Peter Ferstl, Luftansicht: Hajo Dietz 2 Proposal for a strong and active OWHC Regional Secretariat for north-west Europe Good reasons for location in Regensburg, Germany 3 Potential member cities of the north-west European region Wismar Germany Quedlinburg Germany Røros Norway Bremen Germany Bergen Norway Goslar Germany Bern Switzerland Liverpool United Kingdom Luxembourg Luxembourg Mantova Italy Stralsund Germany Sabbioneta Italy Regensburg Germany Weimar Germany Beemste Netherlands Karlskrona Sweden Brugge Belgium Potsdam Germany Berlin Germany BathUnited Kingdom Rauma Finland Lübeck Germany Visby Sweden Edinburgh United Kingdom Bamberg Germany 4 The OWHC is an internationally-organized and -oriented Member cities should be invited to cooperate and integ- organization that promotes the implementation of the rate their ideas and approaches into the working process. World Heritage Convention. The Organisation also focuses For the best results and to the benefit of all heritage on the exchange of information and expertise on matters cities of the region, an integrated approach is essential. -
Dietary Reconstruction of Medieval and Early Modern
DIETARY RECONSTRUCTION OF MEDIEVAL AND EARLY MODERN SPANISH POPULATIONS USING STABLE ISOTOPES OF CARBON AND NITROGEN ____________ A Thesis Presented to the Faculty of California State University, Chico ____________ In Partial Fulfillment of the Requirements for the Degree Master of Arts in Anthropology ____________ by © Amy T. MacKinnon 2015 Spring 2015 DIETARY RECONSTRUCTION OF MEDIEVAL AND EARLY MODERN SPANISH POPULATIONS USING STABLE ISOTOPES OF CARBON AND NITROGEN A Thesis by Amy T. MacKinnon Spring 2015 APPROVED BY THE DEAN OF GRADUATE STUDIES AND VICE PROVOST FOR RESEARCH: _________________________________ Eun K. Park, Ph.D. APPROVED BY THE GRADUATE ADVISORY COMMITTEE: ______________________________ _________________________________ Guy Q. King, Ph.D. Eric J. Bartelink, Ph.D., Chair Graduate Coordinator _________________________________ Georgia L. Fox, Ph.D. PUBLICATION RIGHTS No portion of this thesis may be reprinted or reproduced in any manner unacceptable to the usual copyright restrictions without the written permission of the author. iii DEDICATION This thesis is dedicated to the memory of my grandparents Ermineo Claude Paul Seita April 21, 1921 – February 11, 2015 and Velma Watson Seita January 28, 1923 – March 12, 2015 “Chi tard’arriva mal’alloggia” iv ACKNOWLEDGMENTS I would like to acknowledge with gratitude my thesis committee Dr. Eric Bartelink and Dr. Georgia Fox. Thank you for your support, enthusiasm, and encouragement. I would like to thank Dr. Bartelink especially for introducing me to this project and for training me in the techniques of preparing samples for stable isotope analysis. I would also like to thank Dr. Nicholas V. Passalacqua (Defense POW/MIA Accounting Command) who had the foresight to sample the collection for stable isotope analysis. -
Conference About Succession
A CONFERENCE ABOUT THE NEXT SUCCESSION 1 ________________________________________________________________________ SUMMARY: The document below is a modern-spelling edition of A Conference about the Next Succession to the Crown of England. The frame story of A Conference is a fictitious conference in Amsterdam in the spring of 1593, fully described in the Preface to Part I. In that fictitious frame story, the principal speakers are two lawyers, the one an expert in the civil law of England, the other an expert in the common law. This frame story in itself makes it clear that the author himself had a legal background. The civil lawyer puts forward his arguments in Part I (or rather, the author of A Conference puts forward his arguments through the mouth of the fictitious civil lawyer). In Part II, it is the turn of the fictitious expert in the common law. The title page promises that ‘a new & perfect arbour or genealogy of the descents of all the Kings and Princes of England from the Conquest unto this day’ can be found at the end of the tract whereby the claims of all the current pretenders to the English crown will be made plain. This ‘arbour’ or genealogy may have been based on the work of Francis Peto (see below, and TNA SP 70/137, ff. 319-21). Unfortunately this promise is not fulfilled. The ‘arbour or genealogy’ does not appear, suggesting that the author of A Conference did not play a role in the book’s publication. A Conference is a well organized and well thought out presentation.