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Footloose in Flanders, Discovering One of the Seum That Is a Repository of Antwerp’S History but I Do Zip in Prettiest Regions of Europe in the Process
Travel BELGIUM Footloose in 1 2 Flanders A ROUND-UP OF THE FLEMISH TRIO OF BRUGES, GHENT AND ANTWERP. AND THEN AN OUTING TO BRUSSELS CHARUKESI R BY AMADURAI 3 4 f Eat, Pray, Love was a town, it would be Bruges. So pretty, so picture postcard that some guidebooks have described it as touristy and a tad fake. Our guide in Bruges splutters indig- nantly about the American who thought of it as a medieval Disneyland, asking him, “Is Bruges shut for winter?” Bruges is an-all weather destination, but to me, spring is the perfect time to be there. The tour- ist groups have just begun to trickle in, the daffodils are in full bloom at the charming Beguinage, FLANDERS where Benedictine nuns reside, and the weather makes me hum a happy tune all the time. FAIRYTALES: IAs I walk on the cobble-stoned lanes, I keep an ear open for the clip clop of horses ferrying tourists 1 The charm of across the UNESCO heritage town, the horseman (or in many cases, woman) doubling up as guide. Then, Bruges is in its canals there are the beguiling window displays on the chocolate shops lining the narrow shopping streets and lined by colourful the heady smell of Belgian frites (fries) in the air; together they erase all thoughts of calories and cho- buildings 2 Buskers lesterol from my mind. Remember, Eat is one of the leitmotifs for this town. are commonly found 5 To Pray, I head to the Church of Our Lady, to see Michelangelo’s sculpture of the Madonna and Child, in all Flanders cities in white Carrara marble. -
2017-12-12 Dossier De Presse Horta EN
Horta inside out: A year dedicated to this architectural genius One of the greatest architects of his generation, Victor Horta, certainly left his mark on Brussels. From the Horta House to the Hôtel Tassel and the Horta-Lambeaux Pavilion, it was about time we paid tribute to this master of Art Nouveau by dedicating a whole year to his work and creative genius. Victor Horta moved to Brussels in 1881 and went to the Royal Academy of Fine Arts. His teacher, Alphonse Balat (the architect behind the Royal Greenhouses of Laeken), saw his potential and took him on as an assistant. Very quickly, he became fascinated by curves, light and steel. He soon joined the inner circle of the Masonic lodge that would launch his career. The Autrique House was built in 1893, followed closely by the wonderful Hôtel Tassel. This period was the start of a long series of showpieces which dotted Brussels with buildings with innovative spaces and bright skylights. Horta, one of the earliest instigators, heralded the modern movement of Art Nouveau architecture. The stylistic revolution represented by these works is characterised by their open plan, diffusion and transformation of light throughout the construction, the creation of a decor that brilliantly illustrates the curved lines of decoration embracing the structure of the building, the use of new materials (steel and glass), and the introduction of modern technical utilities. Through the rational use of the metallic structures, often visible or subtly dissimulated, Victor Horta conceived flexible, light and airy living areas, directly adapted to the personality of their inhabitants. -
Appendix 1: Monastic and Religious Foundations in Thirteenth-Centur Y
APPENDIX 1: MONASTIC AND RELIGIOUS FOUNDATIONS IN THIRTEENTH-CENTURY FLANDERS AND HAINAUT Affiliation: Arrouaise Name Date of Foundation MenlWomen Eeckhout c. 1060/1146 Arrouaise Men Choques 1120/1138 Arrouaise Men Cysoing 855/1132 Arrouaise Men Phalernpin 1039/1145 Arrouaise Men Saint-Jean Baptiste c. 680/1142 Arrouaise Men Saint-Ni colas des Pres 1125/1140 Arrouaise Men Warneton 1066/1142 Arrouaise Men Zoetendale 1162/1215 re-founded Men Zonnebeke 1072/1142 Arrouaise Men Affiliation: Augustinian Canons Name Date of Foundation MenlWomen Saint-Aubert 963/1066 reforrned Men Saint-Marie, Voormezele 1069/1110 reforrned Men Saint-Martin, Ypres 1012/1102 reformed Men Saint-Pierre de Loo c. 1050/1093 reformed Men Saint-Pierre et Saint-Vaast c. 1091 Men Affiliation: Beguines Name Date cf Foundation MenlWomen Aardenburg 1249 Wornen Audenarde 1272 Wornen Bardonck, Y pres 1271/1273 Wornen Bergues 1259 Wornen 118 WOMEN, POWER, AND RELIGIOUS PATRONAGE Binehe 1248 Wornen Briel, Y pres 1240 Wornen Carnbrai 1233 Wornen Charnpfleury, Douai 1251 Wornen Damme 1259 Wornen Deinze 1273 Wornen Diksrnuide 1273 Wornen Ijzendijke 1276 Wornen Maubeuge 1273 Wornen Cantirnpre, Mons 1245 Wornen Orehies 1267 Wornen Portaaker (Ghent) 1273 Wornen Quesnoy 1246 Wornen Saint-Aubert (Bruges) 1270 Wornen Sainte-Elisabeth (Courtrai) 1242 Wornen Sainte-Elisabeth (Ghent) 1234 Wornen Sainte-Elisabeth (Lilie) 1244/1245 Wornen Sainte-Elisabeth (Valeneiennes) 1239 Wornen Ter Hooie (Ghent) 1262 Wornen Tournai 1241 Wornen Wetz (Douai) 1245 Wornen Wijngaard (Bruges) 1242 Wornen Affiliation: Benedictine Name Date oJ Foundation Men/Women Anehin 1079 Men Notre-Darne d'Avesnes 1028 Wornen Bergues Saint-Winoe 1028 Men Bourbourg c. 1099 Wornen Notre-Darne de Conde e. -
The Arts of Early Twentieth Century Dining Rooms: Arts and Crafts
THE ARTS OF EARLY TWENTIETH CENTURY DINING ROOMS: ARTS AND CRAFTS, ART NOUVEAU, AND ART DECO by SUE-ANNA ELIZA DOWDY (Under the Direction of John C. Waters) ABSTRACT Within the preservation community, little is done to preserve the interiors of historic buildings. While many individuals are concerned with preserving our historic resources, they fail to look beyond the obvious—the exteriors of buildings. If efforts are not made to preserve interiors as well as exteriors, then many important resources will be lost. This thesis serves as a catalog of how to recreate and preserve an historic dining room of the early twentieth century in the Arts and Crafts, Art Nouveau, and Art Deco styles. INDEX WORDS: Arts and Crafts, Art Nouveau, Art Deco, Dining Room, Dining Table, Dining Chair, Sideboard, China Cabinet, Cocktail Cabinet, Glass, Ceramics, Pottery, Silver, Metalworking, Textiles, Lighting, Historic Preservation, Interior Design, Interior Decoration, House Museum THE ARTS OF EARLY TWENTIETH CENTURY DINING ROOMS: ARTS AND CRAFTS, ART NOUVEAU, AND ART DECO by SUE-ANNA ELIZA DOWDY B.S.F.C.S, The University of Georgia, 2003 A Thesis Submitted to the Graduate Faculty of The University of Georgia in Partial Fulfillment of the Requirements for the Degree MASTER OF HISTORIC PRESERVATION ATHENS, GEORGIA 2005 © 2005 Sue-anna Eliza Dowdy All Rights Reserved THE ARTS OF EARLY TWENTIETH CENTURY DINING ROOMS: ARTS AND CRAFTS, ART NOUVEAU, AND ART DECO by SUE-ANNA ELIZA DOWDY Major Professor: John C. Waters Committee: Wayde Brown Karen Leonas Melanie Couch Electronic Version Approved: Maureen Grasso Dean of the Graduate School The University of Georgia May, 2005 DEDICATION To My Mother. -
WRAP THESIS Shilliam 1986.Pdf
University of Warwick institutional repository: http://go.warwick.ac.uk/wrap A Thesis Submitted for the Degree of PhD at the University of Warwick http://go.warwick.ac.uk/wrap/34806 This thesis is made available online and is protected by original copyright. Please scroll down to view the document itself. Please refer to the repository record for this item for information to help you to cite it. Our policy information is available from the repository home page. FOREIGN INFLUENCES ON AND INNOVATION IN ENGLISH TOMB SCULPTURE IN THE FIRST HALF OF THE SIXTEENTH CENTURY by Nicola Jane Shilliam B.A. (Warwick) Ph.D. dissertation Warwick University History of Art September 1986 SUMMARY This study is an investigation of stylistic and iconographic innovation in English tomb sculpture from the accession of King Henry VIII through the first half of the sixteenth century, a period during which Tudor society and Tudor art were in transition as a result of greater interaction with continental Europe. The form of the tomb was moulded by contemporary cultural, temporal and spiritual innovations, as well as by the force of artistic personalities and the directives of patrons. Conversely, tomb sculpture is an inherently conservative art, and old traditions and practices were resistant to innovation. The early chapters examine different means of change as illustrated by a particular group of tombs. The most direct innovations were introduced by the royal tombs by Pietro Torrigiano in Westminster Abbey. The function of Italian merchants in England as intermediaries between Italian artists and English patrons is considered. Italian artists also introduced terracotta to England. -
Tournai Cathedral
canons and other church functionaries said prayers for the diocese. Services in the Middle Ages would have Tournai Cathedral (Belgium) been rich with sound, movement, colour and fragrance, bringing the Cathedral to life: liturgical No 1009 vestments and ornaments, processions, musical instruments, boys' choirs at the services of Prime and Vespers and the periodic ringing of bells would have made this a "multimedia" performance much appreciated at the time. Today services are led by the bishop on special occasions and by the canons on a daily basis. Over the centuries of uninterrupted Identification worship, the church has accumulated a number of precious objects which are still kept in the Cathedral Nomination Notre-Dame Cathedral in Tournai and used during services. Location City of Tournai, Province of Hainaut, The Cathedral also fulfils a social function: even today Wallonian Region it is a place of solidarity. In the Middle Ages, religion was closely associated with concern for the less State Party Belgium privileged, expressed in caring for the sick, giving alms, or taking responsibility for the weakest in Date 6 July 1999 society. The city of Tournai still possesses buildings that bear witness to this social function of the church, such as the former hospital of Note-Dame, now the Academy of Fine Arts. Justification by State Party The church's intellectual role is also inextricably In the case of the nave and transept, the early date of linked with the life of the Cathedral and was the elevation to four levels and its subsequent manifested initially in the education of the populace widespread extension meets the criterion of through the preaching of the clergy. -
Conserving Victor Horta's Work in Brussel
Table of Contents List of Illustrations 2 Introduction 4 Chapter 1: Attitudes to Conservation in Brussels 6 1.1 - History of Conservation in Belgium 6 1.2 - Belgian Conservation Legislation 8 1.3 - ‘Brusselisation’ 9 Chapter 2: The Sociocultural Value of Art Nouveau 10 2.1 - Historical Value 10 2.2 - Cultural and Symbolic Value 12 2.3 - Aesthetic Value 14 Chapter 3: Economic Value of the Conservation of Art Nouveau 16 3.1 - The Cost of Conservation of a Horta Property 16 3.2 - Economic Value of a Restored House 19 Conclusions 20 Glossary of Terms 22 Appendix 23 Horta’s Most Influential Works 23 An Insight into Horta - Interview with Françoise Aubry 25 Bibliography 27 1 List of Illustrations Figure 1. Hôtel Tassel - Entrance Hall [Photograph] by: Jean and Rene Delhaye. Taken from: Horta the Ultimate Art Nouveau Architect (Aubry, et al., 2005) Figure 2. Hôtel Tassel – Front Façade [Photograph] by: Arco Ardon. Taken from: Flickr.com – Arco Ardon -Brussels (2009) Figure 3. Palais Stoclet [Photograph] by: Jean-Pol Grandmont. Taken from: Hoffmann, Brussels (2005) Figure 4. Brussels Skyline – Haphazard Placement of High Rise Buildings [Photograph] by: Erasmushogeschool. Taken from: Flickr.com – Skyline Brussels (2009) Figure 5a. Maison de Peuple [Photograph] by: Moicani. Taken from: moicani.over-blog.com (2013) Figure 5b. The Sablon Tower [Photograph] by: Knight Frank. Taken from: Knightfrank.co.uk (Unknown) Figure 6. Hôtel Tassel - Capital of an iron 'tree' column [Photograph] by: Jean and Rene Delhaye. Taken from: Horta the Ultimate Art Nouveau Architect (Aubry, et al., 2005) Figure 7. Barcelona Pavilion Structure [Photograph] by: Claudio Divizia. -
Local Romanesque Architecture in Germany and Its Fifteenth-Century Reinterpretation
Originalveröffentlichung in: Enenkel, Karl A. E. ; Ottenheym, Konrad A. (Hrsgg.): The quest for an appropriate past in literature, art and architecture, Leiden 2019, S. 511-585 (Intersections ; 60) chapter 19 Translating the Past: Local Romanesque Architecture in Germany and Its Fifteenth-Century Reinterpretation Stephan Hoppe The early history of northern Renaissance architecture has long been pre- sented as being the inexorable occurrence of an almost viral dissemination of Italian Renaissance forms and motifs.1 For the last two decades, however, the interconnected and parallel histories of enfolding Renaissance humanism have produced new analytical models of reciprocal exchange and of an ac- tively creative reception of knowledge, ideas, and texts yet to be adopted more widely by art historical research.2 In what follows, the focus will be on a particular part of the history of early German Renaissance architecture, i.e. on the new engagement with the historical – and by then long out-of-date – world of Romanesque architectural style and its possible connections to emerging Renaissance historiography 1 Cf. Hitchcock H.-R., German Renaissance Architecture (Princeton, NJ: 1981). 2 Burke P., The Renaissance (Atlantic Highlands, NJ: 1987); Black R., “Humanism”, in Allmand C. (ed.), The New Cambridge Medieval History, c. 1415–c. 1500, vol. 7 (Cambridge: 1998) 243–277; Helmrath J., “Diffusion des Humanismus. Zur Einführung”, in Helmrath J. – Muhlack U. – Walther G. (eds.), Diffusion des Humanismus. Studien zur nationalen Geschichtsschreibung europäischer Humanisten (Göttingen: 2002) 9–34; Muhlack U., Renaissance und Humanismus (Berlin – Boston: 2017); Roeck B., Der Morgen der Welt. Die Geschichte der Renaissance (Munich: 2017). For more on the field of modern research in early German humanism, see note 98 below. -
From Historic Centre to Design City on the Water CITY on the WATER
2016 2017 CAPTIVATING KORTRIJK from historic centre to design city on the water CITY ON THE WATER The banks of the Leie and the course of the Old Leie are the place to be! The green zone is ideal for young and old to enjoy some undisturbed peace. And in the middle of a city! The banks bring you wonderfully close to the fresh water and the moored pleasure craft, so that you can sit on one of the delightful terraces and almost feel the water. After the Middle Ages, the River Leie, and the linen and damask industry that grew up around it, played the leading role. Successfully too! From the 18th century Kortrijk enjoyed fame as the world centre for fl ax. Thanks to the creative entrepreneurship of its people, Kortrijk grew to become the vibrant, economic heart of the region. A new Leie needs new bridges. Seven impressive examples redraw the Kortrijk skyline and aff ord it a distinctive, imposing appearance. No boring or identical copies, but seven distinctive bridges that will help both visitors and locals orientate themselves. Sometimes majestic big city structures, at other times bold zigzags. 2 CITY ON THE WATER King Albertpark and skatebowl Texture, museum of Flax and river Lys Recently King Leopold III and his horse gaze over an open park Texture tells the rich story of fl ax in three totally diff erent and the renewed Leie banks. Th e park, which is bordered by rooms. You start in the Wonder Room: a fun laboratory about the lowered river banks, forms the transition between the city fl ax in your everyday life. -
Surprising Discoveries
2018-2019 Surprising Discoveries Your guide to creating memorable group visits to southern Belgium © Hallet Jacques Discover Wallonia THE NETHERLANDS UNITED KINGDOM THE NETHERLANDS Antwerp NORTH SEA Ostende Bruges FLANDERS Dunkerque THE NETHERLANDS Calais Brussels 02 Map GERMANY Waterloo Liège 03 Welcome FRANCE Villers-la-Ville Tournai 04 Tournai and Mons Spa Mons Namur Binche 10 Waterloo and Beyond Charleroi Durbuy Dinant 14 Namur and Dinant FRANCE La Roche-en-Ardenne 20 Liège and Spa Bastogne Saint-Hubert 26 Bastogne and La Roche GRAND DUCHY OF LUXEMBOURG Bouillon 30 Top 10 and major recurring events 31 Testimonials from coach operators FRANCE Produced with the co-operation of the Belgian Tourist Office – Wallonia. Telephone: 020 7531 0390. Email: [email protected]. www.walloniabelgiumtourism.co.uk. All rights reserved. No part of this guide may be reproduced, stored in a retrieval system, or transmitted in any other means, electronic, mechanical, photographic, recording or otherwise without the prior written consent of the publisher. Commissioning editor & picture editor: Philippe Marée. Graphic Design & Print Production: Lielens & Partners. Revealed is printed on Essential Gloss paper which is an FSC certified paper. Although Location every effort is made to ensure that the editorial content is true and accurate at time of going to press the Belgian Tourist Office – Wallonia cannot be held responsible for any claims made within this publication. Map Welcome to Belgium. Welcome to Wallonia. Memorable experiences in southern Belgium start here! It gives me very great pleasure to welcome you distilleries, from vineyards to cheese producers, and to this special guide that I know will inspire you to from waffles to chocolate, Wallonia’s gastronomic create memorable group visits to southern Belgium. -
Be Accessible Be .Brussels
EN DE be accessible be .brussels BarrierefreieAccessible museums Museen undand tourist Touristenattraktionenattractions in Brussels in Brüssel Welcome to Brussels! You will feel the buzz of a different kind of energy as soon as you arrive in Brussels! You will feel quite at home and in a brand new land of discovery at the same time. Brussels is a cosmopolitan city on a human scale; its legendary hospitality is sincere and it loves sharing its emotions. To discover the treasures of Brussels, you need to lose yourself in its districts, take a break on its bistro terraces, stroll through its museums, discover nature in its parks and gardens and enjoy its excellent food. But the city has a very specific layout. If you have reduced mobility, it can be difficult to discover our beautiful capital city, with its upper town and lower town areas, its cobblestones and its irregular borders. Don't worry, visit.brussels has created this brochure to make your visit easier. Brussels has an exceptional cultural life, with more than 120 museums and attractions for you to discover. The activities listed here allow everyone to discover the accessible attractions and enjoy our museum collections in a dynamic, creative way. Enjoy your visits! Contents ADAM - BRUSSELS DESIGN MUSEUM P.11 ART & MARGES MUSEUM P.13 ATOMIUM P.15 AUTOWORLD BRUSSELS P.17 BEL EXPO P.19 BELGIAN CHOCOLATE VILLAGE P.21 BOZAR - CENTRE FOR FINE ARTS P.23 CENTRALE FOR CONTEMPORARY ART P.25 RED CLOISTER ABBEY ART CENTRE P.27 CITY SIGHTSEEING BRUSSELS P.29 D’IETEREN GALLERY P.31 EXPERIENCE.BRUSSELS -
Interior Convertions: Redesigning The
NUMERO 10 - dicembre 2016 Conversioni interne: Marcus van der Meulen Ridisegnare la chiesa parrocchiale per un riuso adattivo Marcus van der Meulen studied Architecture and Interior Architecture at Leuven Catholic University ( St. Lucas Institute for Architecture, Ghent ) and Monument Preservation at the Institute of Conservation & Restoration. He did courses in Architectural History at Cambridge University. As an Interior Architect he has Interior convertions: been active in several reuse designs and projects in the past years. Redesigning the Village Church for Adaptive Reuse Currently Marcus is director at Square, a platform for adaptive reuse and redesign of religious architecture. At present he focusses on the reuse of post-war churches in the urban landscape. As an Interior Historian he researches ecclesiastical interiors with special interest for the medieval and modernist periods, his book Così come sempre più chiese parrocchiali perdono As more and more village churches loose their original Brass Eagle Lecterns in England: 1470-1520 is due next year. la loro funzione originaria di luogo di culto, il riuso function as a house of worship adaptive reuse is adattivo è una strategia sempre più popolare per la an increasingly popular strategy for preservation of conservazione del patrimonio religioso. Trasformare il religious heritage. Transforming the local house of locale luogo di culto per mettere in scena una nuova worship to stage a new scenography implies a redesign scenografia implica una riprogettazione degli interni. of the interior. Three types of ecclesiastical architecture Tre tipi di architettura ecclesiastica sono riscontrabili in rural Groningen, the Netherlands, have been nelle aree rurali di Groningen, i Paesi Bassi, sono stati redesigned in recent years to house a new functionality.