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R. Schumann / Hudob- Né Divadlo: História Repertoáru 7-8 2,92 € ‹ 88,- Sk Mestského Divadla V Prešporku / 2010 ROČNÍK XLII Jazz: Rozhovor S I

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R. Schumann / Hudob- Né Divadlo: História Repertoáru 7-8 2,92 € ‹ 88,- Sk Mestského Divadla V Prešporku / 2010 ROČNÍK XLII Jazz: Rozhovor S I Rozhovor: I. źernecká / Esej: ʼn. Chalupka o R. Bergerovi / História: R. Schumann / Hudob- né divadlo: História repertoáru 7-8 2,92 € 88,- Sk Mestského divadla v Prešporku / 2010 ROČNÍK XLII Jazz: Rozhovor s I. Wasserbergerom Viva Ramón VARGAS! plagat A3 Albrechtina druha seriPage 1 6. 8. 2010 11:03:13 40. 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Wasserberger ((=ž9L=HJG>=KAGF9DALQ*GE9F9=J?=J9=ž9L=HJG>=KAGF9DALQ*GE9F9=J?=J9ʼnʼnA:ENID:A:ENID: – sstr.tr. 18 DHNF>E><B I>=:@µ@HOIEROGBE DNEMBOHO:GēFIK>C:OHF : K>I>KMHÕKHFIK>DK:žNC«<BF HistóriHistóriaa H;ORDEÃIB:GBLMB<DÃDEBİà **+;@ME9FF+CD9<9L=ōHG=LHG=LKCD9<9L=ō+;@ME9FF+CD9<9L=ōHG=LHG=LKCD9<9L=ō""īBİDHOÕīBİDHOÕ – str. 23 @>G>KÕ<B>DE:OBKBLMHOB FBEHOGÇDHO AN=;R/ŵ:D:ž:LMÃFN **GR@GNGJGR@GNGJ DHG<>KMHO:GBNO =NNL &:KB:GHF !!ź=JF=;CÔ'ź=JF=;CÔ' C9JC9JAÂJ=CD9NAJAKLCQCLGJÔ:QĎAD9D=FRAÂJ=CD9NAJAKLCQCLGJÔ:QĎAD9D=FR CGF;=JLGN9FCGF;=JLGN9FA9KGEA9KGE %:Iİ:GLDēFIH<>EHF,EHO>GLDN I:MKBEHO ÞÖKHDH<AORLM«I>GB> *+;@ME9FF F=F=MN9ĎGN9D9MN9ĎGN9D9$$&BA:EHO&BA:EHO – sstr.tr. 2277 Mē<AMH=OH<ANF>E<HO:CD FHCBF **.9J?9K.9J?9K M<:GMNQB9<JMB=E=E´;A=M<:GMNQB9<JMB=E=E´;A=)E:GDHOÕÕ – str.str. 31 IKOēFBGM>GSÇOGRFAN=H;GēFSÕĎBMDHF H;KHNLIKÕOHNC>Ď>;K:MBLE:OLDēµFLO&:KMBG:FÕ M<G:FÂ<M<G:FÂ<AN9<DGM<G< :F:  <A<AN9<DG9<DG DHG>žG>GHOēDHG<>KMGēHK@:G/ ž:L>KHSAH=HO:GB:H C>AH LM:O;>L:OB>=EBH LIKÕOGHLMBKHSAH=GNMB:G:AK:=BħABLMHKB<Dē AKL´JA9E=KLKCÂ@G<AN9<D9N ((J=İHGJCMJ=İHGJCM##%:LE:OÇDHOÕ%:LE:OÇDHOÕ – str. 3344 GÕLMKHC/BG<>GM:&HĎGÃAHOSKNİ>GÃIHE>FBDRG>LL:D:Ď=ē ''H=J9+&JGRMEA=J=žA:=D;9FL9H=J9+&JGRMEA=J=žA:=D;9FL9##ź>KO>GD:ź>KO>GD: – sstr.tr. 36 H OēLE>=DNF´Ď>IK>LO>=žBħG:OE:LMGÃNİB+HSLB:AE>CİÇ &&9:M;;G FA= FÔİC9Ď<G<=FFē9:M;;G FA= FÔİC9Ď<G<=FFē)).G@>K.G@>K – str. 37 F:M>KBÕEIKBG>LB>F>O G:LE>=NC«<HFžÇLE> AGN9FF9<bJ;GF92NGD=FKCē;@@JÔ;@RÔEG;Cē;@AGN9FF9<bJ;GF92NGD=FKCē;@@JÔ;@RÔEG;Cē;@ //E:AHE:AH – sstr.tr. 3388 / KN;KBD>+HSAHOHKOÕFIHG«D:F>GÕSHKRK>İI>DMHO:G>C ''H=JFÔ%D9<GKħF9RÔECMH=JFÔ%D9<GKħF9RÔECM//E:AHE:AH KLJÙß HLH;GHLMBLEHO>GLDÃAHDE:OÇKG>AHNF>GB:IKH?>LHKDR"=R ź>KG><D>C: BGM>KOB>PL AOB>S=HNLO>MHOē<AHI>KGē<AIµ=BÇ ""M:AD9FLAEAD+;@¨LRM:AD9FLAEAD+;@¨LR &&HCĎBİHOÕÕ – str. 40 +:FµGHF/:K@:LHFDMHKēO K:MBLE:O>DHG<>KMHO:E:DH AHLħ?>LMBO:EN/BO:&NLB<: 229@J9FAžA=9@J9FAžA= #>IHO:ĎHO:GēS:G:COēSG:FG>CİB>AHIK>=LM:OBM>ō:@>G>KÕ<B> $GF<ēFKC=@M<G:FÂ@G<QQ B:G<AB – str. 4411 ÜÖKHDHO#>AHAN=;:B M>QMRL«GHLBM>ōHF>MB<DÃAHIHLHELMO: – str. 43 : LO>=HFÇFLEHO>GLD>CAN=H;G>CDNEM«KR,DE:=:M>ō: EHSH? 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Petrova skvelá in- ōa a kolegu Petra Toperczera. Umelecký ny kredit absolventa košického Konzerva- nemu blízko, obdiv i hrdosħ. Aj preto sa terpretácia klavírnych diel Proko eva, Ra- rozmer jeho života prekrožil hranice Slo- tória a pražskej AMU, sólistu Slovenskej nedokážem ubrániħ osobnému vyznaniu. vela, Schumanna, Mozarta, ale nadovšetko venska a Peter Toperczer sa stal jednou lharmónie, pedagóga VŠMU, neskôr pro- Ako spolužiaci košického Konzervatória geniálneho Brahmsovho Koncertu d mol vo mne vyvolávala nadšenie a snahu aspoŅ trochu sa priblížiħ jeho veōkému umeniu. Hoci jeho klavírna hra bola ocenená laure- átskym titulom na jednej z najrenomova- nejších európskych klavírnych súħaží v anglickom Leedse i na Pražskej jari a za- znievala na svetových koncertných pó- diách, jeho meno bolo zárukou nesmiernej ōudskej skromnosti a vzhōadom na jeho pozíciu a význam až odzbrojujúco prosté- ho priateōstva. Nebolo niž prirodzenejšie ako to, že som svojich študentov a dokto- randov posielal na stáže k Petrovi ako svoj- mu veōkému vzoru. Takisto bolo prirodze- né, že vzhōadom na jeho zásluhy v oblasti spolupráce našich najvyšších umeleckých pedagogických inštitúcií mu bol Vysokou školou múzických umení udelený titul Doctor honoris causa. Hlavne od toho žasu bola Petrova prítomnosħ v habilitaž- ných a inauguražných konaniach VŠMU takmer pravidelná. Až v posledných obdo- biach sa zažal sħažovaħ na únavu a prepra- covanosħ, žomu sme však neprikladali váhu natoōko, aby sme mohli maħ aj obavy. Dnes už Peter Toperczer nie je medzi nami. Strácame v Ņom žloveka, priateōa a umel- ca, no nestrácame jeho umenie zachované na nahrávkach. źo je však najpodstatnej- šie, v našej pamäti ostáva jeho veōký vzor – pre nás, ale predovšetkým pre mladú ge- neráciu. Život a dielo Petra Toperczera sú dôkazom, že žiħ pre hodnoty má zmysel, že pravá veōkosħ je v skromnosti ži prirodze- nosti a že ozajstný umelec je žlovekom, ktorý žije umením. ưfoto: archív HCƲ Stanislav ZAMBORSKÝ Smútime a spomíname. Je nám ōúto ako tridsiatich krajinách, využoval na pre- pozývali ho na najvýznamnejšie svetové Smrħ je de nitívna a krutá, no pamiatka straty žloveka, priateōa, umelca, reprezen- stížnej Akadémii múzických umení v Pra- klavírne súħaže, jeho nahrávky patria stá- a odkaz, ktorý nám tento hudobný veli- tanta a tvorcu slovenskej kultúry.
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