The Stanley Clarke Band SAT / JAN 18 / 7:30 PM

Total Page:16

File Type:pdf, Size:1020Kb

The Stanley Clarke Band SAT / JAN 18 / 7:30 PM The Stanley Clarke Band SAT / JAN 18 / 7:30 PM Stanley Clarke BASS Cameron Graves KEYBOARDS Evan Garr VIOLIN Salar Nader TABLAS Jeremiah Collier DRUMS Lyris Quartet Alyssa Park VIOLIN Shalini Vijayan VIOLIN Luke Maurer VIOLA Timothy Loo CELLO Tonight’s program will be announced from the stage. There will be no intermission. Jazz & Blues at The Broad Stage made possible by a generous gift from Richard & Lisa Kendall. PERFORMANCES MAGAZINE 4 Naik Raj by Photo ABOUT THE ARTISTS Photo by Raj Naik Raj by Photo Four-time GRAMMY® Award winner of Philadelphia, a Doctorate from Clarke Band: UP, garnered him a 2015 STANLEY CLARKE is undoubtedly one Philadelphia’s University of the Arts GRAMMY® Award nomination for Best of the most celebrated acoustic and and put his hands in cement as a Jazz Arrangement Instrumental or A electric bass players in the world. 1999 inductee into Hollywood’s “Rock Cappella for the song “Last Train to What’s more, he is equally gifted Walk.” In 2011 he was honored with Sanity” and an NAACP Image Award as a recording artist, performer, the highly prestigious Miles Davis nomination for Best Jazz Album. composer, conductor, arranger, Award at the Montréal Jazz Festival Clarke’s CD, The Message, was producer and fi lm score composer. for his entire body of work. Clarke has released on Mack Avenue Records A true pioneer in jazz and jazz- won Downbeat magazine’s Reader’s in 2018. Clarke considers the new fusion, Clarke is particularly known and Critics Poll for Best Electric Bass album “funky, melodic, musical, for his ferocious bass dexterity Player for many years. In September contemporary and fresh with a rich and consummate musicality. 2016 he became a part of the multi-genre infl uence.” Including Unquestionably, he has attained permanent collection displayed at the compositions from his band members, “living legend” status during his Smithsonian’s new National Museum Beka Gochiashvili, Mike Mitchel and more than 45-year career as a bass of African American History and Cameron Graves, the album swells virtuoso. Culture (NMAAHC) in Washington, D.C. with an abundance of strength, soul Clarke’s creativity has been Clarke has 13 GRAMMY® Award and astounding musicianship. Guest recognized and rewarded in every nominations. He has won four times. artists, rapper/beatboxer Doug E. way imaginable: gold and platinum In 2011 he won a GRAMMY® Award Fresh, trumpeter Mark Isham and records, GRAMMY® Awards, Emmy for Best Contemporary Jazz Album, saxophonist Doug Webb, as well as nominations, virtually every readers The Stanley Clarke Band, with Ruslan Steve Blum and vocalists Skeyler Kole and critics poll in existence and Sirota and Ronald Bruner, Jr., and Trevor Wesley, also join Clarke more. He was Rolling Stone’s ver y featuring pianist Hiromi. He was also on the new album. Propelled by the fi rst Jazzman of the Year and bassist nominated for the “No Mystery” youthfulness of his bandmates, Clarke winner of Playboy’s Music Award for cut as Best Pop Instrumental reaches even deeper into his bag of ten straight years. Clarke was honored Performance. The same year Clarke tricks with the incredibly satisfying with Bass Player Magazine’s Lifetime won a Latin GRAMMY® for Best The Message. Achievement Award and is a member Instrumental Album with Return to Stanley Clarke was barely out of of ’s “Gallery Forever’s , along with group Guitar Player Magazine Forever his teens when he exploded into of Greats.” In 2004 he was featured members Chick Corea and Lenny the jazz world in 1971. Fresh out in magazine as one of the White. went on to win him Los Angeles Forever of the Philadelphia Academy of Top 50 Most Infl uential People. He the 2012 GRAMMY® Award for Best Music, he arrived in New York City was honored with the key to the city Instrumental Album. The Stanley and immediately landed jobs with PERFORMANCES MAGAZINE 5 ABOUT THE ARTISTS famous bandleaders such as Horace instrumental voices. In addition to with keyboardist George Duke in 1981 Silver, Art Blakey, Dexter Gordon, their recent GRAMMY® Award-winning to form the Clarke/Duke Project. Joe Henderson, Pharaoh Saunders, Forever CD, the band recorded eight Together, they scored a top 20 pop Gil Evans and Stan Getz, among albums, two of which were certifi ed hit with “Sweet Baby” and recorded others. As a young prodigy he was gold (Return To Forever and the classic three albums. Over the last decade immediately recognized for his sense Romantic Warrior). They also won a he toured with George Duke in 2006 of lyricism and melody, which he had GRAMMY® Award (No Mystery) and and the Clarke/Duke 4: Bring It distilled from his bass heroes Charles received numerous nominations while Tour in 2012 and 2013 until Duke’s Mingus, Scott LaFaro and others, as touring incessantly. In 2011 Clarke untimely death. Clarke’s involvement well as non-bass players like John reunited with founding members, in additional projects as leader or Coltrane. Chick Corea and Lenny White, for active member include: Jeff Beck the highly anticipated and extremely (world tours, 1979), Keith Richards’ Clarke fi red the bass “shot heard successful Return To Forever 2-year, New Barbarians (world tour, 1980), round the world” that started the ‘70s 90-city world tour. Animal Logic (with Stewart Copeland, bass revolution and paved the way two albums and tours, 1989), the for all bassists/soloists/bandleaders Always in search of new challenges, “Superband” (with Larry Carlton, Billy to follow. In 1974, he released his Clarke turned his boundless creative Cobham, Najee and Deron Johnson, eponymous Stanley Clarke album, energy to fi lm and television scoring 1993-1994), The Rite of Strings (with which featured the hit single “Lopsy in the mid-1980s. He has become one Jean-Luc Ponty and Al Di Meola, Lu.” Two years later, he released of the elite in-demand composers 1995 and 2004) Vertu’ (with Lenny School Days, an album whose title in Hollywood. Starting on the small White, 1999) and “Trio!” (with Béla track is now a bona fi de bass anthem. screen with an Emmy-nominated Fleck and Jean Luc Ponty, 2005). In The song, “School Days,” has since score for Pee Wee’s Playhouse, he 2008 Clarke teamed up with fellow become a must-learn for nearly every transitioned to the silver screen bass titans Marcus Miller and Victor up-and-coming bassist, regardless of and now has well over 65 fi lm and Wooten—collectively known as S.M.V. genre. television credits to his name. As —and released , their earth composer, orchestrator, conductor Thunder Leading the bass liberation shaking debut collaboration. In 2012 and performer he has scored such movement, Clarke envisioned he toured jazz festivals with Stewart blockbuster fi lms as Boyz ‘N the the bass as a viable, melodic solo Copeland (Police drummer) in Europe Hood, What’s Love Got To Do With instrument positioned at the front of in addition to a trio of dates with It?, The Transporter, Romeo Must Die, the stage rather than in a background Chick Corea and legendary drummer Passenger 57, Poetic Justice, Best Man role, and he was uniquely qualifi ed Jack DeJohnette. and , just to take it there. A pioneer at 25, he Holiday The Five Heartbeats to name a few. He even scored the Not one to rest on the laurels from became the fi rst jazz-fusion bassist Michael Jackson video his various pursuits as a composer, in history to headline tours, sell out Remember , directed by John Singleton. performer and recording artist of shows worldwide and craft albums the Time Most recently he scored the lauded more than 40 albums and 65 fi lm that achieved gold status. He was also 2019 documentary . In 2014 he scores, Clarke launched his own the fi rst bassist in history to double Halston accepted an invitation to become a record label, Roxboro Entertainment on acoustic and electric bass with member of the exclusive Academy of Group. This business venture includes equal virtuosity, power and fi re. In Motion Picture Arts & Sciences. music publishing for his own and his ongoing efforts to push the bass other musicians’ work, as well as to new limits, he invented two new “Film has given me the opportunity the development of various projects instruments, the piccolo bass and the to write large orchestral scores and aimed at music education. So far tenor bass. The piccolo bass is tuned to compose music not normally Roxboro Entertainment has released one octave higher than the traditional associated with myself,” says Clarke. CDs from guitarist Lloyd Gregory, electric bass. The tenor bass is tuned “It’s given me the chance to conduct multi-instrumentalist Kennard one fourth higher than standard. Both orchestras and arrange music for Ramsey, keyboardist Sunnie Paxson, of these instruments have enabled various types of ensembles. It’s been Ukrainian-born pianist, arranger and Clarke to extend his melodic range to a diverse experience for me musically, keyboardist Ruslan Sirota and young higher and more expressive registers. made me a more complete musician jazz piano prodigy Beka Gochiashvili and focused my skills completely.” One of Clarke’s musical visions from Tbilisi, Republic of Georgia. His 1995 release, became a reality in the early 1970s Stanley Clarke at , is a testament to this Clarke passionately believes in when he met Chick Corea and the Movies heightened level of musicianship. giving back to help young musicians eventually formed the seminal hone their skills. He and his wife electric jazz/fusion band Return In addition to touring with his own Sofi a established The Stanley Clarke To Forever.
Recommended publications
  • Record Store Day 2020 (GSA) - 18.04.2020 | (Stand: 05.03.2020)
    Record Store Day 2020 (GSA) - 18.04.2020 | (Stand: 05.03.2020) Vertrieb Interpret Titel Info Format Inhalt Label Genre Artikelnummer UPC/EAN AT+CH (ja/nein/über wen?) Exclusive Record Store Day version pressed on 7" picture disc! Top song on Billboard's 375Media Ace Of Base The Sign 7" 1 !K7 Pop SI 174427 730003726071 D 1994 Year End Chart. [ENG]Pink heavyweight 180 gram audiophile double vinyl LP. Not previously released on vinyl. 'Nam Myo Ho Ren Ge Kyo' was first released on CD only in 2007 by Ace Fu SPACE AGE 375MEDIA ACID MOTHERS TEMPLE NAM MYO HO REN GE KYO (RSD PINK VINYL) LP 2 PSYDEL 139791 5023693106519 AT: 375 / CH: Irascible Records and now re-mastered by John Rivers at Woodbine Street Studio especially for RECORDINGS vinyl Out of print on vinyl since 1984, FIRST official vinyl reissue since 1984 -Chet Baker (1929 - 1988) was an American jazz trumpeter, actor and vocalist that needs little introduction. This reissue was remastered by Peter Brussee (Herman Brood) and is featuring the original album cover shot by Hans Harzheim (Pharoah Sanders, Coltrane & TIDAL WAVES 375MEDIA BAKER, CHET MR. B LP 1 JAZZ 139267 0752505992549 AT: 375 / CH: Irascible Sun Ra). Also included are the original liner notes from jazz writer Wim Van Eyle and MUSIC two bonus tracks that were not on the original vinyl release. This reissue comes as a deluxe 180g vinyl edition with obi strip_released exclusively for Record Store Day (UK & Europe) 2020. * Record Store Day 2020 Exclusive Release.* Features new artwork* LP pressed on pink vinyl & housed in a gatefold jacket Limited to 500 copies//Last Tango in Paris" is a 1972 film directed by Bernardo Bertolucci, saxplayer Gato Barbieri' did realize the soundtrack.
    [Show full text]
  • December 1992
    VOLUME 16, NUMBER 12 MASTERS OF THE FEATURES FREE UNIVERSE NICKO Avant-garde drummers Ed Blackwell, Rashied Ali, Andrew JEFF PORCARO: McBRAIN Cyrille, and Milford Graves have secured a place in music history A SPECIAL TRIBUTE Iron Maiden's Nicko McBrain may by stretching the accepted role of When so respected and admired be cited as an early influence by drums and rhythm. Yet amongst a player as Jeff Porcaro passes metal drummers all over, but that the chaos, there's always been away prematurely, the doesn't mean he isn't as vital a play- great discipline and thought. music—and our lives—are never er as ever. In this exclusive interview, Learn how these free the same. In this tribute, friends find out how Nicko's drumming masters and admirers share their fond gears move, and what's tore down the walls. memories of Jeff, and up with Maiden's power- • by Bill Milkowski 32 remind us of his deep ful new album and tour. 28 contributions to our • by Teri Saccone art. 22 • by Robyn Flans THE PERCUSSIVE ARTS SOCIETY For thirty years the Percussive Arts Society has fostered credibility, exposure, and the exchange of ideas for percus- sionists of every stripe. In this special report, learn where the PAS has been, where it is, and where it's going. • by Rick Mattingly 36 MD TRIVIA CONTEST Win a Sonor Force 1000 drumkit—plus other great Sonor prizes! 68 COVER PHOTO BY MICHAEL BLOOM Education 58 ROCK 'N' JAZZ CLINIC Back To The Dregs BY ROD MORGENSTEIN Equipment Departments 66 BASICS 42 PRODUCT The Teacher Fallacy News BY FRANK MAY CLOSE-UP 4 EDITOR'S New Sabian Products OVERVIEW BY RICK VAN HORN, 8 UPDATE 68 CONCEPTS ADAM BUDOFSKY, AND RICK MATTINGLY Tommy Campbell, Footwork: 6 READERS' Joel Maitoza of 24-7 Spyz, A Balancing Act 45 Yamaha Snare Drums Gary Husband, and the BY ANDREW BY RICK MATTINGLY PLATFORM Moody Blues' Gordon KOLLMORGEN Marshall, plus News 47 Cappella 12 ASK A PRO 90 TEACHERS' Celebrity Sticks BY ADAM BUDOFSKY 146 INDUSTRY FORUM AND WILLIAM F.
    [Show full text]
  • THE SHARED INFLUENCES and CHARACTERISTICS of JAZZ FUSION and PROGRESSIVE ROCK by JOSEPH BLUNK B.M.E., Illinois State University, 2014
    COMMON GROUND: THE SHARED INFLUENCES AND CHARACTERISTICS OF JAZZ FUSION AND PROGRESSIVE ROCK by JOSEPH BLUNK B.M.E., Illinois State University, 2014 A thesis submitted to the Faculty of the Graduate School of the University of Colorado in partial fulfillment of the requirement for the degree of Master in Jazz Performance and Pedagogy Department of Music 2020 Abstract Blunk, Joseph Michael (M.M., Jazz Performance and Pedagogy) Common Ground: The Shared Influences and Characteristics of Jazz Fusion and Progressive Rock Thesis directed by Dr. John Gunther In the late 1960s through the 1970s, two new genres of music emerged: jazz fusion and progressive rock. Though typically thought of as two distinct styles, both share common influences and stylistic characteristics. This thesis examines the emergence of both genres, identifies stylistic traits and influences, and analyzes the artistic output of eight different groups: Return to Forever, Mahavishnu Orchestra, Miles Davis’s electric ensembles, Tony Williams Lifetime, Yes, King Crimson, Gentle Giant, and Soft Machine. Through qualitative listenings of each group’s musical output, comparisons between genres or groups focus on instances of one genre crossing over into the other. Though many examples of crossing over are identified, the examples used do not necessitate the creation of a new genre label, nor do they demonstrate the need for both genres to be combined into one. iii Contents Introduction………………………………………………………………………………… 1 Part One: The Emergence of Jazz………………………………………………………….. 3 Part Two: The Emergence of Progressive………………………………………………….. 10 Part Three: Musical Crossings Between Jazz Fusion and Progressive Rock…………….... 16 Part Four: Conclusion, Genre Boundaries and Commonalities……………………………. 40 Bibliography……………………………………………………………………………….
    [Show full text]
  • Al Di Meola: Morocco Fantasia (Blu-Ray)
    DVD Verdict Review - Al Di Meola: Morocco Fantasia (Blu -ray) Page 1 of 3 Blu Upcoming Home About - DVDs VOD Contest Podcast Releases ray Case Number 23186: Small Claims Court Al Di Meola: Morocco Fantasia (Blu-ray) MVD Visual // 2011 // 71 Minutes // Not Rated Reviewed by Judge Russell Engebretson // January 24th, 2012 • View Judge Engebretson's Dossier • E-mail Judge Engebretson • Printer Friendly Review Like Send 4 All Rise... Judge Russell Engebretson has almost mastered his handcranked Mickey Mouse guitar. The Charge Al Di Meola and his band play a rousing and warmly received set of jazz fusion tunes at the Mawazine Festival in The Case Al Di Meola is best known for his mid-Seventies electric guitar pyrotechnics in Chick Corea's jazz-rock fusion band Forever , and his acoustic collaboration with Paco De Lucia and John McLaughlin that led to the 1981 release of in San Francisco—Live . The latest release, Al Di Meola: Morocco Fantasia (Blu-ray) , is a showcase of tunes and arranged by Di Meola. The concert was recorded live in Rabat, Morocco, at the Mawazine Musique du Monde Festival and filmed by Cabras and Roberto Molinari. Al Di Meola was joined by fellow band mates Fausto Beccalossi (accordion), Pio Alfonsi (guitar), Gumbi Ortiz (percussion), Peter Kazas (drums), and Victor Miranda (bass), as well as guests Said Chraibi (oud), Abdellah Meri (violin), and Tarik Ben Ali (percussion). 59 Online Translate Link Menu Recent Reviews Videos Subscribe http://www.dvdverdict.com/reviews/moroccofantasybluray.php 3/23/2012 DVD Verdict Review - Al Di Meola: Morocco Fantasia (Blu -ray) Page 2 of 3 The song set: Recommended • "Misterio" • "Siberiana" • "Double Concerto" • "Michaelangelo's 7th Child" • "Gumbiero" • "Turquoise" • "Encore" • "Egyptian Danza" All the songs, with the exception of "Double Concerto," are original Di Meola compositions.
    [Show full text]
  • B I O G R a P
    Index Table of Contents Page 3 Preface by Ivor Harper Page 4 In the Beginning Page 10 The Line Ups Page 15 On the Road Page 23 The Old Studio Page 28 A New Lease of Life Page 41 Recording the ‘Lords of Hypocrisy’ Album Page 48 End of an Era Page 50 Pagan Altar 2007 Page 54 Pagan Altar 2008 Page 59 Pagan Altar 2009 Page 69 Pagan Altar 2010 Page 78 Pagan Altar 2010 -2013 Page 80 Recording ‘The Room of Shadows’ 2013 -2015 Page 81 Mixing ‘The Room of Shadows’ 2017 Page 89 Pagan Altar 2017 Page 97 Discography Page 103 Lyrics Preface When it was first suggested that I write this article I must say that it was with a certain amount of trepidation and mixed emotions that I agreed. I initially considered that being so close to members of the band for years that have spanned from before Pagan Altar was formed to the present day would not make me objective enough in my approach. Having been an ex-drummer with the band, in fact the first, an association that I am extremely proud of, I suppose my natural tendencies and inclinations would lean towards looking at the band through rose coloured glasses. I have therefore tried to observe and analyse the whole situation from a totally detached viewpoint, but human nature being what it is, some of my own opinions and observations have probably crept in and become incorporated within some of the analytical assumptions. I have refrained from mentioning myself in the Bio, this is not due to any pretence at a misguided view of modesty that I might have but because I genuinely feel that any major achievements made by the band were after my departure.
    [Show full text]
  • MARZO 2020 / Nº 117 DIRECTORIO Un Año Más La Batalla Continúa Por La Equiparación De La En Todo El Mundo
    MEV MARZO.qxp_Maquetación 1 25/2/20 17:58 Página 1 MEV MARZO.qxp_Maquetación 1 25/2/20 17:58 Página 2 MEV MARZO.qxp_Maquetación 1 25/2/20 17:58 Página 3 MADRID EN VIVO MARZO 2020 / Nº 117 DIRECTORIO Un año más la batalla continúa por la equiparación de la en todo el mundo. Los más variados y diversos esti- mujer y en Madrid En Vivo no podemos menos que los y formatos están a tu disposición este marzo en sumarnos a la ola que, afortunadamente, está las salas de La Noche En Vivo, porque la cultura es cambiándolo todo a toda pastilla. Porque cada de todas y todos sin exclusión y sonando al mismo mes somos testigos de que el talento musical volumen. de las mujeres se abre paso, dejando arrinco- nados los prejuicios y los malos hábitos de Por eso permítenos que este mes pongamos a tu un pasado que, afortunadamente, va pasan- disposición no uno, sino dos Play List de dos muje- do a la historia. res con responsabilidad de gobierno en nuestra ciudad y en nuestra comunidad: Andrea Levy, Aunque para nosotros marzo es todo el año, Concejal de Cultura del Ayuntamiento, y Marta este mes lo cierto es que tenemos una oferta Rivera, Consejera de Cultura de la Comunidad nos musical de la que podemos sentirnos muy muestran sus gustos musicales, también, como no orgullosos. En este marzo de 2020 nace Mujeres podía ser menos, protagonizadas por mujeres En Vivo, una iniciativa, patrocinada por la artistas. Por un mes de marzo en femenino y con Comunidad de Madrid a través de su Dirección Madrid En Vivo siempre en primera fila.
    [Show full text]
  • C O N N E C T
    Charles Tolliver C O N N E C T CONNECT was released by Gearbox Records on July 31, 2020. It is Tolliver’s first studio album in 13 years. The line-up features top musicians from the New York jazz scene who have collectively played with the likes of Herbie Hancock, Nancy Wilson, and Chick Corea. Forming as the Charles Tolliver All Stars, the band includes Jesse Davis on alto saxophone, Keith Brown on piano, Buster Williams on double bass, and Lenny White on drums. The album also bridges together New York and London by featuring leading British saxophonist Binker Golding on two tracks. It was recorded and mixed by Tony Platt of RAK Studios. “…the record takes a historical view—but its aim is not to evoke specific dates or even a linear chronology. It’s more like an exhibition of varying flavors that have developed under the aegis of jazz. “My thought was to have a package where each song had a different rhythm,” Tolliver says. “They have different harmonic and melodic scopes, too. But the rhythm, well, it’s everything. The drum is central to this music. You cannot call this music ‘jazz,’ that nomenclature, without the drum. Take it out, and it’s just not the same.” >>Read full feature interview with Bandcamp CONNECT on Bandcamp CONNECT on Apple Music Live performance of ‘Suspicion’ “…a fine consolidation of the vocabulary the trumpeter has devised over five decades, which is a deeply touching take on hard bop and modal jazz…At the age of 78, Tolliver has deserved elder statesman status, and this is the kind of cultured work, with intellect and emotion in symbiosis, that befits an artist who has contributed a great deal to modern music during a lengthy, eventful career.” - Kevin Le Gendre, Jazzwise, ★★★★ “A great unexpected gift… He still has so much fire in his playing and he’s got such a mind for composition… It really coheres as a band.
    [Show full text]
  • Roger Sadowsky Interview, Bass Guitar Magazine UK
    ROGER THAT 028 BASS GUITAR MAGAZINE 028-030 Sadowsky_rev3JH.indd 28 13/07/2015 18:17 BASSISTS ROGER SADOWSKY Roger Sadowsky, one of the world’s leading bass luthiers, stopped by at the London Bass Guitar Show to talk to Mike Brooks about his bass building philosophy stroll around Olympia during the “I recommended a good fret job, shielding the London Bass Guitar Show can be electronics, a better bridge and a preamp – actually, a noisy experience to say the only the second bass preamp I had ever installed. I was least – yet on both days of this using a circuit by Stars Guitars from San Francisco, a year’s event back in March, group that had come out of the Alembic school. That’s A there was a tangible buzz: an what I gave Marcus – but within a year, they went out audible sound of hushed of business and Marcus’s preamp died! They told me mutterings between those in attendance. “It is him, when they were closing up that the closest thing to isn’t it?”... “Is that really him? Here in London?” what they were making was a Bartolini TCT preamp. Who could they have been talking about, you ask? I used that until 1990, when I wanted to create my Well, yes it was true – one of the premier luthiers outboard preamp box and Alex Aguilar [of Aguilar of the bass world was there at the London Bass fame] helped me to design my own circuit.” Guitar Show, and boy did Roger Sadowsky make a Back in those days, there was no internet or social splash.
    [Show full text]
  • Marcus Miller | Afrodeezia
    Marcus Miller | Afrodeezia Musiker-Ikonen gibt es wie Sand am Meer. Insbesondere gefühlte 1 Million Super-Mega-Hyper und Überstars aus der jüngsten U- Musik lassen sich finden. Kaum ein Newcomer, der nicht nach dem erstem Geräusch-Ausstoß als solcher gelisted ist. Erschreckend, was sich meine Kinder – eigentlich Jugendliche mit immensem Musikkonsum- alles so anhören und was ich davon verächtlich in die Plastikmüllkiste wegdrücke. Generationenproblem? Wahrscheinlich. Für Musikbesessene, wie ich es bin, gibt es aber zum Glück diese grandiosen musikalischen Rückzugsorte, ohne die mein Tag nicht auskommt. Also einmal mehr: Marcus Miller. Marcus Miller ist in erster Linie Musiker, Multiinstrumentalist, Komponist, Arrangeur und Produzent, einer der Einflußreichen bei Jazz, Fusion und vielseitiger populärer Musik. Darüber hinaus zählt er zu der Riege der stilprägenden Bassisten wie Stanley Clarke, Viktor Bailey† oder Billy Sheehan , die es fabulös geschafft haben, das Erbe von Ray Brown, Ron Carter, Charles Mingus und Jaco Pastorius (um nur einige zu nennen) in unsere modernen Zeiten zu übersetzen. Avantgarde? Aber sicher. Und immer gut zu hören, nie abgehoben. Marcus Miller war 21 Jahre alt, als man ihn als wichtigen Begleiter von Miles Davis erstmals wahrgenommen hat, das ist fast 40 Jahre und gute 20 Solo-Alben her. Seine Mitwirkungen an den Veröffentlichungen anderer Künstler sind Legion. Die nun vorgestellte CD Afrodeezia stammt bereits aus dem Jahre 2015 und ist wieder einmal etwas Besonderes vom Bassisten: „Was mir am meisten am Herzen lag“, sagt Miller, „war zu den Quellen der Rhythmen, die unser musikalisches Erbe so reich machen, zurückzugehen, ihnen wie Fußspuren zu folgen, von ihren Ursprüngen in Afrika den ganzen Weg bis in die USA.
    [Show full text]
  • The Futurism of Hip Hop: Space, Electro and Science Fiction in Rap
    Open Cultural Studies 2018; 2: 122–135 Research Article Adam de Paor-Evans* The Futurism of Hip Hop: Space, Electro and Science Fiction in Rap https://doi.org/10.1515/culture-2018-0012 Received January 27, 2018; accepted June 2, 2018 Abstract: In the early 1980s, an important facet of hip hop culture developed a style of music known as electro-rap, much of which carries narratives linked to science fiction, fantasy and references to arcade games and comic books. The aim of this article is to build a critical inquiry into the cultural and socio- political presence of these ideas as drivers for the productions of electro-rap, and subsequently through artists from Newcleus to Strange U seeks to interrogate the value of science fiction from the 1980s to the 2000s, evaluating the validity of science fiction’s place in the future of hip hop. Theoretically underpinned by the emerging theories associated with Afrofuturism and Paul Virilio’s dromosphere and picnolepsy concepts, the article reconsiders time and spatial context as a palimpsest whereby the saturation of digitalisation becomes both accelerator and obstacle and proposes a thirdspace-dromology. In conclusion, the article repositions contemporary hip hop and unearths the realities of science fiction and closes by offering specific directions for both the future within and the future of hip hop culture and its potential impact on future society. Keywords: dromosphere, dromology, Afrofuturism, electro-rap, thirdspace, fantasy, Newcleus, Strange U Introduction During the mid-1970s, the language of New York City’s pioneering hip hop practitioners brought them fame amongst their peers, yet the methods of its musical production brought heavy criticism from established musicians.
    [Show full text]
  • How to Play in a Band with 2 Chordal Instruments
    FEBRUARY 2020 VOLUME 87 / NUMBER 2 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Andy Hermann, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow; South Africa: Don Albert.
    [Show full text]
  • 30TH ANNIVERSARY SEASON FALL SPRING Jccc.Edu/Carlsencenter30 | 913-469-4445 2020 2021 Jccc.Edu/Carlsencenter30 | 913-469-4445
    30TH ANNIVERSARY SEASON FALL SPRING jccc.edu/CarlsenCenter30 | 913-469-4445 2020 2021 jccc.edu/CarlsenCenter30 | 913-469-4445 The Romeros Yesterday and Today 8 p.m. New Dance Partners 8 p.m. | FRI with Isabel Leonard, 8 p.m. | FRI The Interactive 7 p.m. | SUN Circa Performs Sacre FRI & SAT The Ultimate Collaboration NOV 13 mezzo-soprano JAN 15 Beatles Experience FEB 28 YARDLEY HALL SEP 18 & 19 YARDLEY HALL YARDLEY HALL POLSKY THEATRE Academy of St Martin in the Kansas City and WINTERLUDE 8 p.m. | SAT The Opus 76 Quartet 8 p.m. | SAT 7 p.m. |GREG SUN CARROLL 8 p.m. | FRI Fields Chamber Orchestra All That’s Jazz President/ SonsCEO, Midnight of Brasil Blue Jazz, LLC SEP 26 POLSKY THEATRE NOV 14 JAN 24 MAR 5 With Johannes Moser, cello YARDLEY HALL POLSKY THEATRE YARDLEY HALL Gregory A. Carroll is a seasoned arts executive, performer and educator. He is the founder, Larry Carlton: Judy Collins & President/CEO of Midnight Blue Jazz, LLCThe – A global Greatest jazz & executive Love ofconsultancy All providing Bessie, Billie and Nina: 8 p.m. | FRI 7 p.m. | SUN creative, scholarly and8 strategic p.m. | SATservices toStarring the non-profit, Belinda education, Davids and corporate 7 p.m. | SUN Steely Dan/’78 Album Arlo Guthrie communities. Along-side his work with Midnight Blue Jazz, Greg recently joined the professional Pioneering Women in Jazz OCT 9 NOV 15 staff as Director of DevelopmentJAN 30 of Youth ASymphony Tribute of to Kansas Whitney City, Houston MAR 7 POLSKY THEATRE YARDLEY HALL POLSKY THEATRE Greg was Chief Executive Officer of the AmericanYARDLEY Jazz HALL Museum in Kansas City, Missouri where he successfully led funds and program development efforts generating more than $18.5M through municipal contract negotiations, corporate and foundation sponsorships, contributions Get the Led Out and earned revenues.
    [Show full text]