The Class Struggles in France, 1848-1850
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Class Struggles in France 1848-1850
Karl Marx The Class Struggles in France, 1848-1850 Written: December January-October 1850; Published: as a booklet by Engels in 1895; Source: Selected Works, Volume 1, Progress Publishers, Moscow 1969; Proofed: and corrected by Matthew Carmody, 2009, Mark Harris 2010; Transcribed: by Louis Proyect. Table of Contents Introduction (Engels, 1895) ......................................................................................................... 1 Part I: The Defeat of June 1848 ................................................................................................. 15 Part II: From June 1848 to June 13, 1849 .................................................................................. 31 Part III: Consequences of June 13, 1849 ................................................................................... 50 Part IV: The Abolition of Universal Suffrage in 1850 .............................................................. 70 Introduction (Engels, 1895)1 The work republished here was Marx’s first attempt to explain a piece of contemporary history by means of his materialist conception, on the basis of the prevailing economic situation. In the Communist Manifesto, the theory was applied in broad outline to the whole of modern history; in the articles by Marx and myself in the Neue Rheinische Zeitung, it was constantly used to interpret political events of the day. Here, on the other hand, the question was to demonstrate the inner causal connection in the course of a development which extended over some years, a development -
A Treasure Chest of Classic Albums Extensive Vinyl, Cd & Digital Reissue Programme Through Bmg C
EMERSON, LAKE & PALMER: A TREASURE CHEST OF CLASSIC ALBUMS EXTENSIVE VINYL, CD & DIGITAL REISSUE PROGRAMME THROUGH BMG COMMENCES ON 29 TH JULY 2016 WITH THE RELEASE OF THE FIRST 3 ALBUMS AND A NEW ANTHOLOGY Emerson, Lake & Palmer were one of the most successful, innovative and ground breaking British groups of the golden age of Progressive Rock. As well as creating spectacular ‘live’ shows that incorporated advanced technology and showmanship, they also recorded a cascade of powerful albums that sold in millions around the world. During 2016 and 2017 the band’s musical legacy will be celebrated by BMG with an important and comprehensive re-issue programme that will put the spotlight on ELP’s nine studio albums as well as their ‘live’ recordings and compilations. The trio’s remarkable style, combining original compositions with rock, jazz, folk and classical influences, was performed with passion and integrity by the founder members: Keyboard maestro - the late, great Keith Emerson Singer, guitarist, bass player and producer - Greg Lake Drummer and percussionist - Carl Palmer Their phenomenal mix of melodic songs, dynamic arrangements, brilliant musicianship and electrifying sound broadened the audience for progressive rock and guaranteed ELP massive international appeal, as they headlined stadium tours throughout the 1970s and 1990s and achieved sales of over 40 million albums. ELP also enjoyed a major hit single with ‘Fanfare For The Common Man’, and their 21 minute epic track ‘Tarkus’ is hailed as a milestone in Prog Rock history. New and old generations of fans will now be able to enjoy ELP’s music afresh, as their albums are released in a range of different formats, from CD and freshly cut vinyl LP to digital download, high definition digital and mastered for iTunes. -
Swami Vivekananda Complete Works Volume 2
Complete Works of Swami Vivekananda Volume 2 Work and its Secret The Powers of the Mind Hints on Practical Spirituality Bhakti or Devotion Jnana-Yoga Practical Vedanta and other lectures Reports in American Newspapers Home / Complete-Works / Volume 2 / << WORK AND ITS SECRET (Delivered at Los Angeles, California, January 4, 1900) One of the greatest lessons I have learnt in my life is to pay as much attention to the means of work as to its end. He was a great man from whom I learnt it, and his own life was a practical demonstration of this great principle I have been always learning great lessons from that one principle, and it appears to me that all the secret of success is there; to pay as much attention to the means as to the end. Our great defect in life is that we are so much drawn to the ideal, the goal is so much more enchanting, so much more alluring, so much bigger in our mental horizon, that we lose sight of the details altogether. But whenever failure comes, if we analyse it critically, in ninety-nine per cent of cases we shall find that it was because we did not pay attention to the means. Proper attention to the finishing, strengthening, of the means is what we need. With the means all right, the end must come. We forget that it is the cause that produces the effect; the effect cannot come by itself; and unless the causes are exact, proper, and powerful, the effect will not be produced. -
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University of Huddersfield Repository Quinn, Martin The Development of the Role of the Keyboard in Progressive Rock from 1968 to 1980 Original Citation Quinn, Martin (2019) The Development of the Role of the Keyboard in Progressive Rock from 1968 to 1980. Masters thesis, University of Huddersfield. This version is available at http://eprints.hud.ac.uk/id/eprint/34986/ The University Repository is a digital collection of the research output of the University, available on Open Access. Copyright and Moral Rights for the items on this site are retained by the individual author and/or other copyright owners. Users may access full items free of charge; copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational or not-for-profit purposes without prior permission or charge, provided: • The authors, title and full bibliographic details is credited in any copy; • A hyperlink and/or URL is included for the original metadata page; and • The content is not changed in any way. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. http://eprints.hud.ac.uk/ 0. A Musicological Exploration of the Musicians and Their Use of Technology. 1 The Development of the Role of the Keyboard in Progressive Rock from 1968 to 1980. A Musicological Exploration of the Musicians and Their Use of Technology. MARTIN JAMES QUINN A thesis submitted to the University of Huddersfield in partial fulfilment of the requirements for the degree of Master of Arts. -
The Published Music of Keith Emerson: Expanding the Solo Piano
THE PUBLISHED MUSIC OF KEITH EMERSON: EXPANDING THE SOLO PIANO REPERTOIRE by GIUSEPPE LUPIS (Under the Direction of Richard Zimdars) ABSTRACT The study examines the published music of Keith Emerson (b.1944) and includes solo piano transcriptions of thirteen of his compositions. Emerson’s music was published on three continents over a period of thirty years (1975-2005). Because almost all of it is currently out of print, a need exists for a cataloguing and a rediscovery of his music. The work is in five chapters. The first, a short biography, examines Emerson as a composer. The second addresses the importance of Emerson’s music. The third covers the sources of Emerson’s published compositions and a performance and recording history of Emerson’s music performed by pianists other than the composer. The fourth chapter surveys thirteen compositions which appear as solo piano transcriptions in the fifth chapter. INDEX WORDS: Keith Emerson, Dissertation, Published Music, Rock history, Transcriptions, Solo piano repertoire, ELP, Emerson Lake & Palmer, Tarkus, Pictures at an Exhibition THE PUBLISHED MUSIC OF KEITH EMERSON: EXPANDING THE SOLO PIANO REPERTOIRE by GIUSEPPE LUPIS A Dissertation Submitted to the Graduate Faculty of The University of Georgia in Partial Fulfillment of the Requirements for the Degree DOCTOR OF MUSICAL ARTS ATHENS, GEORGIA 2006 © 2006 Giuseppe Lupis All Rights Reserved. THE PUBLISHED MUSIC OF KEITH EMERSON: EXPANDING THE SOLO PIANO REPERTOIRE by GIUSEPPE LUPIS Major Professor: Richard Zimdars Committee: Evgeny Rivkin Ivan Frazier Leonard Ball Susan Thomas Electronic Version Approved: Maureen Grasso Dean of the Graduate School The University of Georgia May 2006 DEDICATION To Keith Emerson iv ACKNOWLEDGEMENTS I wish to acknowledge the many people who supported my research: Karen Stober, private collector, United States; Virginia Feher, University of Georgia Library, United States; Dominik Brükner, professor, University of Freiburg, Germany; Roberto Mosciatti, Italy; Maurizio Pisati, composer, Italy; Marco Losavio, Italy; Ms. -
Cerebrum Erupts
Now rebooted and re-released, with Brain Salad Surgery, Emerson Lake & Palmer served up a unique blend of thinking man's rock that swept the globe. Here's how it all came together... Words: Mike Barnes rain Salad Surgery is the group at the pinnacle of its powers,” says drummer Carl Palmer of Emerson Lake & Palmer’s fifth album. “It’s very well recorded and it was definitely one of our most creative periods. If I had to choose one of our albums, that would be the one.” It’s a viewpoint echoed by his erstwhile bandmates. Keyboard player Keith Emerson sees it as a “step forward from the past”, which “represented the camaraderie of the band at the time”. Bass player and vocalist Greg Lake reckons that it was “the last original, unique ELP album”. The album was released in late 1973, by which time the group were, in Lake's words, “already huge”. One of the first so-called supergroups, formed from members of The Nice, King Crimson and Atomic Rooster, Emerson Lake & Palmer’s rapid rise to fame swept aside the old notion of ‘paying your dues’. Although all three musicians had endured times of schlepping up and down motorways in a transit van, the newly formed trio’s first gig was at the Plymouth Guildhall, followed by a second at the 197o Isle Of Wight Festival. From then on, superficially at least, it all seemed so easy. “It looked to Benchmark: the trio some like we were the sons of famous take a break while they fathers and didn’t have to work to get ran, London 1974. -
Rock Album Discography Last Up-Date: September 27Th, 2021
Rock Album Discography Last up-date: September 27th, 2021 Rock Album Discography “Music was my first love, and it will be my last” was the first line of the virteous song “Music” on the album “Rebel”, which was produced by Alan Parson, sung by John Miles, and released I n 1976. From my point of view, there is no other citation, which more properly expresses the emotional impact of music to human beings. People come and go, but music remains forever, since acoustic waves are not bound to matter like monuments, paintings, or sculptures. In contrast, music as sound in general is transmitted by matter vibrations and can be reproduced independent of space and time. In this way, music is able to connect humans from the earliest high cultures to people of our present societies all over the world. Music is indeed a universal language and likely not restricted to our planetary society. The importance of music to the human society is also underlined by the Voyager mission: Both Voyager spacecrafts, which were launched at August 20th and September 05th, 1977, are bound for the stars, now, after their visits to the outer planets of our solar system (mission status: https://voyager.jpl.nasa.gov/mission/status/). They carry a gold- plated copper phonograph record, which comprises 90 minutes of music selected from all cultures next to sounds, spoken messages, and images from our planet Earth. There is rather little hope that any extraterrestrial form of life will ever come along the Voyager spacecrafts. But if this is yet going to happen they are likely able to understand the sound of music from these records at least. -
Classical by Composer
Classical by Composer Adolphe Adam, Giselle (The Complete Ballet), Bolshoi Theater Orchestra, Algis Zuraitis,ˆ MHS 824750F Isaac Albeniz, Iberia (complete), Maurice Ravel, Rapsodie Espagnole, Jean Morel, Paris Conservatoire Orchestra, RCA Living Stereo LSC-6094 (audiophile reissue) 2 records Tomaso Albinoni, Adagio for Strings and Organ, Concerto a Cinque in C Major, Concerto a Cinque in C Major Op. 5, No. 12, Concerto a Cinque in E Minor Op. 5, No. 9, The Sinfonia Instrumental Ensemble, Jean Witold, Nonesuch H-71005 Alfonso X, El Sabio, Las Cantigas de Santa Maria, History of Spanish Music, Volume I MHS OR 302 Charles Valentin Alkan, Piano Pieces Bernard Ringeissen Piano Harmonia Mundi B 927 Gregorio Allegri, Miserere, and other Great Choral Works CD ASV CD OS 6036 DDD, ADD 1989 Gregorio Allegri, Miserere, and other Choral Masterpieces CD Naxos 8.550827 DDD 1993 Gregorio Allegri, Miserere, Giovanni Pierluigi, Stabat Mater, Hodie Beata Virgo, Senex puerum portabat, Magnificat, Litaniae de Beata Virgine Maria, Choir of King’s College, Cambridge, Sir David Willcocks, CD London 421 147-2 ADD 1964 William Alwyn, Symphony 1, London Philharmonic Orchestra, William Alwyn, HNH 4040 Music of Leroy Anderson, Vol. 2 Frederick Fennell, Eastman-Rochester “POPS” Orchestra, 19 cm/sec quarter-track tape Mercury Living Presence ST-90043 The Music of Leroy Anderson, Frederick Fennell, Eastman-Rochester Pops Orchestra, Mercury Living Presence SR-90009 (audiophile) The Music of Leroy Anderson, Sandpaper Ballet, Forgotten Dreams, Serendata, The Penny Whistle Song, Sleigh Ride, Bugler’s Holiday, Frederick Fennell, Eastman-Rochester POPS Orchestra, 19 cm/sec half-track tape Mercury Living Presence (Seeing Ear) MVS5-30 1956 George Antheil, Symphony No. -
573490 Bk Manhattan.Qxp 573490 Bk Manhattan EU 23/10/2015 12:30 Page 8
573490 bk Manhattan.qxp_573490 bk Manhattan EU 23/10/2015 12:30 Page 8 Paul Phillips Photo: Joseph Kushick Photography Paul Phillips, Director of Orchestras and Chamber Music at Brown University, and Music Director of the MANHATTAN Pioneer Valley Symphony Orchestra and Chorus, is an award-winning conductor and composer whose honors include First Prize in the NOS International Conductors Course (Holland) and Wiener Meisterkurse (Vienna), INTERMEZZO and eleven ASCAP Awards for Adventurous Programming of Contemporary Music. He has conducted more than sixty orchestras worldwide, including the San Francisco Symphony, Dallas Symphony, Rochester Philharmonic, Orquesta Sinfónica de Salta (Argentina), and the Netherlands Radio Chamber Orchestra and Choir, and has held conducting posts with the Rhode Island Philharmonic, Maryland Symphony, Savannah Symphony, and Greensboro Symphony Orchestra. Educated at Eastman, Columbia, Cincinnati, Aspen, and Tanglewood, where he studied with Leonard Bernstein, Kurt Masur, and Seiji Ozawa, Phillips began his career at the Frankfurt Opera. His recordings include Music for Great Films of the Silent Era, Volumes One and Two, with the RTÉ National Symphony (Ireland) for Naxos (8.572567 and 8.573105), and two compact discs with the Iceland Symphony Orchestra. His compositions, which include song cycles, chamber music, choral music, orchestral works, and music for theatre and film, have won awards from the American Music Center, ASCAP, Rhode Island State Council on the Arts, Connecticut Virtuosi Chamber Orchestra, and the New England String Ensemble. A Clockwork Counterpoint, American and British Works for Piano and Orchestra his groundbreaking book on the music and literature of Anthony Burgess, has been hailed in the press as by Neil Sedaka, Keith Emerson, “sumptuous, prodigiously researched, elegantly written” and “seamlessly fascinating”. -
Henryk Grossman Works, Volume 1 Historical Materialism Book Series
Henryk Grossman Works, Volume 1 Historical Materialism Book Series Editorial Board Sébastien Budgen (Paris) David Broder (Rome) Steve Edwards (London) Juan Grigera (London) Marcel van der Linden (Amsterdam) Peter Thomas (London) volume 170 The titles published in this series are listed at brill.com/hm Henryk Grossman Works Volume 1 Essays and Letters on Economic Theory By Henryk Grossman Edited and Introduced by Rick Kuhn Translated by Dominika Balwin, Ian Birchall, Ben Fowkes, Joseph Fraccia, Julian Germann, Rick Kuhn, Geoffrey McCormack, David Meienreis, Einde O’Callaghan, Tom O’Lincoln, Nick Reynolds and Frank Wolff LEIDEN | BOSTON Library of Congress Cataloging-in-Publication Data Names: Grossmann, Henryk, 1881–1950, author. | Kuhn, Rick, 1955- editor. Title: Henryk Grossman works : essays and letters on economic theory / by Henryk Grossman ; edited and introduced by Rick Kuhn ; translated by Dominika Balwin [and eleven others]. Description: Leiden ; Boston : Brill, [2018] | Series: Historical materialism book series, ISSN 1570-1522 ; volume 170 | Includes bibliographical references and index. Identifiers: LCCN 2018042450 (print) | LCCN 2018044038 (ebook) | ISBN 9789004384750 (ebook) | ISBN 9789004384743 (hardback : alk. paper) Subjects: LCSH: Economics. | Capitalism. | Marxian economics. Classification: LCC HB71 (ebook) | LCC HB71 .G83 2018 (print) | DDC 335.4–dc22ß LC record available at https://lccn.loc.gov/2018042450 Typeface for the Latin, Greek, and Cyrillic scripts: “Brill”. See and download: brill.com/brill‑typeface. ISSN 1570-1522 ISBN 978-90-04-38474-3 (hardback) ISBN 978-90-04-38475-0 (e-book) Copyright 2019 by Rick Kuhn. Published by Koninklijke Brill NV, Leiden, The Netherlands. Chapter 30, ‘The Evolutionist Revolt against Classical Economics’ originally appeared in two parts as ‘The Evolutionist Revolt Against Classical Economics: I. -
The Works, Volume 1
Ralph Waldo Emerson in I854 THE WORKS OF _l_b _al_oCmcrzon NATURE, ADDRESSES, AND LECTURES BOSTON AND NEW YORK MDCCCCIX I Copyright, 1855 and 18'/8 t ]_r _LII_. _AMPSON & CO. _D tLALPH WALDO _MZ_0N. Copyright, 1883, BY EDWARD W. EMERSON. A_ rig,sreserve. I_OO i CONTENTS. | PA_I NATURE ..... 13 THE AMERIC_ SCHOL_. An Oration delivered before the Phi Beta Kappa Society, at Cambridge, Aug. 31,1837 81 "-_ ADDRESS delivered before the Senior Class in Divinity College, Cambridge, July 15, 1838 . 117 LITERARY ETHICS. An Oration delivered before the Liter. ary Societies of Dartmouth College, July 24, 1838 . 149 THE METHOD OF NATURE. An Oration delivered before the Society of the Adelphi, in Waterville College, Maine, August 11, 1841 181 Mar T_E R_FO_ER. A Lecture read before the Mechan- ics' Apprentices' Library Association, Boston, January 25, 1841 . 215 I_CTV_E Or THE Tmze. Read at the Masonic Temple, Boston, December 2, 1841 . 245 THE CONSERVATIVE. A Lecture read in the Masonic Tem- ple, Boston, December 9, 1841 . 277 --THE TRANSCENDENTALIST.A IJectul_ read in the Masonic Temple, Boston, January, 1842 . 309 THE You_e AME1ZZCAIq.A Lecture read before the Mer- cantile IAbmaT Auociation, in Boston, l_ebruary 7, 1844. 841 NATURE. @ A SUBTLEchain of countless rlngB The next unto the farthest brings ; The eye reads omens where it goes, And speaks all languages the rose ; And, striving to be man, the worm Mounts through all the spires of form. INTRODUCTION. OuTa age is retrospective. It builds the sepul- chres of the fathers. It writes biographies, histo- ries, and criticism. The foregoing generations beheld God and nature face to face ;we_ through their eyes. -
Emerson, Lake & Palmer Black Moon = ブラック・ムーン Mp3, Flac
Emerson, Lake & Palmer Black Moon = ブラック・ムーン mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Black Moon = ブラック・ムーン Country: Japan Released: 1992 Style: Soft Rock, Symphonic Rock, Classic Rock, Prog Rock MP3 version RAR size: 1643 mb FLAC version RAR size: 1152 mb WMA version RAR size: 1174 mb Rating: 4.3 Votes: 299 Other Formats: XM DMF AC3 APE AHX AUD AAC Tracklist Hide Credits Black Moon = ブラック・ムーン 1 6:58 Written-By – Carl Palmer, Greg Lake, Keith Emerson Paper Blood = ペイパー・ブラッド 2 4:28 Written-By – Carl Palmer, Greg Lake, Keith Emerson Affairs Of The Heart = アフェアズ・オブ・ザ・ハート 3 3:47 Written-By – Geoff Downes, Greg Lake Romeo And Juliet = ロメオ・アンド・ジュリエット 4 3:40 Arranged By – Keith EmersonWritten-By – Prokofiev* Farewell To Arms = フェアウェル・トゥ・アームズ 5 5:09 Written-By – Greg Lake, Keith Emerson Changing States = チェンジング・ステイツ 6 6:02 Written-By – Keith Emerson Burning Bridges = バーニング・ブリッジズ 7 4:44 Written-By – Mark Mancina Close To Home = クロース・トゥ・ホーム 8 4:28 Written-By – Greg Lake, Keith Emerson Better Days = ベター・デイズ 9 5:35 Written-By – Greg Lake, Keith Emerson Footprints In The Snow = フットプリンツ・イン・ザ・スノウ 10 3:52 Written-By – Greg Lake Bonus Track For Japan = 日本盤ボーナス・トラック A Blade Of Grass = ブレイド・オブ・グラス 11 2:14 Written-By – Keith Emerson Companies, etc. Manufactured By – Victor Musical Industries, Inc. Licensed To – Victory Music, Inc. Distributed By – Victor Musical Industries, Inc. Phonographic Copyright (p) – Victory Music, Inc. Copyright (c) – Victory Music, Inc.