Swami Vivekananda Complete Works
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Class Struggles in France 1848-1850
Karl Marx The Class Struggles in France, 1848-1850 Written: December January-October 1850; Published: as a booklet by Engels in 1895; Source: Selected Works, Volume 1, Progress Publishers, Moscow 1969; Proofed: and corrected by Matthew Carmody, 2009, Mark Harris 2010; Transcribed: by Louis Proyect. Table of Contents Introduction (Engels, 1895) ......................................................................................................... 1 Part I: The Defeat of June 1848 ................................................................................................. 15 Part II: From June 1848 to June 13, 1849 .................................................................................. 31 Part III: Consequences of June 13, 1849 ................................................................................... 50 Part IV: The Abolition of Universal Suffrage in 1850 .............................................................. 70 Introduction (Engels, 1895)1 The work republished here was Marx’s first attempt to explain a piece of contemporary history by means of his materialist conception, on the basis of the prevailing economic situation. In the Communist Manifesto, the theory was applied in broad outline to the whole of modern history; in the articles by Marx and myself in the Neue Rheinische Zeitung, it was constantly used to interpret political events of the day. Here, on the other hand, the question was to demonstrate the inner causal connection in the course of a development which extended over some years, a development -
On the Nature of Vrttis and Cakras
On the Nature of Vrittis and Cakras The Phenomenology of Tantra September 3, 1996 by Vishal VRTTIS AND MIND What is an emotion? This question about such an elusive and seemingly intangible subject has been asked from many perspectives. Psychologists and sociologists have examined the nature of emotions from a mental perspective by the observation, testing, questioning, and analyzing of subjects. Biologists use sophisticated, technological techniques to find underlying chemical, neural, and glandular phenomenon in order to understand emotion from a biological perspective. And philosophers have observed their minds and used the instrument of reason to examine the nature of emotions from a philosophical and phenomenological one. The uniqueness of the Tantric understanding of human emotion according to the seminal writings of P.R. Sarkar, is that this view encompasses the understanding of emotions at the biological, psychological, philosophical-phenomenological, metaphysical, and even social levels by means of a practical, logical, and experiential approach. According to Tantra emotions, or as they are termed in Sanskrit, vrttis, are physical, psychic, and psycho-spiritual propensities and longings that form emotional impressions in the mind. The seeds of the vrttis are in the mind and have corresponding brain areas and endocrine glands to carry out their expression. This concept is similar to the biological schema of emotionality being related to various brain areas that interact with particular endocrine glands to release hormones that affect the body and brain in such a way that produces an emotional reaction in the mind. However, the crucial difference between contemporary, main-stream science and Tantra is that the latter gives a more complete picture of the emotional process by explaining very cogently how the mind is actually a non-material phenomenon that can be observed through our conscious awareness. -
Guru Gobind Singh Indraprastha University, Delhi Examination Division Registration Detail for DEC, 2019
Guru Gobind Singh Indraprastha University, Delhi Examination Division Registration Detail for DEC, 2019 ICODE: 101 Institution: AITG PCODE: 028 Programme: BTECH(ECE) Batch: 2015 Enrollment No. Student Name Appearing in the Following Papers Student's Signature 00210107316 AJAY SHARMA 99423 00710107316 MANOJ RATHOR 28305 28309 01310107316 SRISHTI NAGAR 28401 99423 02410102815 ANURAAG KUMAR 28309 04310102815 HARSH NIRANKARI 28309 05110102815 KULDEEP MEENA 28309 Page No.: 1 Guru Gobind Singh Indraprastha University, Delhi Examination Division Registration Detail for DEC, 2019 ICODE: 101 Institution: AITG PCODE: 028 Programme: BTECH(ECE) Batch: 2016 Enrollment No. Student Name Appearing in the Following Papers Student's Signature 00110107317 ADIL MIRZA 28401 28403 28405 99421 27425 28451 28453 28455 28457 28459 28461 00210102816 ABHISHEK KUMAR 99101 99201 28211 28303 110307 28309 28351 28401 28403 28405 99421 27425 28451 28453 28455 28457 28459 28461 00210107317 AJAY KUMAR THAKUR 28401 28403 28405 99421 27425 28451 28453 28455 28457 28459 28461 00310102816 ABHISHEK RAJ GUPTA 28401 28403 28405 99421 27425 28451 28453 28455 28457 28459 28461 00310107317 ANKIT VERMA 28401 28403 28405 99421 27425 28451 28453 28455 28457 28459 28461 00510102815 ABHISHEK KUMAR SINGH 28309 28401 28403 28405 99421 27425 28451 28453 28455 28457 28459 28461 00510107317 NAVEEN KUMAR 28401 28403 28405 99421 27425 28451 28453 28455 28457 28459 28461 00610102816 ADITYA KUMAR GAUTAM 49107 27209 28401 28403 28405 99421 27425 28451 28453 28455 28457 28459 28461 00710102816 -
BRAHMA VIDYA (The Rishi Technique of Meditation) Dedicated to the Followers of the Rishi Culture
DR.RUPNATHJI( DR.RUPAK NATH ) BRAHMA VIDYA (The Rishi Technique of Meditation) Dedicated to the followers of the Rishi Culture Swami Poornananda Tirtha Talk given at Bangalore Contents Introduction 6 Concentration 6 Dhyana or Meditation 7 The shorter the mantra, the better it is ............ 8 Two methods of mantra–japa ................. 8 ‘AUM’—A symbol of Brahman ................ 8 Mistaking the symbol as Brahman .............. 9 What does ‘AUM’ mean? Contemplation 9 The meaning and purpose of ‘AUM’ ............ 10 Tracing the ego ........................ 12 ‘I’ and the mind ........................ 12 The deluding expression of the ego ............. 13 The subtle buddhi can find it ................. 13 Vrittijnana is essential for contemplation .......... 13 Probing or tracing out the root of the ‘I’ .......... 14 Locating Atman—It is realized only by the mind merg- ing in it. Its existence is grasped by the subtle buddhi 14 Withdrawal to the inner chambers of consciousness is the method ........................ 15 The delicate process of comprehension ........... 15 Functions of the mana and the buddhi ............ 16 Function of the chittha—The next subtle aspect of our Antahkarana ....................... 17 DR.RUPNATHJI( DR.RUPAK NATH ) Contemplation by chittha ................... 17 Remember the Sakshi by the chittha ............. 18 The process of remembering the Sakshi ........... 18 Discovering the self or the Sakshi .............. 19 Prati–prasava, involution, self–withdrawal ......... 19 Nature of the chittha ...................... 20 The technique of remembering and forgetting ....... 20 Self–inquiry—Remembering Atman ............. 21 4 Final words 22 Do not relax your effort .................... 22 Nididhyasana is subtle, not difficult ............. 23 The lower practices will give only impermanent results . 23 Vasana kshaya necessary for Atma jnana ........... 24 Dharma, Prem and Tyaga .................. -
An Exploration of Ego and the Archetypes in Art
INDIVIM-KARA: AN EXPLORATION OF EGO AND THE ARCHETYPES IN ART by JARED JUSTICE B.A. Studio Art, University of West Florida, 2012 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts in the School of Visual Arts and Design in the College of Arts and Humanities at the University of Central Florida Orlando, Florida Spring Term 2017 Major Professor(s): Lisa Mills, JoAnne Adams, Carla Poindexter ABSTRACT The purpose of this document is to demonstrate how I use my art making as an active meditation in order to temporarily subvert ego and create a new subjective reality in visual form. The results of my research will provide the reader with the ability to connect existing philosophies of the Yoga Sutras and Jungian Theory with new art works that explore active meditation, neurosis, and the archetypes of the collective psyche. My goal is to reconstruct these concepts into a visual medium that reshapes facts and theories into images of my own truth, giving free play to fantasy akin to that of magical realism by detailing works from Corrupted Chakras: A Bestiary, You Want Alchemy, and the State of Mind: Chitta Vritti series. The reader and viewer will be challenged to think about how the art I make resynthesizes these concepts in a unique way, which communicate my feelings and strivings that ultimately affect a measure of personal and creative transformation. ii TABLE OF CONTENTS LIST OF FIGURES ...................................................................................................................... -
A Treasure Chest of Classic Albums Extensive Vinyl, Cd & Digital Reissue Programme Through Bmg C
EMERSON, LAKE & PALMER: A TREASURE CHEST OF CLASSIC ALBUMS EXTENSIVE VINYL, CD & DIGITAL REISSUE PROGRAMME THROUGH BMG COMMENCES ON 29 TH JULY 2016 WITH THE RELEASE OF THE FIRST 3 ALBUMS AND A NEW ANTHOLOGY Emerson, Lake & Palmer were one of the most successful, innovative and ground breaking British groups of the golden age of Progressive Rock. As well as creating spectacular ‘live’ shows that incorporated advanced technology and showmanship, they also recorded a cascade of powerful albums that sold in millions around the world. During 2016 and 2017 the band’s musical legacy will be celebrated by BMG with an important and comprehensive re-issue programme that will put the spotlight on ELP’s nine studio albums as well as their ‘live’ recordings and compilations. The trio’s remarkable style, combining original compositions with rock, jazz, folk and classical influences, was performed with passion and integrity by the founder members: Keyboard maestro - the late, great Keith Emerson Singer, guitarist, bass player and producer - Greg Lake Drummer and percussionist - Carl Palmer Their phenomenal mix of melodic songs, dynamic arrangements, brilliant musicianship and electrifying sound broadened the audience for progressive rock and guaranteed ELP massive international appeal, as they headlined stadium tours throughout the 1970s and 1990s and achieved sales of over 40 million albums. ELP also enjoyed a major hit single with ‘Fanfare For The Common Man’, and their 21 minute epic track ‘Tarkus’ is hailed as a milestone in Prog Rock history. New and old generations of fans will now be able to enjoy ELP’s music afresh, as their albums are released in a range of different formats, from CD and freshly cut vinyl LP to digital download, high definition digital and mastered for iTunes. -
Swami Vivekananda Complete Works Volume 2
Complete Works of Swami Vivekananda Volume 2 Work and its Secret The Powers of the Mind Hints on Practical Spirituality Bhakti or Devotion Jnana-Yoga Practical Vedanta and other lectures Reports in American Newspapers Home / Complete-Works / Volume 2 / << WORK AND ITS SECRET (Delivered at Los Angeles, California, January 4, 1900) One of the greatest lessons I have learnt in my life is to pay as much attention to the means of work as to its end. He was a great man from whom I learnt it, and his own life was a practical demonstration of this great principle I have been always learning great lessons from that one principle, and it appears to me that all the secret of success is there; to pay as much attention to the means as to the end. Our great defect in life is that we are so much drawn to the ideal, the goal is so much more enchanting, so much more alluring, so much bigger in our mental horizon, that we lose sight of the details altogether. But whenever failure comes, if we analyse it critically, in ninety-nine per cent of cases we shall find that it was because we did not pay attention to the means. Proper attention to the finishing, strengthening, of the means is what we need. With the means all right, the end must come. We forget that it is the cause that produces the effect; the effect cannot come by itself; and unless the causes are exact, proper, and powerful, the effect will not be produced. -
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University of Huddersfield Repository Quinn, Martin The Development of the Role of the Keyboard in Progressive Rock from 1968 to 1980 Original Citation Quinn, Martin (2019) The Development of the Role of the Keyboard in Progressive Rock from 1968 to 1980. Masters thesis, University of Huddersfield. This version is available at http://eprints.hud.ac.uk/id/eprint/34986/ The University Repository is a digital collection of the research output of the University, available on Open Access. Copyright and Moral Rights for the items on this site are retained by the individual author and/or other copyright owners. Users may access full items free of charge; copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational or not-for-profit purposes without prior permission or charge, provided: • The authors, title and full bibliographic details is credited in any copy; • A hyperlink and/or URL is included for the original metadata page; and • The content is not changed in any way. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. http://eprints.hud.ac.uk/ 0. A Musicological Exploration of the Musicians and Their Use of Technology. 1 The Development of the Role of the Keyboard in Progressive Rock from 1968 to 1980. A Musicological Exploration of the Musicians and Their Use of Technology. MARTIN JAMES QUINN A thesis submitted to the University of Huddersfield in partial fulfilment of the requirements for the degree of Master of Arts. -
The Published Music of Keith Emerson: Expanding the Solo Piano
THE PUBLISHED MUSIC OF KEITH EMERSON: EXPANDING THE SOLO PIANO REPERTOIRE by GIUSEPPE LUPIS (Under the Direction of Richard Zimdars) ABSTRACT The study examines the published music of Keith Emerson (b.1944) and includes solo piano transcriptions of thirteen of his compositions. Emerson’s music was published on three continents over a period of thirty years (1975-2005). Because almost all of it is currently out of print, a need exists for a cataloguing and a rediscovery of his music. The work is in five chapters. The first, a short biography, examines Emerson as a composer. The second addresses the importance of Emerson’s music. The third covers the sources of Emerson’s published compositions and a performance and recording history of Emerson’s music performed by pianists other than the composer. The fourth chapter surveys thirteen compositions which appear as solo piano transcriptions in the fifth chapter. INDEX WORDS: Keith Emerson, Dissertation, Published Music, Rock history, Transcriptions, Solo piano repertoire, ELP, Emerson Lake & Palmer, Tarkus, Pictures at an Exhibition THE PUBLISHED MUSIC OF KEITH EMERSON: EXPANDING THE SOLO PIANO REPERTOIRE by GIUSEPPE LUPIS A Dissertation Submitted to the Graduate Faculty of The University of Georgia in Partial Fulfillment of the Requirements for the Degree DOCTOR OF MUSICAL ARTS ATHENS, GEORGIA 2006 © 2006 Giuseppe Lupis All Rights Reserved. THE PUBLISHED MUSIC OF KEITH EMERSON: EXPANDING THE SOLO PIANO REPERTOIRE by GIUSEPPE LUPIS Major Professor: Richard Zimdars Committee: Evgeny Rivkin Ivan Frazier Leonard Ball Susan Thomas Electronic Version Approved: Maureen Grasso Dean of the Graduate School The University of Georgia May 2006 DEDICATION To Keith Emerson iv ACKNOWLEDGEMENTS I wish to acknowledge the many people who supported my research: Karen Stober, private collector, United States; Virginia Feher, University of Georgia Library, United States; Dominik Brükner, professor, University of Freiburg, Germany; Roberto Mosciatti, Italy; Maurizio Pisati, composer, Italy; Marco Losavio, Italy; Ms. -
Ylinstructionmanual.Pdf
WELCOME TO LET'S SET UP OUR YOGALAND GAME 2. Team member picks card from the DRAW side of Sub-Game Tray, and reads card to partner. Card is not shared with partner, except in Vritti Scramble Sub-Game. Team attempts challenge requested. 4. After team play, card is returned to the RETURN side of Sub-Game Tray. WHO WINS? First team to move through YogaLand's eight- limbed path to reach Spirit of Samadhi wins!!!! CHAKRA ZONES DICE POTENTIALS ROOT CHAKRA – Red Butterflies SACRAL CHAKRA – Orange Joshua Tree DO OR DANA¯ ? – SOLAR PLEXUS CHAKRA – Yellow Sun In Sanskrit, "dana" connotes the virtue of generosity and charitable giving. In yogic philosophy, selfless service to others strengthens one's own journey. HEART CHAKRA – Green Northern Lights If team rolls a double dice, team has the option to advance THROAT CHAKRA – Blue Galaxy Cloud forward the total number of both dice, OR exercise the virtue of generosity by moving forward the number shown on one THIRD EYE CHAKRA – Indigo Milky Way die and giving to an opponent of their choosing the opportunity to move forward by the number shown on the other die. CROWN CHAKRA – Violet Planet Upon their turn, team consults with the Game Guru, who will present one Chakra Query from the coordinating chakra page of the Oracle of Patanjali. In order for the team to move out of the Chakra Zone and back onto the path, all ROLL MATES players on the team must participate and answer the question posed. The collective group of opponents determines if the team individuals have answered the question with an open Energy is amplified when communal space is shared. -
Yoga Sutras of Patanjali
Yoga Sutras of Patanjali Yoga Defined Subhash Mittal Integral Yoga Studio www.integralyogastudio.com ♦ 919‐926‐9717 ♦ [email protected] 1 Invocation to Sage Patanjali योगेन िचत्तःय पदेन वाचां | मलं शरीरःय च वैद्यके न || योोोऽपाकरोत्त ंं ूवरं मुनीनांं | पतञ्जिलं ूाञ्जिोििलरानतोऽिःम || yogena chittasya padena vAchAM | malaM sharIrasya cha vaidyakena || yo.apAkarottaM pravaraM munInAM | pata~njaliM prA~njalirAnato.asmi || "I respectfully bow down with folded hands and offer my salutations to Sage Patanjali, the highest among the Munis (sages), who has presented the remedies for removing the impurities of the body through his treatise on Ayurveda, of language through his treatise on grammar (Patanjala Mahabhashya) and the impurities of the Chitta (mind field) through his treatise on Yoga (Yoga Sutras of Patanjali)." 2 Yoga defined Here now is the expp/position/discipline of Yoga (()1.1) • Here, now (Atha): Authority of teacher, Qualification of student, Auspicious Commencement of subject • ‘Yoga’: derived from root ‘yuj’ meaning either ‘samadhi’ (natural state of the spiritual self) or ‘union’ depending upon context • Five states of the mind: disturbed (scattered), somnol/dlllent/dull, partillially distracte d, one‐poidinted, fully controlled • Disturbed mind = disequilibrium of the three gunas 3 Yoga defined (cont.) Yoga is the control of the modifications (vrittis) of the mind‐field (chitta) (1.2) Mind‐field: cognitive mind + intellect + ego + storage (i(memories, iiimpressions, unfu lfille d didesires ) Modifications (vrittis) caused -
The Class Struggles in France, 1848-1850
Works of Karl Marx 1850 The Class Struggles in France, 1848 to 1850 Written: by Marx, January - October 1850 for the Neue Rheinische Zeitung Revue; Published: as a booklet by Engels in 1895; Source: Selected Works, Volume 1, Progress Publishers, Moscow 1969; Proofed: and corrected by Matthew Carmody, 2009, Mark Harris 2010; Transcribed: by Louis Proyect. Great importance must be attached to one of the historical documents of the German labour movement: the Preface written by Fredrick Engels for the 1895 re-issue of Marx’s Class Struggles in France … looking back upon the year 1848, he showed that the belief that the socialist revolution was imminent had become obsolete … Engels demonstrated, as an expert in military science, that it was a pure illusion to believe that the workers could, in the existing state of military technique and of industry, and in view of the characteristics of the great towns of today, successfully bring about a revolution by street fighting. Rosa Luxemburg, 1918. Introduction to the 1895 Edition, Engels With the exception of only a few chapters, every important part of the revolutionary annals from 1848 to 1849 bear the heading: Defeat of the revolution! What succumbed in these defeats was not the revolution. It was the pre- revolutionary traditional appendages, results of social relationships which had not yet come to the point of sharp class antagonisms persons, illusions, conceptions, projects from which the revolutionary party before the February Revolution was not free, from which it could be freed not by the victory of February, but only by a series of defeats.