Bendian Prog Archive 8.23
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The Daily Egyptian, September 08, 1980
Southern Illinois University Carbondale OpenSIUC September 1980 Daily Egyptian 1980 9-8-1980 The aiD ly Egyptian, September 08, 1980 Daily Egyptian Staff Follow this and additional works at: http://opensiuc.lib.siu.edu/de_September1980 Volume 65, Issue 11 Recommended Citation , . "The aiD ly Egyptian, September 08, 1980." (Sep 1980). This Article is brought to you for free and open access by the Daily Egyptian 1980 at OpenSIUC. It has been accepted for inclusion in September 1980 by an authorized administrator of OpenSIUC. For more information, please contact [email protected]. Recfee hike to be so"l{ht 'Daily 'Egyptian for next fall By Scott Ca._ Staff Writer Monday, September 8, l~Vol. 65, No.ll Southern Illinois University The SIU-C admini11tratioa fo:s! S6 ere:in the $18 Studentu: -~Rec:re8tiOD Fee for fall 1981. Bruce Swinburne, Yice president for student affairs, SIU-C ethacoal, livestock funds blocked said the increase is needed u operation and maintenance of By Michael MOIISOil vetoes after the governor signed grant from the lP.gislature, could use the $100,000 im the Recreation Bui~ and Staff Writer two bills for us in the last Sanders said. Those funds ran mediately for research," will be requested at the bom'd Gov. James Thompson said month," Sanders said."On the out in June and the University Sanders said. "and that we no to the SIU system Friday whole, we have been treated was forced to reallocate funds would -:;~:cept the additional msw't~~ur:::rinc:reass in when he vetoed University- really well by the legislature from within the system to $500,000;: everyone understood the fee have been avoided siDce related bills requesting $600,000 and the governor." 1'0ntinue the research. -
THE SHARED INFLUENCES and CHARACTERISTICS of JAZZ FUSION and PROGRESSIVE ROCK by JOSEPH BLUNK B.M.E., Illinois State University, 2014
COMMON GROUND: THE SHARED INFLUENCES AND CHARACTERISTICS OF JAZZ FUSION AND PROGRESSIVE ROCK by JOSEPH BLUNK B.M.E., Illinois State University, 2014 A thesis submitted to the Faculty of the Graduate School of the University of Colorado in partial fulfillment of the requirement for the degree of Master in Jazz Performance and Pedagogy Department of Music 2020 Abstract Blunk, Joseph Michael (M.M., Jazz Performance and Pedagogy) Common Ground: The Shared Influences and Characteristics of Jazz Fusion and Progressive Rock Thesis directed by Dr. John Gunther In the late 1960s through the 1970s, two new genres of music emerged: jazz fusion and progressive rock. Though typically thought of as two distinct styles, both share common influences and stylistic characteristics. This thesis examines the emergence of both genres, identifies stylistic traits and influences, and analyzes the artistic output of eight different groups: Return to Forever, Mahavishnu Orchestra, Miles Davis’s electric ensembles, Tony Williams Lifetime, Yes, King Crimson, Gentle Giant, and Soft Machine. Through qualitative listenings of each group’s musical output, comparisons between genres or groups focus on instances of one genre crossing over into the other. Though many examples of crossing over are identified, the examples used do not necessitate the creation of a new genre label, nor do they demonstrate the need for both genres to be combined into one. iii Contents Introduction………………………………………………………………………………… 1 Part One: The Emergence of Jazz………………………………………………………….. 3 Part Two: The Emergence of Progressive………………………………………………….. 10 Part Three: Musical Crossings Between Jazz Fusion and Progressive Rock…………….... 16 Part Four: Conclusion, Genre Boundaries and Commonalities……………………………. 40 Bibliography………………………………………………………………………………. -
November 15, 1974
-53=** e ^Br&eze VoLLI Madison College.Harrisonburg.Va.,Friday ^November 15,1974 No. 20 Debaters Expand; 2 Divisions Now Cross-Section of Students By JENNIFER GOINS opportunity to meet Inter- Intercollegiate debate has esting people." evolved from a bawdy battle Madison's coaches, John of wits, which too after re- Morello and Eaiie Malman, sulted In a battle of fists, both former debaters, state Into a highly structured game their motives for debating In of verbal ping-pong. Twen- terms of a three-fold goal. tieth century debate Is less They see debate first as an emotional, more stylish and educational opportunity that success relies on careful ar- teaches students how to re- gumentation rather than brute search arguements, present force. them logically, and defend Madison's five-year old them heartily. Secondly, de- debate team has grown from a bate helps students achieve a fledgling group of four stud- greater form of current ents with one coach, to a awareness. Finally, debate twelve member squad with has social value, it offers the two coaches. Madison's team student a chance to travel has two divisions, with nine meet Interesting people, work members In varsity and three with people, and exchange new members In the novice divi- Idee*. Tournament Upcoming sion. To sophomore Roger Wells, debate Is a game that satis- DEBATORS PREPARE FOR Madison's fifth son Halls. Although debating requires up to Traditionally, Intercolle- fies his InteUectual curiosity and largest annual tournament, which Is be- fifteen hours of work a week, tne rewards giate debate Is a year long and takes his mind off bis ing held this weekend In Jackson and Harri- a debater gains are tremendous. -
Giorgio Gaslini Meets Jean-Luc Ponty / Steve Lacy / Harry Becket / Tony Oxley / Gianni Bedori / Bruno Tommaso / Paul Rutherford Mp3, Flac, Wma
Giorgio Gaslini Giorgio Gaslini Meets Jean-Luc Ponty / Steve Lacy / Harry Becket / Tony Oxley / Gianni Bedori / Bruno Tommaso / Paul Rutherford mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Giorgio Gaslini Meets Jean-Luc Ponty / Steve Lacy / Harry Becket / Tony Oxley / Gianni Bedori / Bruno Tommaso / Paul Rutherford Country: Italy Released: 1976 Style: Free Jazz MP3 version RAR size: 1351 mb FLAC version RAR size: 1361 mb WMA version RAR size: 1673 mb Rating: 4.4 Votes: 492 Other Formats: AUD MPC AU AC3 ASF ADX MMF Tracklist A Fabbrica Occupata (1st Part) B1 Fabbrica Occupata (2nd Part) B2 The Woman I Love Credits Bass – Bruno Tommaso Drums – Tony Oxley Piano, Composed By – Giorgio Gaslini Saxophone [Soprano] – Steve Lacy Saxophone [Tenor], Flute – Gianni Bedori Trombone – Paul Rutherford Trumpet – Harry Becket* Violin [Electric] – Jean-Luc Ponty Notes Recorded October 27/28 and December 13/14 1973. Other versions Category Artist Title (Format) Label Category Country Year Jean-Luc Ponty Meets Jean-Luc Ponty Giorgio Gaslini - Jean-Luc Produttori PA/LP 64 Meets Giorgio PA/LP 64 Italy 1974 Ponty Meets Giorgio Associati Gaslini Gaslini (LP, Album) Jean-Luc Ponty Jean-Luc Ponty With With Giorgio Giorgio Gaslini / Steve Gaslini / Steve Lacy / Harry Becket* / Pausa Lacy / Harry PR-7014, Tony Oxley / Gianni Records, PR-7014, Becket* / Tony US 1976 PR 7014 Bedori / Bruno Tommaso / Pausa PR 7014 Oxley / Gianni Paul Rutherford - Jean- Records Bedori / Bruno Luc Ponty Meets Giorgio Tommaso / Paul Gaslini (LP, Album) Rutherford Giorgio -
January 1992
VOLUME 16, NUMBER 1 FEATURES MEMPHIS DRUMMERS MIAMI SOUND MACHINE'S Though this southern city is ROBERT RODRIGUEZ experiencing a musical renais- MARK sance these days, newcomers & RAFAEL PADILLA might be surprised by some of BRZEZICKI the bands responsible for that Much of the credit for MSM's huge rebirth. In this special report, MD His work as an in-demand ses- success goes to its burning checks in with some local drum- sion player in England, as well Latin/pop rhythms. The messen- mers who are pushing as his landmark performances gers of that hot stuff are drummer the new Memphis with Big Country, Pete Rodriguez and percussionist sounds way past the Townshend, and the Cult, proved 30 Padilla. In this special story, MD city limits. Mark Brzezicki was one of the pokes its nose into the Sound • by Robert Santelli strongest drum voices of the Machine's kitchen and discovers past decade. The '90s look to be some of the secret as busy and exciting: In this recipes of their success. INSIDE exclusive interview, Mark dis- • by Robyn Flans cusses his new work with Procul 26 VIC FIRTH Harum, Big Country, and old crony Simon Townshend. A peek behind the scenes of one 20 of the industry's top drumstick • by Simon Goodwin makers—and at its dynamic namesake. • by Rick Van Horn 34 MD's YAMAHA DRUM RIG GIVEAWAY Your second chance to win a Yamaha Drum Rig worth 64 $12,400! COVER PHOTO BY EDMOND WALLACE COLUMNS Education 52 ROCK CHARTS Neil Peart: "Where's Equipment My Thing?" TRANSCRIBED BY JEFF WALD 40 PRODUCT CLOSE-UP 66 HEAD TALK Drum Workshop Departments -
Frank Zappa, Captain Beefheart and the Secret History of Maximalism
Frank Zappa, Captain Beefheart and the Secret History of Maximalism Michel Delville is a writer and musician living in Liège, Belgium. He is the author of several books including J.G. Ballard and The American Prose Poem, which won the 1998 SAMLA Studies Book Award. He teaches English and American literatures, as well as comparative literatures, at the University of Liège, where he directs the Interdisciplinary Center for Applied Poetics. He has been playing and composing music since the mid-eighties. His most recently formed rock-jazz band, the Wrong Object, plays the music of Frank Zappa and a few tunes of their own (http://www.wrongobject.be.tf). Andrew Norris is a writer and musician resident in Brussels. He has worked with a number of groups as vocalist and guitarist and has a special weakness for the interface between avant garde poetry and the blues. He teaches English and translation studies in Brussels and is currently writing a book on post-epiphanic style in James Joyce. Frank Zappa, Captain Beefheart and the Secret History of Maximalism Michel Delville and Andrew Norris Cambridge published by salt publishing PO Box 937, Great Wilbraham PDO, Cambridge cb1 5jx United Kingdom All rights reserved © Michel Delville and Andrew Norris, 2005 The right of Michel Delville and Andrew Norris to be identified as the authors of this work has been asserted by them in accordance with Section 77 of the Copyright, Designs and Patents Act 1988. This book is in copyright. Subject to statutory exception and to provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Salt Publishing. -
The New Dream Theater Dream New The
ISSUE 27 ISSUE FREE CD INSIDE AUDIO PREVIEWS LessoNS praCTICE W/ THE pros TOSS JOHN DONALD BRIAN V PANOS WEATHERS BARRETT DOWNEY MAY / JUNE 2011 MAY MIKE MANGINI MIKE MANGINI THE NEW DREAM THEATER JOE MORELLO REMEMBERED 70000 TONS OF METAL May - June 2011 | NO. 027 $6.99 US | $7.99 CAN MASTER JEREMY COLSON CLASS NEW Z3 CHINAS & ZILDJIAN SWISH KNOCKER 040 JohnOn WeathersReflection On ReflectionInterview - Mover Think progressive rock from the ‘70s and immediately Genesis, Yes, ELP, King Crimson and Jethro Tull come to mind. All of them equally progressive in their own way, and in some ways, share a common thread between them. But, ask any diehard prog-rock fan and I guarantee another name comes up each and every time: Gentle Giant. Although never quite attaining the same level of sales or status of celebrity as the aforementioned, Gentle Giant most certainly made a statement, left a mark and carved their names into the history books of English prog. A mixture of rock, funk, jazz, classical, and even a bit of punk, Gentle Giant was as progressive as they come—and then some. Holding down the fort for the better part of eight years was John Weathers. Although not their original drummer, it was Weathers that helped propel Gentle Giant to international fame with an interesting mix of bombastic backbeat, an ear for tuned percussion and the ability to play any time signature and style thrown his way. On my interview list from the beginning, John wasn’t an easy man to fi nd. A few Internet searches every so often didn’t turn up much until I happened to stumble across ‘Two Weeks In Pain - Under The Knife’ [http:// www.gorgg.org/UnderKnife1.htm], a twenty-fi ve-episode online diary of John’s experience in the hospital and under the care of the N.H.S. -
Danger Money - Wikipedia
7/13/2018 Danger Money - Wikipedia Danger Money Danger Money is the second and final studio album by the progressive rock Danger Money supergroup U.K., featuring John Wetton , Eddie Jobson and Terry Bozzio. It was released by E.G. Records / Polydor in March 1979. "The Only Thing She Needs", "Caesar's Palace Blues" and "Carrying No Cross" had been performed on tour throughout 1978 (and an early version of "Carrying No Cross" included what became the intro to the title track) by the band's original line-up with Bill Bruford and Allan Holdsworth. "Rendezvous 6:02" and "Nothing to Lose" were both edited for single release. The album was remastered in 2016 and included as part of the box-set "Ultimate Collector's Edition". [4] Studio album by U.K. Contents Released March 1979 Recorded November 1978 - Track listing January 1979 Vinyl Studio AIR Studios, London, Personnel UK Singles Genre Progressive rock Charts References Length 42:04 Label E.G./Polydor Records Producer Eddie Jobson, John Track listing Wetton U.K. chronology Vinyl U.K. Danger Night After (1978) Money Night All tracks written by Eddie Jobson and John Wetton. (1979) (1979) Side one Singles from Danger Money No. Title Length 1. "Danger Money" 8:12 1. "Nothing to Lose" 2. "Rendezvous 6:02" 5:00 Released: 1 June 1979[1] 3. "The Only Thing She Needs" 7:53 2. "Rendezvous 6:02" [2] Side two Released: 1979 No. Title Length 1. "Caesar's Palace Blues" 4:42 Professional ratings 2. "Nothing to Lose" 3:57 Review scores 3. -
And Report 133.Pdf
AND 133 Report říjen 2019 Dnes jen telegraficky, abych hned stihl rozeslat tyto novinky a naladil Vás na netrpělivě očekávané koncerty Martina Barre dnes, zítra a pozítří v ČR. Takže si užijte čtení a večer i muziku! Na prvním místě tohoto čísla fanzinu britských skalních jethrologů Davida Reese a Martina Webba je omluva Ianu Andersonovi - v jakémsi rozhovoru Reese s Martinem Barrem vyjádřil tento bývalý kytarista Jethro Tull politování nad tím, že nedostává tantiémy za bonusovou skladbu A Winter Snowscape z posledního oficiálního tullího počinu The Christmas Album. Ukázalo se však, že zmíněný track je standardní albovou skladbou, a tudíž Martinovi příjmy z jejího prodeje normálně běží… Recenze nového „knižního“ formátu vydání remixovaného alba Stormwatch Remixovaný Stormwatch nakonec vychází téměř přesně po 40 letech od svého prvního vydání. Album tehdy představovalo konec jedné éry, a pro mnoho fanů dodnes znamenalo zánik klasických Jethro Tull. Pro jiné pak zase naopak představovaly změny v sestavě zajištění neuvěřitelné dlouhé životnosti kapely. Na disku 1 Steven Wilson jako vždy vdechl starší nahrávce nový život. Disk 2 uvádí ‘spřízněné nahrávky’ – a ty jsou pro mnoho posluchačů na těchto nových setech tím nejzajímavějším, jelikož dosud nebyly slyšeny. Přesněji řečeno, některé už vyšly (7 z 15), ale tady je máme všechny pěkně pohromadě na jednom CD. Zajímavý je Reesův názor, že toto CD nevydaných věcí by dobře obstálo i jako samostatné album! Objevuje se zde dlouho očekávaná skladba Davida (Dee) Palmera (-ové) s názvem Urban Apocalypse; existence této písně byla věrným fandům známa, a slyšet jsme ji mohli už na nedávném albu Dee Through Darkened Glass. Teď ji tady máme konečně jako původní nahrávku Jethro Tull. -
Mick Taylor © Felix Aeppli 07-2020 / 08-2021
Blues Breaker Mick Taylor © Felix Aeppli 07-2020 / 08-2021 5001 January 17, 1949 (not 1948) Born in Welwyn Garden City, Hertfordshire: Michael Kevin (not James) Taylor. 5001A 1963 Hatfield, Hertfordshire, or London: THE STRANGERS, MEET THE STRANGERS (One-sided 10" acetate, 1963): 1. A Picture Of You (Beveridge, Oakman), 2. The Cruel Sea (Maxfield), 3. It’ll Be Me (Clement), 4. Saturday Night At The Duck Pond (Owen, based on a section from Tchaikovsky's Swan Lake) MT, Alan Shacklock: guitar; Malcolm Collins: vocals (1, 3); John Glass (later Glascock): bass; Brian Glass (later Glascock): drums. 5001B 1964 Hatfield, Hertfordshire, or London: THE JUNIORS, Single (Columbia DB 7339 [UK], Aug. 1964); MADE IN ENGLAND VOL. 2 – BRITISH BEAT SPECIAL 1964 - 69 (LCD 25-2, CD [France], Spring, 2000): 1. There’s A Pretty Girl (Webb), 2. Pocket Size (White) MT, Alan Shacklock: guitar; Malcolm Collins: vocals; John Glass (later Glascock): bass; Brian Glass (later Glascock): drums. 5002 May, 1967 Probably London THE GODS (THOR, HERMES, OLMPUS, MARS), Single (Polydor 56168 [UK], June, 1967): 1. Come On Down To My Boat Baby (Farrell, Goldstein), 2. Garage Man (Hensley) NOTES: Cuts 1, 2: MT’s participation in this session is very much open to speculation and his own interviews on the subject are full of contradictions; most likely MT had taken part in some live shows, but he never was in THE GODS’ actual line-up (Lee Kerslake: guitar; Ken Hensley: organ, vocals; John Glascock: bass, back-up vocals; Brian Glascock, perhaps alternating with Lee Kerslake: drums); – Nor is MT identical with MICK TAYLOR playing guitar and singing on a Single (CBS 201770 [UK], June, 1965), London Town, Hoboin’ (both Taylor - produced by Jimmy Duncan and Peter Eden); or involved in Cockleshells (Taylor), a track recorded by MARIANNE FAITHFULL (NORTH COUNTRY MAID, Decca LK 4778 [UK], Feb. -
Airwaves (1980-06)
AIRW\VES · A Service of Continuing Education and Extension - lm University of Minnesota, DL:Jluth VO~. 1, NUMBER 8 JUNE 1980 A CONVERSATION WITH SONNY ROLLINS SEE PAGE 6 Give a. Gift of Music Give a gift membership in WDTH to someone you love. They will receive "Airwaves" free of charge for a year, as well as the satisfaction of supporting a worthwhile cause. Your donation is TAX DEDUCTIBLE. I'd like to buy a gift membership for: Name ______________________ Street ------'--------------------- City _________ State _______ Zip ____ Enclosed is my membership check for: $20 regular $30 family $10 fixed income & students $50 sustaining $100 Century Club Other___ _ Mail to: WDTH, 130 H, UMD, Duluth, Minnesota 55812 2 \.... I SUPPORT PUBLIC the Listener RADIO Reoort Airwaves is a monthly publication of WDTH-FM, the public radio station at the University of Minne- MARATHON! to be sure that we weren't going coming months, and it could set the sota. Duluth. A yearly membership anywhere. stage for a renovation of our space in the in WDTH costs just $20. Member- Two hundred sixty-three new members future. ship entitles you to receive "Air- and 90 members ofWDTH from the fall It's impossible to stay disappointed waves" mailed directly to your marathon pledged $6,500 to WDTH with someone like that in your corner, SENIORS PROJECT home. during our pledge weekend May 16, 17, and with 900 people like that, I can't be and 18. While we fell short of our goal, anything but ecstatic. We were stunned to receive news that Write or call us at University of the total for the year still works out to an our seniors project would not be funded Minnesota, Duluth, 130 Humani- impressive $21,500 from 900 pledgers. -
Lita Ford and Doro Interviewed Inside Explores the Brightest Void and the Shadow Self
COMES WITH 78 FREE SONGS AND BONUS INTERVIEWS! Issue 75 £5.99 SUMMER Jul-Sep 2016 9 771754 958015 75> EXPLORES THE BRIGHTEST VOID AND THE SHADOW SELF LITA FORD AND DORO INTERVIEWED INSIDE Plus: Blues Pills, Scorpion Child, Witness PAUL GILBERT F DARE F FROST* F JOE LYNN TURNER THE MUSIC IS OUT THERE... FIREWORKS MAGAZINE PRESENTS 78 FREE SONGS WITH ISSUE #75! GROUP ONE: MELODIC HARD 22. Maessorr Structorr - Lonely Mariner 42. Axon-Neuron - Erasure 61. Zark - Lord Rat ROCK/AOR From the album: Rise At Fall From the album: Metamorphosis From the album: Tales of the Expected www.maessorrstructorr.com www.axonneuron.com www.facebook.com/zarkbanduk 1. Lotta Lené - Souls From the single: Souls 23. 21st Century Fugitives - Losing Time 43. Dimh Project - Wolves In The 62. Dejanira - Birth of the www.lottalene.com From the album: Losing Time Streets Unconquerable Sun www.facebook. From the album: Victim & Maker From the album: Behind The Scenes 2. Tarja - No Bitter End com/21stCenturyFugitives www.facebook.com/dimhproject www.dejanira.org From the album: The Brightest Void www.tarjaturunen.com 24. Darkness Light - Long Ago 44. Mercutio - Shed Your Skin 63. Sfyrokalymnon - Son of Sin From the album: Living With The Danger From the album: Back To Nowhere From the album: The Sign Of Concrete 3. Grandhour - All In Or Nothing http://darknesslight.de Mercutio.me Creation From the album: Bombs & Bullets www.sfyrokalymnon.com www.grandhourband.com GROUP TWO: 70s RETRO ROCK/ 45. Medusa - Queima PSYCHEDELIC/BLUES/SOUTHERN From the album: Monstrologia (Lado A) 64. Chaosmic - Forever Feast 4.