Brixworth and District Newsletter Learn, Laugh, Live
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Deep Purple Tributes
[% META title = 'The Deep Purple Discography' %] The Deep Purple Tributes Here we will try to keep a list of known Deep Purple tributes -- full CDs only. (Covers of individual tracks are listed elsewhere.) The list is still not complete, but hopefully it will be in the future. Funky Junction Plays a Tribute to Deep Purple UK 1973 Stereo Gold Award MER 373 [1LP] Purple Tracks Performed by Eric Bell (guitar), Brian Downey (drums), Dave Lennox (keyboards), Phil Lynott (bass) and Fireball Black Night Benny White (vocals). Strange Kind of Woman Hush Speed King The first known Purple tribute was recorded as early as 1972. An unknown, starving band named Thin Lizzy (which consisted of Bell, Downey & Lynott) were offered a lump sum of money to record some Deep Purple songs. (The album contains also a few non-DP tracks.) They did - with the help from two Irish guys. The album came out in early 1973. It wasn't a success. In February, Thin Lizzy had a top ten hit with a single of their own. Read more about it here. The Moscow Symphony Orchestra in Performance of the Music of Deep Purple Japan 1992 Zero Records XRCN-1022 [1CD] UK 1992 Cromwell Productions CPCD 018 [1CD] Purple Tracks Smoke on the Water Performed by the Moscow Symphony Orchestra, conducted by Constantine Krimets. Arranged by Stephen Space Truckin' Child in Time Reeve and Martin Riley. Produced by Bob Carruthers. Recorded live (in the studio with no audience) during Black Night April 1992. Lazy The Mule Pictures of Home No drums, no drum machine, no guitar - in fact, no rock instruments at all, just a symphony orchestra. -
The Daily Egyptian, September 08, 1980
Southern Illinois University Carbondale OpenSIUC September 1980 Daily Egyptian 1980 9-8-1980 The aiD ly Egyptian, September 08, 1980 Daily Egyptian Staff Follow this and additional works at: http://opensiuc.lib.siu.edu/de_September1980 Volume 65, Issue 11 Recommended Citation , . "The aiD ly Egyptian, September 08, 1980." (Sep 1980). This Article is brought to you for free and open access by the Daily Egyptian 1980 at OpenSIUC. It has been accepted for inclusion in September 1980 by an authorized administrator of OpenSIUC. For more information, please contact [email protected]. Recfee hike to be so"l{ht 'Daily 'Egyptian for next fall By Scott Ca._ Staff Writer Monday, September 8, l~Vol. 65, No.ll Southern Illinois University The SIU-C admini11tratioa fo:s! S6 ere:in the $18 Studentu: -~Rec:re8tiOD Fee for fall 1981. Bruce Swinburne, Yice president for student affairs, SIU-C ethacoal, livestock funds blocked said the increase is needed u operation and maintenance of By Michael MOIISOil vetoes after the governor signed grant from the lP.gislature, could use the $100,000 im the Recreation Bui~ and Staff Writer two bills for us in the last Sanders said. Those funds ran mediately for research," will be requested at the bom'd Gov. James Thompson said month," Sanders said."On the out in June and the University Sanders said. "and that we no to the SIU system Friday whole, we have been treated was forced to reallocate funds would -:;~:cept the additional msw't~~ur:::rinc:reass in when he vetoed University- really well by the legislature from within the system to $500,000;: everyone understood the fee have been avoided siDce related bills requesting $600,000 and the governor." 1'0ntinue the research. -
THE SHARED INFLUENCES and CHARACTERISTICS of JAZZ FUSION and PROGRESSIVE ROCK by JOSEPH BLUNK B.M.E., Illinois State University, 2014
COMMON GROUND: THE SHARED INFLUENCES AND CHARACTERISTICS OF JAZZ FUSION AND PROGRESSIVE ROCK by JOSEPH BLUNK B.M.E., Illinois State University, 2014 A thesis submitted to the Faculty of the Graduate School of the University of Colorado in partial fulfillment of the requirement for the degree of Master in Jazz Performance and Pedagogy Department of Music 2020 Abstract Blunk, Joseph Michael (M.M., Jazz Performance and Pedagogy) Common Ground: The Shared Influences and Characteristics of Jazz Fusion and Progressive Rock Thesis directed by Dr. John Gunther In the late 1960s through the 1970s, two new genres of music emerged: jazz fusion and progressive rock. Though typically thought of as two distinct styles, both share common influences and stylistic characteristics. This thesis examines the emergence of both genres, identifies stylistic traits and influences, and analyzes the artistic output of eight different groups: Return to Forever, Mahavishnu Orchestra, Miles Davis’s electric ensembles, Tony Williams Lifetime, Yes, King Crimson, Gentle Giant, and Soft Machine. Through qualitative listenings of each group’s musical output, comparisons between genres or groups focus on instances of one genre crossing over into the other. Though many examples of crossing over are identified, the examples used do not necessitate the creation of a new genre label, nor do they demonstrate the need for both genres to be combined into one. iii Contents Introduction………………………………………………………………………………… 1 Part One: The Emergence of Jazz………………………………………………………….. 3 Part Two: The Emergence of Progressive………………………………………………….. 10 Part Three: Musical Crossings Between Jazz Fusion and Progressive Rock…………….... 16 Part Four: Conclusion, Genre Boundaries and Commonalities……………………………. 40 Bibliography………………………………………………………………………………. -
KENNY WAYNE SHEPHERD BAND Pikes Peak Center | Tuesday, May 19
FOR IMMEDIATE RELEASE Venue Contact: Denise M. Abbott Pikes Peak Center for the Performing Arts 719.477.2117 – [email protected] Promoter Contact: AEG Presents Kellie Donahoe, Marketing Manager 720.931.8718– [email protected] KENNY WAYNE SHEPHERD BAND Pikes Peak Center | Tuesday, May 19 Tickets will go on sale on Friday, February 21 at 10 a.m. COLORADO SPRINGS (February 18, 2020) -- AEG Presents is thrilled to present KENNY WAYNE SHEPHERD BAND live at Pikes Peak Center for the Performing Arts on Tuesday, May 19. Doors will open at 7 p.m. with the show starting at 8 p.m. Tickets, which range from $39.50 to $65 plus applicable fees, will go on sale on Friday, February 21 at 10 a.m. They will be available at the Pikes Peak Center and The Broadmoor World Arena box offices and online at PikesPeakCenter.com, BroadmoorWorldArena.com and AXS.com. There are few artists whose names are synonymous with one instrument and how it's played in service to an entire genre. Utter the phrase, "young blues rock guitarist," within earshot of anyone with even a cursory knowledge of the modern musical vanguard and the first name they are most likely to respond with will be Kenny Wayne Shepherd. The Louisiana born axeman and songsmith has sold millions of albums and thrown singles into the Top 10 while shining a light on the rich blues of the past and forging ahead with his own modern twist on a classic sound that he has embodied since his teens. In a 20-year recording career that began when he was just 16, Shepherd has established himself as an immensely popular recording artist, a consistently in-demand live act, and an influential force in a worldwide resurgence of interest in the blues. -
For Immediate Release March 5, 2004
For Immediate Release March 5, 2004 Contact: Bendetta Roux, New York 212.636.2680 [email protected] Jill Potterton , London 207.752.3121 [email protected] CHRISTIE’S NEW YORK TO OFFER GUITARS FROM ERIC CLAPTON SOLD TO BENEFIT THE CROSSROADS CENTRE IN ANTIGUA “These guitars are the A-Team … What I am keeping back is just what I need to work with. I am selling the cream of my collection.” Eric Clapton, February 2004 Crossroads Guitar Auction Eric Clapton and Friends for the Crossroads Centre June 24, 2004 New York – On June 24, 1999, Christie’s New York organized A Selection of Eric Clapton’s Guitars ~ In Aid of the Crossroads Centre, a sale that became legendary overnight. Exactly five years later, on June 24, 2004, Christie’s will present the sequel when a group of 56 guitars, described by Eric Clapton as “the cream of my collection,” as well as instruments donated by musician friends such as Pete Townshend, will be offered. Featuring iconic instruments such as ‘Blackie’ and the cherry-red 1964 Gibson ES-335, Crossroads Guitar Auction ~ Eric Clapton and Friends for the Crossroads Centre, promises to be a worthy successor to the seminal 1999 sale. The proceeds of the sale will benefit the Crossroads Centre in Antigua. Referring to the selection of guitars that will be offered in this sale, Eric Clapton said: “These guitars are in fact the ones that I kept back from the first auction because I seriously couldn’t consider parting with them at that point … I think they are a really good representation of Rock Culture .. -
Hec Rivera Hec Rivera Is a Houston, Texas-Based Country, Rock and Jazz Guitarist
Hec Rivera Hec Rivera is a Houston, Texas-based country, rock and jazz guitarist. Raised in Rio Grande City, Texas, he has performed professionally since high school, and has since made a successful career performing, recording, and teaching. "It's a tremendous privilege to be able to tell people that this is what you do for a living," he says. "To be able to do it every day alongside people who have become family makes the experience all the better." In addition to music, Hec is an avid history buff, and enjoys fishing, aviation, the Boston Red Sox, billiards, writing, concerts, and documentaries. He cites Don Felder, Neal Schon, Richie Sambora, Eric Johnson, Steve Lukather, and his close friend and mentor, John Calderon, as his primary influences. He currently plays lead guitar and sings backing vocals for Justin van Sant, and resides in Houston, Texas. He uses MusicMan, Paul Reed Smith, Gibson, and ESP guitars, Ernie Ball strings, and Peavey, Top Hat, Mesa, and Jet City / Soldano amplification. Rio Grande City, Texas, he has performed professionally since high school, and has since made a successful career performing, recording, and teaching. "It's a tremendous privilege to be able to tell people that this is what you do for a living," he says. "To be able to do it every day alongside people who have become family makes the experience all the better." In addition to music, Hec is an avid history buff, and enjoys fishing, aviation, the Boston Red Sox, billiards, writing, concerts, and documentaries. He cites Don Felder, Neal Schon, Richie Sambora, Eric Johnson, Steve Lukather, and his close friend and mentor, John Calderon, as his primary influences. -
By Dardo I Editor
By Dardo Editor: Unleashed2k February 2019 CUSTOMSFORGE’S MONTHLY NEWSLETTER Issue #4 CUSTOMSFORGE 5 YEAR ANNIVERSARY ABOUT US Welcome to CustomsForge’s monthly newsletter, where you can find the CustomsForge is a website latest news about CF and Rocksmith 2014 Remastered. created in 2014 by the This month we celebrate 5 years of CustomsForge! Happy Birthday :D Saint Valentine’s day Rocksmith community to make their own songs, February 14, 270 Valentin of Rome was decapitated for arranging gay marriages between soldiers, which were forbidden at the time by emperor communicate more easily and Claudio II. At least, that what the legend says and although the Catholic enjoy the game all together Church stopped recognizing the tradition in 1969, it is still universally remembered as his memorial and, as such, a celebration of love. So we have Currently we are approaching not one but two song lists for you. One for the in love and another one for the more than 35,000 charts heartbroken and other twisted instances of love. May you find your made by the community, and significant other soon. have more than 250,000 members. Songs for the madly in love Black Sabbath – N.I.B We welcome thousands more Iron Maiden – When the Wild Wind Blows Elvis Presley – Can’t Help Falling in Love each month NOFX – Falling in Love Amorphis – House of Sleep Scorpions – Still Loving You Thin Lizzy – Sarah Songs for the heartbroken and other twisted forms of love Motörhead – Be My Baby Motörhead – One Night Stand Gary Moore – Still Got the Blues Strapping Young Lad – Love? Pantera – This Love Pantera – Cemetery Gates Skunk Anansie – Death to the Lovers Joyce Manor – Falling in Love Again Pink Floyd – Wish You Were Here Pink Floyd – Pigs on the Wind Queen – Somebody to Love Rocksmith 2014 Remastered logo Papa Roach – I Almost Told You That I Loved You B. -
22 Years of Crown 'Mic Memos'
Web: http://www.pearl-hifi.com 86008, 2106 33 Ave. SW, Calgary, AB; CAN T2T 1Z6 E-mail: [email protected] Ph: +.1.403.244.4434 Fx: +.1.403.245.4456 Inc. Perkins Electro-Acoustic Research Lab, Inc. ❦ Engineering and Intuition Serving the Soul of Music Please note that the links in the PEARL logotype above are “live” and can be used to direct your web browser to our site or to open an e-mail message window addressed to ourselves. To view our item listings on eBay, click here. To see the feedback we have left for our customers, click here. This document has been prepared as a public service . Any and all trademarks and logotypes used herein are the property of their owners. It is our intent to provide this document in accordance with the stipulations with respect to “fair use” as delineated in Copyrights - Chapter 1: Subject Matter and Scope of Copyright; Sec. 107. Limitations on exclusive rights: Fair Use. Public access to copy of this document is provided on the website of Cornell Law School at http://www4.law.cornell.edu/uscode/17/107.html and is here reproduced below: Sec. 107. - Limitations on exclusive rights: Fair Use Notwithstanding the provisions of sections 106 and 106A, the fair use of a copyrighted work, includ- ing such use by reproduction in copies or phono records or by any other means specified by that section, for purposes such as criticism, comment, news reporting, teaching (including multiple copies for class- room use), scholarship, or research, is not an infringement of copyright. -
Conference Program July 26-29, 2021 | Pacific Daylight Time 2021 Asee Virtual Conference President’S Welcome
CONFERENCE PROGRAM JULY 26-29, 2021 | PACIFIC DAYLIGHT TIME 2021 ASEE VIRTUAL CONFERENCE PRESIDENT’S WELCOME SMALL SCREEN, SAME BOLD IDEAS It is my honor, as ASEE President, to welcome you to the 128th ASEE Annual Conference. This will be our second and, almost certainly, final virtual conference. While we know there are limits to a virtual platform, by now we’ve learned to navigate online events to make the most of our experience. Last year’s ASEE Annual Conference was a success by almost any measure, and all of us—ASEE staff, leaders, volunteers, and you, our attendees—contributed to a great meeting. We are confident that this year’s event will be even better. Whether attending in person or on a computer, one thing remains the same, and that’s the tremendous amount of great content that ASEE’s Annual Conference unfailingly delivers. From our fantastic plenary speakers, paper presentations, and technical sessions to our inspiring lineup of Distinguished Lectures and panel discussions, you will have many learning opportunities and take-aways. I hope you enjoy this week’s events and please feel free to “find” me and reach out with any questions or comments! Sincerely, SHERYL SORBY ASEE President 2020-2021 2 Schedule subject to change. Please go to https://2021asee.pathable.co/ for up-to-date information. 2021 ASEE VIRTUAL CONFERENCE TABLE OF CONTENTS 2021 ASEE VIRTUAL CONFERENCE AND EXPOSITION PROGRAM ASEE BOARD OF DIRECTORS ................................................................................4 CONFERENCE-AT-A-GLANCE ................................................................................6 -
ERIC Clapton Stratocaster JEFF Beck Stratocaster ERIC
JOHN MAYer StratOcaster® Grammy® award-winning recording artist, John Mayer, teamed-up with Fender® to create his “must have” signature guitar. Featuring an alder body; a satin urethane-finished maple neck with a slightly bigger ® “C”-shape, buffed headstock, vintage ’50s decal, and an African rosewood fingerboard with a 9.5”-radius and Dunlop® 6105 frets. Other features include three “Big Dipper” single-coil pickups with a special “scooped” mid-range voicing wound to John’s exacting specifications, (800) Three-Color Sunburst an American vintage synchronized tremolo with five tremolo springs and without an installed back plate (included in case), Fender/Gotoh® vintage-style tuning keys, a string tree placed slightly farther from the nut. Available with an INCASE® tour bag in Three-color Sunburst (800) and new Olympic White (805). 805 011-9700 Rosewood w/case Eric JOHnsON StratOcaster The Eric Johnson signature Strat® guitar features a light, two-piece ARTIST SERIES STRATOCASTER ARTIST alder body with ’57-style deep body contours and cavities; a one-piece, vintage-tinted quartersawn plain maple neck (contours have been sanded very smooth) with a 12” radius, a light ’57-style “V”-shape and highly-polished frets; special Eric Johnson single-coil pickups with countersunk screws and a five-way switch; vintage tremolo with silver- painted block, ’57-style string recess, no paint between the base plate (801) White Blonde and the block, five springs and no tremolo cover; master Volume, and neck and bridge Tone controls; a thin neck-cap with staggered machine heads; and a parchment, ’57-style pickguard. Available with .010 to .046-gauge strings and a thin-skinned, nitrocellulose lacquer finish in White Blonde (801), Two-color Sunburst (803), Black (506) and Candy Apple Red (809). -
Paul Gilbert Interview: Master of Shred Tue, 13/01/2009
Paul Gilbert Interview: Master of Shred Tue, 13/01/2009 - by Owen Edwards A Revealing and in-depth interview with the Master Of Shred The name Paul Gilbert conjures up images of death defying shred and an almost un matched technical ferocity, yet there's much more to this most genial of guitari sts than pure guitar wizardry. Whilst Paul is undoubtably one of the most fearso mely gifted guitarists ever to draw breath, he also combines an advanced composi tional ability with a great pop sensibilty - quite simply the man is a great son gwriter, something often ovelooked. One of the few guitarists of his genre to genuinely achieve mainstream success - particularly with the Mr Big worldwide smash hit 'To Be With You' - Paul has al so never stood still, as a cursory listen to his back catalogue will attest to. Versatile, humorous, melodic and thoughtful, these adjectives could apply equall y to his personality as well as his playing - Paul is a true Guitar Hero and we at Alloutguitar applaud him! My first encounter with Paul was back in the early days of shred when Guitar Wor ld ran a feature on a fresh faced teenager who'd lain waste to LA's hottest guit arists in the LA Guitar Wars competition. One to keep an eye on... and then, aft er months of seeing his purple Ibanez in adverts, by the time Racer X's debut 'S treet Lethal' was released. Anticipation - but also scepticsm! - was high: after all, Malmsteen had decimated all barriers of what was thought possible as a roc k guitarist - surely this guy couldn't be that special? From the opening salvo in 'Frenzy' (Paul's unaccompanied guitar solo that opened up the album) through to the sheer intensity and outright riffage of the title track - via innumerable notes in between! - there was no doubt that the bar had been raised.. -
Robert Walser Published Titles My Music by Susan D
Running With the Devil : Power, Gender, title: and Madness in Heavy Metal Music Music/culture author: Walser, Robert. publisher: Wesleyan University Press isbn10 | asin: 0819562602 print isbn13: 9780819562609 ebook isbn13: 9780585372914 language: English Heavy metal (Music)--History and subject criticism. publication date: 1993 lcc: ML3534.W29 1993eb ddc: 781.66 Heavy metal (Music)--History and subject: criticism. Page i Running with the Devil Page ii MUSIC / CULTURE A series from Wesleyan University Press Edited by George Lipsitz, Susan McClary, and Robert Walser Published titles My Music by Susan D. Crafts, Daniel Cavicchi, Charles Keil, and the Music in Daily Life Project Running with the Devil: Power, Gender, and Madness in Heavy Metal Music by Robert Walser Subcultural Sounds: Micromusics of the West by Mark Slobin Page iii Running with the Devil Power, Gender, and Madness in Heavy Metal Music Robert Walser Page iv WESLEYAN UNIVERSITY PRESS Published by University Press of New England, Hanover, NH 03755 © 1993 by Robert Walser All rights reserved Printed in the United States of America 5 4 3 2 1 CIP data appear at the end of the book Acknowledgments for song lyrics quoted: "Electric Eye": Words and music by Glenn Tipton, Rob Halford, and K. K. Downing, © 1982 EMI APRIL MUSIC, INC. / CREWGLEN LTD. / EBONYTREE LTD. / GEARGATE LTD. All rights controlled and administered by EMI APRIL MUSIC, INC. International copyright secured. All rights reserved. Used by permission. "Suicide Solution": Words and music by John Osbourne, Robert Daisley, and Randy Rhoads, TRO© Copyright 1981 Essex Music International, Inc. and Kord Music Publishers, New York, N.Y.