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Schooling Teachers, Schooling Ourselves: Insights and Reflections from Teaching K-12 Teachers How to Use Hip-Hop to Educate Students
Vol. 15, No. 1 International Journal of Multicultural Education 2013 Schooling Teachers, Schooling Ourselves: Insights and Reflections from Teaching K-12 Teachers How to Use Hip-hop to Educate Students Decoteau J. Irby, Ph. D. University of Wisconsin - Milwaukee U. S. A. H. Bernard Hall, Ph. D. West Chester University U. S. A. Marc L. Hill, Ph. D. Teachers College, Columbia University U. S. A. Hip-hop-based education (HHBE) research analyzes how hip-hop culture is used to produce favorable educational outcomes. Despite its richness, the work reveals little about how to prepare practicing K-12 teachers to use HHBE toward the critical ends reflected in extant HHBE literature. In this article, we challenge many tacit assumptions of HHBE research by examining the curricular and pedagogical wants and needs of in-service teachers who are interested in HHBE but who are not familiar with hip-hop’s unique history and culture. Through a collaborative self-study with a teacher-educator, we, as Black male hip-hop insiders, reflect on the promises and pitfalls of preparing predominantly White teachers to incorporate hip-hop into their teaching and learning repertoire. Introduction Theoretical Framework Statement of the Problem and Research Questions Research Methods Data Collection and Analysis Lessons Learned from Schooling Teachers Less Legitimacy, More Cultural Content The Importance of HHBE Content and Pedagogy Constraints of HHBE Conclusion: Schooling Ourselves References “I think it would have been helpful if you had an idea of who your participants were and how much info they had on hip-hop.” (Hip-hop-based education workshop participant) 1 Vol. -
Debuten Til Hardrocker'ne Fra Down Under. 6.Albumet I Rekken Av
ARTIST / BANDNAVN ALBUM TITTEL UTG.ÅR LABEL/ KATAL.NR. LAND LP KOMMENTAR A New wave/synthpop fra Sheffield band, med Martin Fry som leder. Musikken kan ABC BEAUTY STAB 1983 MERCURY 814 661-1 GER LP høres som en mix av Bowie og Roxy Music. Mick fra den første utgaven av Jethro Tull og Blodwyn Pig med sitt soloalbum fra ABRAHAMS, MICK MICK ABRAHAMS 1971 A&M RECORDS SP 4312 USA LP 1971. Drivende god blues / prog rock. Min første og eneste skive med det tyske heavy metal bandet. Et absolutt godt ACCEPT RESTLESS AND WILD 1982 BRAIN 0060.513 GER LP album, med Udo Dirkschneider på hylende vokal. Fikk opplevd Udo og sitt band live på Byscenen i Trondheim november 2017. Meget overraskende og positiv opplevelse, med knallsterke gitarister, og sønnen til Udo på trommer. AC/DC HIGH VOLTAGE 1975 ATL 50257 GER LP Debuten til hardrocker'ne fra Down Under. AC/DC POWERAGE 1978 ATL 50483 GER LP 6.albumet i rekken av mange utgivelser. ACKLES, DAVID AMERICAN GOTHIC 1972 EKS-75032 USA LP Strålende låtskriver, albumet produsert av Bernie Taupin, kompisen til Elton John. GEFFEN RECORDS AEROSMITH PUMP 1989 EUR LP Steven Taylor, Joe Perry, Tom Hamilton, Joey Kramer. Spilt inn i Canada. 924254 AKKERMAN, JAN PROFILE 1972 HARVEST SHSP 4026 UK LP Soloalbum fra den glimrende gitaristen fra nederlandske progbandet Focus. Akkermann med klassisk gitar, lutt og et stor orkester til hjelp. I tillegg rockere som AKKERMAN, JAN TABERNAKEL 1973 ATCO SD 7032 USA LP Tim Bogert bass og Carmine Appice trommer. Her viser Akkermann en ny side av sitt talent. -
Traffic Reaping Mp3, Flac, Wma
Traffic Reaping mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Reaping Country: Canada Released: 1967 Style: Psychedelic Rock, Pop Rock MP3 version RAR size: 1499 mb FLAC version RAR size: 1436 mb WMA version RAR size: 1445 mb Rating: 4.5 Votes: 817 Other Formats: AA AUD ADX APE FLAC WMA RA Tracklist Hide Credits Paper Sun A1 Written By – S. Winwood & J. CapaldiWritten-By – J. Capaldi*, S. Winwood* Dealer A2 Written-By – J. Capaldi* Coloured Rain A3 Written By – S. Winwood, J. Capaldi & C. WoodWritten-By – C. Wood*, J. Capaldi*, S. Winwood* Hole In My Shoe A4 Written-By – D. Mason* No Face, No Name And No Number A5 Written By – S. Winwood & J. CapaldiWritten-By – J. Capaldi*, S. Winwood* House For Everyone B1 Written-By – D. Mason* Berkshire Poppies B2 Written By – S. Winwood, J. Capaldi & C. WoodWritten-By – C. Wood*, J. Capaldi*, S. Winwood* Giving To You B3 Written By – S. Winwood, J. Capaldi, C. Wood And D. MasonWritten-By – C. Wood*, D. Mason*, J. Capaldi*, S. Winwood* Smiling Phases B4 Written By – S. Winwood, J. Capaldi & C. WoodWritten-By – C. Wood*, J. Capaldi*, S. Winwood* Dear Mr. Fantasy B5 Written By – S. Winwood, J. Capaldi & C. WoodWritten-By – C. Wood*, J. Capaldi*, S. Winwood* Companies, etc. Published By – Essex Music Record Company – Robert J. Stone of Canada Limited Credits Design – Studio Thirteen Drums – Jim Capaldi Executive-Producer – Chris Blackwell Flute, Saxophone [Uncredited] – Chris Wood Liner Notes – Terry Mann Producer – Jimmy Miller Vocals, Organ, Piano, Guitar [Uncredited] – Steve Winwood Vocals, Sitar, Mellotron, Guitar – Dave Mason Notes variation front cover - same as USA version of 'Mr. -
Lightning in a Bottle
LIGHTNING IN A BOTTLE A Sony Pictures Classics Release 106 minutes EAST COAST: WEST COAST: EXHIBITOR CONTACTS: FALCO INK BLOCK-KORENBROT SONY PICTURES CLASSICS STEVE BEEMAN LEE GINSBERG CARMELO PIRRONE 850 SEVENTH AVENUE, 8271 MELROSE AVENUE, ANGELA GRESHAM SUITE 1005 SUITE 200 550 MADISON AVENUE, NEW YORK, NY 10024 LOS ANGELES, CA 90046 8TH FLOOR PHONE: (212) 445-7100 PHONE: (323) 655-0593 NEW YORK, NY 10022 FAX: (212) 445-0623 FAX: (323) 655-7302 PHONE: (212) 833-8833 FAX: (212) 833-8844 Visit the Sony Pictures Classics Internet site at: http:/www.sonyclassics.com 1 Volkswagen of America presents A Vulcan Production in Association with Cappa Productions & Jigsaw Productions Director of Photography – Lisa Rinzler Edited by – Bob Eisenhardt and Keith Salmon Musical Director – Steve Jordan Co-Producer - Richard Hutton Executive Producer - Martin Scorsese Executive Producers - Paul G. Allen and Jody Patton Producer- Jack Gulick Producer - Margaret Bodde Produced by Alex Gibney Directed by Antoine Fuqua Old or new, mainstream or underground, music is in our veins. Always has been, always will be. Whether it was a VW Bug on its way to Woodstock or a VW Bus road-tripping to one of the very first blues festivals. So here's to that spirit of nostalgia, and the soul of the blues. We're proud to sponsor of LIGHTNING IN A BOTTLE. Stay tuned. Drivers Wanted. A Presentation of Vulcan Productions The Blues Music Foundation Dolby Digital Columbia Records Legacy Recordings Soundtrack album available on Columbia Records/Legacy Recordings/Sony Music Soundtrax Copyright © 2004 Blues Music Foundation, All Rights Reserved. -
Congressional Record United States Th of America PROCEEDINGS and DEBATES of the 111 CONGRESS, SECOND SESSION
E PL UR UM IB N U U S Congressional Record United States th of America PROCEEDINGS AND DEBATES OF THE 111 CONGRESS, SECOND SESSION Vol. 156 WASHINGTON, MONDAY, NOVEMBER 29, 2010 No. 153 House of Representatives The House met at 2 p.m. and was PALLONE) come forward and lead the tives, the Clerk received the following mes- called to order by the Speaker pro tem- House in the Pledge of Allegiance. sage from the Secretary of the Senate on No- pore (Ms. RICHARDSON). Mr. PALLONE led the Pledge of Alle- vember 22, 2010 at 2:53 p.m.: giance as follows: That the Senate passed with amendments f H.R. 4783. DESIGNATION OF THE SPEAKER I pledge allegiance to the Flag of the That the Senate concurs in House amend- United States of America, and to the Repub- PRO TEMPORE ment to Senate amendment H.R. 5566. lic for which it stands, one nation under God, That the Senate concurs in House amend- The SPEAKER pro tempore laid be- indivisible, with liberty and justice for all. ments S. 3689. fore the House the following commu- f That the Senate passed S. 3650. nication from the Speaker: That the Senate passed with amendment COMMUNICATION FROM THE WASHINGTON, DC, H.R. 6198. November 29, 2010. CLERK OF THE HOUSE That the Senate agreed to without amend- I hereby appoint the Honorable LAURA The SPEAKER pro tempore laid be- ment H. Con. Res. 327. RICHARDSON to act as Speaker pro tempore fore the House the following commu- With best wishes, I am on this day. -
CARRY on STREAMIN from EDINBURGH FOLK CLUB Probably the Best Folk Club in the World! Dateline: Wednesday 24 February 2021 Volume 1.18
CARRY ON STREAMIN from EDINBURGH FOLK CLUB Probably the best folk club in the world! Dateline: Wednesday 24 February 2021 Volume 1.18 INEXORABLY MOVING TOWARDS ‘NORMALITY’ SANDY BELL’S BAR, the world- renowned – nay, famous - haunt for many folkies over many years and many other ordinary folk (non-folk muggles(?) as the mighty Rowling might have said), has just posted some great news on Facebook (February 24 2021) … “Excellent news! Received a £10k grant from Grassroots Music this morning, so that will help immensely going forward. The sooner we open the better but as we are a ‘wet led’ only pub and small in capacity we will be among the last to open along with night clubs etc. Once we are open (which we are confident now we will Sandy Bell's Bar: re-opening … hoping, sometime in 2021. be) the hard part begins (as we had to take on a £50k business loan to keep us along with you, our loyal customers afloat and still have a deferred VAT arriving back in full force we're confident payment to settle amongst another few we will prevail. Thank you for your bills that had been put on hold). Loans support, looking forward welcoming you and bills will have to be paid but with a all back.” few sacrifices and careful budget control Having reported on the cancellation of CONTENTS Glastonbury and HebCelt in the last COS Page 1 Lead story a couple of weeks ago, this announcement Page 2-3-5, 7 The First Whammy (by Fish) (prophesy?) from Sandy Bell’s boss Stevie Page 7 Edinburgh Fringe President Hannah is a most welcome indication that Page 8-9 Keeping Gaelic Traditions things are perhaps, just perhaps, turning a Vibrant In Edinburgh corner at last. -
CLEF and NORGRAN RECORDS ’ Blic
ne Breitest Bence Bends ndly that In the Country ere on I ob- nted rec- ncy, 8 to CLEF AND NORGRAN RECORDS ’ blic. ■tion song Host ORCHESTRA ON CLEF RECORDS LONG PUT EPC-157 Dance with Count Basie MGC-120 Count Basle and his Orchestra Collates EPC IOS Count Basie Big Band sr 1 MGC-140 Count Basle Big Band EPC IM Count Basie Big Band sr 2 MGC «26 Count Basle Dance Session #1 EPC-220 Count Basle Dance Session # 1 MGC-G47 Count Basle Dance Session 02 EPC-221 Count Basie Dance Session #2 MGC-833 Basle la» EPC-338 Count Basie Dance Session #3 EXTENDED PUT EPC-338 Count Basle Dance Session #4 EPC-132 Count Basle and His Orchestra #1 EPC-251 Basie Jan #1 EPC-14? Count Basle and His Orchestra #2 EPC 252 Basie Jan #2 ORCHISfRA ON CLEF RECORDS EXTENBEB PUT LONG PUT EPC-247 The Gene Krupa Sextet # 1 MGC-147 The Gene Krupa Sextet #1 EPC-248 The Gene Krupa Sextet #2 MGC-152 The Gene Krupe Sextet #2 MGC 831 The Gene Krupa Sextet #3 ON CLEF RECOROS MGN-1004 Memorles ot Elllngton by Johnny Hodges LONS PUT MGN-10M More of Johnny Hodges end Hli Jrchestra MCC-111 Johnny Hodges Collates #1 MGC-12» Johnny Hodges Collates 02 EXTENOEB PUT EXTENDED PUT (PN-1 Swing with Johnny Hodges #1 EPC-12» Johnny Hodges «nd His Orchestra EPN-2 Swing with Johnny Hodges 02 (PC-148 Al Hibbler with johnny Hodges 6PN 28 Memorles ot Elllngton by Johnny Hodges #1 and His Orchestra (PN 27 Memorles of Elllngton by Johnny Hodges #2 EPC 183 Dance with Johnny Hodges #1 EPN-83 More iH Johnny Hodges end His Orchestra O1 EPC 164 Oance with Johnny Hodges #2 (PN-44 Mora of Johnny Hodges -
Renaissance – Delane Lea Studios 1973
Renaissance – DeLane Lea Studios 1973 (51:16, CD, Purple Pyramid Records, 1973 / 2015) Ursprünglich handelte es sich bei den hier auf CD veröffentlichten Aufnahmen von Renaissance um einen Radiomitschnitt, der bereits in der Vergangenheit mehrfach als Bootleg kursierte. Inwieweit das in Los Angeles ansässige Reissue Label Purple Pyramid Records (veröffentliche in der Vergangenheit u.a. Nektar, Greenslade, Amon Düül II) nun der rechtmäßige Besitzer der Aufnahmen ist, bleibt etwas im Dunkeln. Zwar findet sich auf der Renaissance-Webseite bisher kein Hinweis auf diesen Tonträger, andererseits kann man aber über diverse Internetkanäle das Album ganz offiziell erwerben und es ist auch eine weitere Liveaufnahme „Academy Of Music“ von der ’74er Tour angekündigt. Vielleicht wurde auch ganz einfach die Gunst der Stunde genutzt, um im Rahmen der anstehenden Live-Aktivitäten der Band etwas Geld – von wem und für wenn auch immer – in die Kassen zu spülen. Genug der Mutmaßungen, ab zur Musik. Dieser Live-Mitschnitt entstand 1973 in den DeLane Lea Studios in London, einer Lokation, in der die Band bereits im gleichen Jahr das damals aktuelle Album „Ashes Are Burning“ aufnahm, welches aber auch von Künstlern wie The Beatles, Jimi Hendrix, Queen oder Pink Floyd genutzt wurde. Da man sich aus verschiedenen Gründen dagegen entschied auf Tour zu gehen (u.a. wg. der damalige Ölkrise), lud man kurzerhand die nächsten Freude ein und spielte einfach einen knapp 51-minütigen Gig Live im Studio, welcher auch bei der BBC gesendet wurde. Als Gäste traten zudem bei „Ashes Are Burning“ die mit der Band befreundeten Andy Powell (Wishbone Ash) und Singer / Songwriter Al Stewart (u.a. -
Trevor Tolley Jazz Recording Collection
TREVOR TOLLEY JAZZ RECORDING COLLECTION TABLE OF CONTENTS Introduction to collection ii Note on organization of 78rpm records iii Listing of recordings Tolley Collection 10 inch 78 rpm records 1 Tolley Collection 10 inch 33 rpm records 43 Tolley Collection 12 inch 78 rpm records 50 Tolley Collection 12 inch 33rpm LP records 54 Tolley Collection 7 inch 45 and 33rpm records 107 Tolley Collection 16 inch Radio Transcriptions 118 Tolley Collection Jazz CDs 119 Tolley Collection Test Pressings 139 Tolley Collection Non-Jazz LPs 142 TREVOR TOLLEY JAZZ RECORDING COLLECTION Trevor Tolley was a former Carleton professor of English and Dean of the Faculty of Arts from 1969 to 1974. He was also a serious jazz enthusiast and collector. Tolley has graciously bequeathed his entire collection of jazz records to Carleton University for faculty and students to appreciate and enjoy. The recordings represent 75 years of collecting, spanning the earliest jazz recordings to albums released in the 1970s. Born in Birmingham, England in 1927, his love for jazz began at the age of fourteen and from the age of seventeen he was publishing in many leading periodicals on the subject, such as Discography, Pickup, Jazz Monthly, The IAJRC Journal and Canada’s popular jazz magazine Coda. As well as having written various books on British poetry, he has also written two books on jazz: Discographical Essays (2009) and Codas: To a Life with Jazz (2013). Tolley was also president of the Montreal Vintage Music Society which also included Jacques Emond, whose vinyl collection is also housed in the Audio-Visual Resource Centre. -
Acdsee Proprint
BULK RATE U.S. POSTAGE PAID Permit No. 2419 lPE lPITClHl K.C., Mo. FREE FREE VOL. II NO. 1 YOU'LL NEVER GET RICH READING THE PITCH FEBRUARY 1981 FBIIRUARY II The 8-52'5 Meet BUDGBT The Rev. in N.Y. Third World Bit List .ONTHI l ·TRIVIA QUIZ· WHAT? SQt·1E RECORD PRICES ARE ACTUALLY ~~nll .815 m wi. i .••lIIi .... lllallle,~<M0,~ CGt4J~G ·DOWN·?····· S€f ·PAGE: 3. FOR DH AI LS , prizes PAGE 2 THE PENNY PITCH LETTERS Dec. 29,1980 Dear Warren, Over the years, Kansas Attorney General's have done many strange things. Now the Kansas Attorney General wants to stamp out "Mumbo Jumbo." 4128 BROADWAY KANSAS CITY, MISSOURI 64111 Does this mean the "Immoral Minority" (816) 561·1580 will be banned from Kansas? Is being banned from Kansas a hardship? Edi tor ....••..•••.• vifarren Stylus Morris Martin Contributing vlriters this issue: Raytown, Mo. P.S. He probably doesn't like dreadlocks Rev. Dwight Frizzell, Lane & Dave from either. GENCO labs, Blind Teddy Dibble, I-Sheryl, Ie-Roths, Lonesum Chuck, Mr.D-Conn, Le Roi, Rage n i-Rick, P. Minkin, Lindsay Shannon, Mr. P. Keenan, G. Trimble, Jan. 26, 1981 debranderson, M. Olson Dear Editor, Inspiration this issue: How come K. C. radio stations never Fred de Cordova play, The Inmates "I thought I heard a Heartbeat", Roy Buchanan "Dr. Rock & Roll" Peter Green, "Loser Two Times", Marianne r,------:=~--~-__l "I don' t care what they say about Faithfull, "Broken English", etc, etc,? being avant garde or anything else. How come? Frankly, call me square if you want Is this a plot against the "Immoral to. -
Jerry Garcia from Wikipedia, the Free Encyclopedia
Jerry Garcia From Wikipedia, the free encyclopedia Background information Birth name Jerome John Garcia Born August 1, 1942, San Francisco, California, United States Died August 9, 1995 (aged 53), Forest Knolls, California, United States Genres Folk rock, bluegrass, progressive rock Occupation(s) Musician, songwriter Instruments Guitar, vocals, pedal steel guitar, banjo Years active 1960–1995 Labels Rhino, Arista, Warner Bros., Acoustic Disc, Grateful Dead Associated acts Grateful Dead, Legion of Mary, Reconstruction, Jerry Garcia Band, Old and in the Way, Jerry Garcia Acoustic Band, New Riders of the Purple Sage͵ Garcia Grisman Band Notable instruments Fender Stratocaster "Alligator" Doug Irwin-modified Alembic "Wolf" Gibson SGs Guild Starfire 1957 Gibson Les Paul Gold-top Les Paul with P-90 Doug Irwin Custom "Tiger" Doug Irwin Custom "Rosebud" Stephen Cripe Custom "Lightning Bolt," Martin D-28, Takamine acoustic-electric guitars Travis Bean TB1000S, TB500[1] Jerome John "Jerry" Garcia (August 1, 1942 – August 9, 1995) was an American musician best known for his lead guitar work, singing and songwriting with the band the Grateful Dead, which came to prominence during the counterculture era. Though he disavowed the role, Garcia was viewed by many as the leader or "spokesman" of the group. One of its founders, Garcia performed with the Grateful Dead for their entire thirty-year career (1965–1995). Garcia also founded and participated in a variety of side projects, including the Saunders-Garcia Band (with longtime friend Merl Saunders), the Jerry Garcia Band, Old and in the Way, the Garcia/Grisman acoustic duo, Legion of Mary, and the New Riders of the Purple Sage (which Garcia co-founded with John Dawson and David Nelson). -
Red Bank Register Volume Lxi, No
AIX the SEWS of BED PA N E SECflg and Surrounding Town* - Told Fearlessly and Without Bis* RED BANK REGISTER VOLUME LXI, NO. 42, RED BANK, N. J., THURSDAY, APRIL 13,1939. PAGES 1 Eatontown Order Thursday Morning Engineer Makes Miss Edwa Herndon Plan Inauguration of Elects Officers To Wed C. E. Wilhelm Dance To Raise Fu Mt&s' Hilde Ha&geri and Clarence Choral Concert To Report To Council Lieutenant Commander and Mrs. Rank were elected as worthy Matron Preston Herndon, Sr., of New Or- Annual "Y" Campaign and worthy patron,' respectively, Be HeldApril 21 On Drainage Plan leans, Loulsanti, announeo the en- Tuesday night at the annual election gagement of their daughter. Miss For High School Ba of officers of Eatontown chapter, Edwa Herndon of Old Bridge, to Eastern Star. They succeed Mrs. William Hain, Tenor, to Lancaster Explains Pro- Chester E. Wilhelm, a member of John B. Allen And Theodore J. Labrecque Alice Hill'and Milton Smith. the Red Bank Junior high school Others elected were Mrs, Agnes Be Guest Artist—Sekt- gress of Project to Fair faculty. Mr.. Wilhelm is the son of Middletown Township HigK School , - VanBrunt associate matron, Mrs. Mr, and Mrs. Jacob C. Wilhelm of Chairmen Of Field Organization Selma Schultz secretary, Mrs. Emma berg to Conduct Body Summit avenue, Phllllpsburg. Rank treasurer, Mrs. Ruth Crawford Students To Represent County at Fair I Plans are rapidly being completes conductress and Mrs, WUma Wllklns associate conductress. The installa- Plans are being completed for the Lionel W. Lancaster, borough en- for the inauguration of the W39 an- annual spring concert of the Thurs- gineer of Fair Haven, reported to The Mlddfotown Township ;,_ nual maintenance drive of the Red tion of officers will take place Tues- Teacher association will hold a d day night, April 25, when Miss day morning choral to be held Fri- the mayor and council of that place Junior Service Bank T.