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Sweet and Dirty a Collaboration of Sweet Brenda and Dirty Red Band Bios
Sweet and Dirty A collaboration of Sweet Brenda and Dirty Red Band Bios When Dirty Red – Eric McDaniel – leader of modern day powerhouse band, Dirty Red and the Soul Shakers invited legendary Oklahoma Blues Singer, Sweet Brenda – Bren Severson – on stage the first time to sit in with the band, a lightning bolt of electricity melded them together and shot their sound and energy into an unsuspecting blues audience that soaked it up like fireball whiskey on freaky Saturday night. From that moment this energetic collaboration has caused quite a stirring in the blues scene. Both musicians have made a name for themselves across the blues nation with experience and expertise that speaks for itself. When all of that is combined with the background and expertise of the rest of the band, a stage full of all-stars is born. Besides the giant personalities of Dirty Red and Sweet Brenda, the scary tight rhythm section of Cliff the “Iron Man” Belcher and Forrest Worrell, both of Watermelon Slim and the Workers fame, and the lonesome but ripping tasty blues guitar of Big Robb Hibbard, former lead for Miss Blues and the Blue Notes, put the icing on the cake. Add to all of that, the fact that Dirty Red and Sweet Brenda both write all the songs with soulful and pertinent lyrics written for all people, and a jolting beat that never stops, the dance floor is full and crazy, the room is packed with a punch of energy and the blues appetite is wildly satisfied. Sweet and Dirty is a collaboration of blues monsters bragging over 130 years of performance altogether culminating into this fabulous high- energy show. -
Debuten Til Hardrocker'ne Fra Down Under. 6.Albumet I Rekken Av
ARTIST / BANDNAVN ALBUM TITTEL UTG.ÅR LABEL/ KATAL.NR. LAND LP KOMMENTAR A New wave/synthpop fra Sheffield band, med Martin Fry som leder. Musikken kan ABC BEAUTY STAB 1983 MERCURY 814 661-1 GER LP høres som en mix av Bowie og Roxy Music. Mick fra den første utgaven av Jethro Tull og Blodwyn Pig med sitt soloalbum fra ABRAHAMS, MICK MICK ABRAHAMS 1971 A&M RECORDS SP 4312 USA LP 1971. Drivende god blues / prog rock. Min første og eneste skive med det tyske heavy metal bandet. Et absolutt godt ACCEPT RESTLESS AND WILD 1982 BRAIN 0060.513 GER LP album, med Udo Dirkschneider på hylende vokal. Fikk opplevd Udo og sitt band live på Byscenen i Trondheim november 2017. Meget overraskende og positiv opplevelse, med knallsterke gitarister, og sønnen til Udo på trommer. AC/DC HIGH VOLTAGE 1975 ATL 50257 GER LP Debuten til hardrocker'ne fra Down Under. AC/DC POWERAGE 1978 ATL 50483 GER LP 6.albumet i rekken av mange utgivelser. ACKLES, DAVID AMERICAN GOTHIC 1972 EKS-75032 USA LP Strålende låtskriver, albumet produsert av Bernie Taupin, kompisen til Elton John. GEFFEN RECORDS AEROSMITH PUMP 1989 EUR LP Steven Taylor, Joe Perry, Tom Hamilton, Joey Kramer. Spilt inn i Canada. 924254 AKKERMAN, JAN PROFILE 1972 HARVEST SHSP 4026 UK LP Soloalbum fra den glimrende gitaristen fra nederlandske progbandet Focus. Akkermann med klassisk gitar, lutt og et stor orkester til hjelp. I tillegg rockere som AKKERMAN, JAN TABERNAKEL 1973 ATCO SD 7032 USA LP Tim Bogert bass og Carmine Appice trommer. Her viser Akkermann en ny side av sitt talent. -
Enterta-Nlllent Page 8, the Retriever, December 10, 1973 , Beach Boys Concert Lacks Vitality and Brian
Enterta-nlllent Page 8, The Retriever, December 10, 1973 , Beach Boys Concert lacks vitality and Brian The Beach Boys are only human, and frustrating bind-if they don't play the country. Released in January, 1973, it "The Beach Boys in Concert" o (Brother I Reprise ) Recorded during do err. (If Brian were in charge, the old favorites the audience will scream is still the best recording I ha ve heard their summer of 73 tour, it is the first sound would have to be perfect, or it their nostalgic heads off. Con this year. Their folIo-up Ip should album by the group that Brian Wilson ust wouldn't. be released) sequently, their new material is have been a well planned monster. has had no invlvement with. Because "In Concert" does have a few bright largely ignored. Instead, the bous have shrugged their of his absnece, the album lacks the moments however. A nice version of When the group asked Brian's opion responsibilities to themselves and energetic vitality of their studio ef Brian's "Funky Pretty" is rendet:ed, of the tapes that they planned to, took a breather that will surely hurt forts. Since Brian no longer tours with as well as a nice keyboard jam by release, his immediate response was them. At a crucial point in their the group, their vocal sound shows a Dennis Wilson - on "Leaving this "Don't release it!" They of course, career, they choked under pressure. definte loss. (A prime example of this Town," off of their "Holland" album. became highly pissed off and released It's hard.to say what's ahead for the occurs on "Caroline No," where It would be safe to say that the best it anyway. -
Music Library Association No. 189 January-February 2017 Table Of
Music Library Association No. 189 January-February 2017 Table of Contents From the Board Committee News Our Community Responds Regional Chapter News MLA Orlando Preview Stories from the Field Conference Planning News Spotlight On...Small Businesses & Library Services Transitions & Appointments Moonlighting and Music Librarianship In Recognition Institutions & Collections MLA Publications IAML News News & Notes MLA Calendar From the Board page | 2 By President, Michael Rogan This is my last President’s Report (or if some of you have been paying attention, the column is now called “From the Board” and has been including contributions from other Board members--just one of the many benefits of taking the MLA Newsletter from quarterly to bimonthly!) While traditionally it should be full of “thank-you”s and should be calling attention to our upcoming annual meeting, I want to use this “last chance” a little differently. I am very thankful to so many of you that I have had the pleasure of working with while in this position, and I WILL be thanking folks publicly (at the Business Meeting) and personally in Orlando (warning: I’m a hugger!) I am also confident that many others are highlighting the terrific opportunities we have awaiting us at the Orlando conference. So I would like to take a few moments to reflect on the past few years and the path ahead for MLA, as I see it. These are difficult times, and the tribal pull to hunker down and wait it out until “things get better” can be strong. But things don’t “get better”--or get worse for that matter--they change, and we apply labels to that change based on our filters, our goals, our values. -
IN MY ROOM Feuille D'information Consacrée À Brian Wilson Et Aux Beach Boys N° 8 – Printemps / Été 2007
IN MY ROOM Feuille d'information consacrée à Brian Wilson et aux Beach Boys N° 8 – Printemps / Été 2007 Lonely Sea Edito La période 1961 / 1964 Après le sourire de Brian, le début des années Au fil du temps ... repères biographiques 70, le Christmas Album, les deux numéros consacrés à Dennis Wilson, la période Brian's à 1960 : naissance des protagonistes, don Back et les 40 ans de Pet Sounds, nous De 1941 pour la musique de Brian, influence des Four continuons notre progression irrationnelle en Freshmen et de Chuck Berry, père violent, jaloux mais ambitieux, Hawthorne High School, cours de musique, premières tentatives, abordant les tout débuts du groupe. Pourquoi Kenny & The Kadets, Carl & The Passions ... pas, après tout ! Les frères Wilson, le cousin Mike Love et l'ami Al Profitons de l'instant pour saluer la première 1961 Jardine répètent ensemble dans la maison familiale à amicale contribution à d'un grand Hawthorne (Californie). Ils choisissent le nom de The Pendletones. In My Room Murry Wilson, le père, devient leur manager. Ils enregistrent des démos spécialiste, M. Kingsley Abbott. (« Surfin' » & « Luau ») sous la houlette de l'éditeur Hite Morgan dans ses studios le 15 septembre. Première session « professionnelle » Quant à vous, chers abonnés, à vous de jouer ... d'enregistrement au World Pacific Studio le 3 octobre. bonne lecture ! 8 décembre : sortie du simple « Surfin' » / « Luau » sur Candix Records (Candix 331) sous le nom de « The Beach Boys », choisi par le label. Enjoy ! 23 décembre, premier concert au Rendezvous Ballroom Balboa de Newport Beach (Californie) Charlie Dontsurf 17 février : Le simple entre 1962 Capitol, sort le 4 mars . -
Jerry Garcia from Wikipedia, the Free Encyclopedia
Jerry Garcia From Wikipedia, the free encyclopedia Background information Birth name Jerome John Garcia Born August 1, 1942, San Francisco, California, United States Died August 9, 1995 (aged 53), Forest Knolls, California, United States Genres Folk rock, bluegrass, progressive rock Occupation(s) Musician, songwriter Instruments Guitar, vocals, pedal steel guitar, banjo Years active 1960–1995 Labels Rhino, Arista, Warner Bros., Acoustic Disc, Grateful Dead Associated acts Grateful Dead, Legion of Mary, Reconstruction, Jerry Garcia Band, Old and in the Way, Jerry Garcia Acoustic Band, New Riders of the Purple Sage͵ Garcia Grisman Band Notable instruments Fender Stratocaster "Alligator" Doug Irwin-modified Alembic "Wolf" Gibson SGs Guild Starfire 1957 Gibson Les Paul Gold-top Les Paul with P-90 Doug Irwin Custom "Tiger" Doug Irwin Custom "Rosebud" Stephen Cripe Custom "Lightning Bolt," Martin D-28, Takamine acoustic-electric guitars Travis Bean TB1000S, TB500[1] Jerome John "Jerry" Garcia (August 1, 1942 – August 9, 1995) was an American musician best known for his lead guitar work, singing and songwriting with the band the Grateful Dead, which came to prominence during the counterculture era. Though he disavowed the role, Garcia was viewed by many as the leader or "spokesman" of the group. One of its founders, Garcia performed with the Grateful Dead for their entire thirty-year career (1965–1995). Garcia also founded and participated in a variety of side projects, including the Saunders-Garcia Band (with longtime friend Merl Saunders), the Jerry Garcia Band, Old and in the Way, the Garcia/Grisman acoustic duo, Legion of Mary, and the New Riders of the Purple Sage (which Garcia co-founded with John Dawson and David Nelson). -
Cashbox Editorial New York Editorial PHIL DIMAURO KEN TERRY CHARLES PAIKERT a Forward Look to ’77 Hollywood Editorial J.B
THE INTERNATIONAL MUSIC RECORD WEEKLY VOLUME XXXVIII — NUMBER 33 — January 1. 1977 ^GEORGEALBERT N President and Publisher MARTY OSTROW Executive Vice President DAVID BUDGE West Coast Advertising GARYCOHEN Editor In Chief JULIAN SHAPIRO East Coast Editor cashbox editorial New York Editorial PHIL DIMAURO KEN TERRY CHARLES PAIKERT A Forward Look To ’77 Hollywood Editorial J.B. CARMICLE JOHN MANKIEWICZ LINDA CAUTHEN COOKIE AMERSON As 1976 draws to a close, an in-depth look at the year that passed and an analysis ROBERT ROHWER DAVID BOYLES of the changes that went down, tend to indicate that the coming year might also be MIKE FALCON one of turmoil. And yet what that turmoil means and where it will lead is anybody’s Research HOWARD LOWELL. Director guess. STEVE OSTROW BOB SPEISMAN 1976 saw the resurgence — and demise — of some smaller independent LARRY CARLAT JEFF RAY manufacturers, long recognized as the lifeblood of the industry. Even this week WAYNE MARECI BILL FEASTER there are changes in the structure of some of the “little guys” — some are growing, CAROL RANDAL JUDY ALBERT improving and releasing, while others are closing, cutting back or consolidating. DAN SEIDEN CAROLE SUYDAM Clear trend? None whatsoever. Coin Machine The same is true at the new artist level. Certainly there were quite a few new Chicago CAMILLE COMP ASIO, Manager artists that broke during the calendar year of 1 976. But were there as many as there Hollywood DAVID BOYLES could have been? Did any one company garner a proportionately higher number of Art Director new artist development awards, signifying they found that “secret formula?” Not WOODY HARDING Circulation necessarily. -
Pacific Ocean Blue Bambu
Dennis Wilson - Pacific Ocean Blue Produced by Dennis Wilson & Gregg Jakobson Released August 22, 1977 - Caribou PZ 34354 (CBS) Pacific Ocean Blue - Legacy Edition Originial Recordings Produced by Dennis Wilson & Gregg Jakobson Bonus Tracks Produced by Dennis Wilson, John Hanlon & Gregg Jakobson Executive Producer: James William Guercio Released June 17, 2008 - Caribou/Epic/Legacy 88697-07916-2 (Sony/BMG) Disc One Dennis Wilson had always been considered the quintessential "Beach Boy": not in a musical sense (that, of course, was Brian), but in a lifestyle sense. His love of surfing inspired the others to adopt the image that launched the band, and his further adventures in the worlds of fast cars, fast bikes, and fast women continued to fuel the imagination and song catalog of his older brother and cousin. But in the first five or six years of their career, his musical contributions were limited to drumming and singing backup (and sometimes not even that), with an occasional lead vocal opportunity (either covers of other artists or new songs that Brian and Mike would throw his way). However, with Brian Wilson's retreat from full artistic control of the band in 1967, the other members (Dennis included) began to be relied upon more and more for compositional and production efforts. Dennis' first contributions in this respect appear on the 1968 Friends album, and would continue over the next five years; tunes like "Little Bird", "Be With Me", "Celebrate The News", and "Forever" were highlights of the late '60s-early '70s Beach Boys era. In order for Dennis to evolve musically into something more than "just the fun-loving playboy drummer", he needed to master a melodic/chordal instrument well enough to compose on it. -
Observation & Comprehension Quiz 1. What Is the Crowd Doing in the Opening Scene?
THE RUTLES in ALL YOU NEED IS CASH (Part 1: http://www.youtube.com/watch?v=Fu3T_2GzXSo) Observation & Comprehension Quiz 1. What is the crowd doing in the opening scene? Why? ……..……………………..……………… ……..……………………..……………………..……..……………………..……………………………. 2. What are the Rutles doing after their arrival at the airport? Why? ……………………………. ……..……………………..……………………..……..……………………..……………………………. 3. (1:11) What can you read on the back of the van? ………………..……………………………. 4. (1:26) What does the car registration number say? ………………..……………………………. 5. (1:35) Name the venue (=place) in Liverpool where the Rutles first played? …………….. 6. (1:39) What is the nickname of the Rutles? ………………..……………………….…………. 7. Complete the table with the full names of the Rutle members: Rutle member Styled after Beatle member Played by the actor John Lennon Neil Innes Paul McCartney Eric Idle George Harrison Ricky Fataar Richard Starkey John Halsey Nickname: Nickname: Ringo Starr th (=The 5 Rutle) Stuart Sutcliffe (=The 5th Beatle) Ollie Halsall 8. (1:50) What is the name of the Rutles’ manager? ………..……………………….…………. 9. Where did he discover them? ………………..………………………….………….…………. 10. How long did it take to record their 1st album? ………………………….………….…………. 11. (1:59) And their 2nd album? ………………………….………….……………………….………. 12. The reporter goes on to explain what his documentary (“mockumentary”) is about by saying : “Tonight we examine the ………… of the Rutles, we look at their …………, their …………, their ………… We ………… some of the ………… that ………… them what they are ………… And we shall also be ………… some of the people who …………with them whether they were really the ………… people they were made out to be. We shall be asking many people who ………… them what they ………… ………… …………(…)” 13. (2:20) Where are the Rutles probably playing? ….………….……………………….………. 14. -
Grateful Dead Could Appear Here May 20 Security Problems May Block Concert
Grateful Dead could appear here May 20 Security problems may block concert By Mike Gordon Stills, Nash and Young in late 1969, drew Well the first days are the hardest days 14.000 people, including gate-crashers Don't you worry any more who forced their way in and tore down Cause when life looks like easy street sections of fence. Bowles and Goodspeed There is danger at your door would rather see if a smaller bill in the Think this through widi me 5,000-7,000 audience range can be Let me know your mind smoothly handled first. Whoah what / want to know Is are you kind? OUTSIDE PROMOTER Garcia, Kreutzmann, McKeman, Lesh and Weir: erstwhile troubadors are maybe yes, maybe -Hunter-Garcia, “Unde John's Band" no for May. Much of yesterday's debate, the latest The Grateful Dead have confirmed a in a series of back-end-forth talks May 20 date to perform at UCSB, between A.S. Concerts and the capping nine months of negotiations with Administration, centered over whether A.S. Concerts Committee. would-be Dead promoter Sepp But a problem that has hampered past Donahower of Pacific Presentations has efforts to stage big-name concerts on the expertise and resources necessary to campus — the lack of adequate outdoor handle a concert in the wide-open campus concert facilities — threatens to disrupt fa c ility . plans for the Dead appearance. "At this point we don't believe we're Representatives of the Administration capable of handling a concert with Vol. 53—No. 93 University of California, Santa Barbara Thursday, March 8,1973 and A.S. -
David Bromberg 来日公演決定!!
芽瑠璃堂マガジン『ROOT』#007 デヴィッド・ブロムバーグ来日特集 芽瑠璃堂マガジンWEB 人気記事 芽瑠璃道~芽瑠璃堂の原点を辿って 7 石井達也のMIND THE GAP DAVID BROMBERG 来日公演決定!! 来日記念コラム 麻田浩(TOM’S CABIN)、宇田和弘、小川真一、小尾 隆、鈴木カツ 文=葉月賢治 デヴィッド・ブロムバーグが1978年1月の初来日以来、 シティ・ランブラーズなどで知られるカントリー/ヒルビリー 約34年ぶりに来日公演を行うことが決定したというニュー /オールド・タイムといったトラディショナル・ソングに加えて、 スは、まさに青天の霹靂とも言うべき大きな出来事だった。 ボブ・ディランの「悲しみは果てしなく」まで収録されており、 個人的にはブロムバーグを観ることなんて決して叶わない夢 まさにアメリカン・ルーツ・ミュージックのエッセンスをギュッ だとすら思っていたのだが、今回コラムをお引き受け頂いた と濃縮したバラエティに富んだ素晴らしい内容の作品であっ トムス・キャビンの麻田氏の尽力によって遂に現実のものと た。それとは打って変わって『ユーズ・ミー』は主にエレクトリッ なった。トムス・キャビンでは「聴かずに死ねるかシリーズ」 ク・ギターを手にしたバンド録音。もちろんアコースティック として現在まで実に数多くのミュージシャンを招聘している。 やドブロも使用している。ウッドストック、ナッシュヴィル、 2010年のジェフ・マルダー&エイモス・ギャレット公演や、 ニューオーリンズ、ヴァージニア、カリフォルニア、コロラド、 2009年のドニー・フリッツ公演など、未だに記憶に残ってい ペンシルベニアという具合に全米を旅して前述したゲストの る音楽ファンも多いことだろう。 元に足を運んで録音されている。ジョン・ハイアットと一緒に 今回の来日公演はそのシリーズの一環として仙台(4/13) 録音した「Ride On Out A Ways」のギター・ソロはブロム を皮切りに、札幌(4/15)、名古屋(4/16)、大阪(4/17)、福 バーグが弾いているのだが、温かい音色とメロディックなフ 岡(4/18)、そして東京(4/19)と丸々一週間に渡って全部で レーズは彼にしか弾けないギターだろう。ジャケットにも写っ 6公演を行うことが決定している。同行するメンバーはNate ている年季の入ったテレキャスターやドブロを使用したスラ Grower(fiddle, mandolin, vocals)と、Mark Cosgrove イド・ギターなどはまさに唯一無二、燻し銀の魅力を放って (mandolin, guitar, vocals)のふたり。詳細については公式サ いる。さらに忘れてはいけないのがそのヴォーカルである。 イト(http://toms-cabin.com/)を参照して欲しい。 決して歌の巧さで売っている訳ではないが、独特の歌い方と、 ブロムバーグは2011年に、前作『トライ・ミー・ワン・モア・ その声質によって実に味わい深いオリジナルの魅力がある。 タイム』から約4年ぶりとなる新作『ユーズ・ミー』を発売 このようにブロムバーグはアコースティック・ギターを持 したが、そこにはレヴォン・ヘルムやジョン・ハイアットを始め、 たせてもエレクトリック・ギターを持たせても素晴らしい演奏 ティム・オ ブ ラ イ エ ン 、ド クター・ジョン 、 ケ ブ・モ 、 ロ ス・ロ を聴かせてくれる。それはもちろん今に限ったことではなく、 ボス、リンダ・ロンシュタット、ワイドスプレッド・パニック、ヴィ ニューヨークのグリニッチ・ヴィレッジで大学に通いながら ンス・ギルという豪華なゲストの名前があった。アルバム・タ -
Blues Notes August 2012
Volume SeVenteen, number eight • AuguSt 2012 Come join us for 3 days of delicious, mouth watering barbecue and entertainment on the beautiful grounds of Stinson Park at Aksarben Village! FREE ADMISSION! FREE PARKING! FREE MUSIC! Our inaugural family-oriented event will feature nationally renowned professional Saturday, August 11th McKenna’s rib cooking crews, each bringing you a unique style of barbecue and fixins! will host an all day Blues, Booze THURSDAY AUGUST 16 and BBQ party at the bar. The Back 5:00 ~ Blues Ed - Blues Dilemma • 6:00 ~ Blues Ed - Crimson Dawn Alley Blues Band, as well as many 8:00-10:30 ~ BlueHouse & The Rent To Own Horns Blues Ed bands will take the stage thoughout the day. FRIDAY AUGUST 17 5:00-6:30 ~ Chad Lee • 7:00-8:30 ~ Collective Twang • 9:00-10:30 ~ Tami Hall Also August 11th, The OK Sisters will make a rare appearance in SatURDAY AUGUST 18 the area at Heartland Cafe! For 11:00 ~ Blues Ed - What Happened? • 12:00 ~ Blues Ed - Us & Them • 1:00 ~ Blues Ed - Mojo Bag • 3:00-4:30 ~ Lou Deluca a complete concert series lineup 5:00-6:30 ~ The Pounders • 7:00-8:30 - Little Joe & Big Trouble • 9:00-10:30 ~ Brad Cordle please visit heartlandcafe.net Blues Society Of Omaha Presents: THE JOHNSEN BROTHERS RETURN! CAROLYN Friday, August 3rd WONDERLAND The Heartland Cafe, 8pm • 2615 North Main, Elkhorn Tuesday, August 28th - 5pm The Waiting Room Advanced tickets on sale at etix.com THE ALLMAN BROTHERS BAND The Bluesmasters Concert Featuring The Allman Brothers Band and Master of Ceremonies, Mick Fleetwood When: Friday, August 31, 2012 @ 6 p.m.