Cashbox Editorial New York Editorial PHIL DIMAURO KEN TERRY CHARLES PAIKERT a Forward Look to ’77 Hollywood Editorial J.B

Total Page:16

File Type:pdf, Size:1020Kb

Cashbox Editorial New York Editorial PHIL DIMAURO KEN TERRY CHARLES PAIKERT a Forward Look to ’77 Hollywood Editorial J.B THE INTERNATIONAL MUSIC RECORD WEEKLY VOLUME XXXVIII — NUMBER 33 — January 1. 1977 ^GEORGEALBERT N President and Publisher MARTY OSTROW Executive Vice President DAVID BUDGE West Coast Advertising GARYCOHEN Editor In Chief JULIAN SHAPIRO East Coast Editor cashbox editorial New York Editorial PHIL DIMAURO KEN TERRY CHARLES PAIKERT A Forward Look To ’77 Hollywood Editorial J.B. CARMICLE JOHN MANKIEWICZ LINDA CAUTHEN COOKIE AMERSON As 1976 draws to a close, an in-depth look at the year that passed and an analysis ROBERT ROHWER DAVID BOYLES of the changes that went down, tend to indicate that the coming year might also be MIKE FALCON one of turmoil. And yet what that turmoil means and where it will lead is anybody’s Research HOWARD LOWELL. Director guess. STEVE OSTROW BOB SPEISMAN 1976 saw the resurgence — and demise — of some smaller independent LARRY CARLAT JEFF RAY manufacturers, long recognized as the lifeblood of the industry. Even this week WAYNE MARECI BILL FEASTER there are changes in the structure of some of the “little guys” — some are growing, CAROL RANDAL JUDY ALBERT improving and releasing, while others are closing, cutting back or consolidating. DAN SEIDEN CAROLE SUYDAM Clear trend? None whatsoever. Coin Machine The same is true at the new artist level. Certainly there were quite a few new Chicago CAMILLE COMP ASIO, Manager artists that broke during the calendar year of 1 976. But were there as many as there Hollywood DAVID BOYLES could have been? Did any one company garner a proportionately higher number of Art Director new artist development awards, signifying they found that “secret formula?” Not WOODY HARDING Circulation necessarily. As a matter of fact, some of the industry’s cynics claim that some of the THERESA TORTOSA Manager new artists broken during ’76 were flukes, artists that were in the right place at the PUBLICATION OFFICES right time . with the right company, large or small. Will these artists continue their NEW YORK 119 West 57th. N.Y., N.Y. 10019 successes next year? Do they signify a trend? Phone: (212) 586-2640 Who knows? Cable Address: Cash Box N.Y. also wonder where the industry is price. Is going to CALIFORNIA We headed on $7.98 become 6363 Sunset Blvd (Suite 930) Hollywood. Ca. 90028 the new industry standard list price? Will catalog prices go up too? What about Phone: (213) 464-8241 NASHVILLE retail prices? Nobody knows for sure. But we have stated before that $2.99 is just JUANITA JONES BARBARA O'DELL too cheap a price for $6.98 list records. 1511 Sigler St., Nashville Tenn. 37203 Phone: (615) 244-2898 There are other interesting factors to be explored this coming year. What will CHICAGO CAMILLE COMPASIO happen to independent distribution? To the rack jobbers? Will the major labels 29 E Madison St., Chicago, III. 60602 Phone: (312) 346-7272 continue to grow at the expense of the smaller independents? Will money-losing WASHINGTON. D.C. REBECCA MOORE companies become money-making companies? Nobody knows for sure. And while 2831 28 St. N.W. Washington, D.C. 20018 Phone: (202) 483-5533 the year does not appear to hold promise as “the most exciting,” etc., it certainly ENGLAND — KIM THORNE finding the direction for the overall industry in the 97 Uxbridge Rd London W.12 should go a long way toward Phone: 01-749-6724 coming years. ARGENTINA - MIGUEL SMIRNOFF Belgrano 3252, Piso 4 "B" Buenos Aires, Argentina Phone: 89-6796 BRAZIL — H GANDELMAN Av. Rio Branco, 156 Sala 627 Rio de Janeiro RJ CANADA - DAVID FARRELL 1946 Bioor St. W. Apt. 14 Toronto, Ontario, Canada M6P 3K9 Phone: (416) 766-5978 HOLLAND - PAUL ACKET Theresiastraat 59-63, The Hague Phone: 837700 ITALY — GABRIELE G. ABBATE Viale A, Doria 10, 20124 Milano BELGIUM — ETIENNE SMET Postbus 56, B-2700 Sint-Nikiaas Phone: (03) 76-54-39 AUSTRALIA — PETER SMITH 6 Murillo Crt, Doncaster Victoria, Australia 3108 Phone: 848-7878 NUMBER ONE JAPAN — Adv. Mgr , SACHIO SAITO 1-11-2-Chome Shmbashi. Minato-Ku, Tokyo SINGLE OF THE WEEK Phone: 504-1651 YOU DON'T HAVE TO BE A Editorial Mgr., FUMIYO TACHIBANA 1-11-2-Chome Shinbashi, Minato-Ku, Tokyo STAR Phone: 504-1651 MARILYN McCOO AND FRANCE - CLAUDE EM MONNET 262 bis Rue des Pyrenees BILLY DAVIS Paris, France 75020 Phone: 797-4261 ABC 12208 Writers: J. Dean/J. Glover SUBSCRIPTION RATES $60 per year anywhere in the U S A Published weekly by CASH BOX. 119 West PUB: Groovesville — BMI 57th St.. New York, N.Y. 10019. Printed in the U S A. Second class postage paid at York. New N.Y , and ad- ditional mailing offices. Copyright 1977 by The Cash Box Publishing Co. NUMBER ONE Inc All rights reserved. Copyright under Universal Copyright Convention. ALBUM OF THE WEEK POSTMASTER: Send form 3579 to CASH BOX 119 SONGS IN THE KEY OF LIFE West 57th St., New York. N.Y 10019 STEVIE WONDER 3-34062 ) TAMLA T 1 January 1, 1977 Weeks Weeks Weeks On On On 12/18 Chart 12/25 12/18 Chart 12/25 12/18 Chart 1 YOU DON’T HAVE TO BE A FREE BIRD 66 SLOW DANCING STAR LYNYRD SKYNYRD (MCA 1948) 35 40 5 FUNKY KINGS (Arista 209) 68 73 5 MARILYN McCOO & BILLY DAVIS WEEKEND IN NEW 67 SOMEONE TO LAY DOWN (ABC 12208) 3 4 14 ENGLAND BESIDE ME YOU MAKE ME FEEL LIKE BARRY MANILOW (Arista 212) 42 53 6 LINDA RONSTADT (Asylum 361) 71 75 5 DANCING NIGHT MOVES 68 IT KEEPS YOU RUNNING 44 54 5 LEO SAYER (Warner Bros. WBF 8283) 1 2 12 BOB SEGER (Capitol 4369) DOOBIE BROS. (WB 8282) 73 83 3 TONIGHT’S THE NIGHT FLIGHT ’76 69 DO IT TO MY MIND (GONNA BE ALRIGHT) WALTER MURPHY (Private Stock 45123) 37 38 9 JOHNNY BRISTOL (Atlantic 45-3360) 75 80 6 ROD STEWART (Warner Bros. 8262) 2 1 13 LOVE BALLAD 70 I LIKE TO DO IT CAR WASH LTD (A&M 1847) 32 24 15 K.C. AND THE SUNSHINE BAND (TK 1020) 76 81 3 ROSE ROYCE (MCA 40615) 13 16 9 DRIVIN’ WHEEL 71 I KINDA MISS YOU FOGHAT (Bearsville/WB B55 0313) 45 50 7 MANHATTANS (Columbia 3-10409) 72 77 8 8 WISH STEVIE WONDER (Tamla 54274) 14 19 5 HELLO OLD FRIEND 72 C.B. SAVAGE AFTER THE LOVIN’ ERIC CLAPTON (RSO RS 861) 34 28 10 ROD HART (Plantation 144) 78 85 4 ENGELBERT HUMPERDINCK (Epic 8-50270) 7 8 12 DON’T TAKE AWAY THE 73 MAN SMART, WOMAN SORRY SEEMS TO BE THE MUSIC SMARTER HARDEST WORD TAVARES (Capitol 4348) 40 43 10 ROBERT PALMER (Island 075) 77 82 6 ELTON JOHN (MCA/Rocket 40645) 8 9 9 FLY LIKE AN EAGLE 74 YOU’VE GOT ME RUNNING DAZZ STEVE MILLER (Capitol P4372) 54 72 3 GENE COTTON (ABC 12217) 81 87 5 BRICK (Bang 727) 9 12 11 BETH 75 IF NOT YOU STAND TALL KISS (Casablanca NB 863) 33 23 19 DR. HOOK (Capitol P4364) 80 84 6 BURTON CUMMINGS ROCK’N ME 76 MOODY BLUE (Portrait/CBS 6-70001) 5 6 14 STEVE MILLER BAND (Capitol 4323) 38 27 21 ELVIS PRESLEY (RCA PB 10857) 82 90 3 HOT LINE AIN’T NOTHING LIKE THE 77 MADEMOISELLE SYLVERS (Capitol 4336) 11 14 10 REAL THING STYX (A&M 1877) 57 57 9 LOVE ME DONNY & MARIE OSMOND 78 SO SAD THE SONG YVONNE ELLIMAN (RSO/Polydor 858) 12 13 14 (Polydor PD 14363) 47 51 7 GLADYS KNIGHT & THE PIPS LIVIN’ THING DANCING QUEEN (Buddah 544) 59 58 12 ABBA (Atlantic 3372) 52 62 4 ELO (UA 888) 10 11 10 79 IN THE MOOD - THE RUBBERBAND MAN DREAMBOAT ANNIE HENHOUSE FIVE PLUS TWO (WB WBS 8301) 94 2 SPINNERS (Atlantic 3355) 4 3 17 HEART (Mushroom M7023) 51 61 4 80 PRISONER (CAPTURED BY SOMEBODY TO LOVE HARD LUCK WOMAN YOUR EYES) QUEEN (Elektra E-45362) 16 21 7 KISS (Casablanca NB 873) 60 78 3 LA. JETS (RCA PB 10826) 83 91 3 WALK THIS WAY THE BEST DISCO IN TOWN 81 OPEN SESAME AEROSMITH (Columbia 10449) 17 25 7 (MEDLEY) KOOL & THE GANG (DeLite 1586) 84 92 4 JEANS ON RITCHIE FAMILY (Marlin/TK 3306) 41 35 17 82 THE THINGS WE DO FOR DAVID DUNDAS (Chrysalis CHS 2094) 18 22 16 YESTERDAY S HERO LOVE BAY CITY ROLLERS (Arista AS 0216) 50 52 6 TORN BETWEEN TWO 10cc (Mercury 73875) — 1 LOVERS YEAR OF THE CAT 83 HEY BABY MARY MacGREGOR AL STEWART (Janus J266) 61 71 4 RINGO STARR (Atlantic 3371) 95 3 (Ariola America/Capitol 7638) 22 29 8 LIVING NEXT DOOR TO 84 CALEDONIA LOVE SO RIGHT ALICE ROBIN TROWER (Chrysalis 2122) 93 3 BEE GEES (RSO 859) 6 5 16 SMOKIE (RSO 860) 55 63 5 85 FANCY DANCER BLINDED BY THE LIGHT 52 JUST TO BE CLOSE TO COMMODORES (Motown 1408) — 2 MANFRED MANN (WBS 8252) 26 34 7 YOU 86 WHITE BIRD ENJOY YOURSELF COMMODORES (Motown 1402) 39 31 18 DAVID LaFLAMME (Amherst 1007) 96 4 JACKSONS (Epic 8-50289) 28 36 8 FERNANDO 87 DON’T LEAVE ME THIS 1 LIKE DREAMING ABBA (Atlantic 3360) 43 41 18 KENNY NOLAN (20th Century 2287) 25 30 8 WAY SAVE IT FOR A RAINY DAY THELMA HOUSTON (Motown T54278F) — 2 NEW KID IN TOWN STEPHEN BISHOP (ABC 12232) 62 65 5 EAGLES (Asylum E45373) 29 39 4 88 CAN’T LET A WOMAN DO WHAT YOU WANT TO AMBROSIA (20th Century TC 2310) 94 5 LOST WITHOUT YOUR 89 9,999,999 TEARS LOVE DO.
Recommended publications
  • Joe Louis Walker
    Issue #218 LIVING BLUES #218 • APRIL 2012 Vol. 43, #2 ® © JOE LOUIS WA JOE LOUIS L KER - LEE GATES - KER - LEE GATES WALKER K IRK F L ETCHER - R LEE GATES OSCOE C HENIER - PAU KIRK L RISHE FLETCHER LL - 2012 B L UES FESTIVA ROSCOE L GUIDE CHENIER $6.95 US $6.95 CAN www.livingblues.com 2012 Festival Guide Inside! Joseph A. Rosen Rhythm andBluesCruise,Rhythm October 2007. onthe Legendary Joe LouisWalker In 1985, after a decade of playing and singing nothing but gospel music with a quartet called the Spiritual Corinthians, 35-year-old Joe Louis Walker decided to get back to the blues. The San Francisco–born singer-guitarist had begun playing blues when he was 14, at first with a band of relatives and then with blues-singing pimp Fillmore Slim before becoming a fixture at the Matrix, the city’s preeminent rock club during the psychedelic Summer of Love, backing such visiting artists as Earl Hooker and Magic Sam. Michael Bloomfield became a close friend and mentor. The two musicians lived together for a period, and the famous guitarist even produced a Walker demo for Buddah Records, though nothing came of it. Then, in 1975, Walker walked away from the blues completely in order to escape the fast life and the drugs and alcohol associated with it that he saw negatively affecting Bloomfield and other musician friends. Walker knew nothing about the blues business when he started doing blues gigs again around the Bay Area with a band he’d put together, as a member of Oakland blues singer-guitarist Haskell “Cool Papa” Sadler’s band, and (for a tour of Europe) with the ad hoc Mississippi Delta Blues Band.
    [Show full text]
  • Steve Cropper | Primary Wave Music
    STEVE CROPPER facebook.com/stevecropper twitter.com/officialcropper Image not found or type unknown youtube.com/channel/UCQk6gXkhbUNnhgXHaARGskg playitsteve.com en.wikipedia.org/wiki/Steve_Cropper open.spotify.com/artist/1gLCO8HDtmhp1eWmGcPl8S If Yankee Stadium is “the house that Babe Ruth built,” Stax Records is “the house that Booker T, and the MG’s built.” Integral to that potent combination is MG rhythm guitarist extraordinaire Steve Cropper. As a guitarist, A & R man, engineer, producer, songwriting partner of Otis Redding, Eddie Floyd and a dozen others and founding member of both Booker T. and the MG’s and The Mar-Keys, Cropper was literally involved in virtually every record issued by Stax from the fall of 1961 through year end 1970.Such credits assure Cropper of an honored place in the soul music hall of fame. As co-writer of (Sittin’ On) The Dock Of The Bay, Knock On Wood and In The Midnight Hour, Cropper is in line for immortality. Born on October 21, 1941 on a farm near Dora, Missouri, Steve Cropper moved with his family to Memphis at the age of nine. In Missouri he had been exposed to a wealth of country music and little else. In his adopted home, his thirsty ears amply drank of the fountain of Gospel, R & B and nascent Rock and Roll that thundered over the airwaves of both black and white Memphis radio. Bit by the music bug, Cropper acquired his first mail order guitar at the age of 14. Personal guitar heroes included Tal Farlow, Chuck Berry, Jimmy Reed, Chet Atkins, Lowman Pauling of the Five Royales and Billy Butler of the Bill Doggett band.
    [Show full text]
  • Music & Film Memorabilia
    MUSIC & FILM MEMORABILIA Friday 11th September at 4pm On View Thursday 10th September 10am-7pm and from 9am on the morning of the sale Catalogue web site: WWW.LSK.CO.Uk Results available online approximately one hour following the sale Buyer’s Premium charged on all lots at 20% plus VAT Live bidding available through our website (3% plus VAT surcharge applies) Your contact at the saleroom is: Glenn Pearl [email protected] 01284 748 625 Image this page: 673 Chartered Surveyors Glenn Pearl – Music & Film Memorabilia specialist 01284 748 625 Land & Estate Agents Tel: Email: [email protected] 150 YEARS est. 1869 Auctioneers & Valuers www.lsk.co.uk C The first 91 lots of the auction are from the 506 collection of Jonathan Ruffle, a British Del Amitri, a presentation gold disc for the album writer, director and producer, who has Waking Hours, with photograph of the band and made TV and radio programmes for the plaque below “Presented to Jonathan Ruffle to BBC, ITV, and Channel 4. During his time as recognise sales in the United Kingdom of more a producer of the Radio 1 show from the than 100,000 copies of the A & M album mid-1980s-90s he collected the majority of “Waking Hours” 1990”, framed and glazed, 52 x 42cm. the lots on offer here. These include rare £50-80 vinyl, acetates, and Factory Records promotional items. The majority of the 507 vinyl lots being offered for sale in Mint or Aerosmith, a presentation CD for the album Get Near-Mint condition – with some having a Grip with plaque below “Presented to Jonathan never been played.
    [Show full text]
  • Hard Times Hit On-Campus Nightspots Cambodian Oust Demanded Weiner
    t Hard times hit on-campus nightspots By LOU URSONE By ROLAND PERRAULT $75,000 and a full liquor permit were The Anonymous Pub was created and granted nearly a year ago for the establish- sponsored by the University to provide ment of full service restaurant/nightclub on studentswith the opportunity to have some c?mpus, but the .facility's expected opening is beer and snacks without leaving the Storrs still several months away at the very least. campus. But according to a Daily Campus Steve Donen. student trustee, said there are survey, it is the most costly beer you'll drink several reasons for the lack of any affirmative in the Storrs area. action. The lack of communication between * University departments has caused much of In a telephone survey of several area the delay, said Donen. "It took a very long Testaurants. beer prices were much less than time for the formal application to the State those charged at the Pub. For a pitcher of Department of Public Works for the contract- Busch. Ted's Restaurant and Rapp's ing of architects (to design the renovations) to Delicatessen both advertise $2.50 with leave this university; a very long time," said Huskies Restaurant following at $2.75. The Donen. Anonymous Pub doesn't serve Busch on tap, The application was sent to the Deputy Commissioner of Public Works on March 28. but it sells the similarly-priced" in retail These students in the Anonymous Pub may wind up 1979, and has yet to be approved.According to stores Miller at $3 a pitcher.
    [Show full text]
  • Music Library Association No. 189 January-February 2017 Table Of
    Music Library Association No. 189 January-February 2017 Table of Contents From the Board Committee News Our Community Responds Regional Chapter News MLA Orlando Preview Stories from the Field Conference Planning News Spotlight On...Small Businesses & Library Services Transitions & Appointments Moonlighting and Music Librarianship In Recognition Institutions & Collections MLA Publications IAML News News & Notes MLA Calendar From the Board page | 2 By President, Michael Rogan This is my last President’s Report (or if some of you have been paying attention, the column is now called “From the Board” and has been including contributions from other Board members--just one of the many benefits of taking the MLA Newsletter from quarterly to bimonthly!) While traditionally it should be full of “thank-you”s and should be calling attention to our upcoming annual meeting, I want to use this “last chance” a little differently. I am very thankful to so many of you that I have had the pleasure of working with while in this position, and I WILL be thanking folks publicly (at the Business Meeting) and personally in Orlando (warning: I’m a hugger!) I am also confident that many others are highlighting the terrific opportunities we have awaiting us at the Orlando conference. So I would like to take a few moments to reflect on the past few years and the path ahead for MLA, as I see it. These are difficult times, and the tribal pull to hunker down and wait it out until “things get better” can be strong. But things don’t “get better”--or get worse for that matter--they change, and we apply labels to that change based on our filters, our goals, our values.
    [Show full text]
  • INFORMATION to USERS This Manuscript Has Been Reproduced
    INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. •>- I The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrougb, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6” x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI University Microfilms International A Bell & Howell Information Company 300 North Zeeb Road. Ann Arbor, Ml 48106-1346 USA 313/761-4700 800/521-0600 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Reproduced with permission of the copyright owner. Further reproduction prohibited without permission.
    [Show full text]
  • THE COUNTRY DANCER Is Published Twice a Year
    The magazine of Calendar of Events THE COUNTRY DANCE SOCIETY OF AMERICA EDITOR March 25, 1961 SQUARE DANCE - DICK FORSCHER & CLIFF BULLARD THE May Gadd (in cooperation with the McBurney YMCA), New York C.D.S. ASSISTANT EDITORS April or May C.D.S. THEATER BENEFIT, New York. Details counTRY A.C. King Diana Lockard Maxwell Reiskind to be announced. DAnCER CONTRIBUTING EDITORS April 6 - 8 26th ANNUAL MOUNTAIN FOLK FESTIVAL, Berea, Penn Elizabeth Schrader Evelyn K. Wells Ky. The Festival is affiliated with the J. Donnell Tilghman Roberta Yerkes Country Dance Society o! America. April 14 - 16 C.D.S. SPRING HOUSE PARTY WEEKEND, Hudson ART EDITOR Guild Farm, Andover, New Jersey. Genevieve Shimer April 29 tentative C.D.S. SPRING FrnTIVAL in New York THE COUNTRY DANCER is published twice a year. Subscription is June 2.3 - 26 DANCE WEEKEND at PII{E)iOODS, Boston C.D.S. by membership in the Country Dance Society of America (annual Centre. dues $5, educational institutions and libraries $3.) Inquiries and subscriptions should be sent to the Secretary, Country Dance August 6 - 20 PllmUOODS CAMP: 'lWO DANCE WEEKS, National Society of America, 55 Christopher Street, New York 14, N.Y. C.D.S., Buzzards Bay, Mass. Tel: ALgonquin 5-8895. August 20 - 27 PIN»>OODS CAMP: FOLK MUSIC AND ~ORDER WEEK, Copyright 1961 by the Country Dance Society Inc. National C.D.S., Buzzards Bay, Mass. , Table of Contents lll@llll§lll§lll§lll§lll§lll§lll§ lll§lll§lll§lll§lll§lll§ Page PICTURE CREDITS By Gloria Berchielli, New York: Jack-in-the­ Calendar of Events •••••••••••••••••••••••••••• 3 Green, p.8.
    [Show full text]
  • June-July 1980
    VOL. 4 NO. 3 FEATURES: CARL PALMER As a youngster, Carl Palmer exhibited tremendous drumming ability to audiences in his native England. Years later, he ex- hibited his ability to audiences world wide as one third of the legendary Emerson, Lake and Palmer. With the breakup of E.L.P., Palmer has expanded in new directions with the forma- tion of his own band, P.M. 12 BILL GOODWIN Bill Goodwin has played with a variety of musicians over the years, including Art Pepper, George Shearing, Mose Allison and currently with Phil Woods. Goodwin discusses the styles and demands of the various musicians he worked with. And though Goodwin is a renowned sideman, he is determined to branch out with some solo projects of his own. 22 DEREK PELLICCI Derek Pellicci of the successful Little River Band, speaks candidly about his responsibilities with the band versus his other love, session work. Pellicci is happiest creating under studio session pressure. The drummer also discusses the impor- tance of sound in regards to the drums and the care that must go into achieving the right sound. 28 THE GREAT JAZZ DRUMMERS: SHOP HOPPIN' AT DRUMS PART I 16 UNLIMITED 30 MD'S SECOND ANNUAL READERS POLL RESULTS 24 COLUMNS: EDITOR'S OVERVIEW 2 DRIVER'S SEAT Controlling the Band READER'S PLATFORM 5 by Mel Lewis 42 ASK A PRO 6 SHOP TALK Different Cymbals for Different Drummers IT'S QUESTIONABLE 8 by Bob Saydlowski, Jr 46 ROCK PERSPECTIVES SLIGHTLY OFFBEAT Odd Rock, Part 2 Pioneering Progressive Percussion by David Garibaldi 32 by Cheech Iero 50 JAZZ DRUMMER'S WORKSHOP DRUM
    [Show full text]
  • The.Colours.Of.Jazz!
    The.Colours.Of.Jazz! jazz.club.moods jazz.club.legends jazz.club.highlights jazz.club.trends jazz.club.world jazz.club.easy jazz.club.history jazz.club.originals jazz.club.box.sets jazz.club.lps Große.Musik.zum.kleinen.Preis! moods.................................................................. Seiten 2-11 legends................................................................. Seiten 14-30 highlights.............................................................. Seiten 32-43 moods trends................................................................... Seiten 46-56 world.................................................................... Seiten 58-60 easy..................................................................... Seiten 62-66 history.................................................................. Seiten 68-74 originals................................................................ Seiten 76-82 box.sets............................................................... Seiten 84-88 lps........................................................................ Seiten 90-93 Various.Artists Various.Artists Bar.Jazz Chill-Out.Jazz. Verve 06024 9837442 Boutique 06007 5318186 1. ANTONIO CARLOS JOBIM: Captain Bacardi 1. BEADY BELLE: Closer 2. SHIRLEY SCOTT: Dreamsville 2. DON MENZA: Morning Song 3. MEL TORMÉ: Moonlight Cocktail 3. GEORGE SHEARING: Killing Me Softly With His Song 4. KENNY BURRELL: Rose Room 4. FRANCY BOLAND & THE ORCHESTRA: Autumn In New York 5. COLEMAN HAWKINS & BEN WEBSTER: Cocktails For Two 5. EUGEN CICERO: Im Mondenschein
    [Show full text]
  • Acdsee Proprint
    BULK RATE U.S. POSTAGE PAID Permit No. 2419 lPE lPITClHl K.C., Mo. FREE FREE VOL. II NO. 1 YOU'LL NEVER GET RICH READING THE PITCH FEBRUARY 1981 FBIIRUARY II The 8-52'5 Meet BUDGBT The Rev. in N.Y. Third World Bit List .ONTHI l ·TRIVIA QUIZ· WHAT? SQt·1E RECORD PRICES ARE ACTUALLY ~~nll .815 m wi. i .••lIIi .... lllallle,~<M0,~ CGt4J~G ·DOWN·?····· S€f ·PAGE: 3. FOR DH AI LS , prizes PAGE 2 THE PENNY PITCH LETTERS Dec. 29,1980 Dear Warren, Over the years, Kansas Attorney General's have done many strange things. Now the Kansas Attorney General wants to stamp out "Mumbo Jumbo." 4128 BROADWAY KANSAS CITY, MISSOURI 64111 Does this mean the "Immoral Minority" (816) 561·1580 will be banned from Kansas? Is being banned from Kansas a hardship? Edi tor ....••..•••.• vifarren Stylus Morris Martin Contributing vlriters this issue: Raytown, Mo. P.S. He probably doesn't like dreadlocks Rev. Dwight Frizzell, Lane & Dave from either. GENCO labs, Blind Teddy Dibble, I-Sheryl, Ie-Roths, Lonesum Chuck, Mr.D-Conn, Le Roi, Rage n i-Rick, P. Minkin, Lindsay Shannon, Mr. P. Keenan, G. Trimble, Jan. 26, 1981 debranderson, M. Olson Dear Editor, Inspiration this issue: How come K. C. radio stations never Fred de Cordova play, The Inmates "I thought I heard a Heartbeat", Roy Buchanan "Dr. Rock & Roll" Peter Green, "Loser Two Times", Marianne r,------:=~--~-__l "I don' t care what they say about Faithfull, "Broken English", etc, etc,? being avant garde or anything else. How come? Frankly, call me square if you want Is this a plot against the "Immoral to.
    [Show full text]
  • December 9, 1977 No
    MAC. > Vol. LV James Madison University Friday, December 9, 1977 No. 26 Spaces designated in X lot for commuter parking By MARK DAY1SON commuter student committee The proposal was passed Commuters were given 199 chairman. unanimously by the parking parking spaces, some of which "G" is the designation committee, according to Dr. are in the campus end of X lot, given to the Godwin parking John Mundy, vice president on a "trial basis" beginning lot, which is used only by for academic affairs, and next semester. commuters. chairman of the parking The proposal, made by the The proposal for commuter advisory committee. commuter student committee, parking spaces was presented was passed by the Parking to the parking committee on Criticism voiced Advisory Committee Monday. Nov. 15, and was based on a The spaces designated for report prepared by a com- commuter use are "the first muter task force which three lanes in X lot and the 21 sh-died the X lot parking by residents spaces in the small lot just patterns. south of the main X lot, as well At the parking committee as the 13 spaces along the road meeting on Dec. 5, commuters on proposal through X lot." and members_of thelnter Hall Also, "the road behind the Council met to discuss the By MARK DAVISON N-complex dorms and the proposal. Many N-complex dorm JMU'S TYRONE SHOULDERS (ID fights for a rebound against spaces along the road to the —Council President Gary senators have received VMI's center Dave Montgomery (45). Shoulders lost this fight tunnel under 1-81" will be Hallowell and senators from negative feedback concerning and the Dukes lost the game to the Keydets 86-68 in the Pit at redes ignated "G"parking.
    [Show full text]
  • Click on This Link
    The Australian Songwriter Issue 108, June 2015 First published 1979 The Magazine of The Australian Songwriters Association Inc. Samantha Mooney performing at the 2014 National Songwriting Awards 1 In This Edition: Chairman’s Message Editor’s Message 2015 Australian Songwriting Contest Update Samantha Mooney: 2014 Winner of the Country Category Frank Dixon: 2014 Winner of the Youth Category ASA History: Tom Louch (1932-2009) Bob King: ASA National Songwriting Awards Photographer ASA Member Profile: Justin Standley Lola Brinton & Trish Roldan: 2014 Winners of the Australia Category ASA Member Profile: Younis Clare 2015 Queen’s Birthday Honours: Archie Roach AM Sponsors Profiles Wax Lyrical Roundup Members News and Information The Load Out Official Sponsors of the Australian Songwriting Contest About Us: o Aims of the ASA o History of the Association o Contact Us o Patron o Life Members o Directors o Regional Co-Ordinators o APRA/ASA Songwriter of the Year o Rudy Brandsma Award Winner o PPCA Live Performance Award Winner o Australian Songwriters Hall of Fame o Australian Songwriting Contest Winners 2 Chairman’s Message Dear Members, At the time of writing, we have just about come to the close of our annual National Songwriting Contest. I am licking my lips in anticipation, awaiting all the fantastic songs that will come forth. There is no doubt in my mind that each and every year brings lots of new wonderful tunes, including some that are just ‘gems’. In the meantime, your Vice Chairman and eNewslettter Editor, Alan Gilmour, has come up with another bumper issue to whet your appetite.
    [Show full text]