June-July 1980
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Ratner Kills Mr
Brooklyn’s Real Newspaper BrooklynPaper.com • (718) 834–9350 • Brooklyn, NY • ©2008 BROOKLYN HEIGHTS–DOWNTOWN–NORTH BROOKLYN AWP/18 pages • Vol. 31, No. 8/9 • Feb. 23/March 1, 2008 • FREE INCLUDING CARROLL GARDENS, COBBLE HILL, BOERUM HILL, DUMBO, WILLIAMSBURG AND GREENPOINT RATNER KILLS MR. BROOKLYN By Gersh Kuntzman EXCLUSIVE right now,” said Yassky (D– The Brooklyn Paper Brooklyn Heights). “Look, a lot of developers are re-evalut- Developer Bruce Ratner costs had escalated and the num- ing their numbers and feel that has pulled out of a deal with bers showed that we should residential buildings don’t City Tech that could have net not go down that road,” added work right now,” he said. him hundreds of millions of the executive, who did not wish Yassky called Ratner’s dollars and allowed him to to be identified. withdrawal “good news” for build the city’s tallest resi- Costs had indeed escalated. Brooklyn. dential tower, the so-called In 2005, CUNY agreed to pay “A residential building at Mr. Brooklyn, The Brooklyn Ratner $86 million to build the that corner was an awkward Paper has learned. 11- to 14-story classroom-dor- fit,” said Yassky. “A lot of plan- “It was a mutual decision,” mitory and also to hand over ners see that site as ideal for a said a key executive at the City the lucrative development site significant office building.” University of New York, which where City Tech’s Klitgord Forest City Ratner did not would have paid Ratner $300 Auditorium now sits. return two messages from The million to build a new dorm Then in December, CUNY Brooklyn Paper. -
To Release Signature Fine Art Collection: Twist of the Wrist
For Immediate Release Tuesday, January 22th. 2013 LEGENDARY ROCK DRUMMER CARL PALMER TO RELEASE SIGNATURE FINE ART COLLECTION: TWIST OF THE WRIST A legendary drummer. A new medium in visual art. The most limited release imaginable. Carl Palmer, one of rock’s iconic figures, and a founding member of both Emerson Lake & Palmer and ASIA, is scheduled to release his first signature collection of fine art, created completely from rhythm. Twist of the Wrist by Carl Palmer is a series of signed and numbered prints on canvas featuring stunning visual images constructed from drum performance. Working with acclaimed L.A. art team SceneFour, the artwork featured within combine motion, color, and lighting into some of the most compelling fine art visuals ever created. This very limited art collection is available at www.CarlPalmerArt.com starting on February 1, 2013. They will also be available in selected art galleries and at Carl Palmer shows during his extensive 2013 tour. “I have been extremely interested in modern art since my earliest days in ELP, but I never envisioned myself as someone who would create it,” says Palmer. “SceneFour has enabled me to combine the two things I am most passionate about: fine art and music.” “I think viewers will be amazed when they see Carl’s rhythmic approach and symmetric motion put to canvas. It captures a new dimension, not of this world,” SceneFour Art Director Ravi Dosaj states. View the video: http://www.youtube.com/watch?v=P78IMNU05pg&feature=youtu.be RHYTHM IS THE MEDIUM. Created over the course of 2012, Carl Palmer’s fine art debut is historic, as he pioneers a new visual art medium with Twist of the Wrist – rhythm on canvas. -
Jazzfest 2012 Is Here!
Volume 40 • Issue 6 June 2012 Journal of the New Jersey Jazz Society Dedicated to the performance, promotion and preservation of jazz. Clockwise: Louis Armstrong, Louis Prima Jazzfest 2012 and Louis Jordan. Publicity is here! photos courtesy Featuring Tribute CTSIMAGES. to Three Louies by Swingadelic …among many other delights! Saturday, June 16. Details on page 5 and at www.njjs.org Get tix today! New JerseyJazzSociety in this issue: NEW JERSEY JAZZ SOCIETY Prez Sez . 2 Bulletin Board . 2 NJJS Calendar . 3 Jazz Trivia . 4 Editor’s Pick/Deadlines/NJJS Info . 6 Prez Sez April Jazz Social: Roseanna Vitro . 44 Crow’s Nest . 46 By Frank Mulvaney President, NJJS New/Renewed Members . 46 Change of Address/Support NJJS/Volunteer/JOIN NJJS . 47 ell, Jazzfest is just a couple of weeks marketing and public relations experience. STORIES Waway and I hope you will be able to get He has authored numerous articles on jazz Jazzfest 2012 Preview. cover tickets, if you have not ordered them already. and many were compiled and published in Jazz in July Moves to Budd Lake . 4 Big Band in the Sky. 8 The lineup is fabulous and we are expecting a book form in Jazz Notes: Interviews Across the Talking Jazz: Sachal Vasandani . 16 sellout. Last year’s Jazzfest was very successful Generations (Praeger, 2009). Sandy also writes Vince Giordano at Mayo PAC . 21 despite the rain and we learned a lot from Jersey Jazz’s “Big Band In the Sky” obituary Remembering Sonny Igoe . 22 column. We still have a vacancy on the board Les Paul Birthday at Ramapo . -
Wavebid > Buyers Guide
Auction Catalog March 2021 Auction Auction Date: Sunday, Feb 28 2021 Bidding Starts: 12:00 PM EST Granny's Auction House Phone: (727) 572-1567 5175 Ulmerton Rd Email: grannysauction@gmail. Ste B com Clearwater, FL 33760 © 2021 Granny's Auction House 02/28/2021 07:36 AM Lot Title & Description Number 12" x 16" Wyland Lucite Limited Edition Orca Family Statue - Free form clear lucite form reminiscent of ice with sun softened edges 1 holding family pod of 3 Orcas/ killer whales, etched Wyland signature lower left, numbered 105/950 lower right - in house shipping available 2 6" x 4" Russian Lacquerware Box Signed and Numbered with Mythic Cavalry Scene - Black Ground, Bright Red Interior - In House Shipping Available Tiffany & Co. Makers Sterling Silver 6 1/2" plate - 16052 A, 7142, 925-1000, beautiful rimmed plate. 5.095 ozt {in house shipping 3 available} 2 Disney Figurines With Original Boxes & COA - My Little Bambi and Mothe # 14976 & Mushroom Dancer Fantasia. {in house shipping 4 available} 2 Art Glass Paperweights incl. Buccaneers Super Bowl Football - Waterford crystal Super Bowl 37 Buccaneers football #1691/2003 & 5 Murano with copper fleck (both in great condition) {in house shipping available} 6 Hard to Find Victor "His Master's Voice" Neon Sign - AAA Sign Company, Coltsville Ohio (completely working) {local pick up or buyer arranges third party shipping} 7 14K Rose Gold Ring With 11ct Smokey Topaz Cut Stone - size 6 {in house shipping available} 8 5 200-D NGC Millennium Set MS 67 PL Sacagawea Dollar Coins - Slabbed and Graded by NGC, in house shipping available Elsa de Bruycker Oil on Canvas Panting of Pink Cadillac Flying in to the distance - Surrealilst image of cadillac floating above the road 9 in bright retro style, included is folio for Elsa's Freedom For All Statue of Liberty Series - 25" x 23" canvas, framed 29" x 28" local pick up and in house shipping available 10 1887 French Gilt Bronze & Enamel Pendent Hanging Lamp - Signed Emile Jaud Et Jeanne Aubert 17 Mai 1887, electrified. -
Emerson, Lake & Palmer Can Still Turn Us on with These Top 5 Song Lyrics
Emerson, Lake & Palmer can still turn us on with these top 5 song lyrics Sign in Akro… Welc… TRENDING TOPICS: metal | Concerts | Celine Dion | Music | festivals | Sports | Comedy | AXS Buzz | rock | pop | Los Angeles | Emerson, Lake & Palmer can still turn us on with these top 5 song lyrics windhoek35 YouTube merson, Lake & Palmer no longer tour as a trio, but Keith Emerson and Greg Lake have recorded and toured together as a duo. In 2010 Keith and Greg released an album titled Live E from Manticore Hall. Performing a two man version of the iconic Emerson, Lake & Palmer songs, the album was recorded during their American tour. The power trio was one of the most commercially successful and popular progressive rock bands of their era. Their music relied heavily on the use of the Moog synthesizer, Hammond organ and Keith Emerson’s http://www.axs.com/emerson-lake-palmer-can-still-turn-us-on-with-these-top-5-song-lyrics-60805[7/13/2015 9:31:39 PM] Emerson, Lake & Palmer can still turn us on with these top 5 song lyrics use of what has been described as the “flamboyant virtuoso” use of the piano. Classical music, hard rock and jazz were the dominating influences in the music created by ELP. Keith Emerson, Greg Lake and Carl Palmer made up the British trio, but it found its origins at the Fillmore West in San Francisco. Emerson and Lake, who were looking for projects outside their current bands, worked together and found their styles were “compatible and complementary.” Music impresario Robert Stigwood suggested that they add Carl Palmer as their drummer. -
Ic/Record Industry July 12, 1975 $1.50 Albums Jefferson Starship
DEDICATED TO THE NEEDS IC/RECORD INDUSTRY JULY 12, 1975 $1.50 SINGLES SLEEPERS ALBUMS ZZ TOP, "TUSH" (prod. by Bill Ham) (Hamstein, BEVERLY BREMERS, "WHAT I DID FOR LOVE" JEFFERSON STARSHIP, "RED OCTOPUS." BMI). That little of band from (prod. by Charlie Calello/Mickey Balin's back and all involved are at JEFFERSON Texas had a considerable top 40 Eichner( (Wren, BMI/American Com- their best; this album is remarkable, 40-1/10 STARSHIP showdown with "La Grange" from pass, ASCAP). First female treat- and will inevitably find itself in a their "Tres Hombres" album. The ment of the super ballad from the charttopping slot. Prepare to be en- long-awaited follow-up from the score of the most heralded musical veloped in the love theme: the Bolin - mammoth "Fandango" set comes in of the season, "A Chorus Line." authored "Miracles" is wrapped in a tight little hard rock package, lust Lady who scored with "Don't Say lyrical and melodic grace; "Play on waiting to be let loose to boogie, You Don't Remember" doin' every- Love" and "Tumblin" hit hard on all boogie, boogie! London 5N 220. thing right! Columbia 3 10180. levels. Grunt BFL1 0999 (RCA) (6.98). RED OCTOPUS TAVARES, "IT ONLY TAKES A MINUTE" (prod. CARL ORFF/INSTRUMENTAL ENSEMBLE, ERIC BURDON BAND, "STOP." That by Dennis Lambert & Brian Potter/ "STREET SONG" (prod. by Harmonia Burdon-branded electrified energy satu- OHaven Prod.) (ABC Dunhill/One of a Mundi) (no pub. info). Few classical rates the grooves with the intense Kind, BMI). Most consistent r&b hit - singles are released and fewer still headiness that has become his trade- makers at the Tower advance their prove themselves. -
Finding Aid to the Historymakers ® Video Oral History with Johnny Pate
Finding Aid to The HistoryMakers ® Video Oral History with Johnny Pate Overview of the Collection Repository: The HistoryMakers®1900 S. Michigan Avenue Chicago, Illinois 60616 [email protected] www.thehistorymakers.com Creator: Pate, Johnny Title: The HistoryMakers® Video Oral History Interview with Johnny Pate, Dates: September 30, 2004 Bulk Dates: 2004 Physical 5 Betacame SP videocasettes (2:29:11). Description: Abstract: Jazz bassist and music arranger Johnny Pate (1923 - ) formed the Johnny Pate Trio and Combo, and was house bassist for Chicago’s The Blue Note. Johnny Pate’s bass solo on “Satin Doll” is featured on the album "Duke Ellington Live at The Blue Note," and he has collaborated with Curtis Mayfield, produced the Impressions’s hits “Amen,” “We’re A Winner” and “Keep On Pushin’.” and arranged for B.B. King, Gene Chandler and Jerry Butler. Pate was interviewed by The HistoryMakers® on September 30, 2004, in Las Vegas, Nevada. This collection is comprised of the original video footage of the interview. Identification: A2004_188 Language: The interview and records are in English. Biographical Note by The HistoryMakers® Jazz bassist, rhythm and blues arranger John W. Pate, Sr., “Johnny Pate,” was born December 5, 1923 in blue collar Chicago Heights, Illinois. Pate took an interest in the family’s upright piano and learned from the church organist who boarded with them. He attended Lincoln Elementary School, Washington Junior High and graduated from Bloom Township High School in 1942. Drafted into the United graduated from Bloom Township High School in 1942. Drafted into the United States Army, Pate joined the 218th AGF Army Band where he took up the tuba and played the upright bass in the jazz orchestra. -
November 5, 1981, Page 3 1 Yes, I Had to Kill People9 by TAMMY SCARTON Anything That Reminds the "Yes, I Had to Kill People
Governor-elect Robb leads Democratic victories __ __. i _ By STEPHEN ALLEN James Kinnaird, professor in the political science Lt. Gov. Charles Robb scored a resounding victory Tuesday's election ends eight months of cam- department here and a Democrat, said, "I don't think paigning that cost Robb and Coleman a total of $5 over Republican Attorney General Marshall the election is necessarily a referendum against Coleman to become Virginia's first Democratic Reagan." governor-elect since 1965. Most campaign expenditures went for ad- Richard Horan, vice president of Young Democrats vertisements. With all but 52 of the state's 1,909 precincts at James Madison University, agreed the election reporting, Robb had 53.8 percent of the vote, to had little to do with Reagan policies. Coleman's 46.2 percent. The bitter television campaign waged by both Horan said "Robb supports Reagan's economic candidates climaxed when Coleman, enraged by a Robb's Democratic running mates, Richard Davis plans, although he has come out against Reagan's and Gerald Baliles, joined Robb in victory. Robb ad attacking his stand on drug control, asked in policy in determining student loans. an ad,"What's Robb been smoking?" Davis had 56.1 percent in the race for Lt. Governor, "Robb has promised that students will have the over Nathan Miller's 43.9 percent after 1,759 of 1,909 This type of mudslinging, used to a lesser degree by same opputunity to get loans despite federal cut- Robb, hurt Coleman and contributed to his downfall. precincts reported. -
Hard Times Hit On-Campus Nightspots Cambodian Oust Demanded Weiner
t Hard times hit on-campus nightspots By LOU URSONE By ROLAND PERRAULT $75,000 and a full liquor permit were The Anonymous Pub was created and granted nearly a year ago for the establish- sponsored by the University to provide ment of full service restaurant/nightclub on studentswith the opportunity to have some c?mpus, but the .facility's expected opening is beer and snacks without leaving the Storrs still several months away at the very least. campus. But according to a Daily Campus Steve Donen. student trustee, said there are survey, it is the most costly beer you'll drink several reasons for the lack of any affirmative in the Storrs area. action. The lack of communication between * University departments has caused much of In a telephone survey of several area the delay, said Donen. "It took a very long Testaurants. beer prices were much less than time for the formal application to the State those charged at the Pub. For a pitcher of Department of Public Works for the contract- Busch. Ted's Restaurant and Rapp's ing of architects (to design the renovations) to Delicatessen both advertise $2.50 with leave this university; a very long time," said Huskies Restaurant following at $2.75. The Donen. Anonymous Pub doesn't serve Busch on tap, The application was sent to the Deputy Commissioner of Public Works on March 28. but it sells the similarly-priced" in retail These students in the Anonymous Pub may wind up 1979, and has yet to be approved.According to stores Miller at $3 a pitcher. -
Stylistic Evolution of Jazz Drummer Ed Blackwell: the Cultural Intersection of New Orleans and West Africa
STYLISTIC EVOLUTION OF JAZZ DRUMMER ED BLACKWELL: THE CULTURAL INTERSECTION OF NEW ORLEANS AND WEST AFRICA David J. Schmalenberger Research Project submitted to the College of Creative Arts at West Virginia University in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in Percussion/World Music Philip Faini, Chair Russell Dean, Ph.D. David Taddie, Ph.D. Christopher Wilkinson, Ph.D. Paschal Younge, Ed.D. Division of Music Morgantown, West Virginia 2000 Keywords: Jazz, Drumset, Blackwell, New Orleans Copyright 2000 David J. Schmalenberger ABSTRACT Stylistic Evolution of Jazz Drummer Ed Blackwell: The Cultural Intersection of New Orleans and West Africa David J. Schmalenberger The two primary functions of a jazz drummer are to maintain a consistent pulse and to support the soloists within the musical group. Throughout the twentieth century, jazz drummers have found creative ways to fulfill or challenge these roles. In the case of Bebop, for example, pioneers Kenny Clarke and Max Roach forged a new drumming style in the 1940’s that was markedly more independent technically, as well as more lyrical in both time-keeping and soloing. The stylistic innovations of Clarke and Roach also helped foster a new attitude: the acceptance of drummers as thoughtful, sensitive musical artists. These developments paved the way for the next generation of jazz drummers, one that would further challenge conventional musical roles in the post-Hard Bop era. One of Max Roach’s most faithful disciples was the New Orleans-born drummer Edward Joseph “Boogie” Blackwell (1929-1992). Ed Blackwell’s playing style at the beginning of his career in the late 1940’s was predominantly influenced by Bebop and the drumming vocabulary of Max Roach. -
Nº 11 Junio 2021 I.S.S.N
CONSERVATORIO SUPERIOR DE MÚSICA “ANDRÉS DE VANDELVIRA” DE JAÉN AV Notas AV Notas REVISTA DE INVESTIGACIÓN MUSICAL Nº 11 Junio 2021 I.S.S.N. 2529-8577 Catalogación y estudio de las obras de Henry Purcell en las que se incluye a la trompeta: la saga inglesa de los trompetistas de la familia de los Shore Música para una izquierda latinoamericana: el Concierto de Santiago de Mario Kuri-Aldana Trascendencia para el futuro profesional de "improvisar" con la improvisación Cinq Incantations pour flûte seule de André Jolivet. Un estudio interpretativo a través de la segunda Incantation, Pour que l’enfant qui va naître soit un fils Euphory Concerto de Adam Wesolowsi: música para nuevos tiempos Guía para el percusionista rudimental Maurice Ravel: Valses nobles et sentimentales. Estudio interpretativo AV Notas, Revista de investigación musical y artística del Conservatorio Superior de Música “Andrés de Vandelvira” de Jaén. Dirección: Calle Compañía nº 1. 23001 Jaén. Teléfono: 953 365610 Dirección Web: www.csmjaen.com Director del centro: Pedro Pablo Gordillo Castro Equipo de la revista Dirección: Sonia Segura Jerez Subcomité editorial, Nº 11: • Julia Baena Reigal • Luis Báez Cervantes • Jorge Javier Giner Gutiérrez • Sonia Segura Jerez Dirección Web: http: publicaciones.csmjaen.es Administrador del sitio web: Ángel Damián Sevilla González Contacto: [email protected] Plataforma editorial: OJS, Open Journal System ISSN: 2529-8577 Indexación: Dialnet, Latindex Catálogo 2.0, DOAJ, CiteFactor, PKP Index, OAIndex, Electra (Publicaciones Andaluzas en la Red. Biblioteca de Andalucía), Repositorio de publicaciones de Averroes. 3 4 Consejo Editorial • Dña. Elsa Calero Carramolino. Universidad de Granada • D. Albano García Sánchez, Universidad de Córdoba • Dña. -
The Music of Rhythm Willie Can Be at Once a Blues Harmonica Fan's Most Exciting and Most Frustrating Discovery
Copyright Scott Dirks, for Blues & Rhythm magazine The music of Rhythm Willie can be at once a blues harmonica fan's most exciting and most frustrating discovery. His recordings reveal a technically accomplished and musically innovative player, with few peers on the standard 10-hole Marine Band harmonica in his day. A strong case can be made for his position as the first truly urban blues harp player; at a time when the harmonica was still used in black music essentially for 'country' adornment, Rhythm Willie was utilizing it with the urbanity of a jazz trumpeter or clarinetist. Yet until recently almost nothing was known of him other than the sound of his harmonica in the grooves of a handful of rare 78s recorded in Chicago between 1939 and 1950. Overlooked by blues researchers and historians for over 40 years, mention of his name draws only blank expressions or resigned shrugs from most blues authorities. Listening for biographical clues in his music reveals virtually nothing about the artist--his only recordings as a leader were all instrumentals. Further compounding the mystery, most of Willie's appearances as an accompanist on the recordings of other blues artists are attributed to "unknown harmonica" or "possibly Lee McCoy" in published discographies (a situation which this article will examine and attempt to rectify.) In fact, given his extraordinary range and talent, referring to Rhythm Willie as simply a "blues" harmonica player might be slightly unfair, and in retrospect it's easy to imagine that Willie himself may have gone to some lengths to avoid being classified with the blues harp players he probably considered to be his musically less sophisticated country cousins.