The Living Daylights 2(12) 26 March 1974
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Thames Valley Papists from Reformation to Emancipation 1534 - 1829
Thames Valley Papists From Reformation to Emancipation 1534 - 1829 Tony Hadland Copyright © 1992 & 2004 by Tony Hadland All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form, or by any means – electronic, mechanical, photocopying, recording or otherwise – without prior permission in writing from the publisher and author. The moral right of Tony Hadland to be identified as author of this work has been asserted in accordance with the Copyright, Designs and Patents Act, 1988. British Library Cataloguing-in-Publication Data A catalogue for this book is available from the British Library. ISBN 0 9547547 0 0 First edition published as a hardback by Tony Hadland in 1992. This new edition published in soft cover in April 2004 by The Mapledurham 1997 Trust, Mapledurham HOUSE, Reading, RG4 7TR. Pre-press and design by Tony Hadland E-mail: [email protected] Printed by Antony Rowe Limited, 2 Whittle Drive, Highfield Industrial Estate, Eastbourne, East Sussex, BN23 6QT. E-mail: [email protected] While every effort has been made to ensure accuracy, neither the author nor the publisher can be held responsible for any loss or inconvenience arising from errors contained in this work. Feedback from readers on points of accuracy will be welcomed and should be e-mailed to [email protected] or mailed to the author via the publisher. Front cover: Mapledurham House, front elevation. Back cover: Mapledurham House, as seen from the Thames. A high gable end, clad in reflective oyster shells, indicated a safe house for Catholics. -
Gestural Abstraction in Australian Art 1947 – 1963: Repositioning the Work of Albert Tucker
Gestural Abstraction in Australian Art 1947 – 1963: Repositioning the Work of Albert Tucker Volume One Carol Ann Gilchrist A thesis submitted for the degree of Doctor of Philosophy Department of Art History School of Humanities Faculty of Arts University of Adelaide South Australia October 2015 Thesis Declaration I certify that this work contains no material which has been accepted for the award of any other degree or diploma in my name, in any university or other tertiary institution and, to the best of my knowledge and belief, contains no material previously published or written by another person, except where due reference has been made in the text. In addition, I certify that no part of this work will, in the future, be used for any other degree or diploma in any university or other tertiary institution without the prior approval of the University of Adelaide and where applicable, any partner institution responsible for the joint-award of this degree. I give consent to this copy of my thesis, when deposited in the University Library, being made available for loan and photocopying, subject to the provisions of the Copyright Act 1968. I also give permission for the digital version of my thesis to be made available on the web, via the University‟s digital research repository, the Library Search and also through web search engines, unless permission has been granted by the University to restrict access for a period of time. __________________________ __________________________ Abstract Gestural abstraction in the work of Australian painters was little understood and often ignored or misconstrued in the local Australian context during the tendency‟s international high point from 1947-1963. -
BRUCE THOMAS PUMPS IT up with ELVIS COSTELLO by Dan Forte Guitar Player March 1987
BRUCE THOMAS PUMPS IT UP WITH ELVIS COSTELLO by Dan Forte Guitar Player March 1987 EVERYTHING ABOUT ELVIS Costello -his intelligent and prolific songwriting, impassioned singing, horn-rimmed visual image, ever-changing stylistic jaunts,even his anti-hero guitar playing -is so all-pervasive that his trio of sidemen, the Attractions, seems all but anonymous. (A magazine that just named Costello artist.of the year for 1986 only three years earlier misidentified the members of the Attractions in a photo caption.) But if Elvis is to be commended for his stylistic daring, the Attractions deserve equal praise for their ability to follow him down every idiomatic path, with their original fire and indelible individualism intact. Of all of Costello's talents, perhaps his strongest suit is as bandleader - not only for keeping a group together for a decade, but for choosing the musicians he did to make up his backing band. The Attractions have been together since 1977, in which time they've recorded 11 albums (plus a Best Of collection) since Elvis' debut, My Aim Is True. And night after night they have proved that at least one band (coincidentally virtually the only surviving band) from England’s punk era can play and always could. After recording his auspicious debut with uncredited backing from the American band Clover (including guitarist John McFee, currently with Southern Pacific), Declan "Elvis Costello" MacManus settled on piamst Steve Nieve, drummer Pete Thomas, and (no relation) bassist Bruce Thomas, after aluditioning, in the bassist's, words "hundreds of guys who couldn't tune up or put the guitar on right." The group's first effort, This Year's Model, not only squelched any fears of a,sophomore jinx; it kicked in with more muscle than Aim and signaled the arrival of a distinct new collective musical personality. -
THE EVOLUTION of a POEM the Shark
Phoenix Phoenix The University of Sydney Writers Journal The University of Sydney Writers Journal 2006 2006 Guest Editors Guest Editors Judith Beveridge Judith Beveridge David Brooks David Brooks Edited By Edited By Adrienne Jerram Adrienne Jerram Roberta Lowing Roberta Lowing Julianne Wargren Julianne Wargren The University of Sydney Creative Writing Program The University of Sydney Creative Writing Program Department of English Department of English University of Sydney University of Sydney in association with in association with SYDNEY UNIVERSITY PRESS SYDNEY UNIVERSITY PRESS ; ($%&+;!;+ +;$&(;$& ; $!$ ; ($%&+;!;+ +;$&(;$& ; $!$ "$& &;!; % "$& &;!; % ($%&+;!;+ + ($%&+;!;+ + ;%%!&! ;)& ;%%!&! ;)& ; ; ; ; ($%&+;!;+ + ($%&+;!;+ + )))5%'"5'%+5'5' )))5%'"5'%+5'5' 9;.,,1; (';'&!$% 9;.,,1; (';'&!$% 9;.,,1;+ +; ($%&+; $%% 9;.,,1;+ +; ($%&+; $%% ;&!$% ;&!$% !$&; !) !$&; !) ' ;$$ ' ;$$ % ; ;+!'& % ; ;+!'& ' ;$$ ' ;$$ ! *;$";"$!(;+ ! *;$";"$!(;+ %;;$ %;;$ "$!'&! ; ; !' &! ; !$; !&$; "'$"!%% "$!'&! ; ; !' &! ; !$; !&$; "'$"!%% *"&;%;"$&&;' $;&;&6; !;"$&;!;&%;&! ;+;;$"$!'6;%&!$ *"&;%;"$&&;' $;&;&6; !;"$&;!;&%;&! ;+;;$"$!'6;%&!$ ;;$&$(;%+%&6;!$;!' &; ; +;!$;!$;+; +; %;)&!'&;"$!$ ;;$&$(;%+%&6;!$;!' &; ; +;!$;!$;+; +; %;)&!'&;"$!$ )$&& ;"$%%! 5;;$#'%&%;!$;$"$!'&! ;!$;!' &! ;%!';; )$&& ;"$%%! 5;;$#'%&%;!$;$"$!'&! ;!$;!' &! ;%!';; &!;+ +; ($%&+; $%%;&;&;$%%;!)7 &!;+ +; ($%&+; $%%;&;&;$%%;!)7 + +; ($%&+; $%% + +; ($%&+; $%% %$; $$+;,/ %$; $$+;,/ ($%&+;!;+ + ($%&+;!;+ + ;.,,1; ;.,,1; 7;;;; !8%'"5'%+5'5' 7;;;; !8%'"5'%+5'5' -3/0:-3,. -
Current Songs List
Current Songs List Printed on Monday, 12 January 2004 403 songs are listed. Some are in more than one category. Song Title and Artist Name Song Title and Artist Name Xmas Carols / Xmas Songs Teddy Bear - Elvis Presley That'll Be The Day - Buddy Holly & The Crickets Happy Christmas (War Is Over) - John Lennon The Great Pretender - The Platters Rudolph The Red Nosed Reindeer - Xmas Carol The Twist - Chubby Checker Special Event The Wanderer - Dion Auld Lang Syne - Traditional Arrangement Tutti Frutti - Little Richard Bridal Chorus (Here Comes The Bride) - Traditional Arrangement Twist And Shout - The Beatles (Wagner) Wake Up Little Susie - The Everly Brothers Happy Birthday To You - Orchestrated Arrangement Wild One - Bobby Rydell Wedding March (Out Of Church) - Traditional Arrangement (Mendelssohn) Rock - Hard / Heavy Always - Bon Jovi Rythym & Blues / Soul Am I Ever Gonna See Your Face Again - The Angels In The Midnight Hour - The Commitments Soundtrack Are You Gonna' Go My Way - Lenny Kravitz Mustang Sally - The Commitments Soundtrack Born To Be Wild - Steppenwolf Shake Your Tailfeather - From "The Blues Brothers" Film Soundtrack Gimme All Your Lovin' - Z.Z. Top Treat Her Right - The Commitments Soundtrack High Voltage - AC/DC When A Man Loves A Woman - Percy Sledge Jailbreak - AC/DC When A Man Loves A Woman (Original Version) - Percy Sledge Jump - Van Halen Wonderful World - Sam Cooke La Grange - Z.Z. Top Rock'N'Roll Rebel Yell - Billy Idol Ain't That A Shame - Fats Domino Sharp Dressed Man - Z.Z. Top All I Have To Do Is Dream - The -
Tasmanian Creativity and Innovation Tasmanian Historical Studies. Volume 8. No 2 (2003): 28-39
Tasmanian Creativity and Innovation Tasmanian Historical Studies. Volume 8. No 2 (2003): 28-39. Rambling in Overdrive: Travelling Through Tasmanian Literature CA Cranston Two years ago I published an anthology of original and published writings about Tasmania titled Along these lines: From Trowenna to Tasmania1 — a mistake it turns out (as far as the title goes) as readers generally assume that Trowenna is some other place, rather than some other time. The idea was to situate various texts about Tasmania into context, so that when traveling the arterial highways of the heart- shaped island one was presented with stories and histories (time) that live on the sides of the road (place). This paper will address the theme of the conference (‘Originally Tasmanian. Creativity and Innovation in the Island State’) with a methodology similar to that ‘driving’ the anthology. It will examine the relationship between context (the origin) and text (the representation), and by implication, the relationship between natural and symbolic worlds. The ramble, which textually refers to the discursive — ideas, like automobiles, that ‘run about’ — will be accommodated, and as such will occasionally disrupt normal expectations of chronology, the historian’s purview. The motivation for the anthology came out of a need to experience at first hand niggling doubts about the textual construction of the island. I was a migrant so (in terms of the conference theme) I’m not ‘Originally Tasmanian’. I was living in a biotic community I knew nothing about and for which I had no language. I was presented with a textual culture I knew little about, and I was hungry for island stories. -
Lobby Loyde: the G.O.D.Father of Australian Rock
Lobby Loyde: the G.O.D.father of Australian rock Paul Oldham Supervisor: Dr Vicki Crowley A thesis submitted to The University of South Australia Bachelor of Arts (Honours) School of Communication, International Studies and Languages Division of Education, Arts, and Social Science Contents Lobby Loyde: the G.O.D.father of Australian rock ................................................. i Contents ................................................................................................................................... ii Table of Figures ................................................................................................................... iv Abstract .................................................................................................................................. ivi Statement of Authorship ............................................................................................... viiiii Acknowledgements ............................................................................................................. ix Chapter One: Overture ....................................................................................................... 1 Introduction: Lobby Loyde 1941 - 2007 ....................................................................... 2 It is written: The dominant narrative of Australian rock formation...................... 4 Oz Rock, Billy Thorpe and AC/DC ............................................................................... 7 Private eye: Looking for Lobby Loyde ......................................................................... -
Hard Knocks Music Credits
(Cast) Maple Leaf Jazz Band Drums Roger Kennedy Bass Gary Dunbier Banjo John Withers Trombone Don Santin Trumpet Rob Green Alto sax Kim Rushworth Music Editor Zbigniew Friedrich Music Consultant Greg Pickhaver Hard Knocks Performed by Paul Kelly & the Dots Written by Kelly Published by Mushroom Courtesy of Mushroom Records Evie Part 1 Performed by Stevie Wright Written by Vanda/Young Published by Alberts Courtesy of Albert Productions Most People I Know Performed by Aztecs Written by Thorpe Published by Rock of Ages Courtesy of Havoc Records Who Listens To The Radio Performed by Sports Written by Cummings/Pendelbury Published by Antipodes/Mushroom Courtesy of Mushroom Records My Little Angel Performed by William Shakespeare Written by Vanda/Young Published by Alberts Courtesy of Albert Productions Take A Long Line Performed by Angels Written by Brewster/Neeson/Brewster Published by Alberts Courtesy of Albert Productions Where The Action Is Performed by John Paul Young Written by Vanda/Young Published by Alberts Courtesy of Albert Productions Birmingham Performed by John Paul Young Written by Vanda/Young Published by Alberts Courtesy of Albert Productions High Voltage Performed by AC/DC Written by Scott/Young/Scott Published by Alberts Courtesy of Albert Productions I Remember When I Was Young Performed by Matt Taylor Written by Matt Taylor Published by Mushroom Courtesy of Mushroom Records Breakfast at Sweethearts Performed by Cold Chisel Written by Walker Published by Rondor Courtesy of W.E.A. Records When The Heat's Off Performed by Richard Clapton Written by Richard Clapton Published by Gypsy Courtesy of Infinity Records High Class Women Performed by John St. -
Play and No Work? a 'Ludistory' of the Curatorial As Transitional Object at the Early
All Play and No Work? A ‘Ludistory’ of the Curatorial as Transitional Object at the Early ICA Ben Cranfield Tate Papers no.22 Using the idea of play to animate fragments from the archive of the Institute of Contemporary Arts, this paper draws upon notions of ‘ludistory’ and the ‘transitional object’ to argue that play is not just the opposite of adult work, but may instead be understood as a radical act of contemporary and contingent searching. It is impossible to examine changes in culture and its meaning in the post-war period without encountering the idea of play as an ideal mode and level of experience. From the publication in English of historian Johan Huizinga’s Homo Ludens in 1949 to the appearance of writer Richard Neville’s Play Power in 1970, play was used to signify an enduring and repressed part of human life that had the power to unite and oppose, nurture and destroy in equal measure.1 Play, as related by Huizinga to freedom, non- instrumentality and irrationality, resonated with the surrealist roots of the Institute of Contemporary Arts (ICA) in London and its attendant interest in the pre-conscious and unconscious.2 Although Huizinga and Neville did not believe play to be the exclusive preserve of childhood, a concern for child development and for the role of play in childhood grew in the post-war period. As historian Roy Kozlovsky has argued, the idea of play as an intrinsic and vital part of child development and as something that could be enhanced through policy making was enshrined within the 1959 Declaration of the -
Symphonic Dances
ADELAIDE SYMPHONY ORCHESTRA SEASON 2019 MASTER SERIES 6 Symphonic Dances August Fri 16, 8pm Sat 17, 6.30pm PRESENTING PARTNER Adelaide Town Hall 2 MASTER SERIES 6 Symphonic Dances August Dalia Stasevska Conductor Fri 16, 8pm Louis Lortie Piano Sat 17, 6.30pm Adelaide Town Hall John Adams The Chairman Dances: Foxtrot for Orchestra Ravel Piano Concerto in G Allegramente Adagio assai Presto Louis Lortie Piano Interval Rachmaninov Symphonic Dances, Op.45 Non allegro Andante con moto (Tempo di valse) Lento assai - Allegro vivace Duration Listen Later This concert runs for approximately 1 hour This concert will be recorded for delayed and 50 minutes, including 20 minute interval. broadcast on ABC Classic. You can hear it again at 2pm, 25 Aug, and at 11am, 9 Nov. Classical Conversation One hour prior to Master Series concerts in the Meeting Hall. Join ASO Principal Cello Simon Cobcroft and ASO Double Bassist Belinda Kendall-Smith as they connect the musical worlds of John Adams, Ravel and Rachmaninov. The ASO acknowledges the Traditional Custodians of the lands on which we live, learn and work. We pay our respects to the Kaurna people of the Adelaide Plains and all Aboriginal and Torres Strait Islander Elders, past, present and future. 3 Vincent Ciccarello Managing Director Good evening and welcome to tonight’s Notwithstanding our concertmaster, concert which marks the ASO debut women are significantly underrepresented of Finnish-Ukrainian conductor, in leadership positions in the orchestra. Dalia Stasevska. Things may be changing but there is still much work to do. Ms Stasevska is one of a growing number of young women conductors Girls and women are finally able to who are making a huge impression consider a career as a professional on the international orchestra scene. -
Festival 30000 LP SERIES 1961-1989
AUSTRALIAN RECORD LABELS FESTIVAL 30,000 LP SERIES 1961-1989 COMPILED BY MICHAEL DE LOOPER AUGUST 2020 Festival 30,000 LP series FESTIVAL LP LABEL ABBREVIATIONS, 1961 TO 1973 AML, SAML, SML, SAM A&M SINL INFINITY SODL A&M - ODE SITFL INTERFUSION SASL A&M - SUSSEX SIVL INVICTUS SARL AMARET SIL ISLAND ML, SML AMPAR, ABC PARAMOUNT, KL KOMMOTION GRAND AWARD LL LEEDON SAT, SATAL ATA SLHL LEE HAZLEWOOD INTERNATIONAL AL, SAL ATLANTIC LYL, SLYL, SLY LIBERTY SAVL AVCO EMBASSY DL LINDA LEE SBNL BANNER SML, SMML METROMEDIA BCL, SBCL BARCLAY PL, SPL MONUMENT BBC BBC MRL MUSHROOM SBTL BLUE THUMB SPGL PAGE ONE BL BRUNSWICK PML, SPML PARAMOUNT CBYL, SCBYL CARNABY SPFL PENNY FARTHING SCHL CHART PJL, SPJL PROJECT 3 SCYL CHRYSALIS RGL REG GRUNDY MCL CLARION RL REX NDL, SNDL, SNC COMMAND JL, SJL SCEPTER SCUL COMMONWEALTH UNITED SKL STAX CML, CML, CMC CONCERT-DISC SBL STEADY CL, SCL CORAL NL, SNL SUN DDL, SDDL DAFFODIL QL, SQL SUNSHINE SDJL DJM EL, SEL SPIN ZL, SZL DOT TRL, STRL TOP RANK DML, SDML DU MONDE TAL, STAL TRANSATLANTIC SDRL DURIUM TL, STL 20TH CENTURY-FOX EL EMBER UAL, SUAL, SUL UNITED ARTISTS EC, SEC, EL, SEL EVEREST SVHL VIOLETS HOLIDAY SFYL FANTASY VL VOCALION DL, SDL FESTIVAL SVL VOGUE FC FESTIVAL APL VOX FL, SFL FESTIVAL WA WALLIS GNPL, SGNPL GNP CRESCENDO APC, WC, SWC WESTMINSTER HVL, SHVL HISPAVOX SWWL WHITE WHALE SHWL HOT WAX IRL, SIRL IMPERIAL IL IMPULSE 2 Festival 30,000 LP series FL 30,001 THE BEST OF THE TRAPP FAMILY SINGERS, RECORD 1 TRAPP FAMILY SINGERS FL 30,002 THE BEST OF THE TRAPP FAMILY SINGERS, RECORD 2 TRAPP FAMILY SINGERS SFL 930,003 BRAZAN BRASS HENRY JEROME ORCHESTRA SEC 930,004 THE LITTLE TRAIN OF THE CAIPIRA LONDON SYMPHONY ORCHESTRA SFL 930,005 CONCERTO FLAMENCO VINCENTE GOMEZ SFL 930,006 IRISH SING-ALONG BILL SHEPHERD SINGERS FL 30,007 FACE TO FACE, RECORD 1 INTERVIEWS BY PETE MARTIN FL 30,008 FACE TO FACE, RECORD 2 INTERVIEWS BY PETE MARTIN SCL 930,009 LIBERACE AT THE PALLADIUM LIBERACE RL 30,010 RENDEZVOUS WITH NOELINE BATLEY AUS NOELEEN BATLEY 6.61 30,011 30,012 RL 30,013 MORIAH COLLEGE JUNIOR CHOIR AUS ARR. -
The Mabo Legacy the START of a REWARDING JOURNEY for VICTORIAN BAR MEMBERS
No.152 Spring 2012 ISSN 0159 3285 ISSN The Mabo Legacy THE START OF A REWARDING JOURNEY FOR VICTORIAN BAR MEMBERS. Behind the wheel of a BMW or MINI, what was once a typical commute can be transformed into a satisfying, rewarding journey. With renowned dynamic handling and refined luxurious interiors, it’s little wonder that both BMW and MINI epitomise the ultimate in driving pleasure. The BMW and MINI Corporate Programmes are not simply about making it easier to own some of the world’s safest, most advanced driving machines; they are about enhancing the entire experience of ownership. With a range of special member benefits, they’re our way of ensuring that our corporate customers are given the best BMW and MINI experience possible. BMW Melbourne, in conjunction with BMW Group Australia, is pleased to offer the benefits of the BMW and MINI Corporate Programme to all members of The Victorian Bar, when you purchase a new BMW or MINI. Benefits include: BMW CORPORATE PROGRAMME. MINI CORPORATE PROGRAMME. Complimentary scheduled servicing for Complimentary scheduled servicing for 4 years / 60,000km 4 years / 60,000km Reduced dealer delivery charges Reduced dealer delivery charges Complimentary use of a BMW during scheduled Complimentary valet service servicing* Corporate finance rates to approved customers Door-to-door pick-up during scheduled servicing A dedicated Corporate Sales Manager at your Reduced rate on a BMW Driver Training course local MINI Garage Your spouse is also entitled to enjoy all the benefits of the BMW and MINI Corporate Programme when they purchase a new BMW or MINI.