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Finding Aid to the Historymakers ® Video Oral History with Gene Barge
Finding Aid to The HistoryMakers ® Video Oral History with Gene Barge Overview of the Collection Repository: The HistoryMakers®1900 S. Michigan Avenue Chicago, Illinois 60616 [email protected] www.thehistorymakers.com Creator: Barge, Gene Title: The HistoryMakers® Video Oral History Interview with Gene Barge, Dates: January 20, 2012 Bulk Dates: 2012 Physical 6 uncompressed MOV digital video files (2:51:59). Description: Abstract: Saxophonist, songwriter, and music producer Gene Barge (1926 - ) played on Chuck Willis’ pop hit, “C.C. Rider,” co-wrote with Gary U.S. Bonds “Quarter to Three” and received a Grammy Award for co-producing Natalie Cole’s “Sophisticated Lady.” Barge was interviewed by The HistoryMakers® on January 20, 2012, in Chicago, Illinois. This collection is comprised of the original video footage of the interview. Identification: A2012_043 Language: The interview and records are in English. Biographical Note by The HistoryMakers® Saxophonist, music producer and song writer Gene “Daddy G” Barge was born in Norfolk, Virginia on August, 9 1926. He graduated from Booker T. Washington High School and played clarinet in the school band. Barge then attended West Virginia State College where he first majored in architecture, but quickly switched to music because of his interest in the saxophone. After receiving his B.A. degree from West Virginia State College in 1950, Barge returned to Norfolk, Virginia and played with a number of bands and singing groups including the Griffin Brothers and the Five Keys. In 1955, Barge recorded his first saxophone instrumentals entitled “Country” and “Way Down Home” on Chess Records’ Checker Label. He taught music at Suffolk High School while playing and singing in bands and touring with both Ray Charles and the Philadelphia vocal group The Turbans. -
QUASIMODE: Ike QUEBEC
This discography is automatically generated by The JazzOmat Database System written by Thomas Wagner For private use only! ------------------------------------------ QUASIMODE: "Oneself-Likeness" Yusuke Hirado -p,el p; Kazuhiro Sunaga -b; Takashi Okutsu -d; Takahiro Matsuoka -perc; Mamoru Yonemura -ts; Mitshuharu Fukuyama -tp; Yoshio Iwamoto -ts; Tomoyoshi Nakamura -ss; Yoshiyuki Takuma -vib; recorded 2005 to 2006 in Japan 99555 DOWN IN THE VILLAGE 6.30 99556 GIANT BLACK SHADOW 5.39 99557 1000 DAY SPIRIT 7.02 99558 LUCKY LUCIANO 7.15 99559 IPE AMARELO 6.46 99560 SKELETON COAST 6.34 99561 FEELIN' GREEN 5.33 99562 ONESELF-LIKENESS 5.58 99563 GET THE FACT - OUTRO 1.48 ------------------------------------------ Ike QUEBEC: "The Complete Blue Note Forties Recordings (Mosaic 107)" Ike Quebec -ts; Roger Ramirez -p; Tiny Grimes -g; Milt Hinton -b; J.C. Heard -d; recorded July 18, 1944 in New York 34147 TINY'S EXERCISE 3.35 Blue Note 6507 37805 BLUE HARLEM 4.33 Blue Note 37 37806 INDIANA 3.55 Blue Note 38 39479 SHE'S FUNNY THAT WAY 4.22 --- 39480 INDIANA 3.53 Blue Note 6507 39481 BLUE HARLEM 4.42 Blue Note 544 40053 TINY'S EXERCISE 3.36 Blue Note 37 Jonah Jones -tp; Tyree Glenn -tb; Ike Quebec -ts; Roger Ramirez -p; Tiny Grimes -g; Oscar Pettiford -b; J.C. Heard -d; recorded September 25, 1944 in New York 37810 IF I HAD YOU 3.21 Blue Note 510 37812 MAD ABOUT YOU 4.11 Blue Note 42 39482 HARD TACK 3.00 Blue Note 510 39483 --- 3.00 prev. unissued 39484 FACIN' THE FACE 3.48 --- 39485 --- 4.08 Blue Note 42 Ike Quebec -ts; Napoleon Allen -g; Dave Rivera -p; Milt Hinton -b; J.C. -
Herzl Herald September 2018
Dr Herzl Newsletter Yom Kippur 10th Tishrei 5779 19th September 2018 We wish all our brethren and their families Well Over The Fast Table Lodge Screening of FIRES of KUWAIT Herzl Herald September 2018 58 Oaklands Rd, Orchards, Johannesburg 2192 011 6403017 [email protected] OPEN LODGE - Monday 17 September, 7.30pm Agenda In this issue.. Page Mission Statement 3 Opening ceremony Reading of previous minutes From the President’s pen 4 Errors and omissions Grand President Report 5 Adoption of the minutes 6 Candle lighting - Bro Mark Goldberg Domestic Notices Domestic matters Notice Board 7 President’s Report From the desk of the Scribe 8 Treasurer’s Report Management Committee Report The Chaplain’s corner 9 Chaplain’s Corner News from Israel 10 General Comedy Corner 11 Closing Ceremony Table Lodge - Movie: Fires of Kuwait Amazing facts 12 Dr Herzl Lodge Officers and Committee members 2018 President Bro Jeff Sulski 011 4400169 076 6868259 jeffreysulski@gmail Imm Past President Wor Bro Ronnie Penn 011 4852238 073 4426005 [email protected] Vice President Bro Neville Kahn 011 4853109 082 8897097 [email protected] Secretary Wor Bro Robin Sarembock 011 8023128 072 4747946 [email protected] Treasurer Bro Jonathan Shapiro 011 4852010 082 3983744 [email protected] MC Wor Bro Ian Ralph 011 6402202 083 4140418 hiralph@icon. co.za Preceptor Wor Bro Avron Krasner 011 8829780 082 5576268 [email protected] Scribe Bro David Mendelson 011 7861583 083 4574776 [email protected] Inner Guard Bro Roy Lotkin 073 8388384 [email protected] Registrar Bro Doron Epstein 082 7754241 [email protected] Chaplain Bro Martin Greenberg 011 4850063 072 7798612 [email protected] Committee Wor Bro Ronnie Penn 011 4852238 073 4426005 [email protected] Committee Wor Bro Joe Yudelowitz 011 4850230 082 8184333 Committee Wor Bro Avron Krasner 011 8829780 082 5576268 [email protected] Committee Wor Bro Ian Ralph 011 6402202 083 4140418 hiralph@icon. -
Oltre L'ultima Frontiera
OLTRE L’ULTIMA FRONTIERA Guida non ufficiale a Star Trek Serie Classica Con Sezioni Extra sulla Serie Animata e la Phase II Giuseppe Turdo Renata Bertola in collaborazione con www.serietv.net TOPES EDIZIONI Anno di pubblicazione: 2018 Copyright © 2018 by Giuseppe Turdo e Renata Bertola I CONTENUTI DEL LIBRO POSSONO ESSERE LIBERAMENTE COPIATI DA CHIUNQUE A SCOPO DI CRITICA, CONFRONTO E RICERCA, CITANDO L’AUTORE E LA FONTE Tutti i diritti sono riservati. È vietata qualsiasi utilizzazione, totale o parziale, dei contenuti inseriti nel libro, ivi inclusa la memorizzazione, riproduzione, rielaborazione, diffusione o distribuzione dei contenuti stessi mediante qualunque piattaforma tecnologica, supporto o rete telematica, senza previa autorizzazione scritta di Giuseppe Turdo o Renata Bertola. Per eventuali rettifiche e per segnalazioni si prega di inviare una e-mail a: [email protected] Tutti i diritti riservati Prima edizione: Gennaio 2018 ISBN: 978-0-244-37374-0 Copertina: Claudio Secco. CONTENUTI RINGRAZIAMENTI ..................................................................... ix INTRODUZIONE .......................................................................... 1 INIZI DI UN MITO TELEVISIVO ............................................... 3 EPISODIO PILOTA FUORI SERIE – LO ZOO DI TALOS ..... 7 PRIMA STAGIONE - IL CAST COMPLETO........................... 17 EPISODIO 1 – OLTRE LA GALASSIA .................................... 20 EPISODIO 2 – L’ESPEDIENTE DELLA CARBONITE ......... 23 EPISODIO 3 – IL FILTRO DI VENERE ................................. -
IPG Spring 2020 Rock Pop and Jazz Titles
Rock, Pop, and Jazz Titles Spring 2020 {IPG} That Thin, Wild Mercury Sound Dylan, Nashville, and the Making of Blonde on Blonde Daryl Sanders Summary That Thin, Wild Mercury Sound is the definitive treatment of Bob Dylan’s magnum opus, Blonde on Blonde , not only providing the most extensive account of the sessions that produced the trailblazing album, but also setting the record straight on much of the misinformation that has surrounded the story of how the masterpiece came to be made. Including many new details and eyewitness accounts never before published, as well as keen insight into the Nashville cats who helped Dylan reach rare artistic heights, it explores the lasting impact of rock’s first double album. Based on exhaustive research and in-depth interviews with the producer, the session musicians, studio personnel, management personnel, and others, Daryl Sanders Chicago Review Press chronicles the road that took Dylan from New York to Nashville in search of “that thin, wild mercury sound.” 9781641602730 As Dylan told Playboy in 1978, the closest he ever came to capturing that sound was during the Blonde on Pub Date: 5/5/20 On Sale Date: 5/5/20 Blonde sessions, where the voice of a generation was backed by musicians of the highest order. $18.99 USD Discount Code: LON Contributor Bio Trade Paperback Daryl Sanders is a music journalist who has worked for music publications covering Nashville since 1976, 256 Pages including Hank , the Metro, Bone and the Nashville Musician . He has written about music for the Tennessean , 15 B&W Photos Insert Nashville Scene , City Paper (Nashville), and the East Nashvillian . -
Music Library Association No. 189 January-February 2017 Table Of
Music Library Association No. 189 January-February 2017 Table of Contents From the Board Committee News Our Community Responds Regional Chapter News MLA Orlando Preview Stories from the Field Conference Planning News Spotlight On...Small Businesses & Library Services Transitions & Appointments Moonlighting and Music Librarianship In Recognition Institutions & Collections MLA Publications IAML News News & Notes MLA Calendar From the Board page | 2 By President, Michael Rogan This is my last President’s Report (or if some of you have been paying attention, the column is now called “From the Board” and has been including contributions from other Board members--just one of the many benefits of taking the MLA Newsletter from quarterly to bimonthly!) While traditionally it should be full of “thank-you”s and should be calling attention to our upcoming annual meeting, I want to use this “last chance” a little differently. I am very thankful to so many of you that I have had the pleasure of working with while in this position, and I WILL be thanking folks publicly (at the Business Meeting) and personally in Orlando (warning: I’m a hugger!) I am also confident that many others are highlighting the terrific opportunities we have awaiting us at the Orlando conference. So I would like to take a few moments to reflect on the past few years and the path ahead for MLA, as I see it. These are difficult times, and the tribal pull to hunker down and wait it out until “things get better” can be strong. But things don’t “get better”--or get worse for that matter--they change, and we apply labels to that change based on our filters, our goals, our values. -
Updates & Amendments to the Great R&B Files
Updates & Amendments to the Great R&B Files The R&B Pioneers Series edited by Claus Röhnisch from August 2019 – on with special thanks to Thomas Jarlvik The Great R&B Files - Updates & Amendments (page 1) John Lee Hooker Part II There are 12 books (plus a Part II-book on Hooker) in the R&B Pioneers Series. They are titled The Great R&B Files at http://www.rhythm-and- blues.info/ covering the history of Rhythm & Blues in its classic era (1940s, especially 1950s, and through to the 1960s). I myself have used the ”new covers” shown here for printouts on all volumes. If you prefer prints of the series, you only have to printout once, since the updates, amendments, corrections, and supplementary information, starting from August 2019, are published in this special extra volume, titled ”Updates & Amendments to the Great R&B Files” (book #13). The Great R&B Files - Updates & Amendments (page 2) The R&B Pioneer Series / CONTENTS / Updates & Amendments page 01 Top Rhythm & Blues Records – Hits from 30 Classic Years of R&B 6 02 The John Lee Hooker Session Discography 10 02B The World’s Greatest Blues Singer – John Lee Hooker 13 03 Those Hoodlum Friends – The Coasters 17 04 The Clown Princes of Rock and Roll: The Coasters 18 05 The Blues Giants of the 1950s – Twelve Great Legends 28 06 THE Top Ten Vocal Groups of the Golden ’50s – Rhythm & Blues Harmony 48 07 Ten Sepia Super Stars of Rock ’n’ Roll – Idols Making Music History 62 08 Transitions from Rhythm to Soul – Twelve Original Soul Icons 66 09 The True R&B Pioneers – Twelve Hit-Makers from the -
HECORELENT Vvi WHO in the WORLD of '
SECTION 2 DECEMBER 30,196, PRICE $1 25 iIIbpa HECORELENT Vvi WHO IN THE WORLD OF ' oit . - -r: ;:1-4-.1.4V.ii2g.;:t.r.;7-7,;.'..017,:i-Oi-,`ifEY:'7.`i..ei-S. 1 ffr : N'. .... '4 t o , 7 Zt. 1.Z44:')4 e: : A.': .-, .!,........;, ...,7, ,......-,.:, .,...:.4.,..4,rt,:,..,......;.. tt- . 4.0 .. *.limeNnek. N Xe-e,y_412etnii,,--,,,,-4z4.4,4-ix.:A.:.,4A,-*,,, -..:,:m, 44...1.777M"Y.70E"M. -...,,.- ......." - OW/ O./ RAVI SHAN/fail -RECORD ARTIST OF THE YEAR )- 1 L THE. RUF1I'L. NI.EV BIOS. CO.ii.TOU IS DY:tE THE ELG11..S T-IE VEL1.1ELETTES & THE !S BREIOA HOLLOM CHUCK JACKSON RECORD CORPORATION r-Te, sc..4 -ALS( SMOKEY JR. WALKEI ROBINSON ALL STARS II & THE B LLY ECKSTINE MIRACLES filcNAIR THE CHRIS CLARK 1 THE SPINNERS I THE MONITORS THE MESSENGERS GLADYS KNIGHT & THE PIPS BOBBY TAYLOR VANCOUVEI MARTHf REEVE: & THE V ANDELLAJ Tifrhtowa ,7..ct(touyl MOTOWN RECORD CORP. JOBEIE MUSIC CO., INC. STEIN & VAN STOCK INTERNATIONAL TALENT MANAGEMENT, INC. Management: SAL BONAFEDE ASHER DANN ELEKTRA RECORDS 6721Sunset Bl+d , Los Angeles,California 6 Who's Who in the World of Music Billboard 1968is ED AMES ea& _..."47 - 4:1VmftammilltipMEMP .411E. inem: - "NW.. 4.1"4111111smwomIll ...1111111nt,-.1111," 141"52E110--- LPM 3913 (M) LSP 3913 (S WHO WILL ANSWER? ALBUM TO BE RELEASED SHORTLY PERSONAL MGT. BURKE WEEMS / RISEI 1000HECORIRENERION WHO'S WHO IN THE WORLD OF MUSIC CONTENTS EDITORIAL OFFICE: 165 W. 46thSt., New York, N.Y. 10036. Area Code 212, PL 7-2800 Cable: BILLBOARD NEWYORK ARTIST OF THE YEAR 10 TOP ARTISTS -1967 14 Publisher: HAL B. -
IN MY ROOM Feuille D'information Consacrée À Brian Wilson Et Aux Beach Boys N° 8 – Printemps / Été 2007
IN MY ROOM Feuille d'information consacrée à Brian Wilson et aux Beach Boys N° 8 – Printemps / Été 2007 Lonely Sea Edito La période 1961 / 1964 Après le sourire de Brian, le début des années Au fil du temps ... repères biographiques 70, le Christmas Album, les deux numéros consacrés à Dennis Wilson, la période Brian's à 1960 : naissance des protagonistes, don Back et les 40 ans de Pet Sounds, nous De 1941 pour la musique de Brian, influence des Four continuons notre progression irrationnelle en Freshmen et de Chuck Berry, père violent, jaloux mais ambitieux, Hawthorne High School, cours de musique, premières tentatives, abordant les tout débuts du groupe. Pourquoi Kenny & The Kadets, Carl & The Passions ... pas, après tout ! Les frères Wilson, le cousin Mike Love et l'ami Al Profitons de l'instant pour saluer la première 1961 Jardine répètent ensemble dans la maison familiale à amicale contribution à d'un grand Hawthorne (Californie). Ils choisissent le nom de The Pendletones. In My Room Murry Wilson, le père, devient leur manager. Ils enregistrent des démos spécialiste, M. Kingsley Abbott. (« Surfin' » & « Luau ») sous la houlette de l'éditeur Hite Morgan dans ses studios le 15 septembre. Première session « professionnelle » Quant à vous, chers abonnés, à vous de jouer ... d'enregistrement au World Pacific Studio le 3 octobre. bonne lecture ! 8 décembre : sortie du simple « Surfin' » / « Luau » sur Candix Records (Candix 331) sous le nom de « The Beach Boys », choisi par le label. Enjoy ! 23 décembre, premier concert au Rendezvous Ballroom Balboa de Newport Beach (Californie) Charlie Dontsurf 17 février : Le simple entre 1962 Capitol, sort le 4 mars . -
Online Online
AFM LOCAL 47 Vol. 3 No. 6 June 2017 online Thousands Take to Streets for MAY DAY MARCH Los Angeles SPRING MEMBERSHIP DRIVE Next General Membership Meeting Runs through June 30 July 24, 7:30 p.m. ISSN: 2379-1322 Publisher Editor AFM Local 47 Gary Lasley 817 Vine Street Managing Editor / Advertising Manager Hollywood, CA 90038-3779 Linda A. Rapka p 323.462.2161 f 323.993.3195 Graphic Designer / Asst. Layout Editor www.afm47.org Candace Evans AFM LOCAL 47 EXECUTIVE BOARD Election Board & COMMITTEES Mark Zimoski, chair Overture Online is the official monthly elec- Stephen Green, Scott Higgins, tronic magazine of the American Federa- Titled Officers Marie Matson, Kris Mettala, tion of Musicians Local 47, a labor union for President John Acosta Paul Sternhagen, Nick Stone Vice President Rick Baptist professional musicians located in Holly- Secretary/Treasurer Gary Lasley Fair Employment Practices wood. Committee Trustees Ray Brown, Beverly Dahlke-Smith Judy Chilnick, Dylan Hart, Formed by and for Los Angeles musicians Bonnie Janofsky Grievance Committee Ray Brown, Lesa Terry over a century ago, Local 47 promotes and Directors protects the concerns of musicians in all Pam Gates, John Lofton, Hearing Representative areas of the music business. Our jurisdic- Andy Malloy, Phil O’Connor, Vivian Wolf Bill Reichenbach, Vivian Wolf tion includes all counties of Los Angeles Legislative Committee (except the Long Beach area). With more Hearing Board Jason Poss, chair Allen Savedoff, chair Kenny Dennis, Greg Goodall, than 7,000 members, Local 47 negotiates Alan Estes, Jon Kurnick, Jeff Lass, Dan Greco, Lisa Haley, with employers to establish fair wages Norman Ludwin, Helen Nightengale, Ken Munday, Stephanie O’Keefe and working conditions for our members. -
LOU SCHEIMER: CREATING the FILMATION GENERATION 1946–1948Chapter TWO Driving Japan Crazy
CONTENTS... PREFACE ..........................................5 chapter seventeeN ......149 Anthologies and Expansion (1978–1979) chapter one .............................7 Wherein My Father Punched Out Adolf Hitler Years chapter eighteen .....161 Before Captain America Did (1928–1946) The Year of Legal Discontent (1979–1980) chapter two ..........................17 chapter nineteen .....171 Driving Japan Crazy (1946–1948) Silver Bullets and Soccer Balls (1980–1981) chapter three .................23 chapter twenty ..........179 Carnegie and an Early Proposal (1948–1955) Forced To Runaway (1981–1982) chapter FOUR .....................31 chapter twenty-one ....189 Clowns, Cats, Rockets, and Jesus (1955–1965) A Farewell to Networks / The Last Man Standing (1982–1983) chapter five ........................43 And Who, Disguised As A Real Animation Studio… chapter twenty-two ....197 We Have the Power! (1983–1984) chapter six ............................51 The Super Superheroes (1967) COLOR GALLERY ..............209 chapter seven .................59 The Fantastic Shrinking Bat-Teenager (1968) chapter twenty-three ....521 Morals and Media Battles (1984–1985) chapter eight ....................69 Gold Records and Witches (1969) chapter twenty-four ....223 Sisters Are Doing it for Themselves (1985–1986) chapter nine ........................75 Hey Lady! More Monsters & Music! (1970–1971) chapter twenty-five ......235 Let’s Go Ghostbusters! (1986-1987) chapter ten .........................81 Funnies, Games, and Fables (1971) chapter twenty-six ......241 -
Review Mike Marqusee, Anyone but England, Cricket and The
The African e-Journals Project has digitized full text of articles of eleven social science and humanities journals. This item is from the digital archive maintained by Michigan State University Library. Find more at: http://digital.lib.msu.edu/projects/africanjournals/ Available through a partnership with Scroll down to read the article. REVIEW Mike Marqusee, Anyone But England, Cricket and the National Malaise, Verso, London, 1994 Vishnu Padayachee Regular readers of Transformation may wonder why the editorial collective agreed to the publication of a review of a book on English cricket. Some explanation may therefore be in order. We have over the years carried virtually nothing about the appropriation of sport in the larger process of South Africa's social and political transition, a subject which would be entirely consistent with the journal's editorial focus and policy. Gerry Mare's review of Albert Grundlingh et al's "Beyond the Tryline: Rugby and South African Society' {Transformation 27, 1995), is an exception. But this 'silence' on the subject of sport and politics still does not explain why we are reviewing a book on English cricket, by a 'deracinated Marxist of American Jewish (pi 1)' extraction. There are at least two answers to this. The first relates to Marqusee's overall project, that of trying to understand the relationship between cricket and society in England, especially in a period in which the game has been undergoing far-reaching transformation. The issues he raises and the conclusions he reaches in this regard are very relevant to recent South African experience, into which can be added the further complexities of cricket transformation in a era of rapid political and societal change.