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Melinda's Star Trek Las Vegas Convention Report / Aug 9-12, 2007
melinda’s star trek las vegas convention report / aug 9-12, 2007 the las vegas star trek convention was the first large scale convention that i have attended. from what i’ve read, there were close to 4,000 fans in attendance. what a remarkable testament to this beloved franchise. it’s been over 20 years since i went to a convention, so i was more than a little excited for this big trip. wednesday, august 8th my good friend, karen, and i arrived in vegas on wednesday night and pre-registered. thank goodness for pre-registration the night before the convention because the lines the next day to register were ridiculously long! when we first walked through the large convention area, giant star trek banners of the various crews in the star trek series were hanging on the walls. one very large banner had all the guests pictured that would be appearing at the convention. after grabbing a bite to eat, it was on to the “chocolate on the edge of forever” welcoming party where they had all kinds of chocolate goodies. tim russ (tuvok from voyager) was performing with his band as the entertainment. i really had no idea that tim russ was a singer and a guitar player, and i was impressed with his talent. after he ended his set, he stayed and signed copies of his cd that he was selling and graciously posed for pictures with fans for quite some time. it was a very casual setting. while tim russ signed, there was also a karaoke contest going on, and the fans had a lot of fun with that. -
Gene Roddenberry and Art Wallace Copyright
(Pilot Spin–Off) Teleplay by: Art Wallace Story by: Gene Roddenberry and Art Wallace Copyright © 1967 REVISED FIRST DRAFT December 20, 1967 Prod. No. 60355 Series Created by Gene Roddenberry Desilu Productions, Inc. 1. CAST LIST CAPTAIN JAMES KIRK MISTER SPOCK DOCTOR MCCOY ENGINEER SCOTT LT. CHEKOV LT. UHURA LT. SULU SECURITY CHIEF GARY SEVEN ROBERTA LONDON COLONEL NESVIG LAUNCH DIRECTOR CROMWELL SECURITY SERGEANT ENTERPRISE CREWMEN SECURITY GUARDS BLOCKHOUSE TECHNICIANS VARIOUS AIR FORCE PERSONNEL SET LIST INTERIORS: INT. BRIDGE INT. TRANSPORTER ROOM INT. BRIEFING ROOM INT. BRIG INT. SEVEN’S LIBRARY INT. SEVEN’S OFFICE INT. APARTMENT BUILDING HALLWAY INT. WHITE CAR INT. GANTRY ELEVATOR (PROCESS) INT. BLOCKHOUSE COMMAND SECTION (PROCESS OR MATTE) EXTERIORS: EXT. SEVEN’S APARTMENT BUILDING EXT. ROCKET BASE STREET (INCLUDING MATTE ANGLE) EXT. ROCKET BASE ROOFTOPS EXT. BASE OF GANTRY (INCLUDING MATTE ANGLE) EXT. SIDE OF ROCKET (AT REMOVAL HATCH) (ALSO MATTE) STOCK – VARIOUS Star Trek · Assignment: Earth · Revised First Draft 2. TEASER FADE IN: 1 EXT. SPACE ORBITING SHOT - ENTERPRISE 1 The Enterprise is in orbit around the Earth. KIRK’S VOICE Captain’s Log. Using the light speed squared factor, the Enterprise has moved back through time to the 20th Century. We are now… 2 EXT. SPACE CLOSER ANGLE ON EARTH - (NASA FILM) 2 The Earth as actually seen from orbit. KIRK’S VOICE (continuing) … in high orbit around Earth, using our ship’s deflector shields to remain unobserved. 3 INT. BRIDGE - ANGLES ON CREW 3 SULU, CHEKOV, UHURA, and n.d. bridge personnel watching the o.s. main viewing screen - deeply absorbed, intense interest on their faces as if, indeed, a major 20th Century enigma is being examined at this moment. -
Light Shadows: Loose Adaptations of Gothic Literature in American TV Series of the 1960S and Early 1970S
TV/Series 12 | 2017 Littérature et séries télévisées/Literature and TV series Light Shadows: Loose Adaptations of Gothic Literature in American TV Series of the 1960s and early 1970s Dennis Tredy Electronic version URL: http://journals.openedition.org/tvseries/2200 DOI: 10.4000/tvseries.2200 ISSN: 2266-0909 Publisher GRIC - Groupe de recherche Identités et Cultures Electronic reference Dennis Tredy, « Light Shadows: Loose Adaptations of Gothic Literature in American TV Series of the 1960s and early 1970s », TV/Series [Online], 12 | 2017, Online since 20 September 2017, connection on 01 May 2019. URL : http://journals.openedition.org/tvseries/2200 ; DOI : 10.4000/tvseries.2200 This text was automatically generated on 1 May 2019. TV/Series est mis à disposition selon les termes de la licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International. Light Shadows: Loose Adaptations of Gothic Literature in American TV Series o... 1 Light Shadows: Loose Adaptations of Gothic Literature in American TV Series of the 1960s and early 1970s Dennis Tredy 1 In the late 1960’s and early 1970’s, in a somewhat failed attempt to wrestle some high ratings away from the network leader CBS, ABC would produce a spate of supernatural sitcoms, soap operas and investigative dramas, adapting and borrowing heavily from major works of Gothic literature of the nineteenth and early twentieth century. The trend began in 1964, when ABC produced the sitcom The Addams Family (1964-66), based on works of cartoonist Charles Addams, and CBS countered with its own The Munsters (CBS, 1964-66) –both satirical inversions of the American ideal sitcom family in which various monsters and freaks from Gothic literature and classic horror films form a family of misfits that somehow thrive in middle-class, suburban America. -
Bcsfazine #527 | Felicity Walker
The Newsletter of the British Columbia Science Fiction Association #527 $3.00/Issue April 2017 In This Issue: This and Next Month in BCSFA..........................................0 About BCSFA.......................................................................0 Letters of Comment............................................................1 Calendar...............................................................................8 News-Like Matter..............................................................13 Fiction: Long Night’s Dreaming (Michael Bertrand).......19 Zeitgemässe Tanka (Kathleen Moore)............................21 Art Credits..........................................................................22 BCSFAzine © April 2017, Volume 45, #4, Issue #527 is the monthly club newsletter published by the British Columbia Science Fiction Association, a social organiza- tion. ISSN 1490-6406. Please send comments, suggestions, and/or submissions to Felicity Walker (the editor), at felicity4711@ gmail .com or Apartment 601, Manhattan Tower, 6611 Coo- ney Road, Richmond, BC, Canada, V6Y 4C5 (new address). BCSFAzine is distributed monthly at White Dwarf Books, 3715 West 10th Aven- ue, Vancouver, BC, V6R 2G5; telephone 604-228-8223; e-mail whitedwarf@ deadwrite.com. Single copies C$3.00/US$2.00 each. Cheques should be made pay- able to “West Coast Science Fiction Association (WCSFA).” This and Next Month in BCSFA Sunday 16 April at 7 PM: April BCSFA meeting—at Ray Seredin’s, 707 Hamilton Street (recreation room), New Westminster. Friday -
The Human Adventure Is Just Beginning Visions of the Human Future in Star Trek: the Next Generation
AMERICAN UNIVERSITY HONORS CAPSTONE The Human Adventure is Just Beginning Visions of the Human Future in Star Trek: The Next Generation Christopher M. DiPrima Advisor: Patrick Thaddeus Jackson General University Honors, Spring 2010 Table of Contents Basic Information ........................................................................................................................2 Series.......................................................................................................................................2 Films .......................................................................................................................................2 Introduction ................................................................................................................................3 How to Interpret Star Trek ........................................................................................................ 10 What is Star Trek? ................................................................................................................. 10 The Electro-Treknetic Spectrum ............................................................................................ 11 Utopia Planitia ....................................................................................................................... 12 Future History ....................................................................................................................... 20 Political Theory .................................................................................................................... -
TRADING CARDS 2016 STAR TREK 50Th ANNIVERSARY
2016 STAR TREK 50 th ANNIVERSARY TRADING CARDS 1995-96 30 Years of Star Trek 1995-96 30 Years of Star Trek Registry Plaques A6b James Doohan (Lt. Arex) 50.00 100.00 A7 Dorothy Fontana 15.00 40.00 COMPLETE SET (9) 100.00 200.00 COMMON CARD (R1-R9) 12.00 30.00 STATED ODDS 1:72 2003 Complete Star Trek Animated Adventures INSERTED INTO PHASE ONE PACKS Captain Kirk in Motion COMPLETE SET (9) 12.50 30.00 1995-96 30 Years of Star Trek Space Mural Foil COMMON CARD (K1-K9) 1.50 4.00 COMPLETE SET (9) 25.00 60.00 STATED ODDS 1:20 COMMON CARD (S1-S9) 4.00 10.00 STATED ODDS 1:12 2003 Complete Star Trek Animated Adventures Die- COMPLETE SET (300) 15.00 40.00 INSERTED INTO PHASE THREE PACKS Cut CD-ROMs PHASE ONE SET (100) 6.00 15.00 COMPLETE SET (5) 10.00 25.00 PHASE TWO SET (100) 6.00 15.00 1995-96 30 Years of Star Trek Undercover PHASE THREE SET (100) 6.00 15.00 COMMON CARD 2.50 6.00 COMPLETE SET (9) 50.00 100.00 STATED ODDS 1:BOX UNOPENED PH.ONE BOX (36 PACKS) 40.00 50.00 COMMON CARD (L1-L9) 6.00 15.00 UNNUMBERED SET UNOPENED PH.ONE PACK (8 CARDS) 1.25 1.50 STATED ODDS 1:18 UNOPENED PH.TWO BOX (36 PACKS) 40.00 50.00 INSERTED INTO PHASE TWO PACKS UNOPENED PH.TWO PACK (8 CARDS) 1.25 1.50 2003 Complete Star Trek Animated Adventures James Doohan Tribute UNOPENED PH.THREE BOX (36 PACKS) 40.00 50.00 1995-96 30 Years of Star Trek Promos UNOPENED PH.THREE PACK (8 CARDS) 1.25 1.50 COMPLETE SET (9) 2.50 6.00 PROMOS ARE UNNUMBERED COMMON CARD (JD1-JD9) .40 1.00 PHASE ONE (1-100) .12 .30 1 NCC-1701, tricorder; 2-card panel STATED ODDS 1:4 PHASE TWO (101-200) -
On the Front Lines for Racial Equality
WWCREIGHTONINDOWINDOW UNIVERSITY ■ WINTER 1995-96 FatherFather Markoe:Markoe: Our ‘Champagne A Life Glass’ Economy on the Don’t Play TV Front Lines Trivia With Her for Racial Finding God in Equality Your Daily Life LETTERS WINDOW Magazine edits Letters to the INDOW Editor, primarily to conform to space W■ ■ limitations. Personally signed letters Volume 12/Number 2 Creighton University Winter 1995-96 are given preference for publication. Our FAX number is: (402) 280-2549. E-Mail to: [email protected] Fr. Markoe’s Battle Against Racism ‘And If the Rules Change?’ Bob Reilly tells you about a man who I have read with interest the article “The was a lifelong fighter. Fr. Markoe Social Roots of Our Environmental found a cause for his fighting ener- Predicament” by Dr. Harper in your Fall gy. The word portrait of a strong- 1995 issue of WINDOW. minded Jesuit begins on Page 3. I would like to pose a question for Dr. Harper. In this third human environmental The Rich Get Richer, revolution, supposing we were to discov- er an inexhaustible source of energy. I The Poor Get Poorer am assuming that the laws of supply and Gerard Stockhausen, S.J., talks about what he calls “our cham- demand would eventually lead it to be at pagne-glass economy.” In this case, it doesn’t mean champagne an inconsequential cost. for everyone; it means the shape of our economy that puts the What would that do to the human liv- rich at the broad top of the glass and the poor at the narrow ing conditions in the world? bottom. -
Translating Trek: Rewriting an American Icon in a Francophone Context Caroline-Isabelle Caron
Translating Trek Caroline-Isabelle Caron 329 Translating Trek: Rewriting an American Icon in a Francophone Context Caroline-Isabelle Caron Italian translators use a now well-known stage direction of Michel Georges.1 The transla- cliche´: ‘‘Traduttore, traditore.’’ Translating is tion available to all French audiences is Patrouille betraying. It refers to the tension between the du Cosmos, though in France it was re-entitled necessity of rendering meaning (or interpretation) Star Trek: Classique.2 and that of rendering style, metaphors, and images Dubbers often translate for audiences that may within the original source text. This tension is a or may not be familiar with the universe of the profound one in literature. In translating televi- story being told (Dutter; Luyken 155). When sion dialogues and in dubbing episodes, many dealing with TOS, these difficulties are more than more exigencies come into play. Television obvious. Patrouille du Cosmos was one of the translators have to take into account questions very first television series ever dubbed in Que- of synchrony, linguistic limitations, the various bec.3 The Quebec dubbing tradition was still dubbing traditions of different countries, and being invented when this translation was pro- their own poetic license. The main challenge of duced. The dubbers had to adapt and interpret television translation is to find a balance between dialogues taking place on other planets, pro- being true to the source text and the sometimes nounced by aliens in silly make-up and starship necessary falsification of the original dialogue in officers wearing goofy clothes. Furthermore, order to accurately render the story being told. -
LOU SCHEIMER: CREATING the FILMATION GENERATION 1946–1948Chapter TWO Driving Japan Crazy
CONTENTS... PREFACE ..........................................5 chapter seventeeN ......149 Anthologies and Expansion (1978–1979) chapter one .............................7 Wherein My Father Punched Out Adolf Hitler Years chapter eighteen .....161 Before Captain America Did (1928–1946) The Year of Legal Discontent (1979–1980) chapter two ..........................17 chapter nineteen .....171 Driving Japan Crazy (1946–1948) Silver Bullets and Soccer Balls (1980–1981) chapter three .................23 chapter twenty ..........179 Carnegie and an Early Proposal (1948–1955) Forced To Runaway (1981–1982) chapter FOUR .....................31 chapter twenty-one ....189 Clowns, Cats, Rockets, and Jesus (1955–1965) A Farewell to Networks / The Last Man Standing (1982–1983) chapter five ........................43 And Who, Disguised As A Real Animation Studio… chapter twenty-two ....197 We Have the Power! (1983–1984) chapter six ............................51 The Super Superheroes (1967) COLOR GALLERY ..............209 chapter seven .................59 The Fantastic Shrinking Bat-Teenager (1968) chapter twenty-three ....521 Morals and Media Battles (1984–1985) chapter eight ....................69 Gold Records and Witches (1969) chapter twenty-four ....223 Sisters Are Doing it for Themselves (1985–1986) chapter nine ........................75 Hey Lady! More Monsters & Music! (1970–1971) chapter twenty-five ......235 Let’s Go Ghostbusters! (1986-1987) chapter ten .........................81 Funnies, Games, and Fables (1971) chapter twenty-six ......241 -
Trekonderoga 2017 Program August 25,26,27Th Ticonderoga,NY
Trekonderoga 2017 Program August 25,26,27 th Ticonderoga,NY Saturday Night Concert! This year we are again pleased to present our special Saturday Concert. On Saturday night, James Cawley, the man who created the Studios and the Trekonderoga event, will be doing his top-rated professional Elvis impersonation music review with his band, The American Longboards. This event is open to the public, and tickets may be purchased by clicking the button below. James Cawley has been ranked the Number 1 Elvis impersonator in the USA by a committee of Elvis fan club presidents out of 2500 contestants. His amazing resemblance to “The King” in appearance, mannerisms, and voice have also earned finalist status in the Worldwide Elvis impersonator contest. His show allows the audience the chance to relive the excitement of having seen “The King” in person. Over the past 22 years, James’ shows have ranged from full-blown Las Vegas style shows with 15 musicians, female dancers and The Jordanaires (Elvis’ original backup quartet) to mid-sized shows with the “TCB Band” tailor-made for small venues. He has appeared at sold out shows in theaters and casinos across the country at such places as: Tropicana Casino, Atlantic City; Claridge Casino, Atlantic City; Legends in Concert, Las Vegas; Gatlin Brother’s Theater, Myrtle Beach; and many, many, others. Click here to purchase tickets. Links Trekonderoga 2017 Home Page Area Info Schedule of Events Presenters Sessions Photo Gallery Sponsors and Vendors Discounts W hat's Special About Trekonderoga? FAQ's Barbara Luna “You’re the Captain’s Woman – until he says you’re not.” BarBara Luna is still the Captain’s Woman, Lieutenant Marlena Moreau, a character BarBara made famous on one of Star Trek’s most popular episodes, Mirror Mirror. -
TV Theme Songs
1 TV Themes Table of Contents Page 3 Cheers Lawman - 38 4 Bonanza Wyatt Earp - 39 5 Happy Days Bob Hope - 4 6 Hawaii 5-O Jack Benny - 43 6 Daniel Boone 77 Sunset Strip - 44 7 Addams Family Hitchcock - 46 8 “A” Team Kotter - 48 9 Popeye You Bet Your Life - 50 11 Dick Van Dyke Star Trek - 52 11 Mary Tyler Moore Godfrey - 54 13 Gomer Pyle Casper - 55 13 Andy Griffith Odd Couple - 56 14 Gilligan’s Island Green Acres - 57 15 Davey Crockett 16 Flipper Real McCoys - 59 16 Cheyenne Beverly Hill Billies - 60 17 The Rebel Hogan's Heroes - 61 17 Mash Love Boat - 62 19 All in the Family Mission Impossible - 63 20 Mike Hammer McDonalds - 65 21 Peter Gunn Oscar Myers - 65 22 Maverick Band Aids - 65 23 Lawman Budweiser - 66 24 Wyatt Earp 24 Bob Hope 26 Jack Benny 27 77 Sunset Strip 27 Alfred Hitchcock 28 Welcome Back Kotter 28 You Bet Your Life (Groucho Marx) 29 Star Trek 31 Arthur Godfrey 31 Casper the Friendly Ghost 32 Odd Couple 32 Green Acres 33 The Real McCoys 34 Beverly Hillbillies 35 Hogan’s Heroes 35 Love Boat 36 Mission Impossible 37 Mr. Ed 37 Dream Alone with Me (Perry Como) 2 2 Cheers - 1982-1993 – Music by Gary Portnoy & Judy Hart Angelo This popular theme song was written by Gary Portnoy and Judy Hart Angelo when both were at crossroads in their respective careers. Judy was having dinner and seated next to a Broadway producer who was looking for someone to compose the score for his new musical. -
PRICES REALIZED DETAIL - Hollywood - Summer 2016 Auction 83, Auction Date
26662 Agoura Road, Calabasas, CA 91302 Tel: 310.859.7701 Fax: 310.859.3842 PRICES REALIZED DETAIL - Hollywood - Summer 2016 Auction 83, Auction Date: LOT ITEM PRICE PREMIUM 1 THEDA BARA (36) VINTAGE ORIGINAL PHOTOGRAPHIC PORTRAITS. $3,250 $650 2 (100+) VINTAGE ORIGINAL BEHIND THE SCENES PHOTOGRAPHS OF EARLY $1,500 $300 HOLLYWOOD STUDIOS AND FILMMAKING. 3 MGM STARS OF THE 1930S (53) VINTAGE ORIGINAL PHOTOGRAPHIC $1,300 $260 PORTRAITS BY HURRELL AND BULL. 4 JEAN HARLOW (7) VINTAGE ORIGINAL PHOTOGRAPHIC PORTRAITS BY BULL, $450 $90 GRIMES, AND HURRELL. 5 CAROLE LOMBARD VINTAGE ORIGINAL PHOTOGRAPHIC PORTRAIT BY $225 $45 CLARENCE SINCLAIR BULL. 6 CAROLE LOMBARD (50+) VINTAGE ORIGINAL PHOTOGRAPHIC PORTRAITS. $2,750 $770 7 CLARK GABLE (14) VINTAGE ORIGINAL PHOTOGRAPHS. $300 $60 8 GONE WITH THE WIND (40+) VINTAGE ORIGINAL PRODUCTION PHOTOS AND (1) $1,100 $308 WINDOW CARD. 9 LAUREN BACALL (2) VINTAGE OVERSIZE PHOTOGRAPHIC PORTRAITS BY JOHN $2,250 $450 ENGSTEAD. 10 REBEL WITHOUT A CAUSE (22) VINTAGE ORIGINAL SET CONTINUITY $400 $80 PHOTOGRAPHS. 11 COLLECTION OF (5000+) ORIGINAL VINTAGE AND CONTEMPORARY $37,500 $7,500 ENTERTAINMENT PHOTOGRAPHS. 12 COLLECTION OF (5000+) ORIGINAL VINTAGE AND CONTEMPORARY $35,000 $7,000 ENTERTAINMENT PHOTOGRAPHS. 13 COLLECTION OF (5000+) ORIGINAL VINTAGE AND CONTEMPORARY $37,500 $7,500 ENTERTAINMENT PHOTOGRAPHS. 14 COLLECTION OF (500+) VINTAGE AND CONTEMPORARY OVERSIZE $9,000 $1,800 PHOTOGRAPHIC PORTRAITS. 15 LON CHANEY, SR. VINTAGE ORIGINAL PHOTOGRAPHER SIGNED GLASS PLATE $450 $90 NEGATIVE. 16 COLLECTION OF (1000++) ORIGINAL VINTAGE AND CONTEMPORARY $5,500 $1,100 NEGATIVES, SLIDES, AND COLOR TRANSPARENCIES. Page 1 of 71 26662 Agoura Road, Calabasas, CA 91302 Tel: 310.859.7701 Fax: 310.859.3842 PRICES REALIZED DETAIL - Hollywood - Summer 2016 Auction 83, Auction Date: LOT ITEM PRICE PREMIUM 17 IN OLD CHICAGO VINTAGE ORIGINAL SCRIPT.