HECORELENT Vvi WHO in the WORLD of '

Total Page:16

File Type:pdf, Size:1020Kb

HECORELENT Vvi WHO in the WORLD of ' SECTION 2 DECEMBER 30,196, PRICE $1 25 iIIbpa HECORELENT Vvi WHO IN THE WORLD OF ' oit . - -r: ;:1-4-.1.4V.ii2g.;:t.r.;7-7,;.'..017,:i-Oi-,`ifEY:'7.`i..ei-S. 1 ffr : N'. .... '4 t o , 7 Zt. 1.Z44:')4 e: : A.': .-, .!,........;, ...,7, ,......-,.:, .,...:.4.,..4,rt,:,..,......;.. tt- . 4.0 .. *.limeNnek. N Xe-e,y_412etnii,,--,,,,-4z4.4,4-ix.:A.:.,4A,-*,,, -..:,:m, 44...1.777M"Y.70E"M. -...,,.- ......." - OW/ O./ RAVI SHAN/fail -RECORD ARTIST OF THE YEAR )- 1 L THE. RUF1I'L. NI.EV BIOS. CO.ii.TOU IS DY:tE THE ELG11..S T-IE VEL1.1ELETTES & THE !S BREIOA HOLLOM CHUCK JACKSON RECORD CORPORATION r-Te, sc..4 -ALS( SMOKEY JR. WALKEI ROBINSON ALL STARS II & THE B LLY ECKSTINE MIRACLES filcNAIR THE CHRIS CLARK 1 THE SPINNERS I THE MONITORS THE MESSENGERS GLADYS KNIGHT & THE PIPS BOBBY TAYLOR VANCOUVEI MARTHf REEVE: & THE V ANDELLAJ Tifrhtowa ,7..ct(touyl MOTOWN RECORD CORP. JOBEIE MUSIC CO., INC. STEIN & VAN STOCK INTERNATIONAL TALENT MANAGEMENT, INC. Management: SAL BONAFEDE ASHER DANN ELEKTRA RECORDS 6721Sunset Bl+d , Los Angeles,California 6 Who's Who in the World of Music Billboard 1968is ED AMES ea& _..."47 - 4:1VmftammilltipMEMP .411E. inem: - "NW.. 4.1"4111111smwomIll ...1111111nt,-.1111," 141"52E110--- LPM 3913 (M) LSP 3913 (S WHO WILL ANSWER? ALBUM TO BE RELEASED SHORTLY PERSONAL MGT. BURKE WEEMS / RISEI 1000HECORIRENERION WHO'S WHO IN THE WORLD OF MUSIC CONTENTS EDITORIAL OFFICE: 165 W. 46thSt., New York, N.Y. 10036. Area Code 212, PL 7-2800 Cable: BILLBOARD NEWYORK ARTIST OF THE YEAR 10 TOP ARTISTS -1967 14 Publisher: HAL B. COOK Editor in Chief: LEE ZHITO Top Singles Artists 14 Top Album Artists 16 Top Male Artists 18 INTERNATIONAL TALENT EDITION STAFF Top Female Artists 18 Top Groups 22 Editor: AARON STERNFIELD Top Instrumental Artists 22 Art Director: VIRGIL ARNETT Top New Single: Artists 24 Top Country Singles Artists 24 Associate Editor: LIZ INGLESON Top R&B Singles Artists 26 Associate Art Director: WILMA WILSON Top Easy Listening Artists 26 Top Country Album Artists 29 Top R&B Album Artists 29 Top Classical Artists 30 U. S. BRANCH OFFICES Top Jazz Artists 30 CHICAGO, Ili. 60601, 188 W. Randolph NASHVILLE,Tenn.37203,110 21stAve., Hot 100 Publishers 32 Area Code 312, CE6-9818 Room 710. Area Code 615, 244-1836 Hot 100 Producers 34 LOS ANGELES,Calif.90069, 9000Sunset WASHINGTON, D.C. 20005, 733 15thSt., Top International Artists by Country 36 Blvd.Area Code 213, 273-1555 N.W.Woodward Bldg., Room533. Area Code 202, 393-2580 TALENT NEWSMAKERS OF 1967 INTERNATIONAL OFFICES EUROPEAN DIRECTOR: Andre de Vekey, 7 Welbeck St., London W.1, Phone: 486-5971 Cable: Billboard London U. S. POPULAR RECORDING ARTISTS . 58 EUROPEAN EDITOR: Mike Hennessey, 16 bis Rue Fontaine,Paris 9 me, France. Phone: 526.80.19 UNITED KINGDOM:GraemeAndrews, 7WelbeckSt.,LondorW.I. Phone: 486-5971 U. S. CLASSICAL RECORDING ARTISTS . 79 Cable: Billboard London CANADA: Kit Morgan, 22 Tichester Rd., Apt.107, Toronto 10 ITALY: Germano Ruscitto, Via Padova 154, Milano,Italy.Phone: 282-23-80 U. S. PERSONAL MANAGERS 84 FRANCE: Mike Hennessey, 16 bis Rue Fontaine, Paris 9 me, France. Phone: 526.80,19 JAPAN: Kanji Suzuki/Japan, Trade Service, Ltd., 2-1-408, 3 Chome Otsuka, Bunkyo-ku, Tokyo U. S. BOOKING AGENTS 89 MEXICO: Kevin Kelleghan, Varsovia 54, Mexico City, Mexico. Phone: 125002 Subscription rates payable in advance. One year, $20 inU.S. A (except Alaska, Hawaii and PuertoRico) and Canada, or $45 by airmail.Ratesinother foreigncountries onrequest. U. S. RECORD COMPANIES 92 Subscribers when requesting change of address shouldgiveoldaswell as new address. Published weekly.Second-class postage paidat New York, N.Y., and atadditional mailing offices.Copyright 1967 by BillboardPublications,Inc.The company alsopublishesRecord INTERNATIONAL TALENT DIRECTORY 96 Retailer,Vend, Amusement Business,HighFidelity,AmericanArtist,ModernPhotography, Merchandising Week.Postmaster,please sendForm 3579 toBillboardPublications,Inc., 2160 PattersonSt., Cincinnati, Ohio 45214. MPA Vol. 79 No. 52 ABP Cover Phcto: Grant Photographers 0061Imo Billboard 1968 International Record & Talent Showcase 9 ARTlinitYEAR The Indian influence is firmly established in the popular Each year the editors of Billboard honor an artist who in music of today. their opinion has made the most significant contribution to Shankar's talents are as complex as hismusic. He popular music. The decision is not based on chart perform- is equally at home in the world of the hippie as he is ance or record sales. It is based on much more lasting values. in the world of the classicist. In India, he was a classical soloist, musical director of the All India Radio, founder of the National Orchestra, writer of ballet music, and THEGREAT STRENGTH of today's popular music composer of theme music for films. His film scores have isitsdiversity. Not too long ago, contemporary music won him awards in the Cannes, Venice and Berlin film reflected primarily a Western middle-class culture, with festivals. its roots reaching deeply into the classical European tra- On the pop scene, Shankaristhe personal mentor dition. The latter part of the century has seen the enrich- of George Harrison of the Beatles, who studied the sitar ment of popular music through the introduction of the with Shankar in eight weeks of intensive training. It was rhythm and blues, country, folk and jazz themes. It has these eight weeks that changed the complexion of popular also seen the internationalization of contemporary music. music. marked by an exchange of artists, songs and ideas. In the Due to the influence of Shankar, the music of the main,it has been a phenomenon of the Western world. East is no longer strange to the occidental ears. Shankar But the parochial occidental cast of popular music is holds a visiting professorship atthe City University of changing. And the man who is makingitchangeisa New York, and will appear in concert about 200 times diminutive. 47 -year -old Indian sitar player named Ravi during his American visit. Shankar. At this writingitis early to access thefull impact Shankar's World Pacific albums do not rise to the top of Ravi Shankar on the world of music. But, at the very of the charts. But their influence on contemporary music least, Shankar has demonstrated that popular music be- far transcends their commercial appeal. longs to no one society or culture, and that itis not the His list of musical followers includes the Beatles, the exclusive province of a trans -Atlantic society. And that RollingStones andthePaulButterfieldBluesBand. is no mean achievement. 10 Who's Who in the World of Music Billboard AMERICA'S NUMBER ONE CONCERT ATTRACTS), . E STRAIGHT YEARS ON THE CHARTS PERSONAL REPRESENTATION AGENCY REPRESENTATION PUBLIC RELATIONS ALAN C. BERNARD PERENCHIO ARTISTS LTD. SHELDON A. SALTMAN COLUMBIA RECORDS It] Billboard 1968 Inernational Record 8 Talent Showcase 11 ZanOpipers Ph ACROSS TIEninon in PULLMAN , DICKINSON ST. PEWR KErstr, l ...* MISSOULA: ,_..-,14°-'.... ...b. .0 GRAND FORKS, BOISE'..i I, --f " . '' 1 YAKIMA FARGO v, COEUR 11) f VI NOT , y .,, 4. , ten- i /,. ..,-,' CALDWELL ' %-. , i - 1. 41C4IX* PIW - LE:GOD Asp.AID tt ' ILINCOLN ONAHA441., . , f4 PCIRTLW,, :PP CHADRON KEARNEY CEDAR FAkk.S b. i , . b ,, E CITY e-tl,y . / DE;WIOINES-l ' ot 4,CASIzaltritil drtle ' ' ' . "*/(0iAN. ' i LAVIKICE/ - if ' ' b.' . 4 EMPORIRie; Ali 1 . r GREELEY j I ';'f ,' s- 04' I 1 HAWAII . /' ..' , ) /7 7 0 0 . CCURADO SPPJ - I ir ,,,,..,z./...._., at . /- A- it WO / I, FORT 40- '"'., ./j,.. ' !./ ,eff ;!; .'' Ai .. SAN FRANCISCC BERKELEY .. r - , , NORMAN i' .ori r 1 C " , .. ( , P ARCATA Ait,, Oklii0MA ter( j ' RENO; . i' - c:r.. 41. i Al' A FORT SILL .. f 7 41t c - " r 1, i / . I,0*.'d 0LAS VEGAS WIC,'.:!`": -.f IL SANTA BP1BARA;.' I . ...irk : 4, - ' '- PCPTALIS LOS IINGELES ,,,i./ " ,i,' 3%1 BERNARDINO_ , - ewe $,-- ,..- - AN DIEGO er FL;C:STAFF /' ,tthPE . mob. ----- am. gmffor mei lollif. Lao guu MANKATO I I , _,;, i 44, MI % . 141.401A: C.,144.ELANO, 4 $ 30STON DET30IT , -4/ ST 'PAU' r k'.. .f' :..2,4 fri ST ALIIS j 1.' cot.ume, , II j V I...Af;4:INN CINNATI ' ( * CHICAGO "14 FOpcST HILLS .1' 4 ,,,, 41 e . ,..4 ,,i An_ * NEW YORK CITY . 4, k. INDIANAPOtIS l'ut a LIBERTY ' NORMAL- PITIBIURGH . 44.ELMHURV ' 0 i ' 'IR PH ..ADE_PHIA ' _. MARWILLE pli 4 9 PEORIA :.-0 a 44risf il . ST. 'LOUIS 44 44 i4, . I 1' Si. JOStPt ?4. ... .* 1.t1. 4*. I I : 4.' a WASHINGT(1 Pita? ! f P , We .; irl, 'At ' ill4,,,,a N.,. :'. f . xkilp 1 Of r i 7 lif.rs if 4 g I ' r a af'd 1 111 ! 4$011.U4ABIA1 4.1 , / 400, rill dr..1 : ,, . 4 , 0 0 . AI::'' Jf * I. % ''.., f V: rim If' SAN JOAN MANAGEMENT: SP 4117 CLANTANAMIRA 1 LAWRENCE H. DEUTSCH SP 4125 TI -E SANDPIPERS 967 N. LA CIENECA BLVD. SP 4135 MISTY POSES LOS JNCELES. CALIF. 90069 clt:r4 THREE PIPER PRODUCTIONS TOP U. S. ARTISTS OF 1967 Rankings of top artists in the various categories listed below ore based on chart action for the first 10 months of the year. These rankings do not necessarily reflect total sales of their product during the period covered.They do indicatetheirrelativestrength during the 43 -week period.The compilations in several categories were stopped when they ceased to provide meaningful information. Thus, only nine female artists were listed, because only nine had chart records during the period.Soundtrack and original cast albums do not appear on the album chart. IOPSINGLESARTISTS POS. ARTIST Label (No. of Records on Hot 100) POS. ARTIST Label (No. of Records on Hot 100) 1. MONKEES-Colgems (6) 26.
Recommended publications
  • IPG Spring 2020 Rock Pop and Jazz Titles
    Rock, Pop, and Jazz Titles Spring 2020 {IPG} That Thin, Wild Mercury Sound Dylan, Nashville, and the Making of Blonde on Blonde Daryl Sanders Summary That Thin, Wild Mercury Sound is the definitive treatment of Bob Dylan’s magnum opus, Blonde on Blonde , not only providing the most extensive account of the sessions that produced the trailblazing album, but also setting the record straight on much of the misinformation that has surrounded the story of how the masterpiece came to be made. Including many new details and eyewitness accounts never before published, as well as keen insight into the Nashville cats who helped Dylan reach rare artistic heights, it explores the lasting impact of rock’s first double album. Based on exhaustive research and in-depth interviews with the producer, the session musicians, studio personnel, management personnel, and others, Daryl Sanders Chicago Review Press chronicles the road that took Dylan from New York to Nashville in search of “that thin, wild mercury sound.” 9781641602730 As Dylan told Playboy in 1978, the closest he ever came to capturing that sound was during the Blonde on Pub Date: 5/5/20 On Sale Date: 5/5/20 Blonde sessions, where the voice of a generation was backed by musicians of the highest order. $18.99 USD Discount Code: LON Contributor Bio Trade Paperback Daryl Sanders is a music journalist who has worked for music publications covering Nashville since 1976, 256 Pages including Hank , the Metro, Bone and the Nashville Musician . He has written about music for the Tennessean , 15 B&W Photos Insert Nashville Scene , City Paper (Nashville), and the East Nashvillian .
    [Show full text]
  • Radio France. France Inter. Archives Papier Des Émissions De Valli « Système Disque » (2003-2008), « POP Etc
    Radio France. France Inter. Archives papier des émissions de Valli « Système disque » (2003-2008), « POP etc. » (2008-2013), « I love USA (moi non plus) » (2004), « il était une femme » (2005), le prix Constantin (2004-2011). 2003-2013 Répertoire numérique détaillé du versement n° 20140302 Établi par Anne Briqueler, Service Archives écrites et Musée - Direction générale déléguée - Radio France Première édition électronique Archives nationales (France) Pierrefitte-sur-Seine 2014 1 https://www.siv.archives-nationales.culture.gouv.fr/siv/IR/FRAN_IR_055871 Cet instrument de recherche a été rédigé avec un logiciel de traitement de texte. Ce document est écrit en français. Conforme à la norme ISAD(G) et aux règles d'application de la DTD EAD (version 2002) aux Archives nationales, il a reçu le visa du Service interministériel des Archives de France le ..... 2 Archives nationales (France) Sommaire Radio France. France Inter. Archives papier des émissions de Valli. « Système 4 disque » (2003-2008), « Pop etc. » (2008-2013), « I love USA (moi non ... Émissions des grilles de rentrée : Système disque (2003-2008), Pop etc. (2008- 7 2013) Émissions de la grille d'été : I love USA (moi non plus) (2004), Il était une femme 28 (2005), Émissions animées par Valli à l'occasion du Prix Constantin 30 Carnets de notes de Valli 30 3 Archives nationales (France) INTRODUCTION Référence 20140302/1-20140302/82 Niveau de description groupe de documents Intitulé Radio France. France Inter. Archives papier des émissions de Valli. « Système disque » (2003-2008), « Pop etc. » (2008-2013), « I love USA (moi non plus) » (2004), « Il était une femme » (2005), « Le Prix Constantin » (2004-2011) Date(s) extrême(s) 2003-2013 Nom du producteur • Valli • Radio France Importance matérielle et support Le versement comporte 22 cartons d'archives de type « Armic » soit 6,82 ml.
    [Show full text]
  • Tommy James & the Shondells Mony, Mony Mp3, Flac
    Tommy James & The Shondells Mony, Mony mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Pop Album: Mony, Mony Country: UK Released: 1968 Style: Rock & Roll, Pop Rock MP3 version RAR size: 1592 mb FLAC version RAR size: 1386 mb WMA version RAR size: 1711 mb Rating: 4.9 Votes: 625 Other Formats: DTS AIFF MIDI MP4 FLAC DMF AUD Tracklist Hide Credits Mony, Mony A Written-By – B. Gentry*, B. Bloom*, R. Cordell*, T. James* One Two Three And I Fell B Written-By – B. Gentry*, J. Calvert*, R. Cordell* Companies, etc. Published By – Planetary Nom (London) Ltd. Mastered At – Decca Studios Credits Mastered By – C Producer – Bo Gentry, Ritchie Cordell Barcode and Other Identifiers Matrix / Runout (Side A Runout Stamped): D - 469 - A - 1C Matrix / Runout (Side B Runout Stamped): D - 469 - B - 1C Rights Society: M.C.P.S. Other (Tax code): J/T Other versions Category Artist Title (Format) Label Category Country Year Mony Mony / One Two Tommy James And R-7008 Three And I Fell (7", Roulette R-7008 US 1968 The Shondells* Single) Tommy James And Mony, Mony (7", ME 443 Columbia ME 443 Spain 1968 The Shondells* Single) Tommy James And Mony, Mony (7", ME 443 Columbia ME 443 Spain 1968 The Shondells* Single) Mony Mony / One Two Tommy James And R-7008 Three And I Fell (7", Roulette R-7008 Japan 1968 The Shondells* Single) Tommy James & The Mony, Mony (7", Pye 7N 25695 7N 25695 UK 1975 Shondells Single, Promo, Sol) International Related Music albums to Mony, Mony by Tommy James & The Shondells 1.
    [Show full text]
  • Canadian Folk Music BULLETIN De Musique Folklorique Canadienne 23
    22 In Memoriam Peacock also turned his interests towards composition and from 1944 to 1950 he studied privately with John Weinsweig, Reginald Godden, Michele Hirvy and Francis Judd Cooke producing Kenneth Howard Peacock a number of creative works. He once told me that his music corpus was not significant and that he Composer and Folkmusic Specialist was "not a great composer". His own output was 1922-2000 nevertheless sizeable. One of his best-known works, 'Bridal Suite', composed in 1947 and ord came to me through Kenneth Peacock's published by BMI in 1948, was premiered by Wclose friends that he had quietly passed Reginald Godden at Hart House in Toronto. away on Tuesday November 22 at St. Godden was so impressed with the piece that he Vincent de Paul Hospital in Ottawa as a result of recorded it in 1949 on English Decca (London T- pneumonia he had contracted the week previous. 5697). The Ottawa Journal (June 3, 1950) noted He had been ill for quite some time. that it was the "first recording of Canadian A native of Toronto, Peacock led two distinct classical music made in another country". but complementary careers on the one hand as a Peacock's musical career peaked in the musician, teacher and composer and on the other 1950s. He gave his last public performance at a as a researcher and collector of folk music for the Canadian League of Composers concert held in National Museum of Canada. With his passing he Toronto at the Casa Loma in 1958 for which he left a considerable legacy to Canadian folklore, composed the piano piece 'Toccata'.
    [Show full text]
  • Karaoke Mietsystem Songlist
    Karaoke Mietsystem Songlist Ein Karaokesystem der Firma Showtronic Solutions AG in Zusammenarbeit mit Karafun. Karaoke-Katalog Update vom: 13/10/2020 Singen Sie online auf www.karafun.de Gesamter Katalog TOP 50 Shallow - A Star is Born Take Me Home, Country Roads - John Denver Skandal im Sperrbezirk - Spider Murphy Gang Griechischer Wein - Udo Jürgens Verdammt, Ich Lieb' Dich - Matthias Reim Dancing Queen - ABBA Dance Monkey - Tones and I Breaking Free - High School Musical In The Ghetto - Elvis Presley Angels - Robbie Williams Hulapalu - Andreas Gabalier Someone Like You - Adele 99 Luftballons - Nena Tage wie diese - Die Toten Hosen Ring of Fire - Johnny Cash Lemon Tree - Fool's Garden Ohne Dich (schlaf' ich heut' nacht nicht ein) - You Are the Reason - Calum Scott Perfect - Ed Sheeran Münchener Freiheit Stand by Me - Ben E. King Im Wagen Vor Mir - Henry Valentino And Uschi Let It Go - Idina Menzel Can You Feel The Love Tonight - The Lion King Atemlos durch die Nacht - Helene Fischer Roller - Apache 207 Someone You Loved - Lewis Capaldi I Want It That Way - Backstreet Boys Über Sieben Brücken Musst Du Gehn - Peter Maffay Summer Of '69 - Bryan Adams Cordula grün - Die Draufgänger Tequila - The Champs ...Baby One More Time - Britney Spears All of Me - John Legend Barbie Girl - Aqua Chasing Cars - Snow Patrol My Way - Frank Sinatra Hallelujah - Alexandra Burke Aber Bitte Mit Sahne - Udo Jürgens Bohemian Rhapsody - Queen Wannabe - Spice Girls Schrei nach Liebe - Die Ärzte Can't Help Falling In Love - Elvis Presley Country Roads - Hermes House Band Westerland - Die Ärzte Warum hast du nicht nein gesagt - Roland Kaiser Ich war noch niemals in New York - Ich War Noch Marmor, Stein Und Eisen Bricht - Drafi Deutscher Zombie - The Cranberries Niemals In New York Ich wollte nie erwachsen sein (Nessajas Lied) - Don't Stop Believing - Journey EXPLICIT Kann Texte enthalten, die nicht für Kinder und Jugendliche geeignet sind.
    [Show full text]
  • Don Carlo Cambió Mi Vida” Por Ingrid Haas
    www.proopera.org.mx • año XXV • número 2 • marzo – abril 2017 • sesenta pesos CONCIERTOS Elīna Garanča en México ENTREVISTAS Dhyana Arom Jorge Cózatl Ricardo López Constantine Orbelian Arturo Rodríguez Torres Carlos Serrano Diego Silva Ramón Vargas ENTREVISTAS EN LÍNEA Markus Hinterhäuser Grigory Soloviev FerruccioFerruccio FurlanettoFurlanetto “Don Carlo “Don Carlo cambiócambió mimi vida”vida”pro opera¾ EN BREVE por Charles H. Oppenheim La Orquesta Filarmónica del Desierto en Bellas Artes Por vez primera desde su formación en 2014, la Orquesta Filarmónica del Desierto, con sede en Saltillo, Coahuila, ofreció un concierto el pasado 28 de enero en la sala principal del Palacio de Bellas Artes, dirigida por su titular, el maestro Natanael Espinoza. La orquesta interpretó la obertura de la ópera Rienzi de Richard Wagner, Tangata de agosto de Máximo Diego Pujol y la Sinfonía número 5 en Mi menor, op. 64 de Piotr Ilich Chaikovski. La tercera generación del Estudio de Ópera de Bellas Artes Foto: Ana Lourdes Herrera Concierto del EOBA en memoria de Rafael Tovar y de Teresa El último recital de la tercera generación del Estudio de Ópera de Bellas Artes (EOBA) se dedicó a la memoria del recién fallecido titular de la Secretaría de Cultura, Rafael Tovar y de Teresa, quien le dio un fuerte impulso a la agrupación creada apenas en 2014. En el recital participaron las sopranos Rosario Aguilar, María Caballero y Lorena Flores, las mezzosopranos Vanessa Jara e Isabel Stüber, los tenores Enrique Guzmán y Ángel Macías, el barítono Carlos López, el bajo-barítono Rodrigo Urrutia y el bajo Carlos Santos, acompañados por los pianistas Edgar Ibarra y Alain del Real.
    [Show full text]
  • Annual Report of the Librarian of Congress
    ANNUAL REPO R T O F THE LIBR ARIAN OF CONGRESS ANNUAL REPORT OF T HE L IBRARIAN OF CONGRESS For the Fiscal Year Ending September , Washington Library of Congress Independence Avenue, S.E. Washington, DC For the Library of Congress on the World Wide Web visit: <www.loc.gov>. The annual report is published through the Public Affairs Office, Office of the Librarian, Library of Congress, Washington, DC -, and the Publishing Office, Library Services, Library of Congress, Washington, DC -. Telephone () - (Public Affairs) or () - (Publishing). Managing Editor: Audrey Fischer Copyediting: Publications Professionals LLC Indexer: Victoria Agee, Agee Indexing Design and Composition: Anne Theilgard, Kachergis Book Design Production Manager: Gloria Baskerville-Holmes Assistant Production Manager: Clarke Allen Library of Congress Catalog Card Number - - Key title: Annual Report of the Librarian of Congress For sale by the U.S. Government Printing Office Superintendent of Documents, Mail Stop: SSOP Washington, DC - A Letter from the Librarian of Congress / vii Library of Congress Officers and Consultants / ix Organization Chart / x Library of Congress Committees / xiii Highlights of / Library of Congress Bicentennial / Bicentennial Chronology / Congressional Research Service / Copyright Office / Law Library of Congress / Library Services / National Digital Library Program / Office of the Librarian / A. Bicentennial / . Steering Committee / . Local Legacies / . Exhibitions / . Publications / . Symposia / . Concerts: I Hear America Singing / . Living Legends / . Commemorative Coins / . Commemorative Stamp: Second-Day Issue Sites / . Gifts to the Nation / . International Gifts to the Nation / v vi Contents B. Major Events at the Library / C. The Librarian’s Testimony / D. Advisory Bodies / E. Honors / F. Selected Acquisitions / G. Exhibitions / H. Online Collections and Exhibitions / I.
    [Show full text]
  • Scott Walker and the Late Twentieth Century Phenomenon of Phonographic Auteurism Duncan G
    Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2013 Scott Walker and the Late Twentieth Century Phenomenon of Phonographic Auteurism Duncan G. Hammons Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC SCOTT WALKER AND THE LATE TWENTIETH CENTURY PHENOMENON OF PHONOGRAPHIC AUTEURISM By DUNCAN G. HAMMONS A Thesis Submitted to the College of Music in partial fulfillment of the requirements for the degree of Master of Arts Degree Awarded: Spring Semester, 2013 Duncan Hammons defended this thesis on April 4, 2013 The members of the supervisory committee were: Kimberly VanWeelden Professor Directing Thesis Jane Clendinning Professor Co-Directing Thesis Frank Gunderson Committee Member The Graduate School has verified and approved the above-named committee members, and certifies that the has been approved in accordance with university requirements. ii Dedicated to my family and friends for their endless encouragements and many stimulating conversations that fostered the growth of my curiosity in this subject, and the memory of my father, Charles Edwin Hammons (November 1, 1941 - April 28, 2012), who taught me the invaluable lesson of consolidating work and play. iii ACKNOWLEDGEMENTS I would like to acknowledge the members of my supervisory committee, Dr. Jane P. Clendinning, Dr. Kimberly VanWeelden and Dr. Frank Gunderson for their enthusiasm and generosity in their guidance of this research, and additionally, Dr. Laura Lee and Dr. Barry Faulk for lending their expertise and additional resources to the better development of this work. iv TABLE OF CONTENTS List of Figures ...............................................................................................................................vii Abstract ........................................................................................................................................viii 1.
    [Show full text]
  • 825646277346.Pdf
    Maria Callas in Il pirata at La Scala, May 1958 Photo: Erio Piccagliani Ꭿ Teatro alla Scala The Callas Rarities 1953–61 THE 1953 TEST Wolfgang Amadeus Mozart 1756–1791 Don Giovanni (Da Ponte) 1 Non mi dir (Act II) (Take 1) ൿ 1997 MONO 5.23 2 Non mi dir (Act II) (Take 2) ൿ 1985 MONO 5.02 Orchestra del Maggio Musicale Fiorentino / Tullio Serafin Recorded: 27.I.1953, Teatro Comunale, Florence Producer: Dino Olivieri · Balance engineer: Osvaldo Varesco THE MONO VERSION OF THE SLEEPWALKING SCENE FROM MACBETH Giuseppe Verdi 1813–1901 Macbeth (Piave) 3 Una macchia è qui tuttora (Act IV) MONO 11.12 Philharmonia Orchestra / Nicola Rescigno Recorded: 19, 21, 24.IX.1958, No.1 Studio, Abbey Road, London Producer: Walter Legge · Balance engineer: Neville Boyling THE 1960 AND 1961 TONINI SESSIONS Gioachino Rossini 1792–1868 Semiramide (Rossi) 4 Bel raggio lusinghier (Act I) ൿ 1987 5.35 Giuseppe Verdi I vespri siciliani (Caimi) 5 Arrigo! ah parli a un core (Act IV) ൿ 1997 4.05 Philharmonia Orchestra / Antonio Tonini Recorded: 13 –15.VII.1960, Watford Town Hall Producer: Walter Legge · Balance engineer: Harold Davidson 3 Gaetano Donizetti 1797–1848 Lucrezia Borgia (Romani) 6 Tranquillo ei posa…Com’è bello (Prologue) ൿ 1997 8.03 Gioachino Rossini Guglielmo Tell (De Jous & Ris) 7 S’allontanano alfine…Selva opaca (Act II) ൿ 1987 8.27 Semiramide (Rossi) 8 Bel raggio lusinghier (Act I) ൿ 1987 5.23 Vincenzo Bellini 1801–1835 Il pirata (Romani) 9 Sorgete…Lo sognai ferito, esangue (Act I)* ൿ 1972 9.25 *Monica Sinclair contralto · Alexander Young tenor Philharmonia Orchestra & Chorus / Antonio Tonini Recorded: 14 –16.XI.1961, Kingsway Hall, London Producer: Walter Legge · Balance engineer: Douglas Larter 4 The Callas Rarities 1962–9 THE 1962 TONINI SESSIONS Giuseppe Verdi 1813–1901 Don Carlo (Méry, Du Locle, De Lauzières & Zanardini) 10 O don fatale (Act IV) ൿ 1992 4.30 Gioachino Rossini 1792–1868 La Cenerentola (Ferretti) 11 Nacqui all’affanno…Non più mesta (Act II) ൿ 1987 6.10 Carl Maria von Weber 1786–1826 Oberon (Planché ed.
    [Show full text]
  • A Piece of History
    A Piece of History Theirs is one of the most distinctive and recognizable sounds in the music industry. The four-part harmonies and upbeat songs of The Oak Ridge Boys have spawned dozens of Country hits and a Number One Pop smash, earned them Grammy, Dove, CMA, and ACM awards and garnered a host of other industry and fan accolades. Every time they step before an audience, the Oaks bring four decades of charted singles, and 50 years of tradition, to a stage show widely acknowledged as among the most exciting anywhere. And each remains as enthusiastic about the process as they have ever been. “When I go on stage, I get the same feeling I had the first time I sang with The Oak Ridge Boys,” says lead singer Duane Allen. “This is the only job I've ever wanted to have.” “Like everyone else in the group,” adds bass singer extraordinaire, Richard Sterban, “I was a fan of the Oaks before I became a member. I’m still a fan of the group today. Being in The Oak Ridge Boys is the fulfillment of a lifelong dream.” The two, along with tenor Joe Bonsall and baritone William Lee Golden, comprise one of Country's truly legendary acts. Their string of hits includes the Country-Pop chart-topper Elvira, as well as Bobbie Sue, Dream On, Thank God For Kids, American Made, I Guess It Never Hurts To Hurt Sometimes, Fancy Free, Gonna Take A Lot Of River and many others. In 2009, they covered a White Stripes song, receiving accolades from Rock reviewers.
    [Show full text]
  • Entire Issue
    Contents Summer 2009 On campus today 2 New Directions 4 Changes and Achievements 6 Sports at NMU Cover Stories 9 Making Music. The cool tools and venues today’s studentshave access to and the great careers it all leads to. The NMU Marching Band, known as The Pride of the North, during a 15 Moonlighting Musicians. While their “Mini-Pride” visit to Kaye House. business cards may carry another title, these NMU professionals also pursue their passion for music. 16 Carrying a Tune. Elda Tate has been inspiring students in music classes for more than four decades, along with being known as a Native American flute virtuoso. 17 A Drum Lesson. A student recreates an ancient art. 18 The Psychology of Music. Professor Mark Shevy’s studies on the effects of music in film, and the communication influences of genre, style and instruments. 19 Understanding Autism through Sound and Vision. A creative class project combines composition and literature. 19 Arts Chorale Reunion. Remembering the great Finnish tours. 20 The Pride of the North. Northern’s marching band continues to stir up fans and friendships. The Fantastics Alumni in action 10 They’ve Got the Music in Them. Six professional musicians discuss what it’s like creating and working in the world of music. 21 Northern’s Musical Ambassadors. The Fantastics put NMU on the groove map. 24 The Excels and the Wayfarers. Two among many awesome bands of the past. 26 “The Music you Forgot to Remember.” A day in the life, in the old days, of a Radio X DJ.
    [Show full text]
  • Front Matter
    ETH NOMU $ 10 LOGY JOURNAL OF THE SOCIETY FOR ETHNOMUSICOLOGY NOW INDEX VOLUMES I-X 1953-1966 Society for Ethnomusicology , University of Illinois Press are collaborating with JSTOR to digitize, preserve and extend access to Ethnomusicology www.jstor.org SOCIETY FOR ETHNOMUSICOLOGY, INC. Board of Directors President: Mantle Hood, Institute of Ethnomusicology, University of Califor- nia, Los Angeles, California 90024 Past President: David P. McAllester, Laboratory of Ethnomusicology, Wes- leyan University, Middletown, Connecticut 06457 First Vice-President: Klaus Wachsmann, Institute of Ethnomusicology, Uni- versity of California, Los Angeles, California 90024 Second Vice-President: Gertrude P. Kurath, Dance Research Center, 1125 Spring Street, Ann Arbor, Michigan 48103 Secretary: Theodore C. Grame, Dept. of Music, Yale University, New Haven, Connecticut 06520 Treasurer: William P. Malm, School of Music, University of Michigan, Ann Arbor, Michigan 48105 Directors-at-large: Nicholas M. England, Dept. of Music, Columbia Univer- sity, New York, New York 10027; J. H. Kwabena Nketia, Institute of African Studies, University of Ghana, Legon, Ghana. Council: Term ending 1967: Robert A. Black, Rose Brandel, K. P. Etzkorn, Frank J. Gillis, Theodore C. Grame, Mieczyslaw Kolinski, Jan LaRue, Alan Lomax, George List, David P. McAllester, Roxane McCollester, Norma McLeod, Wil- liam P. Malm, Wilton Mason, Nadia Chilkovsky Nahumck, Bruno Nettl, Sirvart Poladian, Gustave Reese, Barbara B. Smith, Klaus Wachsmann. Term ending 1968: Willem Adriaansz, William K.Archer, Samuel P. Bayard, Judith O. Beck- er, Viktor M. Beliaev, David L. Burrows, Dieter Christensen, Zygmunt Estrei- cher, Edith Gerson-Kiwi, Charles Haywood, K. G. Izikowitz, Shigeo Kishibe, Barbara L. Krader, Juana de Laban, Jose Maceda, J.
    [Show full text]