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This discography is automatically generated by The JazzOmat Database System written by Thomas Wagner For private use only! ------------------------------------------ QUASIMODE: "Oneself-Likeness" Yusuke Hirado -p,el p; Kazuhiro Sunaga -b; Takashi Okutsu -d; Takahiro Matsuoka -perc; Mamoru Yonemura -ts; Mitshuharu Fukuyama -tp; Yoshio Iwamoto -ts; Tomoyoshi Nakamura -ss; Yoshiyuki Takuma -vib; recorded 2005 to 2006 in Japan 99555 DOWN IN THE VILLAGE 6.30 99556 GIANT BLACK SHADOW 5.39 99557 1000 DAY SPIRIT 7.02 99558 LUCKY LUCIANO 7.15 99559 IPE AMARELO 6.46 99560 SKELETON COAST 6.34 99561 FEELIN' GREEN 5.33 99562 ONESELF-LIKENESS 5.58 99563 GET THE FACT - OUTRO 1.48 ------------------------------------------ Ike QUEBEC: "The Complete Blue Note Forties Recordings (Mosaic 107)" Ike Quebec -ts; Roger Ramirez -p; Tiny Grimes -g; Milt Hinton -b; J.C. Heard -d; recorded July 18, 1944 in New York 34147 TINY'S EXERCISE 3.35 Blue Note 6507 37805 BLUE HARLEM 4.33 Blue Note 37 37806 INDIANA 3.55 Blue Note 38 39479 SHE'S FUNNY THAT WAY 4.22 --- 39480 INDIANA 3.53 Blue Note 6507 39481 BLUE HARLEM 4.42 Blue Note 544 40053 TINY'S EXERCISE 3.36 Blue Note 37 Jonah Jones -tp; Tyree Glenn -tb; Ike Quebec -ts; Roger Ramirez -p; Tiny Grimes -g; Oscar Pettiford -b; J.C. Heard -d; recorded September 25, 1944 in New York 37810 IF I HAD YOU 3.21 Blue Note 510 37812 MAD ABOUT YOU 4.11 Blue Note 42 39482 HARD TACK 3.00 Blue Note 510 39483 --- 3.00 prev. unissued 39484 FACIN' THE FACE 3.48 --- 39485 --- 4.08 Blue Note 42 Ike Quebec -ts; Napoleon Allen -g; Dave Rivera -p; Milt Hinton -b; J.C. Heard -d; recorded April 10, 1945 in New York 39486 BLUE TURNING GREY OVER YOU 3.55 Blue Note F667789 39487 --- 3.55 prev. unissued 39488 DOLORES 3.13 Blue Note 516 39489 THE DAY YOU CAME ALONG 3.58 prev. unissued 39490 SWEETHEARTS ON PARADE 2.51 --- 39491 --- 2.51 Blue Note 516 Buck Clayton -tp; Keg Johnson -tb; Ike Quebec -ts; Roger Ramirez -p; Tiny Grimes -g; Grachan Moncur -b; J.C. Heard -d; recorded July 17, 1945 in New York 37809 I'VE FOUND A NEW BABY 3.50 Blue Note BLP5027 39492 --- 4.03 prev. unissued 39493 I SURRENDER DEAR 4.24 Blue Note 5001 39494 --- 4.24 prev. unissued 39495 TOPSY 3.03 Blue Note 515 39496 CUP-MUTE CLAYTON 2.47 --- Ike Quebec -ts; Bill De Arango -g; Johnny Guarnieri -p; Milt Hinton -b; J.C. Heard -d; recorded August 07, 1945 in New York 33990 SCUFFLIN' 2.53 Savoy 1C148-60966/7 33991 JIM DAWGS 2.46 --- 45391 GIRL OF MY DREAMS 3.12 --- 45392 I.Q. BLUES 2.53 --- "The Complete Blue Note Forties Recordings (Mosaic 107)" Shad Collins -tp; Keg Johnson -tb; Ike Quebec -ts; John Collins -g; Roger Ramirez -p; Milt Hinton - b; J.C. Heard -d; recorded September 23, 1946 in New York 39497 THE MASQUERADE IS OVER 3.23 prev. unissued 39498 --- 2.55 Blue Note 539 39499 --- 2.56 prev. unissued 39500 BASICALLY BLUE 3.00 Blue Note 539 39501 SOMEONE TO WATCH OVER ME 3.02 prev. unissued 39502 --- 3.06 Blue Note 538 39503 ZIG BILLION 2.55 --- 39504 --- 3.03 prev. unissued "His Blue Note 45- Sessions (Mosaic MD2-121)" Ike Quebec -ts; Skeeter Best -g; Edwin Swanston -o; Charles Sonny Wellesley -b; Les Jenkins -d; recorded July 01, 1959 in Hackensack, N.J. 46815 A LIGHT REPRIEVE 4.38 --- 46816 BUZZARD LOPE 6.18 Blue Note 45-1749 46817 BLUE MONDAY 5.06 Blue Note 45-1748 46818 ZONKY 4.35 prev. unissued 46819 LATER FOR THE ROCK 4.37 --- 46820 SWEET AND LOVELY 4.20 --- 46821 DEAR JOHN 6.53 Blue Note 45-1748 46822 BLUE FRIDAY 5.06 Blue Note 45-1749 Ike Quebec -ts; Sir Charles Thompson -p; Milt Hinton -b; J.C. Heard -d; recorded September 25, 1960 in Englewood Cliffs, N.J. 46823 EVERYTHING HAPPENS TO ME (SHORT VERSION) 4.34 Blue Note 45-1804 46824 MARDI GRAS 6.16 --- 46825 WHAT A DIFFERENCE A DAY MADE 4.07 Blue Note 45-1802 46826 FOR ALL WE KNOW 4.13 prev. unissued 46827 ILL WIND 6.12 --- 46828 IF I COULD BE WITH YOU 6.04 Blue Note 45-1803 46829 I'VE GOT THE WORLD ON A STRING 5.35 Blue Note 45-1802 46830 ME'N MABE 5.13 Blue Note 45-1803 46831 EVERYTHING HAPPENS TO ME (LONG VERSION) 6.40 prev. unissued "Heavy Soul" Ike Quebec -ts; Freddie Roach -o; Milt Hinton -b; Al Harewood -d; recorded November 26, 1961 in Englewood Cliffs, N.J. 56121 ACQUITTED 5.37 Blue Note BST84093 56122 JUST ONE MORE CHANCE 5.47 --- 56123 QUE'S DILEMMA 4.27 --- 56124 BROTHER CAN YOU SPARE A DIME 5.25 --- 56125 THE MAN I LOVE 6.28 --- 56126 HEAVY SOUL 6.50 --- 56127 I WANT A LITTLE GIRL 5.19 --- 56128 NATURE BOY 2.40 --- 56129 BLUES FOR IKE 5.52 --- "It Might As Well Be Spring" Ike Quebec -ts; Freddie Roach -o; Milt Hinton -b; Al Harewood -d; recorded December 09, 1961 in Englewood Cliffs, N.J. 84418 IT MIGHT AS WELL BE SPRING 6.15 Blue Note BST84105 84419 A LIGHT REPRIEVE 5.21 --- 84420 EASY - DON'T HURT 6.04 --- 84421 LOVER MAN 5.34 --- 84422 OL' MAN RIVER 6.34 --- 84423 WILLOW WEEP FOR ME 5.18 --- "Congo Lament" Bennie Green -tb; Ike Quebec, Stanley Turrentine -ts; Sonny Clark -p; Milt Hinton -b; Art Blakey -d; recorded January 20, 1962 in Englewood Cliffs N.J. 24756 G'S GROOVE TWO 6.16 Blue Note LT-1089 24757 CONGO LAMENT 6.52 --- 24758 QUE'S PILLS 5.44 --- 24759 SEE SEE RIDER 9.04 --- 24760 I.Q. SHUFFLE 9.48 --- "Easy Living" Ike Quebec -ts; Sonny Clark -p; Milt Hinton -b; Art Blakey -d; recorded January 20, 1962 in Englewood Cliffs, N.J. 93352 I'VE GOT A CRUSH ON YOU 6.53 Blue Note BST84103 93353 NANCY 7.25 --- 93354 EASY LIVING 5.01 --- "His Blue Note 45- Sessions (Mosaic MD2-121)" Ike Quebec -ts; Willie Jones -g; Earl Van Dyke -o; Wilbert Hogan -d; recorded February 02, 1962 in Englewood Cliffs, N.J. 46837 ALL OF ME 2.59 Blue Note 45-1840 46838 INTERMEZZO 3.46 --- 46839 BUT NOT FOR ME 3.45 Blue Note LT1052 46840 ALL THE WAY 3.52 --- Ike Quebec -ts; Willie Jones -g; Earl Van Dyke -o; Sam Jones -b; Wilbert Hogan -d; recorded February 13, 1962 in Englewood Cliffs, N.J. 46832 HOW LONG HAS THIS BEEN GOING ON 6.00 --- 46833 WITH A SONG IN MY HEART 3.57 --- 46834 IMAGINATION 5.11 --- 46835 WHAT IS THERE TO SAY 4.34 --- 46836 THERE IS NO GREATER LOVE 4.47 --- ------------------------------------------ Alvin QUEEN: "Ashanti" Dusko Gojkovic -tp,flh; James Spaulding -as,fl; Bill Saxton -ts,ss; John Hicks -p; Ray Drummond -b; Alvin Queen -d; recorded August 18, 1981 in White Plains, NY 99618 ONE FOR BOOKER 6.52 Nilva NQ3402 99619 ASHANTI 5.05 --- 99620 FROM WAY BACK 7.34 --- 99621 SONG OF COURAGE 7.38 --- 99622 QUEEN'S FINAL TOUCH 2.11 --- 99623 NAIMA'S LOVE SONG 9.28 --- ------------------------------------------ QUEST: "10th Jazz Festival" Dave Liebman -sax,fl; Richie Beirach -p; George Mraz -b; Billy Hart -d; recorded October 10, 1985 in Hamburg 18022 U.T. 12.46 Aircheck 18023 BIRD VISITS 13.40 --- 18024 PABLO'S STORY - ELM 20.08 --- ------------------------------------------ QUIET SANE: "m-base and beyond" Anthony Tidd -b; Richard Cassell -d; Jason Yarde -as; Robert Mitchell -p; Eric Appapoulay -g; Melissa Beckford, Marcena Arnolds, Louise Mills -vo; recorded August 08, 1993 48830 THIS WON'T WORK 5.43 Jazz 13 ------------------------------------------ Joe QUIJANO: "Swingin' Easy - Big Bands and Jazz" no details; 106918 DESAFINADO 2.21 Col CDP210 ------------------------------------------ Gene QUILL: "Three Bones and a Quill" Jimmy Cleveland, Frank Rehak, Jim Dahl -tb; Gene Quill -as; Nat Pierce -p; Whitey Mitchell -b; Charlie Persip -d; recorded 1958 in New York 103177 THE PREACHER 5.01 Roost RLP2229 103178 LOOK MA, NO HANDS 5.34 --- 103179 LITTLE BEAVER 6.12 --- 103180 IN A MELLOW TONE 5.57 --- Jimmy Cleveland, Frank Rehak, Jim Dahl -tb; Gene Quill -as; Hank Jones -p; Whitey Mitchell -b; Charlie Persip -d; recorded 1958 in New York 103181 WAH HOO 3.59 --- 103182 WHAT'S MY NAME 4.09 --- 103183 THREE AND ONE 3.40 --- ------------------------------------------ Paul QUINICHETTE: "The Vice President" Paul Quinichette -ts; Kenny Drew -p; Bill Doggett -o; Freddie Green -g; Jimmy Lewis -b; Gus Johnson -d; recorded October 05, 1951 in New York 18802 CROSS FIRE 2.39 Trip TLP5542 Paul Quinichette -ts; Count Basie -o,p; Buck Clayton -tp; Dicky Wells -tb; Walter Page -b; Freddie Green -g; Gus Johnson -d; recorded January 30, 1952 in New York 18808 THE HOOK 3.18 --- 18809 SAMIE 3.15 --- 18810 SHAD ROE 2.37 --- 18811 PAUL'S BUNION 3.05 --- 18812 CREW CUT 2.42 --- 18813 I'LL ALWAYS BE IN LOVE WITH YOU 3.04 --- Paul Quinichette -ts; Kenny Drew -p; Bill Doggett -o; Freddie Green -g; Jimmy Lewis -b; Gus Johnson -d; recorded February 1952 in New York 18803 SANDSTONE 2.54 --- 18804 PREVUE 2.58 --- 18805 NO TIME 2.22 --- Paul Quinichette -ts; Bobby Tucker -p; Joe Newman -tp; Henry Coker -tb; Marshall Royal -as; Charlie Fowlkes -bs; Freddie Green -g; Al McKibbon -b; Gus Johnson -d; recorded July 1952 in New York 18806 P.Q. BLUES 3.06 --- 18807 BOT BOT 2.54 --- "Bebop Revisited #6" Paul Quinichette -ts; Kenny Drew -p; Freddie Green -g; Gene Ramey -b; Gus Johnson -d; recorded December 08, 1952 22515 BIRDLAND JUMP 2.26 Xanadu 208 22516 SLEEPY TIME GAL 2.36 --- 22517 GREEN IS BLUE 2.48 --- 22518 YOU BELONG TO ME 2.44 --- "The Complete Paul Quinichette on EmArCy" Paul Quinichette -ts; Marlowe Morris -o; Jerome Darr -g; Gene Ramey -b; Les Erskine -d; recorded January 1953 in New York 31567 GALOSHES AND RUBBERS 3.02 EmArcy MG36050 31568 PEOPLE WILL SAY WE'RE IN LOVE 3.14 EmArcy MG36051 31569 ROSES OF BIRDLAND 2.54 --- 31570 NO PARKING 3.02 --- Paul Quinichette -ts; Marlowe Morris -o; Jerome Darr -g; Jo Jones -d; recorded September 25, 1953 in New York 22599 THE HEAT'S OFF 2.12 85269 De DL8176 22600 MINE 2.20 85270 --- 22601 THE HEAT'S ON 2.55 85271 --- 22602 THE VERY THOUGHT OF YOU 2.52 85272 --- Paul Quinichette -ts;
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  • EDSD 2029 PA LL&SD Booklet

    EDSD 2029 PA LL&SD Booklet

    EDSD 2029 PA LL&SD booklet 29/1/09 15:11 Page 2 EDSD 2029 The Songs Of PETE ATKIN&CLIVE JAMES 32 1 EDSD 2029 PA LL&SD booklet 29/1/09 15:11 Page 4 DISC ONE PA: By the time I came to make this album in the Project co-ordination – Val Jennings summer of 1974, Clive was becoming much more CD package – Jools at Mac Concept Pete Atkin’s albums on the Secret Drinker famous for things other than his lyric-writing, CD mastering – Alchemy Edsel label: RCA LPLI 5062, 1974 mainly for presenting Granada TV’s Cinema Ephemera courtesy of the collections of Beware Of The Beautiful Stranger…plus programme, and then for writing his revolutionary Pete Atkin and Clive James [EDSS 1029] TV column in the Observer newspaper. We were CD front cover photo – Fay Godwin Driving Through Mythical America…plus back on the friendly, familiar ground of Morgan Strapline photo – Sophie Baker [EDSS 1030] Studios in beautiful downtown Willesden, London Huge thanks – Pete Atkin, Clive James, Steve A King At Nightfall + The Road Of Silk NW10, in the ultrasafe hands of Roger Quested, Birkill and Caroline Cook [2 CD] [EDSD 2028] for whom the experience of engineering my Secret Drinker…plus + Live Libel For everything (and we mean everything) relating albums would cause him to give up hands-on [2 CD] [EDSD 2029] studio work in order to develop what’s generally to Pete Atkin’s works, visit www.peteatkin.com, acknowledged to be just about the best but make sure you’ve got plenty of time to spend! Visit www.demonmusicgroup.co.uk for the monitoring system anyone’s ever come across.
  • History of Jazz Tenor Saxophone Black Artists

    History of Jazz Tenor Saxophone Black Artists

    HISTORY OF JAZZ TENOR SAXOPHONE BLACK ARTISTS 1940 – 1944 SIMPLIFIED EDITION INTRODUCTION UPDATE SIMPLIFIED EDITION I have decided not to put on internet the ‘red’ Volume 3 in my Jazz Solography series on “The History of Jazz Tenor Saxophone – Black Artists 1940 – 1944”. Quite a lot of the main performers already have their own Jazz Archeology files. This volume will only have the remainders, and also auxiliary material like status reports, chronology, summing ups, statistics, etc. are removed, to appear later in another context. This will give better focus on the many good artists who nevertheless not belong to the most important ones. Jan Evensmo June 22, 2015 INTRODUCTION ORIGINAL EDITION What is there to say? That the period 1940 - 1944 is a most exciting one, presenting the tenorsax giants of the swing era in their prime, while at the same time introducing the young, talented modern innovators. That this is the last volume with no doubt about the contents, we know what is jazz and what is not. Later it will not be that easy! That the recording activities grow decade by decade, thus this volume is substantially thicker than the previous ones. Just wait until Vol. 4 appears ... That the existence of the numerous AFRS programs partly compensates for the unfortunate recording ban of 1943. That there must be a lot of material around not yet generally available and thus not listed in this book. Please help building up our jazz knowledge base, and share your treasures with the rest of us. That we should remember and be eternally grateful to the late Jerry Newman, whose recording activities at Minton's and Monroe's have given us valuable insight into the developments of modern jazz.