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The San Francisco Arts Quarterly SA Free Publication Dedicated to the Artistic Communityfaq
i 2 The San Francisco Arts Quarterly SA Free Publication Dedicated to the Artistic CommunityFAQ SOMA ISSUE: July.August.September Bay Area Arts Calendar The SOMA: Blue Collar to Blue Chip Rudolf Frieling from SFMOMA Baer Ridgway Gallery 111 Minna Gallery East Bay Focus: Johansson Projects free Artspan In Memory of Jim Marshall CONTENTS July. August. September 2010 Issue 2 JULY LISTINGS 5-28 111 Minna Gallery 75-76 Jay Howell AUGUST LISTINGS 29-45 Baer Ridgway Gallery 77-80 SEPTEMBER LISTINGS 47-60 Eli Ridgeway History of SOMA 63-64 Artspan 81-82 Blue Collar to Blue-Chip Heather Villyard Ira Nowinsky My Love for You is 83-84 SFMOMA 65-68 a Stampede of Horses New Media Curator Meighan O’Toole Rudolf Frieling The Seeker 85 Stark Guide 69 SF Music Collector Column Museum of Craft 86 Crown Point Press 70 and Folk Art Zine Review 71 East Bay Focus: 87-88 Johansson Projects The Contemporary 73 Jewish Museum In Memory: 89-92 Jim Marshall Zeum: 74 Children Museum Residency Listings 93-94 Space Resource Listings 95-100 FOUNDERS / EDITORS IN CHIEF Gregory Ito and Andrew McClintock MARKETING / ADVERTISING CONTRIBUTORS LISTINGS Andrew McClintock Contributing Writers Listing Coordinator [email protected] Gabe Scott, Jesse Pollock, Gregory Ito Gregory Ito Leigh Cooper, John McDermott, Assistant Listings Coordinator [email protected] Tyson Vogel, Cameron Kelly, Susan Wu Stella Lochman, Kent Long Film Listings ART / DESIGN Michelle Broder Van Dyke, Stella Lochman, Zmira Zilkha Gregory Ito, Ray McClure, Marianna Stark, Zmira Zilkha Residency Listings Andrew McClintock, Leigh Cooper Cameron Kelly Contributing Photographers Editoral Interns Jesse Pollock, Terry Heffernan, Special Thanks Susie Sherpa Michael Creedon, Dayna Rochell Tina Conway, Bette Okeya, Royce STAFF Ito, Sarah Edwards, Chris Bratton, Writers ADVISORS All our friends and peers, sorry we Gregory Ito, Andrew McClintock Marianna Stark, Tyson Vo- can’t list you all.. -
To Release Signature Fine Art Collection: Twist of the Wrist
For Immediate Release Tuesday, January 22th. 2013 LEGENDARY ROCK DRUMMER CARL PALMER TO RELEASE SIGNATURE FINE ART COLLECTION: TWIST OF THE WRIST A legendary drummer. A new medium in visual art. The most limited release imaginable. Carl Palmer, one of rock’s iconic figures, and a founding member of both Emerson Lake & Palmer and ASIA, is scheduled to release his first signature collection of fine art, created completely from rhythm. Twist of the Wrist by Carl Palmer is a series of signed and numbered prints on canvas featuring stunning visual images constructed from drum performance. Working with acclaimed L.A. art team SceneFour, the artwork featured within combine motion, color, and lighting into some of the most compelling fine art visuals ever created. This very limited art collection is available at www.CarlPalmerArt.com starting on February 1, 2013. They will also be available in selected art galleries and at Carl Palmer shows during his extensive 2013 tour. “I have been extremely interested in modern art since my earliest days in ELP, but I never envisioned myself as someone who would create it,” says Palmer. “SceneFour has enabled me to combine the two things I am most passionate about: fine art and music.” “I think viewers will be amazed when they see Carl’s rhythmic approach and symmetric motion put to canvas. It captures a new dimension, not of this world,” SceneFour Art Director Ravi Dosaj states. View the video: http://www.youtube.com/watch?v=P78IMNU05pg&feature=youtu.be RHYTHM IS THE MEDIUM. Created over the course of 2012, Carl Palmer’s fine art debut is historic, as he pioneers a new visual art medium with Twist of the Wrist – rhythm on canvas. -
The Lions - Jungle Struttin’ for Information and Soundclips of Our Titles, Go to Street Date: 2/19/2008
THE LIONS - JUNGLE STRUTTIN’ FOR INFORMATION AND SOUNDCLIPS OF OUR TITLES, GO TO WWW.UBIQUITYRECORDS.COM/PRESS STREET DATE: 2/19/2008 The LIONS is a unique Jamaican-inspired ------------------------------------------------------------- outfit, the result of an impromptu recording 2 x LP Price 1 x CD Price session by members of Breakestra, Connie ------------------------------------------------------------- Price and the Keystones, Rhythm Roots 01 Thin Man Skank All-Stars, Orgone, Sound Directions, Plant 02 Ethio-Steppers Life, Poetics and Macy Gray (to name a few). Gathering at Orgone's Killion Studios, in Los Angeles during the Fall of 2006, they created 03 Jungle Struttin' grooves that went beyond the Reggae spectrum by combining new and traditional rhythms, and dub mixing mastery with the global sounds of Ethiopia, Colombia and 04 Sweet Soul Music Africa. The Lions also added a healthy dose of American-style soul, jazz, and funk to create an album that’s both a nod to the funky exploits of reggae acts like Byron 05 Hot No Ho Lee and the Dragonaires and Boris Gardner, and a mash of contemporary sound stylings. 06 Cumbia Del Leon The Lions are an example of the ever-growing musical family found in Los Angeles. There is a heavyweight positive-vibe to be found in the expansive, sometimes 07 Lankershim Dub artificial, Hollywood-flavored land of Los Angeles. Many of the members of the Lions met through the LA staple rare groove outfit Breakestra and have played in 08 Tuesday Roots many projects together over the past decade. 09 Fluglin' at Dave's Reggae is a tough genre for a new ensemble act, like the Lions, to dive head-first into and pull off with unquestionable authenticity. -
EXPERIMENT: a Manifesto of Young England, 1928- 1931 Two Volumes
EXPERIMENT: A Manifesto of Young England, 1928- 1931 Two Volumes Vol. 2 of 2 Kirstin L. Donaldson PhD University of York History of Art September 2014 Table of Conents Volume Two Appendix: Full Transcript of Experiment Experiment 1 (November 1928) 261 Experiment 2 (February 1929) 310 Experiment 3 (May 1929) 358 Experiment 4 (November 1929) 406 Experiment 5 (February 1930) 453 Experiment 6 (October 1930) 501 Experiment 7 (Spring 1931) 551 260 EXPERIMENT We are concerned with all the intellectual interests of undergraduates. We do not confine ourselves to the work of English students, nor are we at pains to be littered with the Illustrious Dead and Dying. Our claim has been one of uncompromising independence: therefore not a line in these pages has been written by any but degreeless students or young graduates. It has been our object to gather all and none but the not yet ripe fruits of art, science and philosophy in the university. We did not wish so much that our articles should be sober and guarded as that they should be stimulating and lively and take up a strong line. We were prepared in fact to give ourselves away. But we know that Cambridge is painfully well-balanced just now (a sign, perhaps of anxiety neurosis) and so we were prepared also to find, as the reader will find, rather too guarded and sensible a daring. Perhaps we will ripen into extravagance. Contributions for the second number should be send to W. Empson of Magdalene College. We five are acting on behalf of the contributors, who have entrusted us with this part of the work. -
The Illusory Distinction Between Equality of Opportunity and Equality of Result
University of Chicago Law School Chicago Unbound Journal Articles Faculty Scholarship 1992 The Illusory Distinction between Equality of Opportunity and Equality of Result David A. Strauss Follow this and additional works at: https://chicagounbound.uchicago.edu/journal_articles Part of the Law Commons Recommended Citation David A. Strauss, "The Illusory Distinction between Equality of Opportunity and Equality of Result," 34 William and Mary Law Review 171 (1992). This Article is brought to you for free and open access by the Faculty Scholarship at Chicago Unbound. It has been accepted for inclusion in Journal Articles by an authorized administrator of Chicago Unbound. For more information, please contact [email protected]. THE ILLUSORY DISTINCTION BETWEEN EQUALITY OF OPPORTUNITY AND EQUALITY OF RESULT DAVID A. STRAUSS* I. INTRODUCTION "Our society should guarantee equality of opportunity, but not equality of result." One hears that refrain or its equivalent with increasing frequency. Usually it is part of a general attack on gov- ernment measures that redistribute wealth, or specifically on af- firmative action, that is, race- and gender-conscious efforts to im- prove the status of minorities and women. The idea appears to be that the government's role is to ensure that everyone starts off from the same point, not that everyone ends up in the same condi- tion. If people have equal opportunities, what they make of those opportunities is their responsibility. If they end up worse off, the government should not intervene to help them.1 In this Article, I challenge the usefulness of the distinction be- tween equality of opportunity and equality of result. -
Curtailing Inherited Wealth
Michigan Law Review Volume 89 Issue 1 1990 Curtailing Inherited Wealth Mark L. Ascher University of Arizona College of Law Follow this and additional works at: https://repository.law.umich.edu/mlr Part of the Law and Society Commons, Legislation Commons, and the Taxation-Federal Estate and Gift Commons Recommended Citation Mark L. Ascher, Curtailing Inherited Wealth, 89 MICH. L. REV. 69 (1990). Available at: https://repository.law.umich.edu/mlr/vol89/iss1/3 This Article is brought to you for free and open access by the Michigan Law Review at University of Michigan Law School Scholarship Repository. It has been accepted for inclusion in Michigan Law Review by an authorized editor of University of Michigan Law School Scholarship Repository. For more information, please contact [email protected]. CURTAILING INHERITED WEALTH Mark L. Ascher* INTRODUCTION • • • • • • • • • • • . • • • • • • . • • • • • • • • . • • . • • • • . • • • 70 I. INHERITANCE IN PRINCIPLE........................... 76 A. Inheritance as a Natural Right..................... 76 B. The Positivistic Conception of Inheritance . 77 C. Why the Positivistic Conception Prevailed . 78 D. Inheritance - Property or Garbage?................ 81 E. Constitutional Concerns . 84 II. INHERITANCE AS A MATIER OF POLICY •• • . •••••.. •••• 86 A. Society's Stake in Accumulated Wealth . 86 B. Arguments in Favor of Curtailing Inheritance . 87 1. Leveling the Playing Field . 87 2. Deficit Reduction in a Painless and Appropriate Fashion........................................ 91 3. Protecting Elective Representative Government . 93 4. Increasing Privatization in the Care of the Disabled and the Elderly . 96 5. Expanding Public Ownership of National and International Treasures . 98 6. _Increasing Lifetime Charitable Giving . 98 7. Neutralizing the Co"osive Effects of Wealth..... 99 C. Arguments Against Curtailing Inheritance. -
Emerson, Lake & Palmer Can Still Turn Us on with These Top 5 Song Lyrics
Emerson, Lake & Palmer can still turn us on with these top 5 song lyrics Sign in Akro… Welc… TRENDING TOPICS: metal | Concerts | Celine Dion | Music | festivals | Sports | Comedy | AXS Buzz | rock | pop | Los Angeles | Emerson, Lake & Palmer can still turn us on with these top 5 song lyrics windhoek35 YouTube merson, Lake & Palmer no longer tour as a trio, but Keith Emerson and Greg Lake have recorded and toured together as a duo. In 2010 Keith and Greg released an album titled Live E from Manticore Hall. Performing a two man version of the iconic Emerson, Lake & Palmer songs, the album was recorded during their American tour. The power trio was one of the most commercially successful and popular progressive rock bands of their era. Their music relied heavily on the use of the Moog synthesizer, Hammond organ and Keith Emerson’s http://www.axs.com/emerson-lake-palmer-can-still-turn-us-on-with-these-top-5-song-lyrics-60805[7/13/2015 9:31:39 PM] Emerson, Lake & Palmer can still turn us on with these top 5 song lyrics use of what has been described as the “flamboyant virtuoso” use of the piano. Classical music, hard rock and jazz were the dominating influences in the music created by ELP. Keith Emerson, Greg Lake and Carl Palmer made up the British trio, but it found its origins at the Fillmore West in San Francisco. Emerson and Lake, who were looking for projects outside their current bands, worked together and found their styles were “compatible and complementary.” Music impresario Robert Stigwood suggested that they add Carl Palmer as their drummer. -
Various the Trojan Skinhead Reggae Collection Mp3, Flac, Wma
Various The Trojan Skinhead Reggae Collection mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Reggae Album: The Trojan Skinhead Reggae Collection Country: Europe Released: 2009 Style: Reggae MP3 version RAR size: 1239 mb FLAC version RAR size: 1530 mb WMA version RAR size: 1737 mb Rating: 4.2 Votes: 227 Other Formats: MIDI APE FLAC MP4 AUD MMF MP1 Tracklist Hide Credits Skinhead Train 1-1 –The Charmers 2:40 Producer – Lloyd CharmersWritten-By – Charmers* Hee Cup 1-2 –Sir Harry 2:14 Producer – Edward 'Bunny' Lee*Written-By – Unknown Artist –King Cannon (Karl Overproof (aka Little Darlin') 1-3 2:41 Bryan)* Producer – Lynford AndersonWritten-By – Williams* Copy Cat 1-4 –Derrick Morgan 2:38 Producer – Leslie KongWritten-By – Morgan* The Law 1-5 –Andy Capp 2:17 Producer – Lynford AndersonWritten-By – Lee*, Anderson* Soul Call 1-6 –The Soul Rhythms 2:57 Producer – J. Sinclair*Written-By – Bryan* Music Street 1-7 –The Harmonians* 1:59 Producer – Edward 'Bunny' Lee*Written-By – Lee* V Rocket 1-8 –The Fabion Producer – Albert Gene Murphy*Written-By – Albert George 2:37 Murphy What Am I To Do 1-9 –Tony Scott 3:15 Producer – Tony Scott Written-By – Scott* Spread Your Bed 1-10 –The Versatiles 2:17 Written-By – Byles* John Public (Tom Hark) 1-11 –The Dynamites 2:13 Producer – Clancy EcclesWritten-By – Bopape* Casa Boo Boo 1-12 –Cool Sticky* Producer – 'Prince' Tony Robinson*Written-By – Unknown 2:33 Artist Smile (My Baby) 1-13 –The Tennors 2:57 Producer – Albert George MurphyWritten-By – Murphy* Zapatoo The Tiger 1-14 –Roland Alphonso 2:38 Producer -
Greg Lake Says New ELP Reissues "Represent the Band's History in the Best Possible Way" - Music News - ABC News Radio
Greg Lake Says New ELP Reissues "Represent the Band's History in the Best Possible Way" - Music News - ABC News Radio HOME NEWS LISTEN FA « Giant John Lennon Painting to Be Erected in NYC's Central Park Today | Main | John Legend, Chloe x Halle, Shirley Caesar and More to Added ABC's "Taking the Stage -- Changing America" Lineup » Greg Lake Says New ELP Reissues "Represent the Band's History in the Best Possible Way" Tweet 0 Recommend 1 Share Comments Off Share Article Emerson, Lake & Palmer has launched a reissue campaign that eventually will see the release of remastered versions of all of the influential prog-rock band's albums. The initiative's first installment, which arrived in late July, includes two-CD editions of the group's first three albums -- its 1970 self-titled debut and 1971's Tarkus and Pictures at an Exhibition -- as well as a career-spanning, three-disc compilation titled BMG Emerson, Lake & Palmer: The Anthology. ELP frontman Greg Lake tells ABC Radio that he's very pleased with the reissues. "They've remixed them. They've used the finest quality processing. They've gone into the vaults [and] dug up things that haven't been released before," he notes. "You know, just a general effort to represent the band's history in the best possible way." The Emerson, Lake & Palmer and Tarkus reissues include alternate mixes of the albums by award-winning prog-rock producer Steven Wilson, plus several previously unreleased bonus tracks. Pictures at an Exhibition, features ELP's original March 1971 concert performance of Russian composer Modest Mussorgsky's famous classical piece, along with an unreleased bonus performance of the piece recorded in December 1970. -
Press Layout
2 Vol. XXXI, Issue 6 | Monday, November 23, 2009 news Southampton Doing What? meals, either. “The ladies yell at you for taking more, like if you try to take By Colleen Harrington an extra sandwich or something. I’m like, ‘I’m stocking up for when I miss Imagine shelling out hundreds of dinner!’” dollars for meals that you may never get For the more than a dozen stu- to eat. It’s not a charity or a food drive. dents, the experience was the same: It’s a fact of life for many resident stu- all had missed out on paid-for meals. dents at the Stony Brook Southampton “Seven o’clock is way too early to campus. close,” said Michael Geddes, a fresh- All students who live at the small man who’s studying sustainability at satellite campus are required to pur- Southampton. “There’s no where to chase one of three meal plans each se- go for food if you don’t have a car.” mester. Prices range from $1,739 to Marine vertebrate biology major $2,487. But there’s only one dining hall Joe Baillargeom, who reported miss- on campus, and it closes every night at ing meals a couple of times, said 7 p.m. Worse, there’s no breakfast on many of his fellow students complain weekends; instead, brunch begins at 11 about the dining hall hours, but just a.m. On the off-hours, hungry students deal with it. “Sometimes people will are stuck to choose from eating snacks make Easy Mac or Cup-of-Noodles out of campus vending machines, in the microwave downstairs, or hoarding groceries in their dormitories, they’ll just go off campus for food” or traveling off campus for food, despite when the café is closed, he said. -
17/9/15 Slagg Brothers Rhythm & Blues, Soul
17/9/15 Slagg Brothers Rhythm & Blues, Soul & Grooves Show Boys Keep Swinging 3:18 David Bowie From 1979 album Lodger Backslop 2:33 Baby Earl & The Trinidads 1958, has autobiographic elements - Berry was born at 2520 Goode Avenue in St. Johnny B. Goode 2:40 Chuck Berry Louis. He has written thirty more songs involving the character Johnny B. Goode, "Bye Bye Johnny", "Go Go Go", and "Johnny B. Blues" 1961. In 1962, the story continued with the arrival of Little Bitty Big John, learning Big Bad John 3:04 Jimmy Dean about his father's act of heroism. Big Bad John was also the title of a 1990 television movie starring Dean. 1966, written, composed, and performed by Cat Stevens. He got the name from his Matthew and Son 2:44 Cat Stevens tailor, Henry Matthews, who made suits him. From 1973 album Don't Shoot Me I'm Only the Piano Player. Donatella Versace named Daniel 3:55 Elton John her son Daniel Versace after this song. Hey Willy 3:28 The Hollies 1971. Hey Willy your mother calls you Billy, Your daddy calls you silly This was originally recorded by LA band The Leaves in 1965. No one has been able to Hey Joe 3:01 Tim Rose copyright it, so the song is considered "traditional," meaning anyone can record it without paying royalties. Hendrix was inspired to sing it after hearing this version. 1967. Original member Syd Barrett wrote this about a cross-dresser who used to Arnold Layne 2:53 Pink Floyd steal bras and panties from clotheslines in Cambridge. -
The A-Z of Brent's Black Music History
THE A-Z OF BRENT’S BLACK MUSIC HISTORY BASED ON KWAKU’S ‘BRENT BLACK MUSIC HISTORY PROJECT’ 2007 (BTWSC) CONTENTS 4 # is for... 6 A is for... 10 B is for... 14 C is for... 22 D is for... 29 E is for... 31 F is for... 34 G is for... 37 H is for... 39 I is for... 41 J is for... 45 K is for... 48 L is for... 53 M is for... 59 N is for... 61 O is for... 64 P is for... 68 R is for... 72 S is for... 78 T is for... 83 U is for... 85 V is for... 87 W is for... 89 Z is for... BRENT2020.CO.UK 2 THE A-Z OF BRENT’S BLACK MUSIC HISTORY This A-Z is largely a republishing of Kwaku’s research for the ‘Brent Black Music History Project’ published by BTWSC in 2007. Kwaku’s work is a testament to Brent’s contribution to the evolution of British black music and the commercial infrastructure to support it. His research contained separate sections on labels, shops, artists, radio stations and sound systems. In this version we have amalgamated these into a single ‘encyclopedia’ and added entries that cover the period between 2007-2020. The process of gathering Brent’s musical heritage is an ongoing task - there are many incomplete entries and gaps. If you would like to add to, or alter, an entry please send an email to [email protected] 3 4 4 HERO An influential group made up of Dego and Mark Mac, who act as the creative force; Gus Lawrence and Ian Bardouille take care of business.