The Works, Volume 1
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Class Struggles in France 1848-1850
Karl Marx The Class Struggles in France, 1848-1850 Written: December January-October 1850; Published: as a booklet by Engels in 1895; Source: Selected Works, Volume 1, Progress Publishers, Moscow 1969; Proofed: and corrected by Matthew Carmody, 2009, Mark Harris 2010; Transcribed: by Louis Proyect. Table of Contents Introduction (Engels, 1895) ......................................................................................................... 1 Part I: The Defeat of June 1848 ................................................................................................. 15 Part II: From June 1848 to June 13, 1849 .................................................................................. 31 Part III: Consequences of June 13, 1849 ................................................................................... 50 Part IV: The Abolition of Universal Suffrage in 1850 .............................................................. 70 Introduction (Engels, 1895)1 The work republished here was Marx’s first attempt to explain a piece of contemporary history by means of his materialist conception, on the basis of the prevailing economic situation. In the Communist Manifesto, the theory was applied in broad outline to the whole of modern history; in the articles by Marx and myself in the Neue Rheinische Zeitung, it was constantly used to interpret political events of the day. Here, on the other hand, the question was to demonstrate the inner causal connection in the course of a development which extended over some years, a development -
A Treasure Chest of Classic Albums Extensive Vinyl, Cd & Digital Reissue Programme Through Bmg C
EMERSON, LAKE & PALMER: A TREASURE CHEST OF CLASSIC ALBUMS EXTENSIVE VINYL, CD & DIGITAL REISSUE PROGRAMME THROUGH BMG COMMENCES ON 29 TH JULY 2016 WITH THE RELEASE OF THE FIRST 3 ALBUMS AND A NEW ANTHOLOGY Emerson, Lake & Palmer were one of the most successful, innovative and ground breaking British groups of the golden age of Progressive Rock. As well as creating spectacular ‘live’ shows that incorporated advanced technology and showmanship, they also recorded a cascade of powerful albums that sold in millions around the world. During 2016 and 2017 the band’s musical legacy will be celebrated by BMG with an important and comprehensive re-issue programme that will put the spotlight on ELP’s nine studio albums as well as their ‘live’ recordings and compilations. The trio’s remarkable style, combining original compositions with rock, jazz, folk and classical influences, was performed with passion and integrity by the founder members: Keyboard maestro - the late, great Keith Emerson Singer, guitarist, bass player and producer - Greg Lake Drummer and percussionist - Carl Palmer Their phenomenal mix of melodic songs, dynamic arrangements, brilliant musicianship and electrifying sound broadened the audience for progressive rock and guaranteed ELP massive international appeal, as they headlined stadium tours throughout the 1970s and 1990s and achieved sales of over 40 million albums. ELP also enjoyed a major hit single with ‘Fanfare For The Common Man’, and their 21 minute epic track ‘Tarkus’ is hailed as a milestone in Prog Rock history. New and old generations of fans will now be able to enjoy ELP’s music afresh, as their albums are released in a range of different formats, from CD and freshly cut vinyl LP to digital download, high definition digital and mastered for iTunes. -
Swami Vivekananda Complete Works Volume 2
Complete Works of Swami Vivekananda Volume 2 Work and its Secret The Powers of the Mind Hints on Practical Spirituality Bhakti or Devotion Jnana-Yoga Practical Vedanta and other lectures Reports in American Newspapers Home / Complete-Works / Volume 2 / << WORK AND ITS SECRET (Delivered at Los Angeles, California, January 4, 1900) One of the greatest lessons I have learnt in my life is to pay as much attention to the means of work as to its end. He was a great man from whom I learnt it, and his own life was a practical demonstration of this great principle I have been always learning great lessons from that one principle, and it appears to me that all the secret of success is there; to pay as much attention to the means as to the end. Our great defect in life is that we are so much drawn to the ideal, the goal is so much more enchanting, so much more alluring, so much bigger in our mental horizon, that we lose sight of the details altogether. But whenever failure comes, if we analyse it critically, in ninety-nine per cent of cases we shall find that it was because we did not pay attention to the means. Proper attention to the finishing, strengthening, of the means is what we need. With the means all right, the end must come. We forget that it is the cause that produces the effect; the effect cannot come by itself; and unless the causes are exact, proper, and powerful, the effect will not be produced. -
Download (1MB)
University of Huddersfield Repository Quinn, Martin The Development of the Role of the Keyboard in Progressive Rock from 1968 to 1980 Original Citation Quinn, Martin (2019) The Development of the Role of the Keyboard in Progressive Rock from 1968 to 1980. Masters thesis, University of Huddersfield. This version is available at http://eprints.hud.ac.uk/id/eprint/34986/ The University Repository is a digital collection of the research output of the University, available on Open Access. Copyright and Moral Rights for the items on this site are retained by the individual author and/or other copyright owners. Users may access full items free of charge; copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational or not-for-profit purposes without prior permission or charge, provided: • The authors, title and full bibliographic details is credited in any copy; • A hyperlink and/or URL is included for the original metadata page; and • The content is not changed in any way. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. http://eprints.hud.ac.uk/ 0. A Musicological Exploration of the Musicians and Their Use of Technology. 1 The Development of the Role of the Keyboard in Progressive Rock from 1968 to 1980. A Musicological Exploration of the Musicians and Their Use of Technology. MARTIN JAMES QUINN A thesis submitted to the University of Huddersfield in partial fulfilment of the requirements for the degree of Master of Arts. -
The Forged Coupon and Other Stories by Leo Tolstoy
The Forged Coupon and Other Stories By Leo Tolstoy 1 THE FORGED COUPON And Other Stories By Leo Tolstoy CONTENTS INTRODUCTION THE FORGED COUPON AFTER THE DANCE ALYOSHA THE POT MY DREAM THERE ARE NO GUILTY PEOPLE THE YOUNG TSAR 2 INTRODUCTION IN an age of materialism like our own the phenomenon of spiritual power is as significant and inspiring as it is rare. No longer associated with the "divine right" of kings, it has survived the downfall of feudal and theocratic systems as a mystic personal emanation in place of a coercive weapon of statecraft. Freed from its ancient shackles of dogma and despotism it eludes analysis. We know not how to gauge its effect on others, nor even upon ourselves. Like the wind, it permeates the atmosphere we breathe, and baffles while it stimulates the mind with its intangible but compelling force. This psychic power, which the dead weight of materialism is impotent to suppress, is revealed in the lives and writings of men of the most diverse creeds and nationalities. Apart from those who, like Buddha and Mahomet, have been raised to the height of demi-gods by worshipping millions, there are names which leap inevitably to the mind--such names as Savonarola, Luther, Calvin, Rousseau--which stand for types and exemplars of spiritual aspiration. To this high priesthood of the quick among the dead, who can doubt that time will admit Leo Tolstoy--a genius whose greatness has been obscured from us rather than enhanced by his duality; a realist who strove to demolish the mysticism of Christianity, and became himself a mystic in the contemplation of Nature; a man of ardent temperament and robust physique, keenly susceptible to human 3 passions and desires, who battled with himself from early manhood until the spirit, gathering strength with years, inexorably subdued the flesh. -
On Insanity. Written in 1910 the Year of Tolstoy's Death and Now Published
On Insanity Leo Tolstoy 1910 translated by Ludvig Perno C.W. Daniel Co. Ltd., London, 1936 Source: Collection of the State Library of Victoria, Australia I In the course of many months, and particularly of late, I have been receiving daily two or three letters ftJ which young people, especially young ladies, write to me saying that they have 1ecided to do away with themselves. For some reason or other they refer to me, hoping that I, by some advice of mine, shall save them from this. These letters are of three different types. The first, the most common type, is either that of a village schoolmistress who for the sake of serving common people wishes to give up her occupation to go to college, obviously thinking that the standard of her education is not high enough to enlighten the common people, and she imagines her desire to be so strong and elevated that she has decided to do away with herself if ft cannot be realised; of an exalted youth threatening to commit suicide if nobody comes forward to help him to develop his, as he feels, wonderful talents; of an inventor wishing to confer a blessing on mankind; of a poet feeling himself to be a genius; of a young lady preferring to die if she is unable to go to college; of a woman who has fallen in love with the husband of somebody else; or of a man who has fallen in love with a married woman. The writers of these letters differ according to their sex, age, or social position, but they all have one thing in common, namely, the blind, crude egoism which blots out everything else for them except their own personality. -
The Published Music of Keith Emerson: Expanding the Solo Piano
THE PUBLISHED MUSIC OF KEITH EMERSON: EXPANDING THE SOLO PIANO REPERTOIRE by GIUSEPPE LUPIS (Under the Direction of Richard Zimdars) ABSTRACT The study examines the published music of Keith Emerson (b.1944) and includes solo piano transcriptions of thirteen of his compositions. Emerson’s music was published on three continents over a period of thirty years (1975-2005). Because almost all of it is currently out of print, a need exists for a cataloguing and a rediscovery of his music. The work is in five chapters. The first, a short biography, examines Emerson as a composer. The second addresses the importance of Emerson’s music. The third covers the sources of Emerson’s published compositions and a performance and recording history of Emerson’s music performed by pianists other than the composer. The fourth chapter surveys thirteen compositions which appear as solo piano transcriptions in the fifth chapter. INDEX WORDS: Keith Emerson, Dissertation, Published Music, Rock history, Transcriptions, Solo piano repertoire, ELP, Emerson Lake & Palmer, Tarkus, Pictures at an Exhibition THE PUBLISHED MUSIC OF KEITH EMERSON: EXPANDING THE SOLO PIANO REPERTOIRE by GIUSEPPE LUPIS A Dissertation Submitted to the Graduate Faculty of The University of Georgia in Partial Fulfillment of the Requirements for the Degree DOCTOR OF MUSICAL ARTS ATHENS, GEORGIA 2006 © 2006 Giuseppe Lupis All Rights Reserved. THE PUBLISHED MUSIC OF KEITH EMERSON: EXPANDING THE SOLO PIANO REPERTOIRE by GIUSEPPE LUPIS Major Professor: Richard Zimdars Committee: Evgeny Rivkin Ivan Frazier Leonard Ball Susan Thomas Electronic Version Approved: Maureen Grasso Dean of the Graduate School The University of Georgia May 2006 DEDICATION To Keith Emerson iv ACKNOWLEDGEMENTS I wish to acknowledge the many people who supported my research: Karen Stober, private collector, United States; Virginia Feher, University of Georgia Library, United States; Dominik Brükner, professor, University of Freiburg, Germany; Roberto Mosciatti, Italy; Maurizio Pisati, composer, Italy; Marco Losavio, Italy; Ms. -
The Class Struggles in France, 1848-1850
Works of Karl Marx 1850 The Class Struggles in France, 1848 to 1850 Written: by Marx, January - October 1850 for the Neue Rheinische Zeitung Revue; Published: as a booklet by Engels in 1895; Source: Selected Works, Volume 1, Progress Publishers, Moscow 1969; Proofed: and corrected by Matthew Carmody, 2009, Mark Harris 2010; Transcribed: by Louis Proyect. Great importance must be attached to one of the historical documents of the German labour movement: the Preface written by Fredrick Engels for the 1895 re-issue of Marx’s Class Struggles in France … looking back upon the year 1848, he showed that the belief that the socialist revolution was imminent had become obsolete … Engels demonstrated, as an expert in military science, that it was a pure illusion to believe that the workers could, in the existing state of military technique and of industry, and in view of the characteristics of the great towns of today, successfully bring about a revolution by street fighting. Rosa Luxemburg, 1918. Introduction to the 1895 Edition, Engels With the exception of only a few chapters, every important part of the revolutionary annals from 1848 to 1849 bear the heading: Defeat of the revolution! What succumbed in these defeats was not the revolution. It was the pre- revolutionary traditional appendages, results of social relationships which had not yet come to the point of sharp class antagonisms persons, illusions, conceptions, projects from which the revolutionary party before the February Revolution was not free, from which it could be freed not by the victory of February, but only by a series of defeats. -
Cerebrum Erupts
Now rebooted and re-released, with Brain Salad Surgery, Emerson Lake & Palmer served up a unique blend of thinking man's rock that swept the globe. Here's how it all came together... Words: Mike Barnes rain Salad Surgery is the group at the pinnacle of its powers,” says drummer Carl Palmer of Emerson Lake & Palmer’s fifth album. “It’s very well recorded and it was definitely one of our most creative periods. If I had to choose one of our albums, that would be the one.” It’s a viewpoint echoed by his erstwhile bandmates. Keyboard player Keith Emerson sees it as a “step forward from the past”, which “represented the camaraderie of the band at the time”. Bass player and vocalist Greg Lake reckons that it was “the last original, unique ELP album”. The album was released in late 1973, by which time the group were, in Lake's words, “already huge”. One of the first so-called supergroups, formed from members of The Nice, King Crimson and Atomic Rooster, Emerson Lake & Palmer’s rapid rise to fame swept aside the old notion of ‘paying your dues’. Although all three musicians had endured times of schlepping up and down motorways in a transit van, the newly formed trio’s first gig was at the Plymouth Guildhall, followed by a second at the 197o Isle Of Wight Festival. From then on, superficially at least, it all seemed so easy. “It looked to Benchmark: the trio some like we were the sons of famous take a break while they fathers and didn’t have to work to get ran, London 1974. -
This Electronic Thesis Or Dissertation Has Been Downloaded from Explore Bristol Research
This electronic thesis or dissertation has been downloaded from Explore Bristol Research, http://research-information.bristol.ac.uk Author: Lesnik-Oberstein, Karin Beate Title: Principles and practice in critical theory : children's literature. General rights Access to the thesis is subject to the Creative Commons Attribution - NonCommercial-No Derivatives 4.0 International Public License. A copy of this may be found at https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode This license sets out your rights and the restrictions that apply to your access to the thesis so it is important you read this before proceeding. Take down policy Some pages of this thesis may have been removed for copyright restrictions prior to having it been deposited in Explore Bristol Research. However, if you have discovered material within the thesis that you consider to be unlawful e.g. breaches of copyright (either yours or that of a third party) or any other law, including but not limited to those relating to patent, trademark, confidentiality, data protection, obscenity, defamation, libel, then please contact [email protected] and include the following information in your message: •Your contact details •Bibliographic details for the item, including a URL •An outline nature of the complaint Your claim will be investigated and, where appropriate, the item in question will be removed from public view as soon as possible. Principles and Practice in Critical Theory: Children's Literature. by Karin Beate Lesnik-Oberstein A thesis submitted to the University of Bristol in accordance with the requirements for the degree of Doctor of Philosophy in the Faculty of Social Sciences, School of Education. -
Rock Album Discography Last Up-Date: September 27Th, 2021
Rock Album Discography Last up-date: September 27th, 2021 Rock Album Discography “Music was my first love, and it will be my last” was the first line of the virteous song “Music” on the album “Rebel”, which was produced by Alan Parson, sung by John Miles, and released I n 1976. From my point of view, there is no other citation, which more properly expresses the emotional impact of music to human beings. People come and go, but music remains forever, since acoustic waves are not bound to matter like monuments, paintings, or sculptures. In contrast, music as sound in general is transmitted by matter vibrations and can be reproduced independent of space and time. In this way, music is able to connect humans from the earliest high cultures to people of our present societies all over the world. Music is indeed a universal language and likely not restricted to our planetary society. The importance of music to the human society is also underlined by the Voyager mission: Both Voyager spacecrafts, which were launched at August 20th and September 05th, 1977, are bound for the stars, now, after their visits to the outer planets of our solar system (mission status: https://voyager.jpl.nasa.gov/mission/status/). They carry a gold- plated copper phonograph record, which comprises 90 minutes of music selected from all cultures next to sounds, spoken messages, and images from our planet Earth. There is rather little hope that any extraterrestrial form of life will ever come along the Voyager spacecrafts. But if this is yet going to happen they are likely able to understand the sound of music from these records at least. -
Classical by Composer
Classical by Composer Adolphe Adam, Giselle (The Complete Ballet), Bolshoi Theater Orchestra, Algis Zuraitis,ˆ MHS 824750F Isaac Albeniz, Iberia (complete), Maurice Ravel, Rapsodie Espagnole, Jean Morel, Paris Conservatoire Orchestra, RCA Living Stereo LSC-6094 (audiophile reissue) 2 records Tomaso Albinoni, Adagio for Strings and Organ, Concerto a Cinque in C Major, Concerto a Cinque in C Major Op. 5, No. 12, Concerto a Cinque in E Minor Op. 5, No. 9, The Sinfonia Instrumental Ensemble, Jean Witold, Nonesuch H-71005 Alfonso X, El Sabio, Las Cantigas de Santa Maria, History of Spanish Music, Volume I MHS OR 302 Charles Valentin Alkan, Piano Pieces Bernard Ringeissen Piano Harmonia Mundi B 927 Gregorio Allegri, Miserere, and other Great Choral Works CD ASV CD OS 6036 DDD, ADD 1989 Gregorio Allegri, Miserere, and other Choral Masterpieces CD Naxos 8.550827 DDD 1993 Gregorio Allegri, Miserere, Giovanni Pierluigi, Stabat Mater, Hodie Beata Virgo, Senex puerum portabat, Magnificat, Litaniae de Beata Virgine Maria, Choir of King’s College, Cambridge, Sir David Willcocks, CD London 421 147-2 ADD 1964 William Alwyn, Symphony 1, London Philharmonic Orchestra, William Alwyn, HNH 4040 Music of Leroy Anderson, Vol. 2 Frederick Fennell, Eastman-Rochester “POPS” Orchestra, 19 cm/sec quarter-track tape Mercury Living Presence ST-90043 The Music of Leroy Anderson, Frederick Fennell, Eastman-Rochester Pops Orchestra, Mercury Living Presence SR-90009 (audiophile) The Music of Leroy Anderson, Sandpaper Ballet, Forgotten Dreams, Serendata, The Penny Whistle Song, Sleigh Ride, Bugler’s Holiday, Frederick Fennell, Eastman-Rochester POPS Orchestra, 19 cm/sec half-track tape Mercury Living Presence (Seeing Ear) MVS5-30 1956 George Antheil, Symphony No.