Front - Peter Gabriel Live in London (2014) Per Il 25.Mo Anniversario Di So Peter Gabriel Recupera La Band Originaria E Riesegue L'album Dal Vivo

Total Page:16

File Type:pdf, Size:1020Kb

Front - Peter Gabriel Live in London (2014) Per Il 25.Mo Anniversario Di So Peter Gabriel Recupera La Band Originaria E Riesegue L'album Dal Vivo Back To Front - Peter Gabriel Live in London (2014) Per il 25.mo anniversario di So Peter Gabriel recupera la band originaria e riesegue l'album dal vivo. Un film di Hamish Hamilton con Peter Gabriel. Genere Musicale durata 97 minuti. Produzione Gran Bretagna 2014. Uscita nelle sale: lunedì 5 maggio 2014 Il film concerto-evento che racconta una delle tappe del Back to Front Tour è stato presentato in anteprima al Festival di Berlino 2014. Emanuele Sacchi - www.mymovies.it Per il venticinquesimo anniversario dall'uscita di "So" Peter Gabriel esegue nuovamente l'album, pietra angolare degli anni Ottanta e della contaminazione tra world music e pop-rock, di fronte al proprio pubblico. La cornice è quella di un nuovo tour, che nasconde un doppio intento: rilanciare ancora una volta Gabriel nei panni dell'innovatore e coinvolgere i suoi fan più affezionati in un viaggio nella nostalgia. Il re della tecnologia applicata allo spettacolo live, già pioniere del trasformismo nella messa in scena al tempo dei Genesis, si ripropone nel 2012 in una veste più austera e consapevole. Una figura quasi ieratica, solenne e vestita di nero come la sua band, che si muove all'interno di una scenografia essenziale, quasi spartana. Difficile stabilire un momento di empatia tra chi osserva il concerto, già ostacolato dall'impossibilità di esserci e quindi di catturare il momento, e i performer: una sensazione di straniamento ulteriormente aggravata dagli interventi introdotti dalla regia di Hamish Hamilton, che insiste nell'inframmezzare le esibizioni con le testimonianze di Gabriel o dei musicisti, poco più che autocelebrative. Le cose migliorano lievemente quando si arriva al senso ultimo dell'intera operazione, ossia la riesecuzione di "So" con la formazione originaria al completo - Tony Levin, Manu Katché, David Rhodes e David Sancious. Pretendere che non sia cambiato nulla sarebbe assurdo, ma il montaggio di Hamilton, che accosta le immagini di oggi a concerti del passato anche remoto di Gabriel, non aiuta a chiudere gli occhi di fronte agli effetti inesorabili della senilità, aggravati dal fatto che l'ex-Genesis ha reso da sempre fisicità e dinamicità parti integranti del proprio spettacolo. A pagare lo scotto maggiore sono quindi i brani energetici, gli showstoppers come Sledgehammer, dove Red Rain e In Your Eyes riescono a brillare anche nella attuale rappresentazione. In coda all'esibizione Gabriel si cimenta con una scenografia spettacolare per The Tower That Ate People prima della più imperscrutabile delle scelte: utilizzare come rentrée ancora il sempiterno inno di libertà Biko, anthem ormai anacronistico, per reiterare una tradizione e mantenere un coté di impegno sociale. L'operazione Back to Front presentava non pochi rischi di fragilità ma una regia poco accorta, anziché esaltare i punti di forza dello spettacolo, ha finito per sottolinearne gli evidenti deficit. copyright© 2000- 2021 MYmovies.it® - Mo-Net S.r.l. - [email protected].
Recommended publications
  • A Student's Guide to Study Abroad in Brussels
    A STUDENT’S GUIDE TO STUDY ABROAD IN BRUSSELS Prepared by the Center for Global Education CONTENTS Section 1: Nuts and Bolts 1.1 Contact Information & Emergency Contact Information 1.2 Program Participant List 1.3 Term Calendar 1.4 Passport & Visas 1.5 Power of Attorney/Medical Release 1.6 International Student Identity Card 1.7 Register to Vote 1.8 Travel Dates/Group Arrival 1.9 Orientation 1.10 What to Bring Section 2: Studying & Living Abroad 2.1 Academics Abroad 2.2 Money and Banking 2.3 Housing and Meals Abroad 2.4 Service Abroad 2.5 Email Access 2.6 Travel Tips Section 3: All About Culture 3.1 Experiential Learning: What it’s all about 3.2 Adjusting to a New Culture 3.3 Culture Learning: Customs and Values Section 4: Health and Safety 4.1 Safety Abroad: A Framework 4.2 Health Care and Insurance 4.3 Women’s Issues Abroad 4.4 HIV 4.5 Drugs 4.6 Traffic 4.7 Politics 4.8 Voting by Absentee Ballot Section 5: Coming Back 5.1 Registration & Housing 5.2 Reentry and Readjustment SECTION 1: Nuts and Bolts 1.1 CONTACT INFORMATION PROGRAM DIRECTOR IN BRUSSELS Dr. Virginie Goffaux Study Abroad Director Vesalius College Mailing address: Pleinlaan 2 1050 Brussels, Belgium Visiting Address: Triomflaan 32 1160 Brussels, Belgium Email: [email protected] Tel: +32 2 629 28 26 Cell: + 32 496 10 97 51 Fax: +32 2 880 12 51 24/7 Emergency cell phone: +32 473 881 221 CONTACT FOR HOUSING ISSUES Note: when dialing from the U.S.
    [Show full text]
  • Shaking the Trees Free
    FREE SHAKING THE TREES PDF Azra Tabassum | 74 pages | 25 Jun 2014 | Words Dance Publishing | 9780692232408 | English | United States Shaking the Viral Tree It was remastered with most of Gabriel's catalogue in The tracks are creatively re-ordered, ignoring chronology. Some of the tracks were different from the album versions. New parts were recorded for several tracks in Gabriel's Real World Studios. Most songs are edited for time, either Shaking the Trees radio, single, or video edit versions. The remix is similar to the remix, which appeared as the B-side of the "Walk Through the Fire" single, but is edited down to 3m 45s long, as here. This version is a piano and voice arrangement, that Shaking the Trees far simpler than the highly produced version on Peter Gabriel Its sparseness is closer to the version that Gabriel recorded with Robert Fripp on Fripp's Exposure In interviews, Gabriel has said that he preferred the version, and it was that version with Fripp that he chose to overdub in German as the flipside of the single "Biko" released before Ein deutsches Album Although this album highlights songs from Peter Gabriel's earlier albums, tracks from Peter Gabriel II, or Scratch and the soundtrack to the film Birdy are not included. Say Anything Although Shaking the Trees made "In Your Eyes" perhaps the most well known Peter Gabriel song aside from " Sledgehammer ", it failed to crack the Shaking the Trees 20 and was thus omitted from the album in Shaking the Trees of five of the other eight tracks from So —four other hits and album track "Mercy Street".
    [Show full text]
  • In the Transition from Stage to Arena, Live Music Is Remade
    Intimate live girls Halligan, B Title Intimate live girls Authors Halligan, B Type Book Section URL This version is available at: http://usir.salford.ac.uk/id/eprint/33518/ Published Date 2015 USIR is a digital collection of the research output of the University of Salford. Where copyright permits, full text material held in the repository is made freely available online and can be read, downloaded and copied for non-commercial private study or research purposes. Please check the manuscript for any further copyright restrictions. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. Intimate Live Girls Benjamin Halligan Keywords: aura, intimacy, kissing, authenticity, liveness, social media, spectacle, Miley Cyrus, Katy Perry, Terry Richardson, Peter Gabriel Abstract: The arena concert requires a particular type of liveness of performance in order to transcend impersonal mass entertainment. Liveness here looks to authenticity and happenstance, privileges personal communications and seeks to live in the moment, and in this way the live performance then meets and matches or even surpasses the virtual life of the artist or group. The concert must be both mass spectacle and an individual and singular experience for those witnessing and participating in it. Without these latter essential attributes, which can be read as the auratic and authentic replacing the virtual, the arena concert falls short of ontological expectations of live music. In recent years the mise-en-scène of the arena concert has become calibrated to female artists with, seemingly, a concomitant feminisation of the event. In this, the space is often given over to intimacy, empathy, and presented as an insight into the life, and even philosophy, of the performer.
    [Show full text]
  • Back to Brussels in This Issue 2 EUCE Graduate Research Workshop: Training the Next Generation of EU Experts
    the newsletter of the center for west european studies and the european union center of excellence Back to Brussels In This Issue 2 EUCE Graduate Research Workshop: Training the Next Generation of EU Experts 3 Faculty Interview with Associate Professor Glennys Young 4-5 Spain Takes Center Stage in Seattle 6 Student Profile: Christopher Cunningham Photo: The Berlaymont building in Brussels, headquarters of the European Commission. Participants in our summer programs in Brussels will visit major EU institutions in the EU 7 Teacher Workshop: capital. Photo courtesy of the European Commission. Europe & the Environment A large number of CWES and EUCE These major developments in Europe activities over the past six months form the backdrop of the EUCE’s two 8 CWES Sponsors Films at have focused on the new Treaty programs operating in Brussels this the Seattle International of Lisbon and its impact on EU summer. Twenty students from eight Film Festival (SIFF) policymaking and the future direction US universities are participating of European integration. The full in this year’s EU Studies Summer 10 Events Calendar effects of the Treaty of Lisbon will Program, while an additional three only be felt and appreciated over UW undergraduates and three Seattle time as implementation moves area teachers will be participating in forward and the EU adjusts to new the EU Visit Program taking place policies and procedures in a host of in late June. The former, now in its Newsletter Editors areas. Meanwhile, a new permanent fifth year and running for five weeks President of the European Council in July and August, is our largest Daniel Ammons and High Representative for Foreign Brussels program to date.
    [Show full text]
  • 19 & 20 Sept. 2020
    heritage days 19 & 20 SEPT. 2020 urban.brussels new administration. new horizon. architecture and culture for the city. urbanism heritage urban renovation contemporary architecture urban.brussels (Brussels Urbanism & Heritage) is an administrative body in the Brussels Capital Region. It supports territorial development by implementing regional policies relating to urban development, cultural heritage and urban revitalisation. urban.brussels organises and coordinates a large number of public awareness campaigns concerning heritage and contemporary architecture. In addition, urban.brussels awards subsidies and grants for home renovation, facade embellishment and the restoration of heritage. urban.brussels also provides legal advice related, among other things, to the Brussels Land Management Code (CoBAT) and the Regional Urban Development Regulations (RRU). To accomplish this, urban.brussels offers a broad range of expertise, particularly in the fields of architecture, history, documentation and regulations, in order to optimise its response to citizens’ and users’ expectations. The Urbanism Directorate The Cultural Heritage Directorate The Urban Renovation Directorate The Knowledge & Communication Directorate The Legal Affairs Directorate The Staff & Organisation Directorate To carry out these tasks, urban.brussels urban.brussels tasks, these out carry To counts on a General Direction and six directorates: urban.brussels also hosts the secretariats of three independent bodies: the Royal Monuments and Sites Commission, the Urbanism College and the Environment College. urban.brussels mont des arts 10-13 1000 brussels +32 (0)2 432 83 00 [email protected] www.urban.brussels Legal deposit: D/2020/6860/009 heritage days / COLOR / 1 Over the years, the Heritage Days have become a highlight of the Brussels cultural events calendar, drawing thousands of visitors from Brussels, Wallonia, Flanders and further afield each September.
    [Show full text]
  • Dossier De Presse
    PRESS KIT Brussels, 17th April 2013 Fête de l'Iris 2013 “See you on 4th and 5th May next for the Fête de l’Iris ! This key occasion in Brussels life reminds us how proud we can be of our identity and reveals the wonderful treasures and joie de vivre of our Region. » Charles Picqué Minister-President of the Government of the Brussels-Capital Region The Brussels-Capital Region celebrates Europe and unveils a new image to the general public On 4th and 5th May 2013, the Brussels-Capital Region celebrates its 24 summers. The perfect opportunity to reaffirm its identity, hopes and ambitions. This key occasion in Brussels life reminds the people of Brussels how proud they can be of belonging here and shows visitors the wonderful treasures and joie de vivre of our Region. « be.brussels » The new «be.brussels» brand, chosen by the Region for its communication purposes, emphasises the role of the federal capital of the Brussels Region by adding the «be» of Belgium, thus symbolising the coming- together, coexistence and ongoing cooperation of the three national communities throughout the region. But «be» also reminds us of the opening-up of Brussels onto Europe and the rest of the world. From summer 2014, this new brand will also become the Internet address of the Region. Therefore, the Web extension «.brussels» will, gradually, towards the middle of next year, replace «.be» for all the key regional players as well as for all those who, whether business enterprises or individuals, wish to associate their name with that of their region.
    [Show full text]
  • Il Design Per L'interazione Tangibile
    Michele Tittarelli IL DESIGN PER L’INTERAZIONE TANGIBILE Bisogna inventare nuove tecniche - che siano irriconoscibili - che non assomiglino a nessuna operazione precedente. Per evitare così la puerilità e il ridicolo. Costruirsi un mondo proprio, con cui non siano possibili confronti. Per cui non esistano precedenti misure di giudizio. Le misure devono essere nuove, come la tecnica. Nessuno deve capire che l’autore non vale nulla, che è un essere anormale, inferiore - che come un verme si contorce per sopravvivere. Nessuno deve coglierlo in fallo di ingenuità. Tutto deve presentarsi come perfetto, basato su regole sconosciute, e quindi non giudicabili. Come un matto, sì, come un matto. Vetro su vetro, perché Pietro non è capace di correggere - ma nessuno se ne deve accorgere. Un segno dipinto su un vetro corregge senza sporcarlo un segno dipinto prima su un altro vetro. Ma tutti dovranno credere che non si tratti del ripiego di un incapace, di un impotente: bensì che si tratti invece di una decisione, sicu- ra, imperterrita, alta e quasi prepotente [...] Nessuno deve sapere che un segno riesce bene per caso. Per caso, e tremando: e che appena un segno si presenta, per miracolo, riuscito bene, biso- gna subito proteggerlo e custodirlo come in una teca. Ma nessuno, nessuno deve accorgersene. L’autore è un povero tremante idiota. Una mezza calzetta. Vive nel caso e nel rischio, disonorato come un bambino. Ha ridotto la sua vita alla malinconia ridicola di chi vive degradato dall’im- pressione di qualcosa di perduto per sempre. Pasolini, P. P. Teorema, 1968. a Nino e Misa Indice Struttura .
    [Show full text]
  • CONCERTI Legenda
    novembre dicembre 2014 + preview novembre 2014 WHAT’S ON IN TORINO A cura della Direzione Cultura, Educazione e Gioventù SOMMARIO ZOOM • Un grande evento alla Biblioteca Reale di Torino : fino al 15 gennaio 2015 ottanta capolavori di Leonardo da Vinci, Raffaello, Carracci, Perugino, Van Dyck e Rembrandt riuniti nell’eccezionale esposizione Leonardo e i Tesori del Re • Nove novembre: Berlino 1989 – Torino2014. La Città ricorda i 25 anni dalla caduta del Mur o di Berlino con una serata al Teatro Regio , l’inaugurazione della mostra Götterdämmerung (Il Crepuscolo degli Dei ) a Palazzo Saluzzo Paesana e a San Pietro in Vincoli , e con l’evento Tanz Salvario. San Salvario incontra Kreuzberg . Il 9 novembre sarà anche l’avvio degli appuntamenti di Torino incontra Berlino , che si protrarranno per tutto il 2015 • CONTEMPORARY ART SPECIALE AUTUNNO : il ricchissimo programma dell’autunno dell’Arte Contemporanea con Luci d’Artista , Artissima , ONE TORINO , Paratissima , The Others , Alfa Mito Club to Club , Nuovissima , il TFF Torino Film Festiva l e Sottodiciotto Film Festival , Torinodanza/Made.IT e diciotto mostre nelle sedi dell’Arte contemporanea • CioccolaTò , nuovamente in piazza San Carlo , dal 21 al 30 novembre • A Torino un Natale coi Fiocchi , tanti appuntamenti dedicati alle tradizioni e alla magia del Natale, dal 1 dicembre all’11 gennaio 2015 • Per la prima volta a Torino il Giulio Cesare di Händel, al Teatro Regio dal 20 al 29 novembre • RIII – Riccardo MOSTRETerzo di Shakespeare, per la regia di Alessandro Gassmann, al Teatro Carignano
    [Show full text]
  • Mohawk Hairstyle
    Mohawk hairstyle The mohawk (also referred to as a mohican) is a hairstyle in which, in the most common variety, both sides of the head are shaven, leaving a strip of noticeably longer hair in the center. The mohawk is also sometimes referred to as an iro in reference to the Iroquois, from whom the hairstyle is derived - though historically the hair was plucked out rather than shaved. Additionally, hairstyles bearing these names more closely resemble those worn by the Pawnee, rather than the Mohawk, Mohican/Mahican, Mohegan, or other phonetically similar tribes. The red-haired Clonycavan Man bog body found in Ireland is notable for having a well-preserved Mohawk hairstyle, dated to between 392 BCE and 201 BCE. It is today worn as an emblem of non-conformity. The world record for the tallest mohawk goes to Kazuhiro Watanabe, who has a 44.6-inch tall mohawk.[1][1] (http://www.guinnessworldrecords.com/news/2012/9/record-h older-profile-kazuhiro-watanabe-tallest-mohican-44821) Contents A young man wearing a mohawk Name Historical use Style and maintenance Varieties Classic (1970s–1980s) Modern (post-1990) Fauxhawk variants See also References External links Paratroopers of the 101st Name Airborne Division in 1944 While the mohawk hairstyle takes its name from the people of the Mohawk nation, an indigenous people of North America who originally inhabited the Mohawk Valley in upstate New York,[2] the association comes from Hollywood and more specifically from the popular 1939 movie Drums Along the Mohawk starring Henry Fonda. The Mohawk and the rest of the Iroquois confederacy (Seneca, Cayuga, Onondaga, Tuscarora and Oneida) in fact wore a square of hair on the back of the crown of the head.
    [Show full text]
  • DABY TOURÉ International Pop
    DABY TOURÉ International Pop Si il existe certaines choses qu'on ne devrait pas partager, en 2015 il en est d'autres qui méritent qu'on leur donne de l'énergie pour les porter. Non seulement Daby Touré illumine les coeurs de sa musique, de surcroît, il affiche toujours sur scène un sourire d'enfant qui suffit à lui seul, à éclairer la plus obscure des salles de concert. Une Tour de Babel D’une culture construite au gré des cinq continents, Daby a su tirer le sel d’une musique généreuse et ouverte aux quatre vents. Polyglotte, il réalise une alchimie élégante en mariant tour à tour les sons des cinq langues qu’il parle. Sa musique est un puzzle, dont les pièces, une fois emboitées, restituent la carte de l’universalité. Il jette des ponts entre les cultures, qui lui permettent de franchir les frontières, en donnant une vie à un langage poétique et à un son universel. Daby Touré a su creuser son propre sillon avec des compositions abouties, mais il se distingue par dessus tout par des mélodies pop d’un nouveau genre. Ses talents de mélodiste font merveille et l’apparente simplicité des arrangements souligne son chant tout en finesse. Le secret du succès de l’Artiste, c’est son incroyable capacité à s’adapter à différents styles, à être à l’aise en studio comme sur scène, c’est surtout son énorme feeling qui lui permet d’apporter une touche personnelle au rythme le plus banal. Avec la musique de Daby, penser et danser ne sont désormais plus incompatibles.
    [Show full text]
  • Pop Around the Clock" - Ein Thementag in 3Sat 6.00 R the Dukes of September: Live at Lincoln Center 3Sat David H
    3sat/die woche 01/15 Mittwoch, 31. Dezember 2014 "Pop around the clock" - Ein Thementag in 3sat 6.00 r The Dukes of September: Live at Lincoln Center 3sat David H. Koch Theatre, Lincoln Center, New York, USA, 2012 Konzert Erstausstrahlung Rock, Pop Sie gehören zu den Großen des "Weißen Souls": Donald Fagen, die Stimme von Steely Dan, Michael McDonald, Sänger der Doobie Brothers und die US-Blues-Stimme Boz Scaggs. Bereits 1989 machen die drei für kurze Zeit gemeinsame Sache bei der "New York Rock and Soul Revue". 2010 ist die Zeit reif für eine Wiederauflage des Trios, dass sich nun "The Dukes of September" nennt und für eine ausverkaufte Tournee sorgt. "Wir spielen Songs, die uns maßgeblich beeinflusst haben", beschreiben sie das Konzept der Dukes. Kompositionen von Otis Redding, Muddy Waters und James Brown sowie große Hits der Doobie Brothers und Steely Dan sorgen für ein Best-of-Programm, dass soundgewaltig von einer Bigband und einem Background-Chor begleitet wird. Hier verschmelzen Rhythm and Blues, Soul und Texas Blues zu einer unwiderstehlichen Mischung. 3sat zeigt ein Konzert der Dukes of September aus dem Jahr 2012. Die drei Superstars begeisterten ihr Publikum im New Yorker Lincoln Center. An Silvester zeigt 3sat seit 2002 jedes Jahr "Pop around the Clock": Mehr als 24 Stunden lang sind Stars nonstop in Konzerten zu sehen - ganz neue Acts, aber auch legendäre Auftritte, die Rockgeschichte schrieben. Mit dabei in diesem Jahr sind Konzertaufzeichnungen von Queen, The Rolling Stones, Genesis, Sting, Céline Dion, Coldplay, Elton John, Jessie J, Muse und Depeche Mode. 6.45 r Beth Hart & Joe Bonamassa: Live in Amsterdam 3sat The Koninklijk Theater Carré, Amsterdam, Niederlande, 2013 Konzert Erstausstrahlung Rock, Pop 1972 in Los Angeles geboren, studiert Beth Hart zunächst Gesang und Cello, gewinnt 1993 im Rahmen ihrer Teilnahme bei der amerikanischen Castingshow "Star Search" die Kategorie "Female Vocalist" und macht sich in den folgenden Jahren als Blues- und Soulsängerin einen Namen.
    [Show full text]
  • Promenade Lambic 9 GB Land FINAL
    Brussels is definitely worth a gueuze … Since you’ve decided to visit the Brussels Gueuze sculpted above the entrance. Today, this building is a took place in the 14th century when ‘t Serclaes gave Museum, we’d like to invite you for a stroll through the restaurant, but in the mid-19th century it was a much Brussels back to the Duchy of Brabant after driving off Brussels of today and yesteryear. Your walk will take you more proletarian place. For example, this is where Karl the occupying army of the Count of Flanders. from the historical town centre right to the Cantillon Marx wrote Das Kapital with Engels in 1847 and, in 1885, Brewery, which houses the Museum. it housed the inaugural meetings of the Belgian Workers’ Also at the beginning of the street, on the wall of the Party, the forerunner to the Socialist Party. Town Hall, there is plaque recalling the destruction and Grand’Place reconstruction of the Grand’Place after it was shelled in The third house is the “Maison des Brasseurs” 1695 by French troops under Louis XIV. The walk starts at the Grand’Place and the Town Hall. (Brewers’ House) (5), whose current appearance dates Inside the Town Hall, there is pleasant courtyard (1) back to 1698, when the Grand’Place was rebuilt. The Rue de l’Amigo with, in its centre, a star used as the reference point for previous building on this site was called “De Hille” as a calculating distances from Brussels. The star itself was reference to the surrounding landscape and there is Keep walking down rue Charles Buls and turn right into made using old cobblestones found at this very location evidence that it was already here in the late 13th or early rue de l’Amigo.
    [Show full text]