Dossier De Presse

Total Page:16

File Type:pdf, Size:1020Kb

Dossier De Presse PRESS KIT Brussels, 17th April 2013 Fête de l'Iris 2013 “See you on 4th and 5th May next for the Fête de l’Iris ! This key occasion in Brussels life reminds us how proud we can be of our identity and reveals the wonderful treasures and joie de vivre of our Region. » Charles Picqué Minister-President of the Government of the Brussels-Capital Region The Brussels-Capital Region celebrates Europe and unveils a new image to the general public On 4th and 5th May 2013, the Brussels-Capital Region celebrates its 24 summers. The perfect opportunity to reaffirm its identity, hopes and ambitions. This key occasion in Brussels life reminds the people of Brussels how proud they can be of belonging here and shows visitors the wonderful treasures and joie de vivre of our Region. « be.brussels » The new «be.brussels» brand, chosen by the Region for its communication purposes, emphasises the role of the federal capital of the Brussels Region by adding the «be» of Belgium, thus symbolising the coming- together, coexistence and ongoing cooperation of the three national communities throughout the region. But «be» also reminds us of the opening-up of Brussels onto Europe and the rest of the world. From summer 2014, this new brand will also become the Internet address of the Region. Therefore, the Web extension «.brussels» will, gradually, towards the middle of next year, replace «.be» for all the key regional players as well as for all those who, whether business enterprises or individuals, wish to associate their name with that of their region. The iris, flower of the marshlands where Brussels came into being The Fête de l’Iris is the opportunity for the Region to highlight its creativity, sociability and incredible cultural effervescence! For two days, the Mont des Arts district will play host to free shows, organised activities, workshops and concerts. This year, the Fête de l'Iris joins forces with Europe Day, which takes place the same weekend, adopting the theme of "Brussels and Europe". Place des Palais concerts Saturday 4th May 2013 19 : 00 The Annarbor Rock and pop galore from this Belgian band, whose latest album "Fireworks", released in February this year, is a big hit. A powerful, slightly rasping, captivating voice. A guitar sometimes folk (I want to slow down), sometimes pop (Satellite Wings). Thrilling piano playing, a double bass for warmth, and assertive drums. Some whistling that makes us want to hit the deserted roads of America in search of adventure. Bound for Ann Arbor, a small town in Michigan : geographical and musical influences very much in evidence. 20 : 30 The Hooverphonic with Orchestra This cult Belgian band has pulled off rock, pop and trip hop. After 15 years at the top of their game, two platinum records and the Ultratop Download Award in 2012, Alex Callier, Raymond Geerts and Noémie Wolfs are realising their dream: to give their music the dimension it deserves by performing it with a big symphony orchestra. A gigantic concert in prospect. Sunday 5th May 2013 18 : 00 Le Grand Jojo Le Grand Jojo embodies a certain idea of ‘belgitude’ : fond of a laugh and full of fun, out of step with our rather gloomy times. He reminds us advisedly of the lighter side of life. After practising a series of different occupations, commercial artist and strip cartoonist, juke box salesman, record shop owner and musician, he began producing atmospheric songs in the early seventies and it was then that the character of the Grand Jojo was born. Many hits followed with popular songs and superb tangos with surreal and offbeat lyrics. With his album "Grand Best Of" in the Top 10 best-selling records for several weeks, he’s making a successful comeback with his big hits rooted in the collective unconscious, such as ‘On a soif’, ‘Jules César’, ‘Victor le footbaliste’ and ‘E viva Mexico'. 20 : 00 MisterCover A band that takes you on a journey through the world of Rock, Soul, French chanson and Pop from the fifties to the present-day. It revives the greatest hits of legendary artists such as the Beatles, U2, Police, De Palmas, Blues Brothers, Lenny Kravitz, Rolling Stones, Manu Chao, Queen, Bob Marley, Pink Floyd, Ray Charles, Téléphone and Madonna… In other words, there’s something to suit all tastes and ages. With just one objective: to set the stage alight ! Les Rues en Fête (The Streets in Festive Spirit) Sunday 5th May 12 : 00 to 18 : 00 This part of the Fête de l'Iris is a real showcase of Brussels, Belgian and international artists. It turns the spotlight on the performing arts with a programme that brings together what they do best in Brussels and elsewhere. A real, colourful and quirky staging of the urban space: the street becomes common ground for coming together, interacting and being amazed. Place Royale Brussels Info Place (BIP) The BIP courtyard will host "Bruxelles m’as-tu vu" (Brussels have you seen me) : family fun activities organised by Patrimoine à Roulettes, offering the chance to (re)discover the heritage of the Brussels- Capital Region: music quiz, coconut shies, ‘Memory géant’ (memory-test game) on places of entertainment in Brussels’ monumental heritage. Music by the brass-rock band Alimentation générale and, to mark BIP’s 5 years, festive happening by the Fla gel collective. www.biponline.be Brussels Vintage Parade (Belgium) The real ‘Caravane du Tour’ procession of the Brussels Vintage Parade, the first retro bike ride in Brussels, which will be held in September, will be previewed at the Fête de l’Iris. Double-decker bus, brass band, antique bicycles galore and vintage photo space… Everything is combined to take you back, for an afternoon, to the charm of yesteryear. « Rosebud » by Théâtre d'un jour (Belgium) A giant snowball that surrounds a classical singer and a piano - with pianist – who revisit, in "classical" style, the greatest hits of the Beatles, Joe Dassin, Dalida and many others. Totally offbeat. www.t1j.be Rue Montagne de la Cour « Ceci 3. 0 » by Fadunito (Spain) A wheelchair seems to have been abandoned in the middle of the street but suddenly it starts to move and speaks to us: something to demystify prejudices against disability. www.fadunito.com Musée des Instruments de Musique / Musical Instruments Museum Saturday 15: 00 - Duo de Jordaan Music for harpsichord by JC Bach (Sonata in A major, op. 18/5), JS Bach (Prelude and fugue in A minor, BWV 865 and in C sharp minor, BWV 849), J Haydn (Il Maestro e lo scolare, Hob. XVIIa:1) and WA Mozart (Sonata in C major, KV521) - musicians: Anthony Abouhamad and Adam Jaffe. Sunday 15 : 00 -Trio Innocence Goedele Taveirne (piano), Laure Campion (singing, piano) and Sabine Schmitz (clarinet) Programme: L. Spohr (Sechs deutsche Lieder), M. Castelnuovo-Tedesco (sonata for clarinet), B. Godard (French chansons). www.mim.be Photomatique (Belgium) A retro photo booth for a glamorous and funny photo session. Original souvenir: 3 colour or black and white poses. Propaganza (Belgium) Art without limits: the artists of this collective come from all backgrounds and express themselves in Street Art and alternative advertising. Fascinating and surprising. www.propaganza.be Récré à sons (Belgium) Récré à sons creates a space consisting of fifteen or so different instruments, where adults and children can, in the form of games, give free rein to their desires to play with sounds. The distinctive and elaborate nature of these sound structures offers children and adults broad scope for discovering, experimenting, improvising and interacting. www.la-recre-a-sons.be Place du Musée: Village des Enfants / Children’s Village Discochoux (France/Belgium) A magical place for the little ones ... and even the grown-ups. Seeing, creating, painting, listening to music or just relaxing: cloth weaving, creative workshops... Plenty to reveal hidden talents. www.discochoux.canalblog.com Les Oiseaux sans tête (France/Belgium) A collective that sets up a creative, fun and unique village where you can make flying objects, do giant coloured pictures and drawings, have a great time while learning a whole heap of things and create lasting memories for yourselves. www.ostcollective.org « More about Ficelle » by Perrine Stas (France/Belgium) A huge treasure-trove of textiles where you can dive in and create jewellery and other accessories made for and by the children. They cut, sew, put together ... anything goes. www.perrinestas.com « Farfadet » by Théâtre d'un jour (Belgium) Pedal-driven merry-go-round propelled by hilarious garden gnomes who will entertain Mum and Dad. Just one condition: weigh less than 40 kg. www.t1j.be « Cycloballons » by Circomédie (Belgium) Dog, cat, lion, flower or hat: no shape stops the balloon sculptor. But to obtain his balloon, he’ll have to pedal to inflate it! www.circomedie.be As well as these activities, giant trampolines, an inflatable castle, face-painting activities and much more besides to brighten up the day! Parc du Mont des Arts Cie Act of Angels (Belgium) Three singers with captivating voices and in glittering costumes, sitting on moving swings and their singing that sweeps away the astounded audience. Music to move you. www.actofangels.com Cirqu'Conflex (Belgium) Workshop introducing you to balancing and juggling : giant ball, rope, rolla-bogas, pedalgo, balls, clubs, diabolo... www.cirqu-conflex.be « Pic et pic et colliers d'arbres » by les Rimbelles (Belgium) Les Rimbelles, an urban art collective, do Yard Bombing and cover trees with wool graffiti. You only have to touch them to rediscover the child in you. www.etjedanse.be L’Arbre à Idées / The Ideas Tree In Parc du Mont des Arts, the public is given the opportunity to express its opinion and ideas on what the Region should become within the framework of Brussels’ candidature for "European Green Capital 2015".
Recommended publications
  • Une «Flamandisation» De Bruxelles?
    Une «flamandisation» de Bruxelles? Alice Romainville Université Libre de Bruxelles RÉSUMÉ Les médias francophones, en couvrant l'actualité politique bruxelloise et à la faveur des (très médiatisés) «conflits» communautaires, évoquent régulièrement les volontés du pouvoir flamand de (re)conquérir Bruxelles, voire une véritable «flamandisation» de la ville. Cet article tente d'éclairer cette question de manière empirique à l'aide de diffé- rents «indicateurs» de la présence flamande à Bruxelles. L'analyse des migrations entre la Flandre, la Wallonie et Bruxelles ces vingt dernières années montre que la population néerlandophone de Bruxelles n'est pas en augmentation. D'autres éléments doivent donc être trouvés pour expliquer ce sentiment d'une présence flamande accrue. Une étude plus poussée des migrations montre une concentration vers le centre de Bruxelles des migrations depuis la Flandre, et les investissements de la Communauté flamande sont également, dans beaucoup de domaines, concentrés dans le centre-ville. On observe en réalité, à défaut d'une véritable «flamandisation», une augmentation de la visibilité de la communauté flamande, à la fois en tant que groupe de population et en tant qu'institution politique. Le «mythe de la flamandisation» prend essence dans cette visibilité accrue, mais aussi dans les réactions francophones à cette visibilité. L'article analyse, au passage, les différentes formes que prend la présence institutionnelle fla- mande dans l'espace urbain, et en particulier dans le domaine culturel, lequel présente à Bruxelles des enjeux particuliers. MOTS-CLÉS: Bruxelles, Communautés, flamandisation, migrations, visibilité, culture ABSTRACT DOES «FLEMISHISATION» THREATEN BRUSSELS? French-speaking media, when covering Brussels' political events, especially on the occasion of (much mediatised) inter-community conflicts, regularly mention the Flemish authorities' will to (re)conquer Brussels, if not a true «flemishisation» of the city.
    [Show full text]
  • OBERAMMERGAU Passion Play 2022
    The unmissable, once-a-decade OBERAMMERGAU Passion Play 2022 A collection of tours featuring the Passion Play, which also include: The Austrian Tyrol Lake Constance The Way of St. James Mozart’s Salzburg Dream Castles of Bavaria 1 EXPERIENCE AN ICON OF WORLD TRAVEL IN 2022 Taking place just once every decade, this legendary play owes its origins to a deadly plague and its almost 400-year history was disrupted in 2020 by a modern-day pandemic. Thankfully, it will now take place throughout 2022 so there’s a new opportunity to appreciate this iconic event. If you’re looking for a holiday to remember, join us in beautiful Bavaria and experience this incredible performance for yourself. All Oberammergau images © Passion Play Oberammergau An extraordinary heritage 2020 was set to mark the 42nd performance of the now-iconic Passion Play, but its schedule was disrupted due to the global outbreak of COVID-19 – a modern-day pandemic no-one could have predicted yet somewhat ironic considering the play’s origins. The Passion Play’s wheels were first set in motion back in 1633 when the Great Plague descended upon the residents of Oberammergau, a charming Bavarian village. Its citizens made a solemn vow that if their lives were spared, they would perform a play depicting the story of Christ’s life, suffering, death and resurrection every ten years. Amazingly, there were no further deaths as a result of the plague and the Passion Play officially began a year later in 1634. The event has only seen a few other incidents where it had to be postponed or cancelled throughout its almost 400- year history, but it will return in 2022 to wow audiences from around the world.
    [Show full text]
  • Brussels Card
    from Prices €26 card type 24 48 72 standard 26€ 34€ 42€ + public transport 33,50€ 48€ 60€ + Hop on Hop off 40€ 52€ 64€ The best way to discover Brussels! Buy online - free entry to 39 museums www.brusselscard.be - discounts: tourist attractions, city tours, shops, bars and Print or download your Brussels Card and use immediately! restaurants - free information guide Buy in the city - free city map Tourist offices visit.brussels (Grand-Place + BIP/Mont des Arts, - optional extras: unlimited travel on public transport Rue Royale 2), Flandersshop (Rue Marché aux Herbes 61 Grasmarkt) or Hop on Hop off buses and in 5 museums: Autoworld, Belgian Comic Strip Center, La meilleure manière de découvrir Old Masters Museum*, MOOF, Natural Sciences Museum. Bruxelles! * except ‘Brussels Card + Hop on Hop off’ - accès libre à 39 musées Info - réductions: attractions touristiques, visites guidées, commerces, T +32 (0)2 513 89 40 www.visit.brussels Brussels Card bars et restaurants E [email protected] www.brusselsmuseums.be - guide d’information gratuit www.brusselscard.be www.welovecitycards.com See more. Pay less. - plan de la ville gratuit - avantages optionnels: accès illimité aux transports en commun ou aux bus Hop on Hop off See more. Pay less. Normal De beste manier om Brussel te ontdekken! Price simulation: 48h in Brussels price 39 free Optional free Special - gratis toegang tot 39 musea museums transport discounts Combi Royal Museums of Fine Arts - kortingen bij toeristische attracties, rondleidingen, winkels, 13€ Free (Magritte / Old Masters / Fin-de-Siècle) cafés en restaurants - gratis informatiegids Belgian Comic Strip Center 10€ Free - gratis stadsplan Musical Instruments Museum 10€ Free - optionele voordelen: onbeperkt gebruik van het openbaar Edition 2018 (1.2.2018-1.2.2019) vervoer of de Hop on Hop off bussen Autoworld 10€ Free Brussels City Museum 8€ Free Atomium 15€ 11€ Brussels Card 48h / 34€ The Brussels Card is available for a period of 24 48 or 72 hours Total 66€ 45€ You save 21€ E.R./V.U.
    [Show full text]
  • José Eloy Hortal Muñoz, Pierre-François Pirlet, and África Espíldora García (Eds), El Ceremonial En La Corte De Bruselas Del Siglo Xvii
    Early Modern Low Countries 3 (2019) 2, pp. 306-307 - eISSN: 2543-1587 306 Note José Eloy Hortal Muñoz, Pierre-François Pirlet, and África Espíldora García (eds), El ceremonial en la Corte de Bruselas del siglo xvii. Los manuscritos de Francisco Alonso Lozano, Brussels, Commission Royale d’Histoire, 2018, 271 pp. isbn 978-2-87044-016-2 Since the 1970s, numerous studies have been devoted to the history of the princely courts of Europe. Many of these have focused on the magnificent royal courts of France, England, and Spain, but in recent years the courts of smaller principalities, too, have been researched extensively. By comparison, the court of Brussels has received scant attention in historiography. Owing to its reputation as a subaltern court of the Spanish monarchy, the Brussels court was often considered to have been of secondary importance at best. Most scholars have therefore tended to concen- trate on the first decades of the seventeenth century, when the archdukes Albert and Isa- bella (1598-1633) inhabited the palace on the city’s Coudenberg hill and created a court that rivalled many others in size and opulence. While these studies have greatly contrib- uted to our knowledge of the Brussels court as a centre of international diplomacy and culture, its history during the second half of the seventeenth century has remained largely unexplored. From the 1660s onwards the Coudenberg palace became the residence of a rapid succession of governors, few of whom remained in the Low Countries long enough to take a vested interest in its upkeep. The resulting scholarly indifference towards this later period has also been affected by the problematic archival situation, as relevant sources are scattered across multiple European archives.
    [Show full text]
  • Executive Summary
    2006 EXECUTIVE SUMMARY Our MISSION EXPAND PUBLIC TRANSIT SERVICES IN ORDER TO IMPROVE THE EFFICIENCY OF INDIVIDUAL TRAVEL IN THE METROPOLITAN MONTRÉAL AREA. EXECUTIVE SUMMARY 2006 AMT 3 Our EXPERTISE The Agence métropolitaine de transport (AMT), which began operations on January 1, 1996, is a government agency for metropolitan transportation accountable to the Québec Minister of Transport. Its territory covers 83 municipalities and the Kahnawake Mohawk Reserve; it extends from Saint-Jérôme to Saint Jean-Baptiste along the north-south corridor, and from Hudson to Contrecœur along the east-west corridor. Our varied and COMPLEMENTARY MANDATES Our Planning, coordinating, integrating and promoting public transit services PARTNERS in close collaboration with our partners. Operating the commuter train system and the metropolitan bus system. TRANSIT STAKEHOLDERS Helping to improve the efficiency of metropolitan roads. Ministère des Transports du Québec (MTQ) Planning and constructing extensions to the metro system. 14 transit organizations 3 transit corporations: Participating in financing the operations of the 14 transit organizations • Réseau de transport de Longueuil (RTL) in the region. • Société de transport de Laval (STL) Financially supporting the 10 paratransit organizations now participating • Société de transport de Montréal (STM) in the service integration project. 9 intermunicipal transit councils (CIT): Making our expertise and tools that meet a variety of financing and • CIT de Chambly-Richelieu-Carignan travel management needs
    [Show full text]
  • Quick Guide to the Eurovision Song Contest 2018
    The 100% Unofficial Quick Guide to the Eurovision Song Contest 2018 O Guia Rápido 100% Não-Oficial do Eurovision Song Contest 2018 for Commentators Broadcasters Media & Fans Compiled by Lisa-Jayne Lewis & Samantha Ross Compilado por Lisa-Jayne Lewis e Samantha Ross with Eleanor Chalkley & Rachel Humphrey 2018 Host City: Lisbon Since the Neolithic period, people have been making their homes where the Tagus meets the Atlantic. The sheltered harbour conditions have made Lisbon a major port for two millennia, and as a result of the maritime exploits of the Age of Discoveries Lisbon became the centre of an imperial Portugal. Modern Lisbon is a diverse, exciting, creative city where the ancient and modern mix, and adventure hides around every corner. 2018 Venue: The Altice Arena Sitting like a beautiful UFO on the banks of the River Tagus, the Altice Arena has hosted events as diverse as technology forum Web Summit, the 2002 World Fencing Championships and Kylie Minogue’s Portuguese debut concert. With a maximum capacity of 20000 people and an innovative wooden internal structure intended to invoke the form of Portuguese carrack, the arena was constructed specially for Expo ‘98 and very well served by the Lisbon public transport system. 2018 Hosts: Sílvia Alberto, Filomena Cautela, Catarina Furtado, Daniela Ruah Sílvia Alberto is a graduate of both Lisbon Film and Theatre School and RTP’s Clube Disney. She has hosted Portugal’s edition of Dancing With The Stars and since 2008 has been the face of Festival da Cançao. Filomena Cautela is the funniest person on Portuguese TV.
    [Show full text]
  • A Student's Guide to Study Abroad in Brussels
    A STUDENT’S GUIDE TO STUDY ABROAD IN BRUSSELS Prepared by the Center for Global Education CONTENTS Section 1: Nuts and Bolts 1.1 Contact Information & Emergency Contact Information 1.2 Program Participant List 1.3 Term Calendar 1.4 Passport & Visas 1.5 Power of Attorney/Medical Release 1.6 International Student Identity Card 1.7 Register to Vote 1.8 Travel Dates/Group Arrival 1.9 Orientation 1.10 What to Bring Section 2: Studying & Living Abroad 2.1 Academics Abroad 2.2 Money and Banking 2.3 Housing and Meals Abroad 2.4 Service Abroad 2.5 Email Access 2.6 Travel Tips Section 3: All About Culture 3.1 Experiential Learning: What it’s all about 3.2 Adjusting to a New Culture 3.3 Culture Learning: Customs and Values Section 4: Health and Safety 4.1 Safety Abroad: A Framework 4.2 Health Care and Insurance 4.3 Women’s Issues Abroad 4.4 HIV 4.5 Drugs 4.6 Traffic 4.7 Politics 4.8 Voting by Absentee Ballot Section 5: Coming Back 5.1 Registration & Housing 5.2 Reentry and Readjustment SECTION 1: Nuts and Bolts 1.1 CONTACT INFORMATION PROGRAM DIRECTOR IN BRUSSELS Dr. Virginie Goffaux Study Abroad Director Vesalius College Mailing address: Pleinlaan 2 1050 Brussels, Belgium Visiting Address: Triomflaan 32 1160 Brussels, Belgium Email: [email protected] Tel: +32 2 629 28 26 Cell: + 32 496 10 97 51 Fax: +32 2 880 12 51 24/7 Emergency cell phone: +32 473 881 221 CONTACT FOR HOUSING ISSUES Note: when dialing from the U.S.
    [Show full text]
  • Shaking the Trees Free
    FREE SHAKING THE TREES PDF Azra Tabassum | 74 pages | 25 Jun 2014 | Words Dance Publishing | 9780692232408 | English | United States Shaking the Viral Tree It was remastered with most of Gabriel's catalogue in The tracks are creatively re-ordered, ignoring chronology. Some of the tracks were different from the album versions. New parts were recorded for several tracks in Gabriel's Real World Studios. Most songs are edited for time, either Shaking the Trees radio, single, or video edit versions. The remix is similar to the remix, which appeared as the B-side of the "Walk Through the Fire" single, but is edited down to 3m 45s long, as here. This version is a piano and voice arrangement, that Shaking the Trees far simpler than the highly produced version on Peter Gabriel Its sparseness is closer to the version that Gabriel recorded with Robert Fripp on Fripp's Exposure In interviews, Gabriel has said that he preferred the version, and it was that version with Fripp that he chose to overdub in German as the flipside of the single "Biko" released before Ein deutsches Album Although this album highlights songs from Peter Gabriel's earlier albums, tracks from Peter Gabriel II, or Scratch and the soundtrack to the film Birdy are not included. Say Anything Although Shaking the Trees made "In Your Eyes" perhaps the most well known Peter Gabriel song aside from " Sledgehammer ", it failed to crack the Shaking the Trees 20 and was thus omitted from the album in Shaking the Trees of five of the other eight tracks from So —four other hits and album track "Mercy Street".
    [Show full text]
  • Our 106Th Yea R
    PHILADELPHIA SECTION AMERICAN SOCIETY OF CIVIL ENGINEERS Web site: http://www.asce-philly.org National ASCE Central Number 1-800-548-ASCE • Toll Free The Sidney Robin Memorial Newsletter of the Philadelphia Section ASCE th Vol. 91-7 Our 106 Yea r March 2019 SECTION MEETING MARCH DINNER MEETING SCHEDULE 2018-19 THURSDAY, MARCH 14, 2019 – WINDING DOWN… Maggiano’s Little Italy, 1201 Filbert Street (corner of 12th Street), Center City Hard to believe, and time indeed flies… The last Cocktails 5:30 PM, Dinner 6:30 PM, Meeting Presentation 7:30 PM two Section meetings of this season are upon us and SUBJECT: Walt Whitman Bridge: Painting Suspension Span and Tower Project information on each is provided under separate SPEAKERS: Michael Venuto, Chief Engineer, Delaware River Port Authority (DRPA) and headings for these announcements. There is one Steven Bisch, Project Manager, JMT remaining Section event in our “look-ahead” sched- ule, the Spring Social. Decisions are still being RESERVATION DEADLINE – MONDAY, MARCH 11. The cost per attendee is $40, with a finalized and more information will be provided in half-price ($20) cost for government agency employees and students, for reservations received by the April edition of THE NEWS. this deadline. Reservations can be made through our website (www.asce-philly.org) and paid via PayPal or by BEANNACHTAÍ NA FÉILE check. This option will NOT be available after the reservation deadline. Checks, made payable to PÁDRAIG!* “Philadelphia Section ASCE”, will be accepted at the reservation table at the door as an option to electronic payment. Reservations received after the deadline and “walk-ups” without prior reserva- It doesn’t seem like it should be that time tions paying at the door will be charged $50 (government agency employees and students will be already again, but the “great day for the Irish”, as charged the regular $20 rate), and will be subject to acceptance on a space-available/standby basis.
    [Show full text]
  • Passion Play 2020 Germany and Austria
    B OBERAMMERGAU B PASSION PLAY 2020 GERMANY AND AUSTRIA In 1633, the villagers of the small Bavarian town of Oberammergau suffered devastating losses due to the Bubonic Plague. Those survivors appealed to God for Divine Intervention for their families, vowing they would perform the Passion Play every decade if they were spared. Still today the residents host thousands of travelers as they depict the life and death of Jesus. Tour Dates: July 7-16, 2020 Oberammergau Passion Play 2020 Germany and Austria Join Dea and Declan in 2020 for 10 Days • 11 Meals this once-in-a-lifetime experience. Explore the wonder of old world castles and three of Europe's most spellbinding cities. A seat at this decade's only performance of the Passion Play in Oberammergau, Germany is truly a highlight. Come follow in the footsteps of this centuries-old tradition! TOUR HIGHLIGHTS 4 11 meals (3 dinners and 8 breakfasts) Visit the famous fairytale castle of Neuschwanstein 4 Airport transfers included 4 English speaking local guides for all included excursions DAY 1 – Depart the USA 4 Tour Bavaria’s capital city of Munich and visit Nymphenburg Palace Depart St. Louis (or other destinations near you) with your tour direc- 4 Witness the spectacular Passion Play in Oberammergau with tors Dea and Declan on your overnight flight to Munich, Germany – Category 1 tickets in a prime seating location the capital of Bavaria. 4 Discover King Ludwig II’s fairytale castle, Neuschwanstein 4 Marvel at the beauty of Salzburg and surrounding area on an DAY 2 – Munich, Germany included city tour Upon arrival, you’ll be met by a local representative and transferred to 4 Visit the sites of The Sound of Music in Salzburg and Mondsee your hotel.
    [Show full text]
  • The Felix Archive
    KEEP THE CAT FREE Founded 1949 [email protected] Felixonline.co.uk THE 2021 FELIX SEX Fill it SURVEY IS NOW OPEN out here FelixISSUE 1772 FRIDAY 21ST MAY 2021 Union Council vote not to condemn Shell exhibit COUNCIL VOTES NOT TO CONDEMN SHELL SCIENCE MUSEUM GREENWASHING By Calum Drysdale FELIX EXCLUSIVE EUROVISION he Union Council voted last week against rais- ing even the mildest objection to the funding Meritocracy is a myth - of an exhibition on carbon capture technolo- 2021 gy at the Science Museum by Shell, the fossil Engineering department VIEWING GUIDE fuel giant. T Calum Drysdale Editor in Chief The Council voted last Tuesday by a margin of 48 to 21 with 31 abstentions against a paper proposed by he Engineering Department has issued a course on DON’T MISS Ansh Bhatnagar, a physics masters student and long Tmicroagressions that it says is recommended to all term campaigner for Imperial to divest from fossil fuel staff and students. The course is 15 minutes long and OUR 6 PAGE investment. The paper would have required the sabbat- covers what microaggressions and microaffirmations PULLOUT WITH ical officers, students taking a year out of their studies to are as well as giving examples of harmful behaviours. work in paid leadership positions in the Union, to write The course was reported on in The Telegraph which ALL THE ACTS, A a letter to the Science Museum “Expressing the urgency described it as “a list of phrases to avoid on campus”. of the climate crisisand the need for all of us to step up The Telegraph also quoted Toby Young, the general sec- SWEEPSTAKE AND and take action” as well as “Expressing the Union’s dis- retary of the Free Speech Union, who said that “protec- approval of Shell’s sponsorship of this exhibition”.
    [Show full text]
  • In the Transition from Stage to Arena, Live Music Is Remade
    Intimate live girls Halligan, B Title Intimate live girls Authors Halligan, B Type Book Section URL This version is available at: http://usir.salford.ac.uk/id/eprint/33518/ Published Date 2015 USIR is a digital collection of the research output of the University of Salford. Where copyright permits, full text material held in the repository is made freely available online and can be read, downloaded and copied for non-commercial private study or research purposes. Please check the manuscript for any further copyright restrictions. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. Intimate Live Girls Benjamin Halligan Keywords: aura, intimacy, kissing, authenticity, liveness, social media, spectacle, Miley Cyrus, Katy Perry, Terry Richardson, Peter Gabriel Abstract: The arena concert requires a particular type of liveness of performance in order to transcend impersonal mass entertainment. Liveness here looks to authenticity and happenstance, privileges personal communications and seeks to live in the moment, and in this way the live performance then meets and matches or even surpasses the virtual life of the artist or group. The concert must be both mass spectacle and an individual and singular experience for those witnessing and participating in it. Without these latter essential attributes, which can be read as the auratic and authentic replacing the virtual, the arena concert falls short of ontological expectations of live music. In recent years the mise-en-scène of the arena concert has become calibrated to female artists with, seemingly, a concomitant feminisation of the event. In this, the space is often given over to intimacy, empathy, and presented as an insight into the life, and even philosophy, of the performer.
    [Show full text]