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Une «Flamandisation» De Bruxelles?
Une «flamandisation» de Bruxelles? Alice Romainville Université Libre de Bruxelles RÉSUMÉ Les médias francophones, en couvrant l'actualité politique bruxelloise et à la faveur des (très médiatisés) «conflits» communautaires, évoquent régulièrement les volontés du pouvoir flamand de (re)conquérir Bruxelles, voire une véritable «flamandisation» de la ville. Cet article tente d'éclairer cette question de manière empirique à l'aide de diffé- rents «indicateurs» de la présence flamande à Bruxelles. L'analyse des migrations entre la Flandre, la Wallonie et Bruxelles ces vingt dernières années montre que la population néerlandophone de Bruxelles n'est pas en augmentation. D'autres éléments doivent donc être trouvés pour expliquer ce sentiment d'une présence flamande accrue. Une étude plus poussée des migrations montre une concentration vers le centre de Bruxelles des migrations depuis la Flandre, et les investissements de la Communauté flamande sont également, dans beaucoup de domaines, concentrés dans le centre-ville. On observe en réalité, à défaut d'une véritable «flamandisation», une augmentation de la visibilité de la communauté flamande, à la fois en tant que groupe de population et en tant qu'institution politique. Le «mythe de la flamandisation» prend essence dans cette visibilité accrue, mais aussi dans les réactions francophones à cette visibilité. L'article analyse, au passage, les différentes formes que prend la présence institutionnelle fla- mande dans l'espace urbain, et en particulier dans le domaine culturel, lequel présente à Bruxelles des enjeux particuliers. MOTS-CLÉS: Bruxelles, Communautés, flamandisation, migrations, visibilité, culture ABSTRACT DOES «FLEMISHISATION» THREATEN BRUSSELS? French-speaking media, when covering Brussels' political events, especially on the occasion of (much mediatised) inter-community conflicts, regularly mention the Flemish authorities' will to (re)conquer Brussels, if not a true «flemishisation» of the city. -
OBERAMMERGAU Passion Play 2022
The unmissable, once-a-decade OBERAMMERGAU Passion Play 2022 A collection of tours featuring the Passion Play, which also include: The Austrian Tyrol Lake Constance The Way of St. James Mozart’s Salzburg Dream Castles of Bavaria 1 EXPERIENCE AN ICON OF WORLD TRAVEL IN 2022 Taking place just once every decade, this legendary play owes its origins to a deadly plague and its almost 400-year history was disrupted in 2020 by a modern-day pandemic. Thankfully, it will now take place throughout 2022 so there’s a new opportunity to appreciate this iconic event. If you’re looking for a holiday to remember, join us in beautiful Bavaria and experience this incredible performance for yourself. All Oberammergau images © Passion Play Oberammergau An extraordinary heritage 2020 was set to mark the 42nd performance of the now-iconic Passion Play, but its schedule was disrupted due to the global outbreak of COVID-19 – a modern-day pandemic no-one could have predicted yet somewhat ironic considering the play’s origins. The Passion Play’s wheels were first set in motion back in 1633 when the Great Plague descended upon the residents of Oberammergau, a charming Bavarian village. Its citizens made a solemn vow that if their lives were spared, they would perform a play depicting the story of Christ’s life, suffering, death and resurrection every ten years. Amazingly, there were no further deaths as a result of the plague and the Passion Play officially began a year later in 1634. The event has only seen a few other incidents where it had to be postponed or cancelled throughout its almost 400- year history, but it will return in 2022 to wow audiences from around the world. -
Brussels Card
from Prices €26 card type 24 48 72 standard 26€ 34€ 42€ + public transport 33,50€ 48€ 60€ + Hop on Hop off 40€ 52€ 64€ The best way to discover Brussels! Buy online - free entry to 39 museums www.brusselscard.be - discounts: tourist attractions, city tours, shops, bars and Print or download your Brussels Card and use immediately! restaurants - free information guide Buy in the city - free city map Tourist offices visit.brussels (Grand-Place + BIP/Mont des Arts, - optional extras: unlimited travel on public transport Rue Royale 2), Flandersshop (Rue Marché aux Herbes 61 Grasmarkt) or Hop on Hop off buses and in 5 museums: Autoworld, Belgian Comic Strip Center, La meilleure manière de découvrir Old Masters Museum*, MOOF, Natural Sciences Museum. Bruxelles! * except ‘Brussels Card + Hop on Hop off’ - accès libre à 39 musées Info - réductions: attractions touristiques, visites guidées, commerces, T +32 (0)2 513 89 40 www.visit.brussels Brussels Card bars et restaurants E [email protected] www.brusselsmuseums.be - guide d’information gratuit www.brusselscard.be www.welovecitycards.com See more. Pay less. - plan de la ville gratuit - avantages optionnels: accès illimité aux transports en commun ou aux bus Hop on Hop off See more. Pay less. Normal De beste manier om Brussel te ontdekken! Price simulation: 48h in Brussels price 39 free Optional free Special - gratis toegang tot 39 musea museums transport discounts Combi Royal Museums of Fine Arts - kortingen bij toeristische attracties, rondleidingen, winkels, 13€ Free (Magritte / Old Masters / Fin-de-Siècle) cafés en restaurants - gratis informatiegids Belgian Comic Strip Center 10€ Free - gratis stadsplan Musical Instruments Museum 10€ Free - optionele voordelen: onbeperkt gebruik van het openbaar Edition 2018 (1.2.2018-1.2.2019) vervoer of de Hop on Hop off bussen Autoworld 10€ Free Brussels City Museum 8€ Free Atomium 15€ 11€ Brussels Card 48h / 34€ The Brussels Card is available for a period of 24 48 or 72 hours Total 66€ 45€ You save 21€ E.R./V.U. -
José Eloy Hortal Muñoz, Pierre-François Pirlet, and África Espíldora García (Eds), El Ceremonial En La Corte De Bruselas Del Siglo Xvii
Early Modern Low Countries 3 (2019) 2, pp. 306-307 - eISSN: 2543-1587 306 Note José Eloy Hortal Muñoz, Pierre-François Pirlet, and África Espíldora García (eds), El ceremonial en la Corte de Bruselas del siglo xvii. Los manuscritos de Francisco Alonso Lozano, Brussels, Commission Royale d’Histoire, 2018, 271 pp. isbn 978-2-87044-016-2 Since the 1970s, numerous studies have been devoted to the history of the princely courts of Europe. Many of these have focused on the magnificent royal courts of France, England, and Spain, but in recent years the courts of smaller principalities, too, have been researched extensively. By comparison, the court of Brussels has received scant attention in historiography. Owing to its reputation as a subaltern court of the Spanish monarchy, the Brussels court was often considered to have been of secondary importance at best. Most scholars have therefore tended to concen- trate on the first decades of the seventeenth century, when the archdukes Albert and Isa- bella (1598-1633) inhabited the palace on the city’s Coudenberg hill and created a court that rivalled many others in size and opulence. While these studies have greatly contrib- uted to our knowledge of the Brussels court as a centre of international diplomacy and culture, its history during the second half of the seventeenth century has remained largely unexplored. From the 1660s onwards the Coudenberg palace became the residence of a rapid succession of governors, few of whom remained in the Low Countries long enough to take a vested interest in its upkeep. The resulting scholarly indifference towards this later period has also been affected by the problematic archival situation, as relevant sources are scattered across multiple European archives. -
Executive Summary
2006 EXECUTIVE SUMMARY Our MISSION EXPAND PUBLIC TRANSIT SERVICES IN ORDER TO IMPROVE THE EFFICIENCY OF INDIVIDUAL TRAVEL IN THE METROPOLITAN MONTRÉAL AREA. EXECUTIVE SUMMARY 2006 AMT 3 Our EXPERTISE The Agence métropolitaine de transport (AMT), which began operations on January 1, 1996, is a government agency for metropolitan transportation accountable to the Québec Minister of Transport. Its territory covers 83 municipalities and the Kahnawake Mohawk Reserve; it extends from Saint-Jérôme to Saint Jean-Baptiste along the north-south corridor, and from Hudson to Contrecœur along the east-west corridor. Our varied and COMPLEMENTARY MANDATES Our Planning, coordinating, integrating and promoting public transit services PARTNERS in close collaboration with our partners. Operating the commuter train system and the metropolitan bus system. TRANSIT STAKEHOLDERS Helping to improve the efficiency of metropolitan roads. Ministère des Transports du Québec (MTQ) Planning and constructing extensions to the metro system. 14 transit organizations 3 transit corporations: Participating in financing the operations of the 14 transit organizations • Réseau de transport de Longueuil (RTL) in the region. • Société de transport de Laval (STL) Financially supporting the 10 paratransit organizations now participating • Société de transport de Montréal (STM) in the service integration project. 9 intermunicipal transit councils (CIT): Making our expertise and tools that meet a variety of financing and • CIT de Chambly-Richelieu-Carignan travel management needs -
Quick Guide to the Eurovision Song Contest 2018
The 100% Unofficial Quick Guide to the Eurovision Song Contest 2018 O Guia Rápido 100% Não-Oficial do Eurovision Song Contest 2018 for Commentators Broadcasters Media & Fans Compiled by Lisa-Jayne Lewis & Samantha Ross Compilado por Lisa-Jayne Lewis e Samantha Ross with Eleanor Chalkley & Rachel Humphrey 2018 Host City: Lisbon Since the Neolithic period, people have been making their homes where the Tagus meets the Atlantic. The sheltered harbour conditions have made Lisbon a major port for two millennia, and as a result of the maritime exploits of the Age of Discoveries Lisbon became the centre of an imperial Portugal. Modern Lisbon is a diverse, exciting, creative city where the ancient and modern mix, and adventure hides around every corner. 2018 Venue: The Altice Arena Sitting like a beautiful UFO on the banks of the River Tagus, the Altice Arena has hosted events as diverse as technology forum Web Summit, the 2002 World Fencing Championships and Kylie Minogue’s Portuguese debut concert. With a maximum capacity of 20000 people and an innovative wooden internal structure intended to invoke the form of Portuguese carrack, the arena was constructed specially for Expo ‘98 and very well served by the Lisbon public transport system. 2018 Hosts: Sílvia Alberto, Filomena Cautela, Catarina Furtado, Daniela Ruah Sílvia Alberto is a graduate of both Lisbon Film and Theatre School and RTP’s Clube Disney. She has hosted Portugal’s edition of Dancing With The Stars and since 2008 has been the face of Festival da Cançao. Filomena Cautela is the funniest person on Portuguese TV. -
A Student's Guide to Study Abroad in Brussels
A STUDENT’S GUIDE TO STUDY ABROAD IN BRUSSELS Prepared by the Center for Global Education CONTENTS Section 1: Nuts and Bolts 1.1 Contact Information & Emergency Contact Information 1.2 Program Participant List 1.3 Term Calendar 1.4 Passport & Visas 1.5 Power of Attorney/Medical Release 1.6 International Student Identity Card 1.7 Register to Vote 1.8 Travel Dates/Group Arrival 1.9 Orientation 1.10 What to Bring Section 2: Studying & Living Abroad 2.1 Academics Abroad 2.2 Money and Banking 2.3 Housing and Meals Abroad 2.4 Service Abroad 2.5 Email Access 2.6 Travel Tips Section 3: All About Culture 3.1 Experiential Learning: What it’s all about 3.2 Adjusting to a New Culture 3.3 Culture Learning: Customs and Values Section 4: Health and Safety 4.1 Safety Abroad: A Framework 4.2 Health Care and Insurance 4.3 Women’s Issues Abroad 4.4 HIV 4.5 Drugs 4.6 Traffic 4.7 Politics 4.8 Voting by Absentee Ballot Section 5: Coming Back 5.1 Registration & Housing 5.2 Reentry and Readjustment SECTION 1: Nuts and Bolts 1.1 CONTACT INFORMATION PROGRAM DIRECTOR IN BRUSSELS Dr. Virginie Goffaux Study Abroad Director Vesalius College Mailing address: Pleinlaan 2 1050 Brussels, Belgium Visiting Address: Triomflaan 32 1160 Brussels, Belgium Email: [email protected] Tel: +32 2 629 28 26 Cell: + 32 496 10 97 51 Fax: +32 2 880 12 51 24/7 Emergency cell phone: +32 473 881 221 CONTACT FOR HOUSING ISSUES Note: when dialing from the U.S. -
Shaking the Trees Free
FREE SHAKING THE TREES PDF Azra Tabassum | 74 pages | 25 Jun 2014 | Words Dance Publishing | 9780692232408 | English | United States Shaking the Viral Tree It was remastered with most of Gabriel's catalogue in The tracks are creatively re-ordered, ignoring chronology. Some of the tracks were different from the album versions. New parts were recorded for several tracks in Gabriel's Real World Studios. Most songs are edited for time, either Shaking the Trees radio, single, or video edit versions. The remix is similar to the remix, which appeared as the B-side of the "Walk Through the Fire" single, but is edited down to 3m 45s long, as here. This version is a piano and voice arrangement, that Shaking the Trees far simpler than the highly produced version on Peter Gabriel Its sparseness is closer to the version that Gabriel recorded with Robert Fripp on Fripp's Exposure In interviews, Gabriel has said that he preferred the version, and it was that version with Fripp that he chose to overdub in German as the flipside of the single "Biko" released before Ein deutsches Album Although this album highlights songs from Peter Gabriel's earlier albums, tracks from Peter Gabriel II, or Scratch and the soundtrack to the film Birdy are not included. Say Anything Although Shaking the Trees made "In Your Eyes" perhaps the most well known Peter Gabriel song aside from " Sledgehammer ", it failed to crack the Shaking the Trees 20 and was thus omitted from the album in Shaking the Trees of five of the other eight tracks from So —four other hits and album track "Mercy Street". -
Our 106Th Yea R
PHILADELPHIA SECTION AMERICAN SOCIETY OF CIVIL ENGINEERS Web site: http://www.asce-philly.org National ASCE Central Number 1-800-548-ASCE • Toll Free The Sidney Robin Memorial Newsletter of the Philadelphia Section ASCE th Vol. 91-7 Our 106 Yea r March 2019 SECTION MEETING MARCH DINNER MEETING SCHEDULE 2018-19 THURSDAY, MARCH 14, 2019 – WINDING DOWN… Maggiano’s Little Italy, 1201 Filbert Street (corner of 12th Street), Center City Hard to believe, and time indeed flies… The last Cocktails 5:30 PM, Dinner 6:30 PM, Meeting Presentation 7:30 PM two Section meetings of this season are upon us and SUBJECT: Walt Whitman Bridge: Painting Suspension Span and Tower Project information on each is provided under separate SPEAKERS: Michael Venuto, Chief Engineer, Delaware River Port Authority (DRPA) and headings for these announcements. There is one Steven Bisch, Project Manager, JMT remaining Section event in our “look-ahead” sched- ule, the Spring Social. Decisions are still being RESERVATION DEADLINE – MONDAY, MARCH 11. The cost per attendee is $40, with a finalized and more information will be provided in half-price ($20) cost for government agency employees and students, for reservations received by the April edition of THE NEWS. this deadline. Reservations can be made through our website (www.asce-philly.org) and paid via PayPal or by BEANNACHTAÍ NA FÉILE check. This option will NOT be available after the reservation deadline. Checks, made payable to PÁDRAIG!* “Philadelphia Section ASCE”, will be accepted at the reservation table at the door as an option to electronic payment. Reservations received after the deadline and “walk-ups” without prior reserva- It doesn’t seem like it should be that time tions paying at the door will be charged $50 (government agency employees and students will be already again, but the “great day for the Irish”, as charged the regular $20 rate), and will be subject to acceptance on a space-available/standby basis. -
Passion Play 2020 Germany and Austria
B OBERAMMERGAU B PASSION PLAY 2020 GERMANY AND AUSTRIA In 1633, the villagers of the small Bavarian town of Oberammergau suffered devastating losses due to the Bubonic Plague. Those survivors appealed to God for Divine Intervention for their families, vowing they would perform the Passion Play every decade if they were spared. Still today the residents host thousands of travelers as they depict the life and death of Jesus. Tour Dates: July 7-16, 2020 Oberammergau Passion Play 2020 Germany and Austria Join Dea and Declan in 2020 for 10 Days • 11 Meals this once-in-a-lifetime experience. Explore the wonder of old world castles and three of Europe's most spellbinding cities. A seat at this decade's only performance of the Passion Play in Oberammergau, Germany is truly a highlight. Come follow in the footsteps of this centuries-old tradition! TOUR HIGHLIGHTS 4 11 meals (3 dinners and 8 breakfasts) Visit the famous fairytale castle of Neuschwanstein 4 Airport transfers included 4 English speaking local guides for all included excursions DAY 1 – Depart the USA 4 Tour Bavaria’s capital city of Munich and visit Nymphenburg Palace Depart St. Louis (or other destinations near you) with your tour direc- 4 Witness the spectacular Passion Play in Oberammergau with tors Dea and Declan on your overnight flight to Munich, Germany – Category 1 tickets in a prime seating location the capital of Bavaria. 4 Discover King Ludwig II’s fairytale castle, Neuschwanstein 4 Marvel at the beauty of Salzburg and surrounding area on an DAY 2 – Munich, Germany included city tour Upon arrival, you’ll be met by a local representative and transferred to 4 Visit the sites of The Sound of Music in Salzburg and Mondsee your hotel. -
The Felix Archive
KEEP THE CAT FREE Founded 1949 [email protected] Felixonline.co.uk THE 2021 FELIX SEX Fill it SURVEY IS NOW OPEN out here FelixISSUE 1772 FRIDAY 21ST MAY 2021 Union Council vote not to condemn Shell exhibit COUNCIL VOTES NOT TO CONDEMN SHELL SCIENCE MUSEUM GREENWASHING By Calum Drysdale FELIX EXCLUSIVE EUROVISION he Union Council voted last week against rais- ing even the mildest objection to the funding Meritocracy is a myth - of an exhibition on carbon capture technolo- 2021 gy at the Science Museum by Shell, the fossil Engineering department VIEWING GUIDE fuel giant. T Calum Drysdale Editor in Chief The Council voted last Tuesday by a margin of 48 to 21 with 31 abstentions against a paper proposed by he Engineering Department has issued a course on DON’T MISS Ansh Bhatnagar, a physics masters student and long Tmicroagressions that it says is recommended to all term campaigner for Imperial to divest from fossil fuel staff and students. The course is 15 minutes long and OUR 6 PAGE investment. The paper would have required the sabbat- covers what microaggressions and microaffirmations PULLOUT WITH ical officers, students taking a year out of their studies to are as well as giving examples of harmful behaviours. work in paid leadership positions in the Union, to write The course was reported on in The Telegraph which ALL THE ACTS, A a letter to the Science Museum “Expressing the urgency described it as “a list of phrases to avoid on campus”. of the climate crisisand the need for all of us to step up The Telegraph also quoted Toby Young, the general sec- SWEEPSTAKE AND and take action” as well as “Expressing the Union’s dis- retary of the Free Speech Union, who said that “protec- approval of Shell’s sponsorship of this exhibition”. -
In the Transition from Stage to Arena, Live Music Is Remade
Intimate live girls Halligan, B Title Intimate live girls Authors Halligan, B Type Book Section URL This version is available at: http://usir.salford.ac.uk/id/eprint/33518/ Published Date 2015 USIR is a digital collection of the research output of the University of Salford. Where copyright permits, full text material held in the repository is made freely available online and can be read, downloaded and copied for non-commercial private study or research purposes. Please check the manuscript for any further copyright restrictions. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. Intimate Live Girls Benjamin Halligan Keywords: aura, intimacy, kissing, authenticity, liveness, social media, spectacle, Miley Cyrus, Katy Perry, Terry Richardson, Peter Gabriel Abstract: The arena concert requires a particular type of liveness of performance in order to transcend impersonal mass entertainment. Liveness here looks to authenticity and happenstance, privileges personal communications and seeks to live in the moment, and in this way the live performance then meets and matches or even surpasses the virtual life of the artist or group. The concert must be both mass spectacle and an individual and singular experience for those witnessing and participating in it. Without these latter essential attributes, which can be read as the auratic and authentic replacing the virtual, the arena concert falls short of ontological expectations of live music. In recent years the mise-en-scène of the arena concert has become calibrated to female artists with, seemingly, a concomitant feminisation of the event. In this, the space is often given over to intimacy, empathy, and presented as an insight into the life, and even philosophy, of the performer.