DABY TOURÉ International Pop
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Lead a Normal Life
1: Lead A Normal Life “My family arrived in this country from Spain at the time of the Armada, and the story goes we were adopted by Cornish peasants . .” Peter Gabriel, 1974 “My dad is an electrical engineer, inventor type, reserved, shy, analytical, and my mum’s more instinctive, she responds by the moment – music is her big thing. And I’ve got both.” Peter Gabriel, 2000 HEN Peter Gabriel spoke of rather trusting a ‘country man than a Wtown man’ in Genesis’ 1974 song ‘The Chamber Of 32 Doors’, he could well have been talking about his own roots. For in his 63 years (at the time of writing), Gabriel has spent less than a decade living in a city. Although he keeps a residence in West London, Gabriel lives in rustic splendour at his home by his Real World studios in Box near Bath in Wiltshire, which echoes the rural idyll of his childhood in the Surrey countryside. The physical roots of his life could be a metaphor for his semi-detached relationship with showbusiness; near enough, yet far away. Surrey is less than an hour from London and his residence now is less than 15 minutes from the bustling city centre of Bath. He can get into the middle of things easily when he needs to, yet he remains far enough removed. It is not dissimilar to his relationship with the mainstream of popular music. Whenever Gabriel has neared the big time (or indeed, ‘Big Time’, his 1986 hit single) he has been there just enough to receive acclaim and at times, stellar sales, before retreating back to the anonymous comfort of the margins. -
A Student's Guide to Study Abroad in Brussels
A STUDENT’S GUIDE TO STUDY ABROAD IN BRUSSELS Prepared by the Center for Global Education CONTENTS Section 1: Nuts and Bolts 1.1 Contact Information & Emergency Contact Information 1.2 Program Participant List 1.3 Term Calendar 1.4 Passport & Visas 1.5 Power of Attorney/Medical Release 1.6 International Student Identity Card 1.7 Register to Vote 1.8 Travel Dates/Group Arrival 1.9 Orientation 1.10 What to Bring Section 2: Studying & Living Abroad 2.1 Academics Abroad 2.2 Money and Banking 2.3 Housing and Meals Abroad 2.4 Service Abroad 2.5 Email Access 2.6 Travel Tips Section 3: All About Culture 3.1 Experiential Learning: What it’s all about 3.2 Adjusting to a New Culture 3.3 Culture Learning: Customs and Values Section 4: Health and Safety 4.1 Safety Abroad: A Framework 4.2 Health Care and Insurance 4.3 Women’s Issues Abroad 4.4 HIV 4.5 Drugs 4.6 Traffic 4.7 Politics 4.8 Voting by Absentee Ballot Section 5: Coming Back 5.1 Registration & Housing 5.2 Reentry and Readjustment SECTION 1: Nuts and Bolts 1.1 CONTACT INFORMATION PROGRAM DIRECTOR IN BRUSSELS Dr. Virginie Goffaux Study Abroad Director Vesalius College Mailing address: Pleinlaan 2 1050 Brussels, Belgium Visiting Address: Triomflaan 32 1160 Brussels, Belgium Email: [email protected] Tel: +32 2 629 28 26 Cell: + 32 496 10 97 51 Fax: +32 2 880 12 51 24/7 Emergency cell phone: +32 473 881 221 CONTACT FOR HOUSING ISSUES Note: when dialing from the U.S. -
Little Axe Senior Trevor Yates Is a Bassmaster High School All-American
COLOR The Absentee Shawnee News “Among The Shawnee” JUNE 2015 — VOLUME 27 NO. 38 Inside This Issue... Little Axe senior Trevor 2 Yates is a Bassmaster High GOVERNOR’S REPORT School All-American 3 By Ed Godfrey SPOTLIGHT EMPLOYEE 4 Little Axe senior Trevor Yates is a Bassmaster High School All-American. TAX COLLECTIONS Yates, 18, who is a five-time state high school bass 5 - 11 fishing champion, was one of just 12 high school CAMPAIGN LETTERS anglers chosen from around the country for the first 12 - 13 high school All-American fishing team named by the Bass Anglers Sportsman Society (B.A.S.S.) ELECTION COMMISSION The 12 anglers were selected not just for their bass 16 tournament success but also academics, community CULTURAL PRESERVATION service and their involvement in conservation efforts. The dozen high school anglers have been invited to 17 compete in the first-ever Bassmaster High School All HORSE SHOE BEND American Bass Tournament to be held June 3-7 on Kentucky 18 - 19 and Barkley Lakes in Tennessee. The tournament is being held in conjunction with BASSfest, which combines an Elite JUNE BIRTHDAYS Series pro tournament with a festival. Each high school angler will be paired with a 21 Bassmaster Elite Series pro for the one-day tournament. HEALTH SYSTEM UPDATE For Yates, it’s just another accomplishment to add to an already impressive fishing 26-27 resume. His prep tournament victories include the Oklahoma B.A.S.S Nation High School state FOSTER CARE championship three times and The Bass Federation state high school title twice. -
Shaking the Trees Free
FREE SHAKING THE TREES PDF Azra Tabassum | 74 pages | 25 Jun 2014 | Words Dance Publishing | 9780692232408 | English | United States Shaking the Viral Tree It was remastered with most of Gabriel's catalogue in The tracks are creatively re-ordered, ignoring chronology. Some of the tracks were different from the album versions. New parts were recorded for several tracks in Gabriel's Real World Studios. Most songs are edited for time, either Shaking the Trees radio, single, or video edit versions. The remix is similar to the remix, which appeared as the B-side of the "Walk Through the Fire" single, but is edited down to 3m 45s long, as here. This version is a piano and voice arrangement, that Shaking the Trees far simpler than the highly produced version on Peter Gabriel Its sparseness is closer to the version that Gabriel recorded with Robert Fripp on Fripp's Exposure In interviews, Gabriel has said that he preferred the version, and it was that version with Fripp that he chose to overdub in German as the flipside of the single "Biko" released before Ein deutsches Album Although this album highlights songs from Peter Gabriel's earlier albums, tracks from Peter Gabriel II, or Scratch and the soundtrack to the film Birdy are not included. Say Anything Although Shaking the Trees made "In Your Eyes" perhaps the most well known Peter Gabriel song aside from " Sledgehammer ", it failed to crack the Shaking the Trees 20 and was thus omitted from the album in Shaking the Trees of five of the other eight tracks from So —four other hits and album track "Mercy Street". -
America's Choice
Topeka EDITION includes Lawrence, Manhattan, Emporia & Holton FREE! M“SuOllyV” IisE p rRooEf VpoIsEtivW e NE! that miracles happen The Area’s Most Complete Event Guide TAKE O PAGE 16 JEREMY CAMP | LIght of the World Page 13 CELEBRATING FAITH, FAMILY AND COMMUNITY IN NORTHEAST KANSAS October 2016 facebook/metrovoicenews Celebrating 10 years! VISIT US AT or metrovoicenews.com VOLUME 11 • NUMBER 2 TO ADVERTISE, CONTRIBUTE, SUBSCRIBE OR RECEIVE BULK COPIES, CALL 785-235-3340 OR EMAIL [email protected] NEW RESIDENT church guide Oct.Topeka 20,Bible C 7hu rcp.m.h Light of the World Christian Center ’ 3301 Gage Blvd., Topeka, KS AmErICA S C hOI cE General admission $25; Gold circle $35 To purchase tickets visit www.shofarconcerts.com SFor info:ee (785) in 271-1010sid eor (417) 553-3471 back cover! Three reasons why Christians should consider fostering children ✮ The Billy Graham organization offers wisdom on a very, uh, unique presidential election ✮ by the Billy Graham sequential presidential election in free speech and religious liberty are INSIDE: Evangelistic Association decades. Maybe ever. Two major party constitutionally protected, bedrock As Christians we should be committed candidates are being offered to voters. principles. The other continues along a to taking the love of Christ to some of the This Nov. 8, American voters will Two distinct visions are being cast. path where such principles are quickly Candidates, issues, party most broken areas of our community. decide what is arguably the most con - One vision includes a nation where Please see ELECTION page 8 platforms, races explained One of those areas is orphan care, and we n should want to see a culture that cares for the fatherless. -
In the Transition from Stage to Arena, Live Music Is Remade
Intimate live girls Halligan, B Title Intimate live girls Authors Halligan, B Type Book Section URL This version is available at: http://usir.salford.ac.uk/id/eprint/33518/ Published Date 2015 USIR is a digital collection of the research output of the University of Salford. Where copyright permits, full text material held in the repository is made freely available online and can be read, downloaded and copied for non-commercial private study or research purposes. Please check the manuscript for any further copyright restrictions. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. Intimate Live Girls Benjamin Halligan Keywords: aura, intimacy, kissing, authenticity, liveness, social media, spectacle, Miley Cyrus, Katy Perry, Terry Richardson, Peter Gabriel Abstract: The arena concert requires a particular type of liveness of performance in order to transcend impersonal mass entertainment. Liveness here looks to authenticity and happenstance, privileges personal communications and seeks to live in the moment, and in this way the live performance then meets and matches or even surpasses the virtual life of the artist or group. The concert must be both mass spectacle and an individual and singular experience for those witnessing and participating in it. Without these latter essential attributes, which can be read as the auratic and authentic replacing the virtual, the arena concert falls short of ontological expectations of live music. In recent years the mise-en-scène of the arena concert has become calibrated to female artists with, seemingly, a concomitant feminisation of the event. In this, the space is often given over to intimacy, empathy, and presented as an insight into the life, and even philosophy, of the performer. -
Matt Andersen Will Be Performing at the Maple Blues Awards
January 2018 www.torontobluessociety.com Published by the TORONTO BLUES SOCIETY since 1985 [email protected] Vol 34, No 1 PHOTO BY SEAN SISK BY PHOTO Matt Andersen will be performing at the Maple Blues Awards CANADIAN PUBLICATIONS MAIL AGREEMENT #40011871 Blues Booster Rob Bowman Event Listings John’s Blues Picks Top Blues Loose Blues News and More TORONTO BLUES SOCIETY 910 Queen St. W. Ste. B04 Toronto, Canada M6J 1G6 Tel. (416) 538-3885 Toll-free 1-866-871-9457 Email: [email protected] Website: www.torontobluessociety.com MapleBlues is published monthly by the Toronto Blues Society ISSN 0827-0597 2017 BOARD OF DIRECTORS Derek Andrews (President), Jon Arnold, Lucie Dufault (Vice-President), Carol Flett (Secretary), Sarah French, Jamie MacDonald (Vice-President), Lori Murray, Ed Parsons, Paul Sanderson, Mike Smith, Earl Tucker, John Valenteyn (Executive), David Walker (Treasurer) Musicians Advisory Council: Brian Blain, Gary Kendall, Samantha Martin, Lily Sazz, Mark Stafford, Jenie Thai, Suzie Vinnick,Ken Whiteley Fundraising Committee: Derek Andrews, Jon Arnold, Jamie MacDonald, Mike Smith, Sarah Gardiner Volunteer & Membership Committee: Lucie Dufault, Sarah French, Mike Smith, Ed Parsons, Carol Flett Fundraising Consultant: Sarah Gardiner Grants Officer: Barbara Isherwood Office Staff: Hüma Üster (Office Manager) Amanda Rheaume (Project Manager) Publisher/Editor-in-Chief: Derek Andrews Managing Editor: Brian Blain [email protected] Contributing Editors: John Valenteyn, Alice Sellwood, Erin McCallum, Carol Flett Listings Coordinator: Janet Alilovic Mailing and Distribution: Ed Parsons Become a member of the Toronto Blues Society, and get connected with Canada's premier blues events, releases, and our great blues community. With the help of members, donors and volunteers, Advertising: Dougal Bichan the TBS is able to put on great events such as The Maple Blues Awards, Blues in the Schools, Guitar [email protected] and Harmonica Workshops, the New Talent Search, and the always popular Women's Blues Revue. -
Contemporary Carioca: Technologies of Mixing in A
Con tempo C o n t e m p o r a r y raryC a r i o c a Cari oca ontemporary CCarioca Technologies of Mixing in a Brazilian Music Scene Frederick Moehn Duke University Press Durham anD LonDon 2012 © 2012 Duke University Press All rights reserved. Printed in the United States of America on acid-free paper ♾ Designed by Kristina Kachele Typeset in Quadraat and Ostrich Sans by Tseng Information Systems, Inc. Library of Congress Cataloging- in- Publication Data appear on the last printed page of this book. Duke University Press gratefully acknowledges the support of Stony Brook University, which provided funds toward the publication of this book. For Brazil’s musical alchemists ontents Illustrations ix C Preface xi Acknowledgments xxiii Introduction 1 1 Marcos Suzano: A Carioca Blade Runner 25 2 Lenine: Pernambuco Speaking to the World 55 3 Pedro Luís and The Wall: Tupy Astronauts 92 4 Fernanda Abreu: Garota Carioca 130 5 Paulinho Moska: Difference and Repetition 167 6 On Cannibals and Chameleons 204 Appendix 1: About the Interviews, with a List of Interviews Cited 211 Appendix 2: Introductory Aspects of Marcos Suzano’s Pandeiro Method 215 Notes 219 References 245 Discography 267 Index 269 llustrations Map of Rio de Janeiro with inset of the South Zone 6 1 “mpb: Engajamento ou alienação?” debate invitation xii 2 Marcos Suzano’s favorite pandeiro (underside) 29 I 3 Marcos Suzano demonstrating his pandeiro and electronic foot pedal effects setup 34 4 A common basic samba pattern on pandeiro 48 5 One of Marcos Suzano’s pandeiro patterns 49 6 Marcos -
Peter Gabriel by W Ill Hermes
Peter Gabriel By W ill Hermes The multifaceted performer has spent nearly forty years as a solo artist and music innovator. THERE HAVE BEEN MANY PETER GABRIELS: THE PROG rocker who steered the cosmos-minded genre toward Earth; the sem i- new waver more focused on empathic storytelling and musical inno vation than fashion or attitude; the Top Forty hitmaker ambivalent about the spotlight; the global activist whose Real World label and collaborations introduced pivotal non-Western acts to new audiences; the elder statesman inspiring a new generation of singer-songwrit ers. ^ So his second induction into the Rock and Roll Hall of Fame, as a solo act this time - his first, in 2010, was as cofounder of the prog-pop juggernaut Genesis - seems wholly earned. Yet it surprised him, especially since he was a no-show that first time: The ceremony took place two days before the notorious perfectionist began a major tour. “I would’ve gone last time if I had not been about to perform,” Gabriel (b. February 13,1950) explained. “I just thought, 1 can’t go. We’d given ourselves very little rehearsal time.’” ^ “It’s a huge honor,” he said of his inclusions, noting that among numerous Grammys and other awards, this one is distinguished ‘because it’s more for your body of work than a specific project.” ^ That body of work began with Genesis, named after the young British band declined the moniker of “Gabriel’s Angels.” They produced their first single (“The Silent Sun”) in the winter of 1968, when Gabriel was 17. -
Mark Fisher Goldsmiths, University of London / University of East London (UK)
The Metaphysics of Crackle: Afrofuturism and Hauntology Feature Article Mark Fisher Goldsmiths, University of London / University of East London (UK) Abstract There has always been an intrinsically “hauntological” dimension to recorded music. But Derrida’s concept of hauntology has gained a new currency in the 21st century, when music has lost its sense of futurism, and succumbed to the pastiche- and retro- time of postmodernity. The emergence of a 21st century sonic hauntology is a sign that “white” culture can no longer escape the temporal disjunctions that have been constitutive of the Afrodiasporic experience since Africans were first abducted by slavers and projected from their own lifeworld into the abstract space-time of Capital. Time was always-already out of joint for the slave, and Afrofuturism and hauntology can now be heard as two versions of the same condition. Keywords: Hauntology, Afrofuturism, dub, phonography, rockism Mark Fisher is the author of Capitalist Realism (2009) and the forthcoming Ghosts Of My Life: Writings on Depression, Hauntology and Lost Futures. His writing has appeared in many publications, including The Wire, Frieze, The Guardian and Film Quarterly. He is Programme Leader of the MA in Aural and Visual Cultures at Goldsmiths, University of London and a lecturer at the University of East London. Dancecult: Journal of Electronic Dance Music Culture 5(2): 42–55 ISSN 1947-5403 ©2013 Dancecult http://dj.dancecult.net DOI 10.12801/1947-5403.2013.05.02.03 Fisher | The Metaphysics of Crackle 43 [In] “Phonograph Blues” . Johnson sings, with too much emotion it seems, about his broken record player. -
Make It New: Reshaping Jazz in the 21St Century
Make It New RESHAPING JAZZ IN THE 21ST CENTURY Bill Beuttler Copyright © 2019 by Bill Beuttler Lever Press (leverpress.org) is a publisher of pathbreaking scholarship. Supported by a consortium of liberal arts institutions focused on, and renowned for, excellence in both research and teaching, our press is grounded on three essential commitments: to be a digitally native press, to be a peer- reviewed, open access press that charges no fees to either authors or their institutions, and to be a press aligned with the ethos and mission of liberal arts colleges. This work is licensed under the Creative Commons Attribution- NonCommercial- NoDerivatives 4.0 International License. To view a copy of this license, visit http://creativecommons.org/licenses/ by-nc-nd/4.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, California, 94042, USA. DOI: https://doi.org/10.3998/mpub.11469938 Print ISBN: 978-1-64315-005- 5 Open access ISBN: 978-1-64315-006- 2 Library of Congress Control Number: 2019944840 Published in the United States of America by Lever Press, in partnership with Amherst College Press and Michigan Publishing Contents Member Institution Acknowledgments xi Introduction 1 1. Jason Moran 21 2. Vijay Iyer 53 3. Rudresh Mahanthappa 93 4. The Bad Plus 117 5. Miguel Zenón 155 6. Anat Cohen 181 7. Robert Glasper 203 8. Esperanza Spalding 231 Epilogue 259 Interview Sources 271 Notes 277 Acknowledgments 291 Member Institution Acknowledgments Lever Press is a joint venture. This work was made possible by the generous sup- port of -
America and the Musical Unconscious E Music a L Unconl S Cious
G Other titles from Atropos Press Music occupies a peculiar role in the field of American Studies. It is undoubtedly (EDS.) “It is not as simple as saying that music REVE/P JULIUS GREVE & SASCHA PÖHLMANN Resonance: Philosophy for Sonic Art recognized as an important form of cultural production, yet the field continues does this or that; exploring the musical On Becoming-Music: to privilege textual and visual forms of art as its objects of examination. The es- unconscious means acknowledging the Between Boredom and Ecstasy says collected in this volume seek to adjust this imbalance by placing music cen- very fact that music always does more.” ter stage while still acknowledging its connections to the fields of literary and Philosophy of Media Sounds ÖHLMANN Hospitality in the Age of visual studies that engage with the specifically American cultural landscape. In Media Representation doing so, they proffer the concept of the ‘musical unconscious’ as an analytical tool of understanding the complexities of the musical production of meanings in various social, political, and technological contexts, in reference to country, www.atropospress.com queer punk, jazz, pop, black metal, film music, blues, carnival music, Muzak, hip-hop, experimental electronic music, protest and campaign songs, minimal ( E music, and of course the kazoo. DS. ) Contributions by Hanjo Berressem, Christian Broecking, Martin Butler, Christof Decker, Mario Dunkel, Benedikt Feiten, Paola Ferrero, Jürgen AMERIC Grandt, Julius Greve, Christian Hänggi, Jan Niklas Jansen, Thoren Opitz, Sascha Pöhlmann, Arthur Sabatini, Christian Schmidt, Björn Sonnenberg- Schrank, Gunter Süß, and Katharina Wiedlack. A A ND TH AMERICA AND THE MUSICAL UNCONSCIOUS E MUSIC A L UNCON S CIOUS ATROPOS PRESS new york • dresden 5 6 4 7 3 8 2 9 1 10 0 11 AMERICA AND THE MUSICAL UNCONSCIOUS JULIUS GREVE & SASCHA PÖHLMANN (EDS.) America and the Musical Unconscious Copyright © 2015 by Julius Greve and Sascha Pöhlmann (Eds.) The rights of the contributions remain with the respective authors.