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HARD REPORT' November 21, 1986 Issue # 6 (609) 654-7272 FRONTRUNNERS ERIC CLAPTON BOB GELDOF "AUGUST" "DEEP in the HEART E.C
THE HARD REPORT' November 21, 1986 Issue # 6 (609) 654-7272 FRONTRUNNERS ERIC CLAPTON BOB GELDOF "AUGUST" "DEEP IN THE HEART E.C. DELIVERS BIG ON OF NOWHERE" HIS MOST HIGHLY ANTICIPATED ALBUM OF IN TERMS OF WRITING AND ROCKING, WE'D THE EIGHTIES! CALL THIS A WORLD CLASS SURPRISE! ATLANTIC THE KINKS KATE BUSH NINNS . "THINK VISUAL" "EXPERIMENT IV" THINK THE 12" IS A BIT THE HIGH PRIESTESS ROUGH? YOU'LL FLIP OF MIND MUSIC RATES OVER "FACTORY" AND AN "A" FOR THIS "LOST AND FOUND" CEREBRAL CONCOCTION! MCA EMI JN OE HWN PE UD SD Fs RD OA My PLUS! ETTRACKS EDDIE MONEY & TIMBUK3 CHARTSTARS * HEADLINES MOST ADDED HOWARD and the FCC 1 The Kinks "Rock & Roll Cities" (MCA) 61 2 Ann Wilson "Best Man in The World" (CAP) 53 3 Bruce Hornsby "Western Skyline..." (RCA) 40 4 Peter Gabriel "Big Time" (GEFFEN) 35 McNUTT To McWKDF HOT NUMBERS ALBUMS Billy Joel "The Bridge" 46-39 (COL) YATES Back in L.A. World Party "Private. 44-38 (CHRY.) Jason/Scorchers"Still..." 37-33 (EMI) Ben Orr "The Lace" 18-14 (E/A) DEBUTS WNEW's McEWEN Stevie Ray Vaughan "Live Alive" #23(EPIC) tubes out Robert Cray "Strong Persuader" #26 (POLY) TRACKS KBC Band "America" 92-71 JOBNAPPERS Van Halen "Rock & Roll Live" 83-63 Europe "The Final Countdown" 89-78 TEXTBOOK: Smithereens "Behind the Wall..." 57-47 GREG GILLISPIE RECORD OF THE WEEK THE STEVE MILLER BAND --FOR HIS FIRST # 1 SINCE 82's "ABRACADABRA"! INSIDE... %tea' &Mai& &Mal& EtiZiraZ CiairlZif:.-.ZaW. CfMCOLZ &L -Z Cad CcIZ Cad' Ca& &Yet Cif& Ca& Ca& Cge. -
Heroes Magazine
HEROES ISSUE #01 Radrennbahn Weissensee a year later. The title of triumphant, words the song is a reference to the 1975 track “Hero” by and music. Producer Tony Visconti took credit for the German band Neu!, whom Bowie and Eno inspiring the image of the lovers kissing “by the admired. It was one of the early tracks recorded wall”, when he and backing vocalist Antonia Maass BOWIE during the album sessions, but remained (Maaß) embraced in front of Bowie as he looked an instrumental until towards the out of the Hansa Studio window. Bowie’s habit in end of production. The quotation the period following the song’s release was to say marks in the title of the song, a that the protagonists were based on an anonymous “’Heroes’” is a song written deliberate affectation, were young couple but Visconti, who was married to by David Bowie and Brian Eno in 1977. designed to impart an Mary Hopkin at the time, contends that Bowie was Produced by Bowie and Tony Visconti, it ironic quality on the protecting him and his affair with Maass. Bowie was released both as a single and as the otherwise highly confirmed this in 2003. title track of the album “Heroes”. A product romantic, even The music, co-written by Bowie and Eno, has of Bowie’s “Berlin” period, and not a huge hit in been likened to a Wall of Sound production, an the UK or US at the time, the song has gone on undulating juggernaut of guitars, percussion and to become one of Bowie’s signature songs and is synthesizers. -
Peter Gabriel L'uomo Che Vide Il Futuro Della Musica
38 Culture GIOVEDÌ 11 FEBBRAIO 2010 BUON COMPLEANNO p Auguri Sabato l’ex Genesis compie 60 anni e domani esce il nuovo cd, «Scratch My Back» p Sorprese Pezzi di Bowie, Talking Heads, Lou Reed ma anche Regina Spektor e Arcade Fire Peter Gabriel l’uomo che vide il futuro della musica Ancora una volta ha spiazzato que anni lasciò (di stucco) i Genesis e tutti. Gabriel compie 60 anni, e un’infinità di appassionati. li festeggia con un nuovo cd: so- Solo cover, questa volta, lui che lo orchestra per l’uomo che co- non ne aveva fatte quasi mai (gli ap- me nessun altro seppe reinven- passionati si dividono i bootleg con I tarsi quattro volte, reinventan- Heard it Through the Grapevine di do - ogni volta - la musica. Marvin Gaye o con Strawberry Fields dei Beatles...). Strane rivisitazioni: ROBERTO BRUNELLI una Heroes (sì, Bowie) che «disarma» Heroes tuffandola in un mare di archi [email protected] che ci ricordano una linea che parte Questa volta sono gli archi: insi- coltissima da Penderecki fino a lambi- nuanti, s’intrecciano dolorosamen- re Philip Glass, una Boy in the Bubble te nei meandri ignoti così come nel- di Paul Simon di cui sono decostruite l’intimo del vissuto musicale di tan- le intenzioni, come a dimostrare che ti di noi. Peter Gabriel da tempo im- la struttura s’impone sulla sovrastrut- memorabile ci ha abituato a improv- tura, che la composizione vince su visi mutamenti di scena. C’erano ogni orchestrazione possibile, e lo l’utopia dei fiori ed il blues, negli an- stesso vale per Apres Mois della giova- ni settanta, e lui si tuffa con i Gene- ne russa-americana Regina Spektor, sis in una terra di esplorazione in a malapena nata quando Peter era cui sul rock avevano preso a soffia- già al suo terzo album solista. -
Old Mac Genesis Have Changed Again. ROBIN SMITH Talks to PHIL
S Aet:md Minot, Apni8, 1978 After Peter Gabriel left Genesis a demo tape by none other than Nick 1 Lower was tent In for consideration. Can you imagine the consequences' I Love The Sound Of Breaking Glass' delivered amidst flashing laser beams and dry Ice. the mind bonlee And would those boozy eyes V have really fined In with the dean Riders image of the rest of the band? The orld will never know. "Apart from the tape there was a photograph of Lowe," says Genesis drummer and lead vocalist Phil Collins." But in the end we decided that 1 should take over on vocals. I was worried about communicating of w1th an audience i couldn't go on stage drunk because I might slur my words a bit " Hmm. maybe Lowe would have fitted in after all, The bar d do drink. But according to Collins. Gabriel - used to get pissed after "sniffing at a glass of wine." ( Now It's all change time with the the band yet again. They're now down to three with the departure of Steve Hackett. the moody looking one with a quiet stamp of guitar playing r authority. But, as before, Genesis are riding whatever storms there may have been and Phil's not saying have s if there were any. The critics or sheathed their knives after 'mistakenly believing that Gabriel's departure would mean an end to the Genesis have changed again. band Genesis just seem to be moving on to fresh triumphs and Phil seems to feel that the splits have ROBIN SMITH talks to strengthened the band "Well we couldn't afford to lose PHIL COLLINS to find out anymore, but at the same time the band is a very strong unit, Perhaps wfien you lose people it's a what the band are going rejuvenation. -
Bruce Springsteen & the E Street Band Beyoncé Coldplay Guns N
Gross Average Average Total Average Cities Rank Millions Artist Ticket Price Tickets Tickets Gross Shows Agency 1 268.3 Bruce Springsteen & The E Street Band 111.48 36,464 2,406,591 4,064,939 66/76 BPB Consulting / Creative Artists Agency 2 256.2 Beyoncé 114.59 48,642 2,237,542 5,573,702 46/49 Creative Artists Agency 3 241.0 Coldplay 90.05 60,828 2,676,425 5,477,701 44/60 Paradigm Talent Agency / X-ray Touring 4 188.4 Guns N’ Roses 111.00 48,490 1,697,164 5,382,317 35/44 United Talent Agency / Int’l Talent Booking 5 167.7 Adele 109.59 34,777 1,530,196 3,811,364 44/107 WME / International Talent Booking 6 163.3 Justin Bieber 92.70 20,484 1,761,642 1,898,837 86/115 Creative Artists Agency 7 110.6 Paul McCartney 127.43 28,924 867,712 3,685,852 30/36 Marshall Arts / MPL Communications 8 97.0 Garth Brooks 69.29 56,000 1,400,000 3,880,000 25/102 WME 9 90.9 The Rolling Stones 122.33 74,343 743,425 9,094,136 10/14 AEG Live 10 85.5 Celine Dion 146.26 30,766 584,560 4,500,000 19/78 ICM Partners / CDA Productions / Solo Agency 11 84.3 Drake 112.08 19,793 752,141 2,218,421 38/56 WME 12 84.1 Luke Bryan 59.00 21,597 1,425,423 1,274,242 66/81 WME 13 82.2 Madonna 216.01 19,033 380,669 4,111,410 20/33 Live Nation Global Touring 14 76.6 Billy Joel 109.67 41,086 698,459 4,505,882 17/28 Artist Group International 15 73.9 Black Sabbath 77.29 14,940 956,139 1,154,688 64/65 CAA / International Talent Booking 16 69.5 Kenny Chesney 76.32 32,512 910,330 2,481,195 28/30 Dale Morris & Associates 17 66.6 Cirque du Soleil - “Toruk - The First Flight” 69.56 21,760 957,446 1,513,636 44/293 Cirque du Soleil 18 65.5 Muse 69.18 24,916 946,805 1,723,684 38/64 United Talent Agency 19 62.9 Iron Maiden 66.00 17,018 953,030 1,123,214 56/59 Creative Artists Agency / K2 Agency 20 61.4 Rihanna 85.63 12,153 717,038 1,040,678 59/64 WME 21 60.1 Maroon 5 68.88 22,373 872,531 1,541,026 39/42 WME / International Talent Booking / CAA 22 58.5 Elton John 110.61 8,530 528,885 943,548 62/92 Howard Rose Agency / Rocket Music Ent. -
Tolo Dictionary
PACIFIC LINGUISTICS Series C - No. 91 TOLO DICTIONARY by Susan Smith Crowley Department of Linguistics Research School of Pacific Studies THE AUSTRALIAN NATIONAL UNIVERSITY Crowley, S.S. Tolo dictionary. C-91, xiv + 129 pages. Pacific Linguistics, The Australian National University, 1986. DOI:10.15144/PL-C91.cover ©1986 Pacific Linguistics and/or the author(s). Online edition licensed 2015 CC BY-SA 4.0, with permission of PL. A sealang.net/CRCL initiative. PACIFIC LINGUISTICS is issued through the Linguistic Circle of Canberra and consists of four series: SERIES A - Occasional Papers SERIES B - Monographs SERIES C - Books SERIES D - Special Publications EDITOR: S.A. Wurm ASSOCIATE EDITORS: D.C. Laycock, C.L. Voorhoeve, D.T. Tryon, T.E. Dutton EDITORIAL ADVISERS: B. W. Bender K.A. McElhanon University of Hawaii Summer Institute of Linguistics David Bradley H.P. McKaughan La Trobe University University of Hawaii A. Capell P. MUhlhausler University of Sydney Linacre College, Oxford Michael G. Clyne G.N. O'Grady Monash University University of Victoria, B.C. S.H. Elbert A.K. Pawley University of Hawaii University of Auckland K.J. Franklin K.L. Pike Summer Institute of Linguistics Summer Institute of Linguistics W.W. Glover E.C. Polome Summer Institute of Linguistics U ni versity of Texas G.W. Grace Malcolm Ross University of Hawaii Australian National University M.A.K. Halliday Gillian Sankoff University of Sydney University of Pennsylvania E. Haugen W.A.L. Stokhof Harvard University University of Leiden A. Healey B.K. T'sou Summer Institute of Linguistics City Polytechnic of Hong Kong L.A. -
Get 'Em out by Friday the Official Release Dates 1968-78 Introduction
Genesis: Get ‘Em Out By Friday The Official Release Dates 1968-78 Introduction Depending on where one looks for the information, the original release dates of Genesis singles and albums are often misreported. This article uses several sources, including music paper cuttings, websites and books, to try and determine the most likely release date in the UK for their officially released product issued between 1968 and 1978. For a detailed analysis to be completed beyond 1978 will require the input of others that know that era far better than I with the resources to examine it in appropriate levels of detail. My own collection of source material essentially runs dry after 1978. As most people searching for release dates are likely to go to Wikipedia that is where this search for the truth behind Genesis’ back catalogie. The dates claimed on Wikipedia would themselves have come from a number of sources referenced by contributors over the years but what these references lack is the evidence to back up their claims. This article aims to either confirm or disprove these dates with the added bonus of citing where this information stems from. It’s not without a fair share of assumptions and educated deductions but it offers more on this subject than any previously published piece. The main sources consulted in the writing of this article are as follows: 1. The Genesis File Melody Maker 16 December 1972 2. Genesis Information Newsletter Issue No. 1 October 1976 3. Wax Fax by Barry Lazzell - a series of articles on Genesis releases published in Sounds over several weeks in 1977 4. -
Africa- Toto All Night Long (All Night)- Lionel Richie Baby Come Back
Africa- Toto My Old School- Steely Dan All Night Long (All Night)- Lionel Richie Nights on Broadway- The Bee Gees Baby Come Back- Player P.Y.T.- Michael Jackson Biggest Part of Me- Ambrosia Peg- Steely Dan Billie Jean- Michael Jackson Reminiscing- Little River Band Brandy- Looking Glass Rich Girl- Hall & Oates Come and Get Your Love- Redbone Ride Like The Wind- Christopher Cross Doctor My Eyes- Jackson Browne Rikki Don’t Lose That Number- Steely Dan Don’t Stop Believing- Journey Rock With You- Michael Jackson Easy Lover- Phillip Bailey & Phil Collins Rosanna- Toto Escape (The Pina Colada Song)- Rupert Holmes Say Say Say- Paul McCartney ft Michael Jackson Every Little Thing She Does Is Magic- The Police Silly Love Songs- Wings Footloose- Kenny Loggins Sister Golden Hair- America Grease- Frankie Valli Sledgehammer- Peter Gabriel Hey Nineteen- Steely Dan Somebody’s Baby- Jackson Browne Hooked on a Feeling- Blue Swede Steal Away- Robbie Dupree How Long- Ace Stuck in the Middle- Stealer’s Wheel I Can’t Go for That (No Can Do)- Hall & Oates Summer Breeze- Seals & Crofts I Love You- Climax Blues Band Takin’ It to the Streets- The Doobie Brothers I’ll Be Around- The Spinners Too Hot- Kool & The Gang I’m Alright- Kenny Loggins Turn Your Love Around- George Benson Just the Two of Us- Grover Washington, Jr. ft Bill Under Pressure- Queen Withers Urgent- Foreigner Lady (You Bring Me Up)- The Commodores What a Fool Believes- The Doobie Brothers Late in the Evening- Paul Simon Who Can It Be Now?- Men At Work Let’s Dance- David Bowie You Are- Lionel Richie Lido Shuffle-Boz Scaggs You’ll Never Find (Another Love Like Mine)- Lou Lowdown- Boz Scaggs Rawls Love is Alive- Gary Wright You’re My Best Friend- Queen Lovely Day- Bill Withers Your Smiling Face- James Taylor Maneater- Hall & Oates More Than a Woman- The Bee Gees . -
FORECAST – Skimming Off the Malware Cream
FORECAST – Skimming off the Malware Cream Matthias Neugschwandtner1, Paolo Milani Comparetti1, Gregoire Jacob2, and Christopher Kruegel2 1Vienna University of Technology, {mneug,pmilani}@seclab.tuwien.ac.at 2University of California, Santa Barbara, {gregoire,chris}@cs.ucsb.edu ABSTRACT Malware commonly employs various forms of packing and ob- To handle the large number of malware samples appearing in the fuscation to resist static analysis. Therefore, the most widespread wild each day, security analysts and vendors employ automated approach to the analysis of malware samples is currently based on tools to detect, classify and analyze malicious code. Because mal- executing the malicious code in a controlled environment to ob- ware is typically resistant to static analysis, automated dynamic serve its behavior. Dynamic analysis tools such as CWSandbox [3], analysis is widely used for this purpose. Executing malicious soft- Norman Sandbox and Anubis [13, 2] execute a malware sample in ware in a controlled environment while observing its behavior can an instrumented sandbox and record its interactions with system provide rich information on a malware’s capabilities. However, and network resources. This information can be distilled into a running each malware sample even for a few minutes is expensive. human-readable report that provides an analyst with a high level For this reason, malware analysis efforts need to select a subset of view of a sample’s behavior, but it can also be fed as input to fur- samples for analysis. To date, this selection has been performed ei- ther automatic analysis tasks. Execution logs and network traces ther randomly or using techniques focused on avoiding re-analysis provided by dynamic analysis have been used to classify malware of polymorphic malware variants [41, 23]. -
Montage Song Suggestions
MONTAGE SONG LIST INTRODUCTION MONTAGE SONGS Song Artist Angels Lullaby Richard Marx A Kiss To Build A Dream On Louis Armstrong As Time Goes By Jimmy Durante Beautiful In My Eyes Joshua Kadison Beautiful Baby Bing Crosby Beautiful Boy Elton John Because You Loved Me Celine Dion Billionaire Travis McCoy Boys Keep Swinging David Bowie Brighter Than The Sun Colbie Caillat Brown Eyed Girl Van Morrison Bubbly Colbie Butterfly Fly Away Miley Cyrus Can You Feel The Love Tonight Elton John Circle Of Life Elton John Count on Me Bruno Mars Everything I Do, I Do It For You Brian Adams Fireflies Owl City First Time I Ever Saw Your Face Celine Dion First Time I Ever Saw Your Face Roberta Flack Flying Without Wings Ruben Studdard God Must Have Spent A Little More Time NSYNC Grenade Bruno Mars Hero Mariah Carey Hey, Soul Sister Train I Am Your Child Barry Manilow I Don’t Wanna Miss A Thing Aerosmith I Hope You Dance Lee Ann Womack I Learned From You Miley Cyrus In Your Eyes Peter Gabriel If I Could Ray Charles Just The Way You Are Bruno Mars Lean on Me Glee Let Them Be Little Lonestar Mad World Adam Lambert No Boundaries Kris Allen Ordinary Miracles Amy Sky She’s The One Rubbie Williams Smile Glee The Only Exception Paramore Through The Years Kenny Rogers Times Of Your Life Paul Anka Tiny Dancer Elton John Smile Uncle Kracker U Smile Justin Beiber What A Wonderful World Louis Armstrong What A Wonderful World Israel Kamakawiwo'ole Wind Beneath My Wings Bette Midler You Are So Beautiful Joe Cocker MIDDLE MONTAGE SONGS Song Artist Ain’t No Mountain High Enough Diana Ross Allstar Smashmouth Are You Gonna Be My Girl Jet American Girl Tom Petty Angel Lionel Richie Animal Neon Trees Beat Of My Heart Hilary Duf Beautiful Day U2 Beautiful Girl Sean Kingston Billionaire Travis McCoy Born To Be Wild Steppenwolf Bottle It Up Sara Bareilles Break Out Miley Cyrus California Gurls Katy Perry Cooler Than Me Mike Posner Daddys Girl Miley Cyrus Dominoe Jessie J. -
Sketchy-Sketch-Sketch Than a Movie Titled Album Was Released Early Friday Morning Exclusively on Itunes Unbe- Knownst to the Public
LIFESTYLE38 WEDNESDAY, DECEMBER 18, 2013 MUSIC & MOVIES This 1991 file photo shows the band Nirvana, from left, Krist Novoselic, Dave Grohl, and Kurt Cobain. File image released by Starpix shows, from left, Gene Simmons, Paul Stanley, Eric Singer and Tommy Thayer of KISS as the band arrives at SiriusXM offices to promote their latest release ‘Monster,’ in New York. —AP photos Nirvana, KISS among 2014 Rock and Roll Hall of Fame inductees irvana, the influential Seattle grunge KISS shocked the music world in the mid- bines music with philanthropy and humani- band founded by the late Kurt Cobain, 1970s with its outlandish black-and-white tarian causes. Linda Ronstadt, known as the Nand the flamboyant 1970s rockers makeup, racy costumes, hard-pounding “First Lady of Rock,” was a mainstay of the from KISS were among six new inductees to tunes and elaborate shows. Songs such as 1970s rock scene with hits including “You’re the Rock and Roll Hall of Fame, the organiza- the trademark “Rock and Roll All Nite” No Good” in 1975. The 67-year-old revealed tion said yesterday. British singers and song- helped define a hard rock-and-shock style this year that she could no longer sing due to writers Peter Gabriel and Cat Stevens, folk- Parkinson’s disease. pop singer Linda Ronstadt and rock and soul Daryl Hall and John Oates broke out in duo Hall and Oates completed the list of 1976 with the hit “Rich Girl” and ruled the performer inductees to the prestigious Hall charts in the 1980s with bouncy melodies of Fame, chosen from 16 nominees. -
Contemporary Carioca: Technologies of Mixing in A
Con tempo C o n t e m p o r a r y raryC a r i o c a Cari oca ontemporary CCarioca Technologies of Mixing in a Brazilian Music Scene Frederick Moehn Duke University Press Durham anD LonDon 2012 © 2012 Duke University Press All rights reserved. Printed in the United States of America on acid-free paper ♾ Designed by Kristina Kachele Typeset in Quadraat and Ostrich Sans by Tseng Information Systems, Inc. Library of Congress Cataloging- in- Publication Data appear on the last printed page of this book. Duke University Press gratefully acknowledges the support of Stony Brook University, which provided funds toward the publication of this book. For Brazil’s musical alchemists ontents Illustrations ix C Preface xi Acknowledgments xxiii Introduction 1 1 Marcos Suzano: A Carioca Blade Runner 25 2 Lenine: Pernambuco Speaking to the World 55 3 Pedro Luís and The Wall: Tupy Astronauts 92 4 Fernanda Abreu: Garota Carioca 130 5 Paulinho Moska: Difference and Repetition 167 6 On Cannibals and Chameleons 204 Appendix 1: About the Interviews, with a List of Interviews Cited 211 Appendix 2: Introductory Aspects of Marcos Suzano’s Pandeiro Method 215 Notes 219 References 245 Discography 267 Index 269 llustrations Map of Rio de Janeiro with inset of the South Zone 6 1 “mpb: Engajamento ou alienação?” debate invitation xii 2 Marcos Suzano’s favorite pandeiro (underside) 29 I 3 Marcos Suzano demonstrating his pandeiro and electronic foot pedal effects setup 34 4 A common basic samba pattern on pandeiro 48 5 One of Marcos Suzano’s pandeiro patterns 49 6 Marcos