Get 'Em out by Friday the Official Release Dates 1968-78 Introduction
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The Yes Catalogue ------1
THE YES CATALOGUE ----------------------------------------------------------------------------------------------------------------------------------------------------- 1. Marquee Club Programme FLYER UK M P LTD. AUG 1968 2. MAGPIE TV UK ITV 31 DEC 1968 ???? (Rec. 31 Dec 1968) ------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------- 3. Marquee Club Programme FLYER UK M P LTD. JAN 1969 Yes! 56w 4. TOP GEAR RADIO UK BBC 12 JAN 1969 Dear Father (Rec. 7 Jan 1969) Anderson/Squire Everydays (Rec. 7 Jan 1969) Stills Sweetness (Rec. 7 Jan 1969) Anderson/Squire/Bailey Something's Coming (Rec. 7 Jan 1969) Sondheim/Bernstein 5. TOP GEAR RADIO UK BBC 23 FEB 1969 something's coming (rec. ????) sondheim/bernstein (Peter Banks has this show listed in his notebook.) 6. Marquee Club Programme FLYER UK m p ltd. MAR 1969 (Yes was featured in this edition.) 7. GOLDEN ROSE TV FESTIVAL tv SWITZ montreux 24 apr 1969 - 25 apr 1969 8. radio one club radio uk bbc 22 may 1969 9. THE JOHNNIE WALKER SHOW RADIO UK BBC 14 JUN 1969 Looking Around (Rec. 4 Jun 1969) Anderson/Squire Sweetness (Rec. 4 Jun 1969) Anderson/Squire/Bailey Every Little Thing (Rec. 4 Jun 1969) Lennon/McCartney 10. JAM TV HOLL 27 jun 1969 11. SWEETNESS 7 PS/m/BL & YEL FRAN ATLANTIC 650 171 27 jun 1969 F1 Sweetness (Edit) 3:43 J. Anderson/C. Squire (Bailey not listed) F2 Something's Coming' (From "West Side Story") 7:07 Sondheim/Bernstein 12. SWEETNESS 7 M/RED UK ATL/POLYDOR 584280 04 JUL 1969 A Sweetness (Edit) 3:43 Anderson/Squire (Bailey not listed) B Something's Coming (From "West Side Story") 7:07 Sondheim/Bernstein 13. -
Hartlepool Sport Hartlepool Snail
HartlepoolHartlepool SportSport HartlepoolHartlepool SnailSnail est, 2001 SPECIAL EDITION No 666 Price :- Freedom of Speech for all ‘Angus the Monkey’ sent off in Scunthorpe groping incident. Editor: Larry Deadwood Silly Comments: Jon Fool Saturdays League match was brought to a stand still as ‘out-of-control’ A round-up of last years News Highlights from your favourite local ‘Angus’ was escorted from the pitch after allegedly ‘groping the referee. newspaper: ‘Angus the Monkey’ sent off in Darlington groping incident. Tuesday Night’s friendly match was marred as ‘out-of-control’ ‘Angus’ PANGOLINS - Three weeks news items on the first presentation in Africa - a was escorted from the pitch after allegedly ‘groping’ the ball boy. failed acknowledgment of its arrival in Hartlepool - and a typical ‘Snail’ report ‘Angus the Monkey’ sent off in Wrexham groping incident. months later bearing no relevance to the topic. Next Saturday’s match will be brought to a stand still by an ‘out-of-con- trol’ ‘Angus’ who will be escorted from the pitch after allegedly ‘groping TETHERED HORSES - 300 photo’s of the same two tethered horses in the linesman. Brenda Road taken from the same angle (actually the same photo) which readers have grown to love. ‘Angus the Monkey’ Identified It was revealed today that ‘Angus the Monkey’ is none other than the ‘Snails’ ♦ MISPRINTS -A selection of our more famous (unintentional) howlers Jon Fool. He was identified after ‘groping’ the Chairman of ‘Pools’ while attempting to get his own page in the ‘clubs programme‘. ♦ MISQUOTES -
Zeppelin II, Already Has Drive and !SO Advanced Orders for 350,000 Copies, They Look Like Having Two Gold Discs Inside a Very Short Space of Time
PARQUET S5.50 CAIMIGII HALL wl MID111$10 OCTOBER0., +op- re :iii. They have also just received a gold disc fora million dollars' worth of sales for their first album, and as the new LP, Led Zeppelin II, already has Drive and !SO advanced orders for 350,000 copies, they look like having two gold discs inside a very short space of time. intensity "It was tremendous inAmerica," Jimmy told me. "We went down very well, and so did Jethro, particularly on the West Coast. I think the scene MM Oct 25 Led Zep kick off is veryhealthy at the moment. People have all kinds of records in their collection, and that's a verygood thing. Like they may have albums by a found US tour in fine style. Crosby Stills & Nash, who are still basically a Top 40 thing, as well as us. I think that what we play is music from the stomach rather than the head, THEREISAsustained excitement LED ZEPPELIN although it does come from the head, too. about a Led Zeppelin AT CARNEGIE HALL "I don't get much time to listen to records in the States, but over here it's performance I do not recall in any .31 mywayof relaxing. I listen mainly to guitar -dominated music, naturally, other group -apart from The Who. and I dig all kinds of things, including flamenco. Have you heard Manitas With most bands there are ups and downs, moments of boredom and bad CARNEGIE MU De Plata? He's ridiculous. That gypsy thing is fantastic." NEW YORK It's widely realised that America is the group's main scene, and that's playing, and that was true even of Cream where they eam the most acclaim.. -
Pos. Canzoni/Songs Genesis Voti Pos. Canzoni/Songs Genesis Voti Pos
Tab.3a - Classifica canzoni Genesis/Ranking Genesis songs Pos. Canzoni/Songs Genesis Voti Pos. Canzoni/Songs Genesis Voti Pos. Canzoni/Songs Genesis Voti 1 Supper's ready 95 25 Fly on a windshield 9 32 Dusk 2 2 The Musical box 92 White mountain 9 Many too many 2 3 Firth of fifth 90 26 Timetable 8 In that quiet earth 2 4 The cinema show 80 27 The chamber of 32 doors 7 Tonight tonight tonight 2 5 The lamia 44 The colony of slippermen 7 A trick of the tail 2 6 Watcher of the skies 42 28 Robbery assault and battery 6 Silver rainbow 2 7 The Carpet crawlers 38 Calling all stations 6 Dreaming while you sleep 2 8 Can Utility and the coastliners 37 Driving the last spike 6 The waiting room 2 9 Dancing with the moonlit Knight 36 Uncertain weather 6 Second home by the sea 2 10 One for the vine 35 All in a mouse's night 6 After the ordeal 2 11 The fountain of Salmacis 32 29 Undertow 5 Horizons 2 12 Mad man moon 30 Abacab 5 33 More fool me 1 13 Entangled 25 Hairless heart 5 It's gonna get better 1 14 Blood on the rooftops 24 Home by the sea 5 Alien afternoon 1 15 The knife 23 Back in NYC 5 Man of our times 1 16 Ripples 22 Visions of angels 5 Land of confusion 1 In the cage 22 Domino 5 Alone tonight 1 17 Seven stones 21 30 I know what I like 4 In the beginning 1 Los endos 21 Duchess 4 Congo 1 18 Dance on a volcano 18 Down and out 4 Shipwrecked 1 Stagnation 18 Squonk 4 The dividing line 1 Duke's travel 18 Turn it on again 4 Your own special way 1 19 Afterglow 17 Me and Sarah Jane 4 If that's what you need 1 20 Looking for someone 15 Evidence of autumn -
Uncut Ultimate Music Guide Genesis
Uncut Ultimate Music Guide Genesis Winny massaged her Thera lordly, she flense it juristically. Blond and coxcombical Ewart always commends physiologically and wrangles his almug. Noduled and cerated Mauricio still knock-ups his Hussein extravagantly. Dieser betrag kann Small Stories as a New Perspective in Narrative and Identity Analysis. In the above diagram Kircher arranges eighteen objects in two vertical columns and then determines he number of arrangements in which they can be combined. Pythagoreans as the primogenial number, the root of all things, the fountain of Nature and the most perfect number. Having departed from your house, turn not back, for the furies will be your attendants. Black apostolic preaching Arte in zucca. Collins also felt that releasing the album on Charisma Records, the same label as Genesis, would have harmed its success due to the preconceived notions people have about bands and labels. Pythagoras was murdered, uncut ultimate music guide genesis. Rituals and the Healing Process. And well, us three being on the water. Sense is never deceived; and therefore every sensation and every perception of an appearance is true. The genesis from uncut ultimate music guide genesis. They are questions that give opportunities to explore and deepen understanding. During its blood on narratives provided to be a key to uncut ultimate music guide genesis into which is in my head in size would cry beware! After this manner were the seven men generated. Critical Thinking in Education: An Introduction to Philosophy of Education in the African Context. But we also argued for hours through three great pyramid is precisely that god is controlled by former bandmate peter gabriel, uncut ultimate music guide genesis. -
A Study of Music Publishers, Collecting Societies and Media Conglomerates'
Prometheus, Vol. 17, No. 2, 1999 163 The Changing Location of Intellectual Property Rights in Music : A Study of Music Publishers, Collecting Societies and Media Conglomerates' MARTIN KRETSCHMER, GEORGE MICHAEL KLIMIS & ROGER WALLIS ABSTRACT This article reports the results of a major study, conducted between 1996 and 1999, examining the impact of de-regulation and digital technologies on the global music industry . 14/e analyse four negotiations in the process of bringing music to the world market: commod#ication, globalisation, delivery, and royalty management. 141e show that the location of intellectual property rights in this process depends on the mutual bargaining power of the parties involved, within a statutory frame vesting music copyright initially in the author. 14,e describe the forces which have led to the appropriation of rights accounting for 80% of global publishing and recording revenues 1y only five companies : LA71 (U)) Bertelsmann (Germany), 141'arner (US), Sony (Japan) and Universal (Canada) . 14'e predict that this regime will not last and consider the likely future location of intellectual properly rights in music . Keywords : globalisation, information society, intellectual property, music copyright, royalty, vertical integration . Introduction Music is covered by complex intellectual property provisions . A right arises if an original musical idea is given a fixed expression ; for example, if a song is written down or recorded in some other from . This right is located in the creator of that musical idea . By an act of legislation, the musical idea turns into a copyrighted work, owned by the creator, who will have the power to prevent others from using it . -
40Th Anniversary Reunion (DVD) Page 1 of 2
FAME Review: Emerson, Lake, & Palmer - 40th Anniversary Reunion (DVD) Page 1 of 2 FAME Review: Emerson, Lake, & Palmer - 40th Anniversary Reunion (DVD) 40th Anniversary Reunion Emerson, Lake, & Palmer MVD Visual - MVD5219D (DVD) Available from ELP's web store . A review written for the Folk & Acoustic Music Exchange by Mark S. Tucker ([email protected] ). While I was ecstatically getting my brain razed by some of the latest NuProgressives (Chocolate Horses and Nerves Junior being two of the most recent and among the best), this MVD DVD providentially came my way as kind of a subtle grail, a piece of the true cross, a time machine back to where it all started. Emerson, Lake, and Palmer have reigned as co-equal kings among a coterie of legendary ensembles from an age when unbelievable intelligence, talent, and musical mastery held sway, a time that sadly waned as the shenanigans of punk took over (a regicide happily and speedily failed, as we've seen), and is now in the last gasps of its glory. Before Jorden Rudess, Vitali Kuprij, and others arose, Keith Emerson, Jon Lord, Kerry Minear, Mike Pinder, and sundry geniuses established what virtuosity meant in a rock keyboardist. Before Mike Portnoy, Neil Peart, and other skins-pounders took over the reins, Carl Palmer, Bill Bruford, Ginger Baker, Keith Moon, and others were the drummers to be feared and admired. And when it came to the bass guitar, Greg Lake, Colin Hodgkinson, and Percy Jones preceded Flea and the gaggle of modern day four- stringers. There are aways antecedents. Earlier, Emerson fulfilled a dream we progheads have long held: the reunion of his pre-ELP band, The Nice, and, man, was it ever a rare thrill to see Keith, Brian Davison, and Lee Jackson making music again (if you're a Nice fan, check out the hideously cool Microwerks Diamond Hard Blue Apples of the Moon 2-CD issuance of 'bootleg' materials from the original 60s Nice). -
Steve Rowland Actor, Singer, Columnist, Recording Producer, Author
Steve Rowland Actor, Singer, Columnist, Recording Producer, Author Born in Hollywood, actor, singer, columnist, author and record producer Steve Rowland grew up in Beverly Hills during the Golden Age of Hollywood. His father was film director Roy Rowland, his mother Ruth was a scriptwriter and the niece of Louis B. Mayer of MGM fame. Steve almost "naturally" began an acting career in the 50s, starring in over 35 TV shows like “Bonanza”, “Wanted Dead Or Alive” and a two year role in “The Legend of Wyatt Earp”. His first film appearance was at 11 year's old in MGM's "Boy's Ranch", singing Darling Clementine in the campfire scene. Film appearances included co-starring roles in “The Battle of the Bulge” with Henry Fonda and Telly Savalas, “Gun Glory” with Stuart Granger and Rhonda Fleming, “Crime in the Streets” with John Cassavetes and Sal Mineo, and the original “The Thin Red Line” with Keir Dullea and Jack Warden. These were also the years when as a member of "Hollywood royalty" Steve was inspired to write monthly columns for the popular fan magazines, The View From Rowland’s Head being the most famous, as he mingled with the stars and starlets of the time : Elvis Presley, Steve McQueen, Marlon Brando, James Dean, Natalie Wood, Tuesday Weld, Kathy Case, Carmen Phillips to name a few. And with his all-time friend Budd Albright, he hit the music scene with the group "West Coast Twist Kings", and with Earl Bostic he performed in the "Ringleaders". The lure of ‘the swinging sixties’ soon brought Steve to London where he produced records for the Fontana label. -
PROGRESSIVE ROCK ELEMENTS in the POP-ROCK MUSIC of GENESIS, 1978-91 by Michael Paul Koss
From Prog to Pop: Progressive Rock Elements in the Pop-Rock Music of Genesis, 1978-91 Item Type Electronic Dissertation; text Authors Koss, Michael Paul Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 30/09/2021 22:27:18 Link to Item http://hdl.handle.net/10150/145489 FROM PROG TO POP: PROGRESSIVE ROCK ELEMENTS IN THE POP-ROCK MUSIC OF GENESIS, 1978-91 by Michael Paul Koss _____________________________________ Copyright © Michael P. Koss 2011 A Dissertation Submitted to the Faculty of the SCHOOL OF MUSIC In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF PHILOSOPHY In the Graduate College THE UNIVERSITY OF ARIZONA 2011 2 THE UNIVERSITY OF ARIZONA GRADUATE COLLEGE As members of the Dissertation Committee, we certify that we have read the dissertation prepared by Michael Koss entitled From Prog to Pop: Progressive Rock Elements in the Pop-Rock Music of Genesis, 1978-91 and recommend that it be accepted as fulfilling the dissertation requirement for the Degree of Doctor of Philosophy. ________________________________________________ Date: April 11, 2011 Donald G. Traut ________________________________________________ Date: April 11, 2011 Pamela Decker ________________________________________________ Date: April 11, 2011 Kelland Thomas Final approval and acceptance of this dissertation is contingent upon the candidate‘s submission of the final copies of the dissertation to the Graduate College. I hereby certify that I have read this dissertation prepared under my direction and recommend that it be accepted as fulfilling the dissertation requirement. -
V Nocus Calks
VOLUME 92 NUMBER 49 AMi[T, CAMBRIDGE, MASSACHUSETTS TUESDAY,, NOVEMBER 21, 1972 FIVE CENTS __ .M r~~~~~~ eme By Walter ']. Middlebrook When asked about the sup- last Monday be observed as a Approximately 200 people port for the students from the day of moratorium, and that gathered at Kresge Auditorium black community, she replied, next Monday be used as the first last night to discuss the slayings "From the community our sup- day of a nation wide student of two black students as port has been over-whelming, strike. Southern University. parents, workers, students from Long before any ot the news The rally at Kresge was the other campuses in the city, and media in the city began to cover climax in the Boston area of a residents of the state are doing the events at Southern in detail, nationwide day-long protest and all that can be done in our WTBS began a grueling campaign moratorium concerning the struggle." She was rather upset, for support and facts regarding deaths of Denver A. Smith of however, at the lack of response the incident by way of one of its New Roads, Louisiana and that had been received from the programs, the Ghetto. Since Leonard Brown of Gilbert, black faculties on the campuses. twelve midnight on Thursday, Louisiana. The other memorial She did point out that some the Ghetto has been carrying services imathe Boston area were faculty members had shown constant coverage of the events held at Boston College, Boston some sense of concern and as of that went on in Baton Rouge University, Harvard University, this date, six of those professors with recorded telephone reports and Brandeis University. -
The Comment, October 12, 1972
Bridgewater State University Virtual Commons - Bridgewater State University The ommeC nt Campus Journals and Publications 1972 The ommeC nt, October 12, 1972 Bridgewater State College Volume 52 Number 6 Recommended Citation Bridgewater State College. (1972). The Comment, October 12, 1972. 52(6). Retrieved from: http://vc.bridgew.edu/comment/296 This item is available as part of Virtual Commons, the open-access institutional repository of Bridgewater State University, Bridgewater, Massachusetts. , pt ~; Ii ; I _ J i; j i .. _ i The COMMENT 2' P Vol. No. BRIDGEWATER STATE COLLEGE October l 1972 7 Henry Werner To Resign Fro Tn Post Bridgewater-Henry F. Werner, for the past 12 years asssitant to the president at Bridgewater State College, will retire on Oct. 20. Before • his tenure at Bridgewater, Werner, graduate of Fitchburg State College and Rutgers University, had heen for 21 years headmaster of the Summit Boys School in Cincinnati, Ohio. For 15 years previous to the Cincinnati position, he was head of the junior school at the Newman Prep Schoolin Lakewood, N.J., the oldest lay-conducted Catholic prep school in the country. On the faculty during those years were Dr. Clement Maxwell. past pl'esident of Bridgewater State College and Christopher. Weldon cUlTently bishop of the Springfield Diocese. Among the many students from . across the country .he taught a number of boys from prominent families. While at Newman, he taught George M. Cohan, Jr., son of the actor-playwright; Harry Sinclair, Jr., son of the oil tycoon; David Elkins, III, grandson of the founder of the college that bears his name; Dan Reeves, owner of the Los Angelos Rams,and William K. -
Forms of Intertextuality: Keith Emerson’S Development As a “Crossover” Musician
FORMS OF INTERTEXTUALITY: KEITH EMERSON’S DEVELOPMENT AS A “CROSSOVER” MUSICIAN Akitsugu Kawamoto A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Musicology in the Department of Music. Chapel Hill 2006 Approved by Advisor: John Covach Reader: John Nádas Reader: Severine Neff Reader: Allen Anderson Reader: David Garcia © 2006 Akitsugu Kawamoto ALL RIGHTS RESERVED ii ABSTRACT AKITSUGU KAWAMOTO: Forms of Intertextuality: Keith Emerson’s Development as a “Crossover” Musician (Under the direction of John Covach) Despite the broad range of attempts to mix “rock” and “classical” music by “progressive (“prog”) rock” musicians from the late 1960s, many writers on prog rock have interpreted the music in a relatively monolithic manner; they often have interpreted the resulting intertextuality simplistically as an elitist experiment that opposes rock’s populist origin. This could certainly be one interpretation of prog, but it is only one of many; there are additional kinds of possible narratives, according to the specific ways in which the materials are combined and fused. Yet the variety of intertextual approaches has rarely been recognized explicitly, and little analytical or musicological attention has been paid to the distinctly different intertextual styles. Generalized approaches to intertextuality have been common not only within popular music studies, however, but also within many humanistic fields. Since Julia Kristeva’s coinage of the term intertextuality in the late 1960s, theorists of the arts (literature, music, painting, architecture, etc.), sociology, politics, economics, and many other fields, have almost always treated intertextuality in a singular manner, presuming that all intertextual practices are more or less of the same kind.