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A Student's Guide to Study Abroad in Brussels
A STUDENT’S GUIDE TO STUDY ABROAD IN BRUSSELS Prepared by the Center for Global Education CONTENTS Section 1: Nuts and Bolts 1.1 Contact Information & Emergency Contact Information 1.2 Program Participant List 1.3 Term Calendar 1.4 Passport & Visas 1.5 Power of Attorney/Medical Release 1.6 International Student Identity Card 1.7 Register to Vote 1.8 Travel Dates/Group Arrival 1.9 Orientation 1.10 What to Bring Section 2: Studying & Living Abroad 2.1 Academics Abroad 2.2 Money and Banking 2.3 Housing and Meals Abroad 2.4 Service Abroad 2.5 Email Access 2.6 Travel Tips Section 3: All About Culture 3.1 Experiential Learning: What it’s all about 3.2 Adjusting to a New Culture 3.3 Culture Learning: Customs and Values Section 4: Health and Safety 4.1 Safety Abroad: A Framework 4.2 Health Care and Insurance 4.3 Women’s Issues Abroad 4.4 HIV 4.5 Drugs 4.6 Traffic 4.7 Politics 4.8 Voting by Absentee Ballot Section 5: Coming Back 5.1 Registration & Housing 5.2 Reentry and Readjustment SECTION 1: Nuts and Bolts 1.1 CONTACT INFORMATION PROGRAM DIRECTOR IN BRUSSELS Dr. Virginie Goffaux Study Abroad Director Vesalius College Mailing address: Pleinlaan 2 1050 Brussels, Belgium Visiting Address: Triomflaan 32 1160 Brussels, Belgium Email: [email protected] Tel: +32 2 629 28 26 Cell: + 32 496 10 97 51 Fax: +32 2 880 12 51 24/7 Emergency cell phone: +32 473 881 221 CONTACT FOR HOUSING ISSUES Note: when dialing from the U.S. -
Shaking the Trees Free
FREE SHAKING THE TREES PDF Azra Tabassum | 74 pages | 25 Jun 2014 | Words Dance Publishing | 9780692232408 | English | United States Shaking the Viral Tree It was remastered with most of Gabriel's catalogue in The tracks are creatively re-ordered, ignoring chronology. Some of the tracks were different from the album versions. New parts were recorded for several tracks in Gabriel's Real World Studios. Most songs are edited for time, either Shaking the Trees radio, single, or video edit versions. The remix is similar to the remix, which appeared as the B-side of the "Walk Through the Fire" single, but is edited down to 3m 45s long, as here. This version is a piano and voice arrangement, that Shaking the Trees far simpler than the highly produced version on Peter Gabriel Its sparseness is closer to the version that Gabriel recorded with Robert Fripp on Fripp's Exposure In interviews, Gabriel has said that he preferred the version, and it was that version with Fripp that he chose to overdub in German as the flipside of the single "Biko" released before Ein deutsches Album Although this album highlights songs from Peter Gabriel's earlier albums, tracks from Peter Gabriel II, or Scratch and the soundtrack to the film Birdy are not included. Say Anything Although Shaking the Trees made "In Your Eyes" perhaps the most well known Peter Gabriel song aside from " Sledgehammer ", it failed to crack the Shaking the Trees 20 and was thus omitted from the album in Shaking the Trees of five of the other eight tracks from So —four other hits and album track "Mercy Street". -
Éclectique, Foisonnante, Une Très Belle Collection D'art Envahit Les Murs Et
turin 1. Dans la salle de jeux, d’Ettore Sottsass. Le Chien blanc, Au pied d’un fauteuil sculpture en épongé rouge de Flavio synthétique sur Albanese (Driade), l’art en liberté polystyrène de une œuvre de Jannis Paolo Grassino, attire Kounellis voisine tous les regards. avec une petite 2. Au-dessus de sculpture en plâtre la cheminée s’élève un toute en courbes arbre lyrique de l’artiste d’Anish Kapoor, Luisa Rabbia, escorté posée sur une table par quatre totems basse de Gio Ponti. 2 Éclectique, foisonnante, une très belle collection d’art envahit les murs et les sols de cet appartement classique. Elle offre un regard très personnel sur la création contemporaine, italienne en particulier. 1 Par Esther Henwood, photos Patrizia Mussa 2 � avril 2010 avril 2010 / 3 ’est par une salle de jeux, placée sous le signe du spectaculaire, que nous pénétrons dans ce splendide appartement turinois. On admire la hauteur sous plafond, les Cdimensions de l’espace, enfin, les œuvres qui y sont accrochées : une rayonnante polychromie de Schnabel, un animal préhistorique transpercé d’un néon – signature évidente de Mario Merz –, une peinture à l’écriture géométrique noir goudron de Gilberto Zorio, un trio de chaises musicales de Chen Zhen, un totem en terre cuite de Luigi Mainolfi, une sculpture lyrico- tellurique de Giuseppe Penone, une photo énigmatique du Norvégien Per Barclay, deux œuvres très originales du jeune artiste italien Paolo Grassino… Nous sommes bien chez un collectionneur à la personnalité hors pair. Peintures, sculptures, dessins, aquarelles, photographies, vidéos… sa collection d’art contemporain est si éclectique, si foisonnante, si riche qu’elle en devient vertigineuse. -
In the Transition from Stage to Arena, Live Music Is Remade
Intimate live girls Halligan, B Title Intimate live girls Authors Halligan, B Type Book Section URL This version is available at: http://usir.salford.ac.uk/id/eprint/33518/ Published Date 2015 USIR is a digital collection of the research output of the University of Salford. Where copyright permits, full text material held in the repository is made freely available online and can be read, downloaded and copied for non-commercial private study or research purposes. Please check the manuscript for any further copyright restrictions. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. Intimate Live Girls Benjamin Halligan Keywords: aura, intimacy, kissing, authenticity, liveness, social media, spectacle, Miley Cyrus, Katy Perry, Terry Richardson, Peter Gabriel Abstract: The arena concert requires a particular type of liveness of performance in order to transcend impersonal mass entertainment. Liveness here looks to authenticity and happenstance, privileges personal communications and seeks to live in the moment, and in this way the live performance then meets and matches or even surpasses the virtual life of the artist or group. The concert must be both mass spectacle and an individual and singular experience for those witnessing and participating in it. Without these latter essential attributes, which can be read as the auratic and authentic replacing the virtual, the arena concert falls short of ontological expectations of live music. In recent years the mise-en-scène of the arena concert has become calibrated to female artists with, seemingly, a concomitant feminisation of the event. In this, the space is often given over to intimacy, empathy, and presented as an insight into the life, and even philosophy, of the performer. -
Artissima Photostory 23 Mazzoleni, Mao E Bolaffi Presa a Sassate Dai Residenti Delle Vallette
NOTTE DELLE ARTI CONTEMPORANEE 2 NOVEMBRE 2019 18.00 / 24.00 ALBERTO PEOLA NORMA MANGIONE PHOTO & CONTEMPORARY Via della Rocca n. 29, 10123 Torino Via Matteo Pescatore n. 17, 10124 Torino Via dei Mille n. 36, 10123 Torino Tel. +39 011 8124460 Tel. +39 011 5539231 Tel. +39 011 889884 [email protected] [email protected] [email protected] www.albertopeola.com www.normamangione.com www.photoandcontemporary.com Perino & Vele Salvo A Drawing Room ‘O databàs Ventiquattr’ore di luce Group show Fino al 21 Dicembre 2019 Fino al 16 Novembre 2019 Fino al 21 Dicembre 2019 GAGLIARDI E DOMKE GALLERIA FRANCO NOERO RAFFAELLA DE CHIRICO ARTE Via Cervino n. 16, 10155 Torino Sede di Piazza Carignano n. 2, 10123 Torino CONTEMPORANEA Tel. +39 011 19700031 Tel. +39 011 882208 Via Giolitti n. 52 [email protected] [email protected] Via della Rocca n. 19 , 10123 Torino www.gagliardiedomke.com www.franconoero.com Tel +39 011 835357 Reale Virtuale Simon Starling Mohsen Baghernejad Group show AA’ - BB’ IN Fino al 10 Aprile 2020 15 Ottobre 2019 - 11 Gennaio 2020 Fino al 28 Dicembre 2019 GALLERIA FEBO E DAFNE * RICCARDO COSTANTINI Via Della Rocca n. 17, 10123 Torino Sede di Via Mottalciata n. 10/B, 10154 Torino Via Giolitti n. 51, 10123 Torino Tel. +39 331 3962965 Phillip Lai Tel. +39 011 8141099 [email protected] 29 Ottobre 2019 - 15 Febbraio 2020 [email protected] www.feboedafne.org Henrik Håkansson Gianni Colosimo Mice Jankulovski Blinded by the Light Ammutinamento Forms in Black 29 Ottobre 2019 - 2 Maggio 2020 Fino al 16 Novembre 2019 Fino al 30 Novembre 2019 INARCO GIORGIO PERSANO TUCCI RUSSO P.zza Vittorio Veneto n. -
Front - Peter Gabriel Live in London (2014) Per Il 25.Mo Anniversario Di So Peter Gabriel Recupera La Band Originaria E Riesegue L'album Dal Vivo
Back To Front - Peter Gabriel Live in London (2014) Per il 25.mo anniversario di So Peter Gabriel recupera la band originaria e riesegue l'album dal vivo. Un film di Hamish Hamilton con Peter Gabriel. Genere Musicale durata 97 minuti. Produzione Gran Bretagna 2014. Uscita nelle sale: lunedì 5 maggio 2014 Il film concerto-evento che racconta una delle tappe del Back to Front Tour è stato presentato in anteprima al Festival di Berlino 2014. Emanuele Sacchi - www.mymovies.it Per il venticinquesimo anniversario dall'uscita di "So" Peter Gabriel esegue nuovamente l'album, pietra angolare degli anni Ottanta e della contaminazione tra world music e pop-rock, di fronte al proprio pubblico. La cornice è quella di un nuovo tour, che nasconde un doppio intento: rilanciare ancora una volta Gabriel nei panni dell'innovatore e coinvolgere i suoi fan più affezionati in un viaggio nella nostalgia. Il re della tecnologia applicata allo spettacolo live, già pioniere del trasformismo nella messa in scena al tempo dei Genesis, si ripropone nel 2012 in una veste più austera e consapevole. Una figura quasi ieratica, solenne e vestita di nero come la sua band, che si muove all'interno di una scenografia essenziale, quasi spartana. Difficile stabilire un momento di empatia tra chi osserva il concerto, già ostacolato dall'impossibilità di esserci e quindi di catturare il momento, e i performer: una sensazione di straniamento ulteriormente aggravata dagli interventi introdotti dalla regia di Hamish Hamilton, che insiste nell'inframmezzare le esibizioni con le testimonianze di Gabriel o dei musicisti, poco più che autocelebrative. -
Back to Brussels in This Issue 2 EUCE Graduate Research Workshop: Training the Next Generation of EU Experts
the newsletter of the center for west european studies and the european union center of excellence Back to Brussels In This Issue 2 EUCE Graduate Research Workshop: Training the Next Generation of EU Experts 3 Faculty Interview with Associate Professor Glennys Young 4-5 Spain Takes Center Stage in Seattle 6 Student Profile: Christopher Cunningham Photo: The Berlaymont building in Brussels, headquarters of the European Commission. Participants in our summer programs in Brussels will visit major EU institutions in the EU 7 Teacher Workshop: capital. Photo courtesy of the European Commission. Europe & the Environment A large number of CWES and EUCE These major developments in Europe activities over the past six months form the backdrop of the EUCE’s two 8 CWES Sponsors Films at have focused on the new Treaty programs operating in Brussels this the Seattle International of Lisbon and its impact on EU summer. Twenty students from eight Film Festival (SIFF) policymaking and the future direction US universities are participating of European integration. The full in this year’s EU Studies Summer 10 Events Calendar effects of the Treaty of Lisbon will Program, while an additional three only be felt and appreciated over UW undergraduates and three Seattle time as implementation moves area teachers will be participating in forward and the EU adjusts to new the EU Visit Program taking place policies and procedures in a host of in late June. The former, now in its Newsletter Editors areas. Meanwhile, a new permanent fifth year and running for five weeks President of the European Council in July and August, is our largest Daniel Ammons and High Representative for Foreign Brussels program to date. -
19 February-20 March / [Marina Abramovi´C]. - Kitakyushu : CCC Kitakyushu
Abramovi´c, Marina Inbetween : 19 February-20 March / [Marina Abramovi´c]. - Kitakyushu : CCC Kitakyushu. Kyoto : Korinsha Press, 1998. - 1 v. : ill. ; 15x21 cm. Testi in inglese e in giapponese. - Nome dell'A. dalla cop. - In custodia. - Titolo parallelo in giapponese. Accame, Felice Parta labore / Felice Accame. - Roma : Lerici, 1969. - 1 v. ; 24 cm. - (Marcalibri ; 11). Accame, Vincenzo Differenze / Vincenzo Accame. - Milano : Tool, 1972. - 1 v. ; 17 cm. Ed. di 150 esempl. Accame, Vincenzo Varianti sopra un segno / Vincenzo Accame. - Napoli : Visual art center, 1975. - 1 v. ; 9 cm. - (Pattern / [Visual Art Center] ; 20). Edizione di 200 esempl. num. Accame, Vincenzo Récit / Vincenzo Accame. - Pollenza (MC) : La nuova foglio, c1976. - 1 v. ; 24 cm. - (Altro / [La Nuova Foglio Editrice]). Acconci, Vito Plot / Vito Acconci ; [traduzione italiana di Mario Diacono]. - [S.l.] : Tau/ma, 1994. - 41 p. : ill. ; 26 cm. Pubblicato in occasione della mostra tenuta a Milano, presso la galleria Alessandra Castelli, dal dicembre 1974 al gennaio 1975. - Nome del traduttore dalla 2. di cop. - Successivamente, nel 1976, compreso nella raccolta Tau/ma 2. Adilon, Lea Emmelie Lea Emmelie Adilon : 20 Mars 26 Avril 1997, Espace Valles, 38400 St. Martin d'Heres. - St. Martin d'Heres : Espace Valles, [1997]. - [16] p. : ill. ; 17x25 cm. Pubblicato come lavoro preparatorio alla pièce tenuta all'Espace Valles di St. Martin d'Heres, in occasione della mostra tenuta dal 20 marzo al 26 aprile 1997. Agnetti, Vincenzo Obsoleto : romanzo / di Vincenzo Agnetti. - Milano : All'insegna del pesce d'oro, 1968. - 177 p. ; 18 cm. - (Denarratori ; 1). Ed. di 1000 esempl. num. Agnetti, Vincenzo Ciclo stile 1 / [Vincenzo Agnetti]. -
19 & 20 Sept. 2020
heritage days 19 & 20 SEPT. 2020 urban.brussels new administration. new horizon. architecture and culture for the city. urbanism heritage urban renovation contemporary architecture urban.brussels (Brussels Urbanism & Heritage) is an administrative body in the Brussels Capital Region. It supports territorial development by implementing regional policies relating to urban development, cultural heritage and urban revitalisation. urban.brussels organises and coordinates a large number of public awareness campaigns concerning heritage and contemporary architecture. In addition, urban.brussels awards subsidies and grants for home renovation, facade embellishment and the restoration of heritage. urban.brussels also provides legal advice related, among other things, to the Brussels Land Management Code (CoBAT) and the Regional Urban Development Regulations (RRU). To accomplish this, urban.brussels offers a broad range of expertise, particularly in the fields of architecture, history, documentation and regulations, in order to optimise its response to citizens’ and users’ expectations. The Urbanism Directorate The Cultural Heritage Directorate The Urban Renovation Directorate The Knowledge & Communication Directorate The Legal Affairs Directorate The Staff & Organisation Directorate To carry out these tasks, urban.brussels urban.brussels tasks, these out carry To counts on a General Direction and six directorates: urban.brussels also hosts the secretariats of three independent bodies: the Royal Monuments and Sites Commission, the Urbanism College and the Environment College. urban.brussels mont des arts 10-13 1000 brussels +32 (0)2 432 83 00 [email protected] www.urban.brussels Legal deposit: D/2020/6860/009 heritage days / COLOR / 1 Over the years, the Heritage Days have become a highlight of the Brussels cultural events calendar, drawing thousands of visitors from Brussels, Wallonia, Flanders and further afield each September. -
Dossier De Presse
PRESS KIT Brussels, 17th April 2013 Fête de l'Iris 2013 “See you on 4th and 5th May next for the Fête de l’Iris ! This key occasion in Brussels life reminds us how proud we can be of our identity and reveals the wonderful treasures and joie de vivre of our Region. » Charles Picqué Minister-President of the Government of the Brussels-Capital Region The Brussels-Capital Region celebrates Europe and unveils a new image to the general public On 4th and 5th May 2013, the Brussels-Capital Region celebrates its 24 summers. The perfect opportunity to reaffirm its identity, hopes and ambitions. This key occasion in Brussels life reminds the people of Brussels how proud they can be of belonging here and shows visitors the wonderful treasures and joie de vivre of our Region. « be.brussels » The new «be.brussels» brand, chosen by the Region for its communication purposes, emphasises the role of the federal capital of the Brussels Region by adding the «be» of Belgium, thus symbolising the coming- together, coexistence and ongoing cooperation of the three national communities throughout the region. But «be» also reminds us of the opening-up of Brussels onto Europe and the rest of the world. From summer 2014, this new brand will also become the Internet address of the Region. Therefore, the Web extension «.brussels» will, gradually, towards the middle of next year, replace «.be» for all the key regional players as well as for all those who, whether business enterprises or individuals, wish to associate their name with that of their region. -
Scarica Catalogo
— 1— — gran torino 2 — — gran torino the crossroads of the italian contemporary — art scene — — — — 3 — Gran Torino the crossroads of the Italian Contemporary Art scene At The Patricia and Phillip Frost Art Museum Miami, Florida, US 25 January – 18 April 2011 Event organized by Acknowledgements Neks Associazione per l’arte e lo spettaecolo All exhibiting artists Galleria Biasutti & Biasutti Supported by Galleria Gianpiero Biasutti — Fondazione CRT per l’Arte Galleria Bottello Fondazione CRT Galleria Guido Costa Project Bene Banca Galleria GAS Fedrigoni Galleria In Arco The Light of Creativity Galleria Alberto Peola The Patricia and Phillip Frost Art Museum Galleria Giorgio Persano Galleria Ermanno Tedeschi Under the patronage of Galleria Sperone Westwater Comitato Italia 150 Roberto Balocco Exhibition curated by Massimo Beretta Liverani Paolo Facelli Stefano Caroni Francesco Poli Carol Damian Jessica Delgado Contributing critic Finpat Spa Alessandro Demma Mary Alice Manella Antonio Minniti International Arts Consultant and Editor Roberto Necco CHI Linda Powers Klaudio Rodriguez Coordination Roberto Rossetti Valentina Guadalupi Gianmatteo Rubiolo Elena Sanfilippo Installation Laura Sanfilippo Alessandro Demma Maria Luisa Sanfilippo Paolo Facelli Catalogue by Alessandro Demma, Paolo Facelli Francesco Poli English translation Daniel Monti Studio Melchior Graphic design Elyron.it Printed by Tipografia e Grafiche Ghiani, Cagliari On Fedrigoni Special Papers cover: X-PER PW - 320 gsm text: Symbol Tatami Ivory - 135 gsm X-PER PW - 140 gsm Special -
Esperienza Lavorativa Restauratrice Abilitata All'esercizio Della Sandra Vazquez Perez Professione Di Restauratore Di Beni Culturali (Ex Art
F ORMATO EUROPEO PER IL CURRICULUM VITAE INFORMAZIONI PERSONALI Nome vazquez perez, sandra Indirizzo PIAZZA DELL’ANNUNZIATA, 8 10078 VENARIA REALEA TORINO ITALIA Telefono + 39 320 23 73 159 E-mail [email protected] /[email protected] Nazionalità Spagnola (Vigo) Data di nascita 20/05/75 ESPERIENZA LAVORATIVA RESTAURATRICE ABILITATA ALL'ESERCIZIO DELLA SANDRA VAZQUEZ PEREZ PROFESSIONE DI RESTAURATORE DI BENI CULTURALI (EX ART. 182 DLGS 42/2004). • Date (da – a) Dal 1 Marzo 2007 TUTTORA IN CORSO. • Nome e indirizzo del datore CENTRO CONSERVAZIONE E RESTAURO “LA VENARIA REALE” di lavoro Via XX Settembre 18 10078 VENARIA REALE (TO) Fondazione Centro per Conservazione e Restauro di Beni Culturali • Tipo di azienda o settore Fondazione Culturale • Tipo di impiego Restauratore II^ FASCIA (IV° livello) Dipendente a tempo indeterminato presso i laboratori di restauro Arte Moderna e Contemporanea e Tele-Tavole. I laboratori seguono un iter consolidato che ha inizio con le indagine scientifiche non invasive e prosegue con i test per la pulitura, il consolidamento, il restauro conservativo o integrativo dell’opera e che si conclude con la redazione di un rapporto, la documentazione fotografica, e con lo sviluppo di sistemi di allestimento, manutenzione programmata e di conservazione preventiva quando richiesti. I laboratori si occupano inoltre della stesura di condition report nel caso di partecipazione a esposizioni temporanee e trasporto. • Principali mansioni e - COORDINATRICE DEL LABORATORIO DI RESTAURO ARTE responsabilità MODERNA E CONTEMPORANEA (luglio 2013 - luglio 2018). Restauratore professionista specializzato in attività di conservazione e restauro dei beni culturali presso il Laboratorio di Restauro di Tele e tavole con specifiche competenze nel settore dell’arte contemporanea: - Collaborazione nella conservazione e il restauro di “ROMA( IL MURO)”, CY TWOMBLY (Olio, smalte e carboncino,1961).