Memo to the Planning Commission DIRECTOR’S REPORT: JANUARY 12, 2017

Date: January 5, 2017 Case No.: 2008.1084EHKXRTZ Project Address: 706 Mission Street Zoning: C-3-R (Downtown Retail) 400-I Height and Bulk District Block/Lot: 3706/093, 275, portions of 277

Project Sponsor: 706 Mission Street, LLC Mark Farrar c/o Millenium Partners 735 Market Street, 4th Floor San Francisco, CA 94107 Staff Contact: Marcelle Boudreaux – (415) 575-9140 [email protected] Recommendation: Informational Only

BACKGROUND On April 3, 2013, the Historic Preservation Commission approved a Major Permit to Alter for the Aronson Building; on May 7, 2013, the Board of Supervisors voted to affirm the Planning Commission’s certification of the EIR; and on May 23, 2013, the Planning Commission approved Case No. 2008.1084EHKXRTZ for a project to rehabilitate the existing 10-story historic Aronson Building at 706 Mission, and allow construction of a new, adjacent 43-story mixed-use tower, with residential units, ground floor retail and The Mexican Museum proposed on floors 2-4. The site is located on the corner of Mission and 3rd Streets in the Financial District neighborhood and within the Downtown Plan area. The project includes approximately 568,622 gross square feet of space, excluding the museum and other spaces, comprised of approximately 4,800 square feet of commercial space and up to 190 residential units between the two interconnected buildings. In addition, the museum space - to house The Mexican Museum - measures approximately 52,000 square feet. The project also proposes reconfiguring portions of the Jessie Street Garage to increase parking from 442 spaces to up to 470 spaces, allocate up to 190 parking spaces to the residential use, add loading and service vehicle spaces, and add approximately 60 bicycle parking spaces in a secure room.

Pursuant to Planning Code Section 429, the Project required a public art component valued at an amount equal to one percent (1%) of the hard construction costs for the Project as determined by the Director of the Department of Building Inspection. The Project Sponsor has commissioned an artist to provide on-site public art to satisfy this requirement.

CURRENT PROPOSAL The artist selected for the public art installation at the 706 Mission project is Jan Hendrix. As discussed in his biography (attached), Mr. Hendrix is a City-based artist. In the last twenty-five years Hendrix

www.sfplanning.org Memo to Planning Commission CASE NO. 2008.1084EHKXRTZ Hearing Date: January 12, 2017 706 Mission Street

has had individual exhibitions in the Bonnefanten Museum (), the Museum of Modern Art (), the Imperial Archives of the Forbidden City (Beijing), the Tropenmuseum (), the Museum of Contemporary Art (), the Irish Museum of Modern Art (Dublin) and the Royal San Fernando Academy (Madrid). He has also participated in extensive group exhibitions and has had works acquired by many private and public collections worldwide.

As it relates to this project, the Sponsor in collaboration with the artist and The Mexican Museum have chosen the south-, west- and north-facing exterior walls from floors two through four on the new tower as the location for the proposed art wall. The proposed art wall is a metal structure executed into a folded pattern, with the artwork of Mr. Hendrix custom cut into the metal sheets. This art system will be set approximately 18 inches proud of the face of the glazed curtain wall enclosing the new tower.

Pursuant to Planning Code Section 429.3(b), the Project Sponsor shall dedicate and expend the amount equal to one percent of the construction cost on public art. The recorded construction cost of the development is $210,000,000; therefore the cost of the art must exceed 1% of these costs, or $2,100,000. The cost of the proposed artwork is estimated to range from $3,090,500 - $3,801,000, which fulfills the 1% requirement. The project is also compliant with the requirements in Planning Code Section 429.4 in that the proposed three-story metal art wall is clearly visible from two public rights of way (Mission Street and Jessie Plaza) and from the publicly-accessible walkway adjacent to the Westin Hotel (north elevation). In addition, the metal art wall is separate from the building’s curtain wall system and is not considered an architectural feature of the building.

REQUIRED COMMISSION ACTION This item is being presented by the project sponsor for informational purposes only. No formal action by the Planning Commission is required.

RECOMMENDATION: Informational Only

Attachments: Selected sheets from Sponsor submittal (edited by Planning) 706 Mission Art Estimated Costs Artist Biography and Work Samples (Jan Hendrix) Public Art Description Public Art Graphics

2 MARKET STREET THIRD STREET FOURTH STREET FOURTH

LEGEND MISSION STREET

VEHICULAR

TRANSIT LINES

TRANSIT STOP

T 706 M PROJECT SITE ACCESS - VEHICULAR CIRCULATION MILLENNIUM PARTNERS | MISSION M 16 EXISTINGEXISTING WEWESTINSTIN PLAZAPLAZA

THE MEXICAN MUSEUM LOBBY THIRD STREET THIRD STREET

COMMERCIAL (RETAIL/RESTAURANT)

LEGEND

THE MEXICAN NEW WHITE ZONE DROP-OFF/PICK-UP MUSEUM

RESIDENTIAL LOBBY EXTENDED DROP-OFF/PICK-UP COMMERCIAL (RETAIL/RESTAURANT)

VEHICULAR CIRCULATION & PICK-UP/DROP-OFF

T 706 M PEDESTRIAN ENTRIES MILLENNIUM PARTNERS | MISSION M 18 550’ TOP OF SCREEN WALL

520’ ROOF 1 FLOOR @ 2 DUPLEX UNITS (2-LEVELS) 510’ TOP OF SCREEN WALL

480’ ROOF 43 1 FLOOR @ 2 DUPLEX UNITS (2-LEVELS) 42 5 FLOORS @ 2 UNITS 41 40 39 38 5 FLOORS @ 2 UNITS 37

159’ 159’ SOLARIUM ROOF SOLARIUM ROOF

UP TO 28 FLOORS @ 4 UNITS AMENITY 144’ UP TO 24 FLOORS @ 4 UNITS AMENITY 144’ ARONSON ROOF ARONSON ROOF

FLEX RESIDENTIAL 8 PODIUM FLOORS @ UP TO 8 UNITS RESIDENTIAL 8 PODIUM FLOORS @ UP TO 5 UNITS RESIDENTIAL RESIDENTIAL/OFFICE UP TO 42 UNITS

56’-2” 56’-2” T.O. MUSEUM SCREEN MECH T.O. MUSEUM SCREEN MECH THE MEXICAN MUSEUM THE MEXICAN MUSEUM

RETAIL RETAIL

BMEZZ BMEZZ B1 B1 B1 B1 B2 B2 B3 B3

ORIGINAL PROJECT - 520’ TOWER MODIFIED PROJECT - 480’ TOWER

T 706 M CONCEPTUAL BUILDING SECTIONS MILLENNIUM PARTNERS | MISSION M 95 ROOF/MECH. LEVEL 510’

480’ ROOF/MECH. LEVEL

ORIGINAL PROJECT - 520’ TOWER MODIFIED PROJECT - 480’ TOWER

T 706 M CONCEPTUAL BUILDING ELEVATIONS MILLENNIUM PARTNERS | MISSION M 96 ROOF/MECH. LEVEL 510’

480’ ROOF/MECH. LEVEL

ORIGINAL PROJECT - 520’ TOWER MODIFIED PROJECT - 480’ TOWER

T 706 M CONCEPTUAL BUILDING ELEVATIONS MILLENNIUM PARTNERS | MISSION M 97 ROOF/MECH. LEVEL 510’

480’ ROOF/MECH. LEVEL

ORIGINAL PROJECT - 520’ TOWER MODIFIED PROJECT - 480’ TOWER

T 706 M CONCEPTUAL BUILDING ELEVATIONS MILLENNIUM PARTNERS | MISSION M 98 520’ ROOF/MECH. LEVEL 510’

480’ ROOF/MECH. LEVEL

ORIGINAL PROJECT - 520’ TOWER MODIFIED PROJECT - 480’ TOWER

T 706 M CONCEPTUAL BUILDING ELEVATIONS MILLENNIUM PARTNERS | MISSION M 99 ORIGINAL PROJECT - 520’ TOWER MODIFIED PROJECT - 480’ TOWER T 706 M CONCEPTUAL RENDERINGS MILLENNIUM PARTNERS | MISSION M 100 706 Mission Street, Public Art requirement estimated budget THE MEXICAN MUSEUM

PUBLIC ART COMPONENT PLANNING COMMISSION REVIEW- DRAFT JANUARY 12th, 2017

THE MEXICAN MUSEUM & MILLENIUM PARTNERS

JAN HENDRIX | HENDRIX + STUDIO, Artist Zahner - Design & Fabrication, Art Fabricator & Art Engineering

ENRIQUE NORTEN | TEN ARQUITECTOS, Museum Lead Designer

A+D, Architecture + Design / Pfau Long Architecture, JV; Museum Executive Architect

THETHTHEHE MEXICANMEMEXICXXIICANAN MUSEUMMUSMMUUSU EUMEEUM *85B59>F97?B1D9?>?689CG?B;11<B51D?BC)ICD5=%$9>#5H93?1>?B71>9J1D9?>D81D 13DC1C12B9475D?6139<9D1D59>D5B13D9?>G9D8I?E>75B75>5B1D9?>C?61BD9CDC1>4G8938 $$( . 81CB5CE=EDE1<79>D5B13D9?>C ,(#$*) 5>4B9H81CF1CD5H8929D9?>5H@5B95>359>71<<5B95C1>4=EC5E=C5H8929D9>7?> 1F5B175D8B55D?6?EBD9=5C@5BI51B =?>789C31B55B8978<978DC9>3D9>E54 @1BD939@1D9?>G9D8D85<5=5>D1<<5BI9>=CD5B41=1>489C31B55B9>#5H93?G85B5 >  G89<5?>1DB9@D?!5>I1D859>D5>C9DI?6D855AE1D?B91<<978D<545>4B9HD? 85G1C69BCDB5@B5C5>D542I1<5BU1&?>351>41<5BU145BD5?>D5=@?BP>5?2?D8 5H@5B9=5>DG9D8D855<9=9>1D9?>?63?4D85EC5?689783?>DB1CD=1B;C1C >?G3DD542ID851<5BU145BD5#5H931>?1>42I =9>9=1<3?=@?C9D9?>1<5<5=5>DCD?3?>CDBE3D<1>4C31@5C 5B54B1G9>713AE9B54 "11:1$57B19>#14B94  5F5>7B51D5B9=@?BD1>359>89CG?B;1CD854B1G9>7C85@B?4E354G5B5DB1>C65BB54 ?>D?1B1>75?6F5BI49665B5>D=1D5B91769>9C854@9535CG5B53?=@9<54 >D85<1CDDG5>DI69F5I51BC5>4B9H81C8149>49F94E1<5H8929D9?>C9>D85?>>561>D5> 9>D?131D1BD#5H93?9DID85 =@5B91<B389F5C ?6D85?B29445>9DI59:9>7D85*B?@5>=EC5E==CD5B41=D85#EC5E=?6 >  5>4B9H<1E>38549DP3?B11>5F?75H8929D9?>D81DG?E<47B?G1CD85 ?>D5=@?B1BIBD%1H131D85 B9C8#EC5E=?6#?45B>BDE2<9>1>4D85(?I1< G?B;G1C@B?4E354 *?B51<9J5D85@B?:53D5>4B9HDB1F5<54D?89>1ECDB1<91 )1>5B>1>4?3145=I#14B94 581C15HD5>C9F57B?E@ >4?>5C91 B1>*EB;5I5B=1>I?<<1>4 B5<1>41>4#5H93?%1H131 *?G1B4 5H8929D9?>C1>481C814G?B;C13AE9B542I=1>I@B9F1D51>4@E2<933?<<53D9?>C D852579>>9>7?6D85:?EB>5IG89<59>ECDB1<91854539454D?2579>)3B9@D1 G?B<4G945 3?=@5>49E=?689CDB1F5<>?D5C=51>DD?C1657E1B489C=5=?B95C?6D85:?EB>5I EBB5>D4B9H9CG?B;9>7?>1C5B95C?61B389D53DEB1<3?<<12?B1D9?>CD81D3?>D9>E5 5>4B9HC@B13D93513CG9D8F1B9?ECGB9D5BCD? 89CB5C51B389>D?6B13D1<3?=@?C9D9?>C1>49>3?B@?B1D59451C?61B389D53DEB1<C@135 @B?4E351BD9CD2??;549D9?>CD81D81F5255>=5D93E4B9HC ?B979>1<G?B; &1CD@B?:53DC81F59>3CG9D812B95<1B3U1 9>D859B45C97> *8569BCD?6D85C5G?B;CG1C3?=@<5D546?BD85?D5<129D19> #PBAE5J)51=EC51>5I1>45BD)3895B255;1=?>7CD?D85BC 3?<<12?B1D9?>G9D85B>1B4?W=5J&9=95>D11>4>B9AE5$?BD5> )9>35D85>8581C @B?4E3541C5B95C?6G?B;C9>37613145?6D85#5DB?@?<9D1>+>9F5BC9DIC > 5>4B9H49C3?F5B54D855H9CD5>35?61G?B<4G945CICD5=?61BD9CDB5C945>395C JD1@1<1@131=@ECG9D8<25BD?1B3U1"1C3EB19>613145?6D855>DB?459C5V? 1>4G1C6?BDE>1D5D?DB1F5<D?5<<179?G9D8D85CE@@?BD?61(?3;565<<5B?E>41D9?> 9>5I*5<5F9C9W>CG9D8)14B?5B>P>45J1>4 E1>1BD *85B58549C3?F5B5416?B=E<12IG893885G?E<41>>E1<D8 1>4D85359<9>7?6D855>DB?E4?45EW=931G9D8*5?4?B? 9>9C?<1D9?>D?@<1>89C@B13D9356?BD85B5CD?6D85I51B  ?>JP<5J45"5W>3?EBDI1B49>4E31D9?>9DI?81'1D1B(931B4?"57?BB5D1  35>DB1<3E25#EC5?45#5=?B91I*?<5B1>391#5H93?9DIB49DD935>DB1<CD19B31C5 +>9F5BC94145>DB?>B9AE5$?BD5>  

THE MEXICAN MUSEUM .2016 Curator, Capítulo 0, a selection of works on paper of a new generation of artists, Galeria de Arte Mexicano, Mexico City.

2011-2012 Research on Joseph Banks herbarium at the Natural History Museum and production residence at the Bundanon Trust, Australia.

2008 International Award for Innovation in Graphic Arts in 2008 organized by the National Print Cabinet of the Real Academia de Bellas Artes de San Fernando in Madrid, Spain. Residence at the Huntington Library, Art Collections and Botanical Gardens, Pasadena, CA. 1>5>4B9H Master Class en Art Center College of Design, Pasadena, CA.    2006 Curator, Alarca, 54 artistas contemporáneos. Talavera de la Reyna, , Mexico; Museo Nacional de Bellas Artes de Beijing (NAMOC), Beijing, China. ?B>9>#11C2B55?<<1>4?> E4D85 1>,1>I3;;145=959>#11CDB938D Residence at the César Manrique Foundation Lanzarote, Spain. *85$5D85B<1>4C "9F5C1>4G?B;C9>#5H93?C9>35  2004/2007 >D85C5F5>D95C85C@5>D7@5B9?4C9>B1>35&?BDE71<$?BG1I 35<1>41>4 Member of the Sistema Nacional de Creadores de Arte, FONCA, CONACULTA, Mexico. #5H93? 2004 Vivir para contarla, artist’s book, text by Gabriel García Márquez and screenprints by Jan Hendrix. (5C51B38DB9@C1>4B5C945>395CD?!5>I1  7I@D  89>1 ECDB1<91 XL, worshop, Centro Cultural Tijuana, Tijuana, Mexico.     I *EB;5I  B5<1>4 )5B291 1>1BI 2001/2003 C<1>4C  Residence at the Bundanon Trust, Australia.

1999 581C255>F9C9D9>7@B?65CC?B1DD85;145=95F??B!E>CD1>4 >4ECDB959>>C38545 The Light of the Leaves, artist’s book, poems by Seaumus Heaney and screenprints by Jan Hendrix. *85$5D85B<1>4C 5>D5B6?B(5C51B381>4,9CE1<H@5B9=5>D1D9?>9>#5H93? Residence at Villa Serbelloni, Rockefeller Foundation, Bellagio, Italy. #5H93?9DI   1>,1>I3;;145=95 1>4 5>DB?45<1CBD5C45 1998 )1>7ECDU>%1H131#5H93? 1>4   Monumental screenprinting workshop, Centro Nacional de las Artes, CNCA,Mexico City, Mexico.

1997 > 85B5359F54D85%B45B?6D85JD5317<51G1B4#5H93? Scenography for Keisho/Maquillaje, Mexico City, Mexico.  1994 Graphic design Project, Museo de Sitio de Monte Albán, Oaxaca, Mexico.  1993/1999 Member of the Sistema Nacional de Creadores de Arte, FONCA, CONACULTA, Mexico.

1993 Production of the exhibition México, Un Libro Abierto, Bogotá, Colombia.

1992 Production of the exhibition México, Un Libro Abierto, Fráncfort, Germany. The Golden Bough, artist’s book, poems by Seaumus Heaney and screenprints by Jan Hendrix.

1990-1991 Scenographies for La Compañía Nacional de Teatro de México, Mexico. Exhibition tour in Africa, Secretaría de Relaciones Exteriores, Mexico.

1976 Stipendum del Ministerio de Cultura en Holanda.

THE MEXICAN MUSEUM SOLO EXHIBITIONS 2000 Work in Focus, Irish Museum of Modern Art, Dublín, Ireland. 2015 Obra Reciente, Galería de Arte Mexicano, Mexico City, Mexico. The We of Me, Galería de Arte Mexicano, Mexico City, Mexico. 1999 Wolftree, Instituto de México, Madrid, Spain. The light of the leaves, Cúirt International Festival of Literature, Galway Art Center, Galway, Ireland. Trabajo de Campo. Jan Hendrix, Colección Pago en Especie y Acervo Patrimonial de la SHCP, Casa Redonda Museo Chihua- Script, Instituto de México en España, Madrid, Spain; La Caja Negra, Madrid, Spain. huense Trabajo de Campo, Galería de la Secretaría de Hacienda, SHCP, Mexico City, Mexico. de Arte Contemporáneo, Chihuahua, Mexico. 1998 2014 Hortus, Jardín Botánico, Fráncfort, Germany. Drawing the distance, Galería Gráfica La Caja Negra, Madrid, Spain. 1996 2013 Proyecto Bitácora en: Galería Wan Fung, Archivos Imperiales de la Ciudad Prohibida, Beijing, China; Museo Zhu Qi-Zhan, Kunstkammer, Galería de Arte Mexicano, Mexico City, Mexico. Shanghai, China; Erasmushuis, Djakarta, Indonesia; UTS Gallery, Sidney, Australia (1996); Tropenmuseum, Amsterdam, The Trabajo de Campo. Jan Hendrix, Colección Pago en Especie y Acervo Patrimonial de la SHCP, Sala Conrath de la Alcadía de (1997); Museo de Pintura y Escultura de Ankara, Turkey (1998); Centro de la Imagen, CNCA, Mexico City, Mexico; Estrasburgo, France; Espacio Cultural de la Embajada de México en Alemania, Berlín, Germany; Centro de Arte K2, Esmirna, Museo de Arte Contemporáneo de Oaxaca, Oaxaca, Mexico; Galería de Arte Contemporáneo y Diseño, Puebla, Mexico (2000); Turkey. Galería Progress, Belgrado, Yugoslavia; Casa de América Latina, Bucarest, Romania (2001); APA, Budapest, Hungary (2002). 2012 1993 Wolf-Tree/Abre-Loup, Cillart, Houssine, Le Mesle, France. Galería de Arte Contemporáneo, Mexico City, Mexico. El marco natural, Fundación Cerezales Antonino y Cinia, León, Spain. 1990 Trabajo de Campo. Jan Hendrix, Centre Culturel du Mexique, París, France. 2011 Habitat, Nairobi, Kenya. 10 Vistas, Centro de las Artes de San Agustín, Oaxaca, Mexico. 1986 2010 Museum Van Bommel Van Dam, Venlo, The Netherlands. Work done II, Galería de Arte Mexicano, Mexico City, Mexico. Museo de Arte Moderno, Mexico City, Mexico. Work done I, Galería La Caja Negra, Madrid, Spain. 1982 Premio Nacional de Gráfica Calcografía Nacional, Real Academia de Bellas Artes de San Fernando, Madrid, Spain. Consejo Mexicano de la Fotografía, Mexico City, Mexico. 15 vistas, Centro Cultural Clavijero, Morelia, Mexico. 1981 2009 Bonnefantenmuseum, Maastricht, The Netherlands. Estación Norte, Centro Cultural Cajastur Palacio Revillagigedo, Gijón, Asturias, Spain. 1980 2008 En la Galería de Arte Mexicano, Mexico City, Mexico (1980, 1983, 1988, 2000, 2003). Malpaís, Fundación César Manrique, Lanzarote España. 1978 Rojo, , Toluca, Mexico. Galería Ponce, Mexico City, Mexico. ARCA: Los papeles del mundo, Centro de las Artes de San Agustín (CASA), Oaxaca, Mexico. In collaboration with Trine Ellits- 1975/1977 gaard. En Printshop, Galerie Clement, Amsterdam, The Netherlands (1978, 1981, 1983,1986, 1987, 1988, 1989, 1995, 2002). 2007 En Agora Studio, Maastricht, The Netherlands (1975, 1976, 1977). La Piel de la tierra, Galería Arroniz Arte Contemporáneo, Mexico City, Mexico. Eclipse, Galería La Caja Negra, Madrid, Spain. Selected Group Exhibitions Storyboard, Instituto Cultural Cabañas, , México. 2014 Sistema Natura, Centro Cultural “Caja Murcia” dentro del Festival La Mar de Músicas, Cartagena, Spain. La distancia más larga entre dos puntos, Proyecto Paralelo, Mexico City, Mexico. Storyboard, Museo Amparo, Puebla, Mexico. Horizontes, Museo de la Cancillería, Mexico City, Mexico. Jan Hendrix, Galería Ramis Barquet, Monterrey, Mexico. 2013 2006 Arquitectura en México 1900-2010, Palacio de Cultura Banamex, Mexico City, Mexico. Storyboard, Museo de Arte Contemporáneo de Monterrey, Monterrey, México. Naturaleza fragmentada. Artistas contemporáneos en la colección de la Secretaría de Relaciones Exteriores, Museo de la Can- Cobá y otros parajes, Colección de la SHCP, Universidad Autónoma de Saltillo, Saltillo, Mexico. cillería, Cobá y otros parajes, Colección de la SHCP, Galería Principal de la Escuela de las Artes, Escuela de Artes, Toluca, Mexico. Mexico City, Mexico. Beneath the Surface, Anne Reed Gallery, Ketchum, Idaho, USA. 2011 Signos de Origen, Centro de Diseño, Cine y Televisión, Mexico City, Mexico. Beyond the Labyrinth: Latin American Art and the FEMSA Collection, Mexican Cultural Institute, Washington D.C., USA. 2005 Paisajes Insólitos, Centro Universitario Caja Real, San Luis Potosí, Mexico. Buscando el Espacio, Museo de Arte Contemporáneo Ateneo de Yucatán (MACAY), Mérida, Mexico. ARTE-SANO ÷ Artistas, Centro de las Artes de San Agustín, Oaxaca, Mexico. After Nature, Galería Rafael Ortiz, Sevilla, Spain. 2009 Botánica, junto con el artista Miguel Ángel Blanco, Calcografía Nacional de España, Madrid, Spain. Artists/Heaney/Books: An Exhibition, Irish Museum of Modern Art, Dublín, Ireland. After Nature, Galería La Caja Negra, Madrid, Spain. ARTE-SANO ÷ Artistas, , Mexico City, Mexico. 2004 Miami Design 2009, Miami, USA. XXL XXS, Kunsthaus Santa Fe, San Miguel de Allende, Mexico. 2007 Botánica, junto con Miguel Ángel Blanco, Museo de Arte de Querétaro, Querétaro, Mexico. Jan Hendrix, Florance Ohana. Cillart, Houssine, Le Mesle, France. Botánica, junto con el artista Miguel Ángel Blanco, Centro Cultural Tijuana, Tijuana, Mexico. La Era de la Discrepancia. Arte y Cultura Visual en México 1968-1997, Museo Universitario de Ciencias y Arte (MUCA C.U.), 2003 UNAM, Mexico City, Mexico. Botánica, junto con el artista Miguel Ángel Blanco, Museo Nacional de la Estampa, Mexico City, Mexico. 2005 Diario de Fatigas, Galería de Arte Mexicano Mexico City, Mexico. Advento, cien objetos de design, Museo Nacional Universitario de Seúl, Korea. 2001 The London Original Print Fair, Royal Academy of Arts, Burlington Gardens, London, England. Script, Casa de las Américas, La Habana, Cuba. MACO 2005 México Arte Contemporáneo, Mexico City, Mexico. THE MEXICAN MUSEUM EXPO AICHI 2005, Toyota, Japan. 1991 El mito de dos volcanes: Popocatépetl e Iztaccihuatl, Museo del , Mexico City, Mexico. Escenarios Rituales, Centro de Fotografía, Tenerife, Islas Canarias, Spain. ARCO 2005, Madrid, Spain. 1990 Mexican Report: Contemporary Art from Mexico, Meridian International Center, The Cultural Institute of Mexico, Curator’s Office Collage del siglo XX, Centro Cultural Arte Contemporáneo, Mexico City, Mexico. Gallery, NW, Washington, D.C., USA. 1989 2004 En tiempos de la postmodernidad, Museo de Arte Moderno, Mexico City, Mexico. Archipiélagos Gráficos, Galería Manuel Felguérez, Universidad Autónoma Metropolitana, Mexico City, Mexico. Memorias del Tiempo, Museo de Arte Moderno Mexico City, Mexico. Arte Lisboa 2004 Feria de Arte Contemporáneo, Lisbon, Portugal. 1988 ESTAMPA 2004 Salón Internacional del Grabado y Edición de Arte Contemporáneo, Madrid, Spain. Gráfica Mexicana Contemporánea, Museo Nacional, Palacio de Bellas Artes, Mexico City, Mexico. Feria de Arte Contemporáneo, Cáceres, Spain. Gravura Mexicana Contemporánea, Fundação Calouste Gulbelkian, Lisbon, Portugal. Feria de Arte Contemporáneo, Santander, Spian. 1986 MACO 2004 México Arte Contemporáneo, Mexico City, Mexico. Segunda Bienal de la Habana, La Habana, Cuba. Mexican Report: Contemporary Art from Mexico, Blue Star Contemporary Art Center, San Antonio, Texas, USA. 1985 2003 Cuatro Extranjeros en México, Galería OMR, Mexico City, Mexico. A dog, Baltic, Newcastle, England. Imágenes en Cajas, Museo Rufino Tamayo, Mexico City, Mexico. Grafos y señales, Museo Nacional de la Estampa, Mexico City, Mexico. El Arte Narrativo, P.S.1., New York, USA. 2002 1984 ARCO 2002, Madrid, Spain. El Arte Narrativo, Museo Rufino Tamayo, Mexico City, Mexico. Advento, cien objetos de design: Design Forum, Helsinki, Finland. 1983 2001 Propuestas Temáticas, Museo Carrillo Gil, Mexico City, Mexico. Advento, cien objetos de design, Feria MIA, Monza, Italia y Museo dell’ Arredo Contemporáneo, Ravena, Italy. Artist Books, Franklin Furnace, New York, USA. Homenaje a Gunther Gerzo, Galería López Quiroga, Mexico City, Mexico. 1982 Zeitgen össische Kunst aus Mexico Arte Contemporáneo de México, Embajada de México en Alemania, Berlín, Germany. Seventh British International Print Biennal, Bradford, England. 2000 Artist Books, Institute for InterAmerican Relations, New York, USA. ArtChicago, Chicago, USA. Sección Bienal de Fotografía, Salón Nacional de Artes Plásticas, Mexico City, Mexico. Una constelación de noches, Galería López Quiroga, Mexico City, Mexico. 1981 Apuntes para una colección del siglo XX, Museo de Arte Moderno, Mexico City, Mexico; Museum Ludwig, Budapest, Hungary 14 Graficni Bienale, Moderna Galerija, Ljubljana, Slovenia. 1999 Sección Bienal de Gráfica, Salón Nacional de Artes Plásticas, Mexico City, Mexico. El arte de los libros de artista, Biblioteca Nacional de México, Mexico City, Mexico. XVI Bienal de São Paulo, São Paulo, Brasil. ESTAMPA, Madrid, Spain. 2nd Biennial of European Graphic Art, Baden- Baden, Germany. México eterno, Palacio de Bellas Artes, Mexico City, Mexico. 1998 SAGA, París, France. ESTAMPA, Madrid, Spain. El arte de los libros de artista, Instituto de Artes Gráficas de Oaxaca, Oaxaca, Mexico. Cinco continentes y una ciudad, Museo de la Ciudad, Mexico City, Mexico. 1997 Siglo de Plata, exposición itinerante por la República Mexicana, Mexico. 1996 Metáforas, Museo de Monterrey, Monterrey, Mexico. 1995 Trazaduras, exposición itinerante por la República Mexicana, Mexico. SAGA, París, France. Salón de Estandartes, Centro Cultural Tijuana, Baja California, Mexico. 1994 Sujeto-Objeto, Museo de Monterrey, Monterrey, Mexico. A shadow born of earth, Museo de Arte Fred Jones, University of Oklahoma, USA; Joselyn Museum of Art, Omaha; Western Gal- lery, Western Washington University, Bellingham, USA. 1993 A shadow born of earth, San José Museum of Art, San José, y Lawndale Art and Performance Center, Houston, Texas, USA. Escenarios Rituales, Festival iberoamericano de Fotografía, Huelva, y Sala de Exposiciones, Universidad de Salamanca, Sala- manca, Spain. Photographie Mexico 1920/1992 Europalia 93 Mexico, de Markten, Brussels, Belgium. Sujeto-objeto, Festival Cervantino, Guanajuato, Mexico. 1992 Memorias del Tiempo, Musée de l’Elysée, Lausanne, Switzerland; Tropenmuseum, Amsterdam, The Netherlands. Escenarios Rituales, Musée de l’Elysée, Lausanne, Switzerland. Instituto de México en España, Madrid, Spain. THE MEXICAN MUSEUM SELECTED COLLABORATIVE PROJECTS WITH ARCHITECTS SELECTED COLLECTIONS

2015 Instituto Nacional de Bellas Artes, Mexico City, Mexico. Main staircase and esplanade, Centro de Diseño, Cine y Televisión, CENTRO Constituyentes 455, Mexico City, Mexico. In collabo- ration Consejo Nacional para la Cultura y las Artes, Mexico City, Mexico. with Uzyel Karp. Patio de las Jacarandas, Plaza de la Convención, Aguascalientes, Mexico. Secretaría de Hacienda, Mexico City, Mexico. 2013 Sculpture, Trupper, Parque Industrial, Jilotepec, Mexico. Ambiente Arquitectos. Secretaría de Relaciones Exteriores, Mexico City, Mexico. The White Sea, Africa House, London, England. Arch. Michael Ashenheim. 2012 Secretaría de Relaciones Exteriores de Holanda, The Hague, The Netherlands. Preambulo, Museo INAH Cancún, Mexico. Arch. Alberto García Lascuráin. Swimming pool, Malinalco, Mexico. Arch. Mateo Holmes. Colección Hiscox, London, England. Proa, Ciudad de los Libros, La Ciudadela, Mexico City, Mexico. Taller 6A (Bernardo Gómez Pimienta + Alejandro Sánchez). 2010 Institución Ferial de Extremadura (FEVAL), Junta de Extremadura, Spain. Lamento, Museo de Memoria y Tolerancia, Mexico City, Mexico. Arditti + RDT Arquitectos. 2009 Aeropuertos España, Spain. Homenaje a Ángeles, Zócalo, Puebla, Mexico. Helix, Seguros Santa Lucia, Madrid, España. Arch. Ignacio Vicens. Colección Bankinter, Spain. 2008/2010 Helix, Student Center, Education City, Quatar, Legorreta + Legorreta Arquitectos. Colección Baker & McKenzie, Mexico. Lanzarote, Parque Lineal Ferrocarril Cuernavaca, Mexico City, Mexico. Arch. Felipe Leal. 2006 Colección Caixanova, Spain. Bambu, Librería Rosario Castellanos, Centro Cultural Bella Época, Mexico City, Mexico. Arch. Teodoro González De León. 2005 Colección FEMSA, Mexico. Script, Rectoría de la Universidad Autónoma Metropolitana, Iztapalapa, Mexico City, Arch. Alberto García Lascurain. 2004 Museo de la Comunidad de Madrid, Spain. Alfabeto (in collaboration with Uzyel Karp), Centro de Diseño, Cine y Televisión, Mexico City, Arch. Alejandro Hernández + Carlos Tello. Fundación Rodríguez Acosta, Granada, Spain. 1996-2000 Bronze mural lobby and ceramic mural (poolside), Hotel Habita, Mexico City, Arch. Enrique Norten + Bernardo Bibliothèque Nationale, París, France. Gómez Pimienta. Bonnefanten Museum, Maastricht, The Netherlands.

Fundación Cultural , Mexico City, Mexico.

Instituto de Artes Gráficas de Oaxaca, Oaxaca, Mexico.

Koninklijke Bibliotheek, The Hague, The Netherlands.

Museum Van Bommel Van Dam, Venlo, The Netherlands.

Rijksmuseum Twente, Enschede, The Netherlands.

Stedelijk Museum, Amsterdam, The Netherlands. Tropenmuseum, Amsterdam, The Netherlands.

MUAC, UNAM, Mexico City, Mexico.

Irish Museum of Modern Art, Dublín, Ireland.

Colección Jaques y Natasha Gellman, Mexico City, Mexico.

Comunidad de Madrid, Madrid, Spain.

Fundación César Manrique, Lanzarote, Spain.

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THE MEXICAN MUSEUM VIEW FROM JESSIE SQUARE, DAYTIME THE MEXICAN MUSEUM THE MEXICAN MUSEUM NOTE: ALL PARTITIONS ARE - P U.O.N. ON PLAN PARTITION TYPE LEGEND - 3

TYP. NON-RATED PARTITION: CONCRETE STRUCTURAL WALL CARRIES UP TO A 4-HR. INTERIOR PARTITION INSIDE DWELLING UNIT - P OR - P FIRE U.O.N. - 3 8 3 706 RATING. ALL CONC. WALLS SHALL CARRY A 2-HR. FIRE RATING, U.O.N. AS 3 OR 4 HOUR WALL (SEE BELOW). MISSION STREET - ALL PENETRATIONS THROUGH CONCRETE STRUCTURAL 1 C WALLS MUST MEET FIRE SEPARATION REQUIREMENTS OF TYP. CORRIDOR PARTITION: BG 3 RATINGS INDICATED. U.O.N. THE MEXICAN MUSEUM

TYP. FURRING: - F AT CONCRETE WALLS OR COLUMNS, U.O.N., - 1 EXISTING CONCRETE STRUCTURE OR PARTITION TO REMAIN BRACE TO CONC. AS REQ'D. OWNER: 706 MISSION STREET CO., LLC C/O MILLENNIUM PARTNERS TYP. FURRING: - F 735 MAREKET ST., SUITE 302, SAN FRANCISCO, CA 94103 4 HOUR FIRE RATING AT HEAT PUMP ENCLOSURES, U.O.N. 8 2

3 HOUR FIRE RATING ARCHITECT: RATING AS INDICATED 2 HOUR FIRE RATING - M 1 M 735 MARKET ST., 2ND FLOOR, SAN FRANCISCO, CA 94103 TYP. RATED OR NON-RATED PLUMBING WALL OR - 2 - 2 415.495.5588 1 HOUR FIRE RATING PARTITION: AT PLUMBING WALLS. PROVIDE RATED - M 1 M PARTITION AT DEMISING OR CORRIDOR WALL OR ASSOCIATE ARCHITECT: 8 2 8 2 LOCATIONS U.O.N. SEE INTERIOR PARTITION TYPES, SHEETS A8.11 THRU A8.13 FOR MORE INFORMATION. YAMAMAR Architecture THE FOLLOWING SCHEDULES THE TYPICAL PARTITION TYPES FOR THE PROJECT. 619 7TH ST., SAN FRANCISCO, CA 94103 415.550.3003 TYP. DWELLING UNIT DEMISING PARTITON: 1 D DOUBLE WALL CONSTRUCTION SEPARATING 8 2 FIRE RATING DWELLING UNITS U.O.N. WALL TYPE TMM TYPICAL 2-HR. FIRE BARRIER @ SHAFT: 2 S STUD SIZE TYPICAL PARTITION AT MEP & ELEVATOR 8 2 VARIATION TO TYP. SHAFTS U.O.N. REVISION DESCRIPTION DATE o OPERABLE WINDOW TYP. 2 HR FIRE BARRIER: TYPICAL PARTITION AT STAIR SHAFTS AND 2 R OR 2 R FACADE EXHIBIT B PACKAGE 1 08.22.16 v AIR INTAKE SYSTEM TEL/ ELECT ROOMS SERVING PODIUM AND - 2 8 2 TOWER U.O.N.

XXX PUBLIC PARKING

XXX PRIVATE PARKING

A B C D F G H K L M N P Q R S XA XB XC XD XE XF TMM2.24

2 223' - 6 1/2" 11' - 9 1/2" 16' - 11" 4' - 11 1/2" 10' - 2" 10' - 0" 7' - 1 1/2" 2' - 10" 9' - 7" 3' - 7" 25' - 6" 7' - 6 1/2" 3' - 8" 21' - 8" 20' - 2 1/2" 20' - 2 1/2" 20' - 2" 21' - 4" 2 2' - 4 1/2" 1' - 8" 2' - 3 1/2" TMM3.11.10 1 1 2' - 8" NORTH FACADE PROPERTY LINE PROPERTY LINE 2

24 23 22 21 20 19 18 17 16 15 14 13 12 11 10 9 8 7 6 5 4 3 2 1

4' - 10" UP 3 PROPERTY LINE 3 ELEV 13' - 1" P1

4 OPEN STORAGE

9' - 4" 3 ELEV 5 P2

3 13' - 5 1/2" OPEN STORAGE X1 6 DR08 TMM ELEC. STORAG ELEV ELEV

3' - 8" CLOSET E 7 D E DR04 NO STOP NO STOP 2'-7" STAIR OPEN STORAGE 8 PRESSURIZATION ELEV

C 1 RISERS DN NO 2' - 9 1/2" DR04 STOP TMM2.342 12' - 5" STAIR DR08 PRESS. 8 RISERS DN RISERS 8 DN RISERS 7 117' - 4" 8'-0" DN MINIMUM WIDTH DN

11/12 RISERS DN RISERS 11/12 FIRE

9 3'-8" 3'-8" ELEV 24 13 UP X2 12/12 RISERS UP RISERS 12/12 3'-11 1/2" B 23

UP DN 8/1/15 RISERS UP 22 12 DR05 " /2 1 0 '- 21 7

8' - 10 1/2" 3'-8" 3'-8"

32 20 11 10 31 FIRE 30 19 29 ELEV 18 10 28 A 27 17 DR05 26 CORR. 25 EXHAUST 16 9 8.33 SF 24 23 15 22 13' - 3 1/2" FEC1 14 8 82' - 1" 21 KEY PLAN

20 13 11 19 TRASH RM.

3' - 0 1/2" EXHAUST X3 18 7

12 16 12 15 11 6 14 13 17 10 12 16 9 5 11 15 1' - 9" 10 13 14 8 9 13 8 ELEC. CHASEELEC. 12 7 4 7 11 6 10 6 ELEV 5 4 9 H 12' - 10 1/2" 5 3 P3 3 T 8 R ELEV 2 O 7 4 N 1 NORTH PLAN E 6 F1 U R 5 3 2 T 14 2 UP 4 2 X4 TMM3.11.11 3 WEST FACADE - JESSIE SQUARE WEST FACADE 1 1 STAMP area of UP refuge, UP confirm if this is needed

10' - 3 1/2" at other stairs 15 19' - 1" 20' - 0" 20' - 0" 23' - 0" DR04 DR04

16 4' - 11 1/2"

X5 PROPERTY LINE PROPERTY LINE PROPERTY LINE SCALE: 1/8" = 1'-0" 3 DRAWN BY: TEAM HA PROJECT NO: 526 SOUTH FACADE21 - MISSION STREET

TMM2.44TMM4.55 A B C D E F G H J L M P Q R S XA THE MEXICAN MUSEUM 2 TMM3.11.10 XC XD XE XF LEVEL 2 - TMM FLOOR PLAN LEVEL 02- 1/8" = 1'-0" 1 TMM1.1.02.3THE MEXICAN MUSEUM LEGEND 706 MISSION STREET - TYPE 01 THE MEXICAN MUSEUM

TYPE 02 OWNER: 706 MISSION STREET CO., LLC C/O MILLENNIUM PARTNERS 735 MAREKET ST., SUITE 302, SAN FRANCISCO, CA 94103 TYPE 03 A B C D E F G H J L M P Q R S XA ARCHITECT:

735 MARKET ST., 2ND FLOOR, SAN FRANCISCO, CA 94103 415.495.5588 TYPE 04 ASSOCIATE ARCHITECT: YAMAMAR Architecture 619 7TH ST., SAN FRANCISCO, CA 94103 TYPE 05 415.550.3003

HISTORIC BLDG. LEVEL 06 TYPE 06 69' - 6"

REVISION DESCRIPTION DATE TYPE 07 FACADE EXHIBIT B PACKAGE 1 08.22.16 2' - 4 1/2" 11' - 9 1/2" 16' - 11" 1' - 5 1/2"3' - 6" 10' - 2" 10' - 0" 6' - 11" 3' - 0 1/2" 9' - 7" 5' - 3" 2' - 3 1/2" 25' - 6" 7' - 6 1/2" 3' - 8" TMM 01

TYPE 08

LEVEL 05 3' - 6 1/2" 56' - 4" 12' - 3"

LEVEL 04 44' - 1" 13' - 0"

LEVEL 03 31' - 1" 14' - 0"

LEVEL 02 17' - 1" 3' - 6 1/2"

TMM 01 13' - 6 1/2"

TMM 05 LEVEL 01 2' - 11" PROJECT DATUM 0' - 0"

31' - 11" 3' - 1" 5' - 0" 5' - 0" 5' - 0" 5' - 0" 10' - 0" 5' - 0" 5' - 0" 2' - 6" 33' - 4 1/2" 7' - 2 1/2" HISTORIC BLDG. LEVEL 1 -1' - 11"

TMM 03 SOUTH ELEVATION KEY PLAN SOUTH FACADE - MISSION STREET 3/16" = 1'-0" 2 2 TMM3.11.10

H T R O N

PLAN NORTH PLAN E U R 16 T STAMP

TMM 07 TMM 05 TMM 06 TMM 03

A B C D E F G H L M P Q R S XA SCALE: 3/16" = 1'-0" DRAWN BY: TEAM HA PROJECT NO: 526

LEVEL 01 SOUTH SIDE PARTIAL PLAN THE MEXICAN MUSEUM 3/16" = 1'-0" 1 ENLARGED ELEVATION - SOUTH - TMM LEVELS 1-4

TMM2.44THE MEXICAN MUSEUM LEGEND 706 MISSION STREET - TYPE 01 THE MEXICAN MUSEUM

1 2 3 4 5 X1 6 7 8 9 X2 10 X3 11 12 13 14 X4 15 16 X5 TYPE 02 OWNER: 706 MISSION STREET CO., LLC HISTORIC BLDG. LEVEL 06 C/O MILLENNIUM PARTNERS 735 MAREKET ST., SUITE 302, SAN FRANCISCO, CA 94103 69' - 6" TYPE 03 2' - 8" 4' - 10" 13' - 1" 9' - 4" 10' - 3" 3' - 2 1/2" 3' - 8" 2' - 9 1/2" 12' - 5" 0' - 11" 20' - 0" 1' - 3 1/2"3' - 0 1/2"1' - 9" 12' - 10 1/2" 1' - 1" 9' - 2 1/2" 4' - 11 1/2" 4' - 11" ARCHITECT:

735 MARKET ST., 2ND FLOOR, SAN FRANCISCO, CA 94103 415.495.5588 TYPE 04 ASSOCIATE ARCHITECT: YAMAMAR Architecture 619 7TH ST., SAN FRANCISCO, CA 94103 TYPE 05 415.550.3003

0' - 0" LEVEL 05 TYPE 06 56' - 4"

REVISION DESCRIPTION DATE TYPE 07 FACADE EXHIBIT B PACKAGE 1 08.22.16 12' - 3" TMM 01 TYPE 08

LEVEL 04 44' - 1" 13' - 0"

LEVEL 03 31' - 1" 14' - 0"

LEVEL 02 17' - 1" 3' - 6 1/2"

TMM 07 8' - 3 1/2"

SITE 5' - 0" LEVEL 01 2' - 11" PROJECT DATUM 0' - 0" HISTORIC BLDG. LEVEL 1 -1' - 11" 29' - 7" 87' - 10" 1' - 9"

WEST FACADE - JESSIE SQUARE WEST ELEVATION 3/16" = 1'-0" 2

KEY PLAN

2' - 9 1/2" 32 31 30 29 28 27 26 25 24 23 22 21 20 19 18 17161514131211109876543

H T R

8 O N

PLAN NORTH PLAN E U R C T

TMM 04 07 TMM STAMP

UP TMM 07 TMM B

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TMM2.34THE MEXICAN MUSEUM LEGEND 706 MISSION STREET - TYPE 01 THE MEXICAN MUSEUM XA

TYPE 02 OWNER: 706 MISSION STREET CO., LLC C/O MILLENNIUM PARTNERS 735 MAREKET ST., SUITE 302, SAN FRANCISCO, CA 94103 TYPE 03 S R Q P N M L K J H G F E D C B A ARCHITECT: 735 MARKET ST., 2ND FLOOR, SAN FRANCISCO, CA 94103 415.495.5588 TYPE 04 HISTORIC BLDG. LEVEL 06 ASSOCIATE ARCHITECT: 69' - 6" YAMAMAR Architecture 7' - 6 1/2" 25' - 6" 2' - 3 1/2" 3' - 7" 1' - 8" 9' - 7" 2' - 10" 7' - 1 1/2" 10' - 0" 10' - 2" 3' - 6"1' - 5 1/2" 16' - 11" 11' - 9 1/2" 2' - 4 1/2" 619 7TH ST., SAN FRANCISCO, CA 94103 TYPE 05 415.550.3003

TYPE 06

REVISION DESCRIPTION DATE TYPE 07 FACADE EXHIBIT B PACKAGE 1 08.22.16

0" LEVEL 05 56' - 4" TYPE 08 12' - 3" 12' -

LEVEL 04 44' - 1" 13' - 0" 13' -

TMM 01

LEVEL 03 31' - 1"

TMM 03 14' - 0" 14' -

TMM 06 LEVEL 02 17' - 1" 3' - 6 1/2"

TMM 01 14' - 2" 14' - 0" 13' - 0" 12' - 3" 13' - 6 1/2" LEVEL 01 2' - 11" PROJECT DATUM 0' - 0" NORTH FACADE NORTH ELEVATION 3/16" = 1'-0" 2

KEY PLAN

PROPERTY LINE 4

TMM 03 TMM 06

H T UP R O N

PLAN NORTH PLAN E U 2' - 9 1/2" R T TMM 02 TMM

STAMP UP

1 3 TMM 02 TMM 07 TMM 04 2 8 %

3 2

PROPERTY LINE 4 PROPERTY LINE 1

SCALE: 3/16" = 1'-0" XA S R Q P N M L K H G F D C B A DRAWN BY: TEAM HA PROJECT NO: 526

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TMM2.24THE MEXICAN MUSEUM 18" x 24" Clear area required for Window Washing

ART Screen: Inner Panel to be flat; Exterior Panel undulates in/out ART Screen attached to the exterior Curtain Wall Vertical Supports

Face of Curtain Wall (EXTERIOR ENCLOSURE)

Interior Space

TYPICAL FACADE SECTION 3D VIEW

NORTH: WESTIN WALKWAY

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Face of Curtain Wall (EXTERIOR ENCLOSURE)

WEST: JESSIE PLAZA Interior Space

18" x 24" Clear area required for Window Washing

ART Screen attached to the exterior Curtain Wall Vertical Supports

ART Screen: Inner Panel to be flat; Exterior Panel undulates in/out

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