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Iain Crichton Smith 1928 - 1998
Iain Crichton Smith 1928 - 1998 Contents: Biography.................................................................................................................................................................Page 1 Two Old Women .....................................................................................................................................Pages 2 - 6 The End of An Auld Sang ....................................................................................................................Pages 6 - 8 The Beginning of a New Song....................................................................................................................Page 8 Further Reading / Contacts.............................................................................................................Pages 9 - 12 Biography: Iain Crichton Smith (1928 - 1998) (his gaelic name was Iain Mac a ‘Ghobhainn’) was born in Glasgow in 1928, Smith grew up from the age of two on the island of Lewis. The language of his upbringing was Gaelic; he learned English as his second language when he went to school at the Nicolson Institute in Stornoway. Later, he took a degree in English at the University of Aberdeen. From there he became a school teacher in Clydebank then Oban, where he could con- template his island upbringing at close range, but with a necessary degree of detachment. He retired early from teaching in 1977 to concentrate on his writing. Smith won various literary awards and was made an OBE in 1980. He published work in Gaelic under the -
Full Bibliography (PDF)
SOMHAIRLE MACGILL-EAIN BIBLIOGRAPHY POETICAL WORKS 1940 MacLean, S. and Garioch, Robert. 17 Poems for 6d. Edinburgh: Chalmers Press, 1940. MacLean, S. and Garioch, Robert. Seventeen Poems for Sixpence [second issue with corrections]. Edinburgh: Chalmers Press, 1940. 1943 MacLean, S. Dàin do Eimhir agus Dàin Eile. Glasgow: William MacLellan, 1943. 1971 MacLean, S. Poems to Eimhir, translated from the Gaelic by Iain Crichton Smith. London: Victor Gollancz, 1971. MacLean, S. Poems to Eimhir, translated from the Gaelic by Iain Crichton Smith. (Northern House Pamphlet Poets, 15). Newcastle upon Tyne: Northern House, 1971. 1977 MacLean, S. Reothairt is Contraigh: Taghadh de Dhàin 1932-72 /Spring tide and Neap tide: Selected Poems 1932-72. Edinburgh: Canongate, 1977. 1987 MacLean, S. Poems 1932-82. Philadelphia: Iona Foundation, 1987. 1989 MacLean, S. O Choille gu Bearradh / From Wood to Ridge: Collected Poems in Gaelic and English. Manchester: Carcanet, 1989. 1991 MacLean, S. O Choille gu Bearradh/ From Wood to Ridge: Collected Poems in Gaelic and English. London: Vintage, 1991. 1999 MacLean, S. Eimhir. Stornoway: Acair, 1999. MacLean, S. O Choille gu Bearradh/From Wood to Ridge: Collected Poems in Gaelic and in English translation. Manchester and Edinburgh: Carcanet/Birlinn, 1999. 2002 MacLean, S. Dàin do Eimhir/Poems to Eimhir, ed. Christopher Whyte. Glasgow: Association of Scottish Literary Studies, 2002. MacLean, S. Hallaig, translated by Seamus Heaney. Sleat: Urras Shomhairle, 2002. PROSE WRITINGS 1 1945 MacLean, S. ‘Bliain Shearlais – 1745’, Comar (Nollaig 1945). 1947 MacLean, S. ‘Aspects of Gaelic Poetry’ in Scottish Art and Letters, No. 3 (1947), 37. 1953 MacLean, S. ‘Am misgear agus an cluaran: A Drunk Man looks at the Thistle, by Hugh MacDiarmid’ in Gairm 6 (Winter 1953), 148. -
Artymiuk, Anne
UHI Thesis - pdf download summary Today's No Ground to Stand Upon A Study of the Life and Poetry of George Campbell Hay Artymiuk, Anne DOCTOR OF PHILOSOPHY (AWARDED BY OU/ABERDEEN) Award date: 2019 Awarding institution: The University of Edinburgh Link URL to thesis in UHI Research Database General rights and useage policy Copyright,IP and moral rights for the publications made accessible in the UHI Research Database are retained by the author, users must recognise and abide by the legal requirements associated with these rights. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement, or without prior permission from the author. Users may download and print one copy of any thesis from the UHI Research Database for the not-for-profit purpose of private study or research on the condition that: 1) The full text is not changed in any way 2) If citing, a bibliographic link is made to the metadata record on the the UHI Research Database 3) You may not further distribute the material or use it for any profit-making activity or commercial gain 4) You may freely distribute the URL identifying the publication in the UHI Research Database Take down policy If you believe that any data within this document represents a breach of copyright, confidence or data protection please contact us at [email protected] providing details; we will remove access to the work immediately and investigate your claim. Download date: 29. Sep. 2021 ‘Today’s No Ground to Stand Upon’: a Study of the Life and Poetry of George Campbell Hay Anne Artymiuk M.A. -
Former Fellows Biographical Index Part
Former Fellows of The Royal Society of Edinburgh 1783 – 2002 Biographical Index Part Two ISBN 0 902198 84 X Published July 2006 © The Royal Society of Edinburgh 22-26 George Street, Edinburgh, EH2 2PQ BIOGRAPHICAL INDEX OF FORMER FELLOWS OF THE ROYAL SOCIETY OF EDINBURGH 1783 – 2002 PART II K-Z C D Waterston and A Macmillan Shearer This is a print-out of the biographical index of over 4000 former Fellows of the Royal Society of Edinburgh as held on the Society’s computer system in October 2005. It lists former Fellows from the foundation of the Society in 1783 to October 2002. Most are deceased Fellows up to and including the list given in the RSE Directory 2003 (Session 2002-3) but some former Fellows who left the Society by resignation or were removed from the roll are still living. HISTORY OF THE PROJECT Information on the Fellowship has been kept by the Society in many ways – unpublished sources include Council and Committee Minutes, Card Indices, and correspondence; published sources such as Transactions, Proceedings, Year Books, Billets, Candidates Lists, etc. All have been examined by the compilers, who have found the Minutes, particularly Committee Minutes, to be of variable quality, and it is to be regretted that the Society’s holdings of published billets and candidates lists are incomplete. The late Professor Neil Campbell prepared from these sources a loose-leaf list of some 1500 Ordinary Fellows elected during the Society’s first hundred years. He listed name and forenames, title where applicable and national honours, profession or discipline, position held, some information on membership of the other societies, dates of birth, election to the Society and death or resignation from the Society and reference to a printed biography. -
Contemporary Gaelic Language and Culture: an Introduction (SCQF Level 5)
National Unit specification: general information Unit title: Contemporary Gaelic Language and Culture: An Introduction (SCQF level 5) Unit code: FN44 11 Superclass: FK Publication date: July 2011 Source: Scottish Qualifications Authority Version: 01 Summary The purpose of this Unit is to provide candidates with the knowledge and skills to enable them to understand development issues relating to the Gaelic language; understand contemporary Gaelic media, performing arts and literature; and provide the opportunity to enhance the four language skills of speaking, listening, reading and writing. This is a mandatory Unit within the National Progression Award in Contemporary Gaelic Songwriting and Production but can also be taken as a free-standing Unit. This Unit is suitable both for candidates who are fluent Gaelic speakers or Gaelic learners who have beginner level skills in written and spoken Gaelic. It can be delivered to a wide range of learners who have an academic, vocational or personal interest in the application of Gaelic in the arts and media. It is envisaged that candidates successfully completing this Unit will be able to progress to further study in Gaelic arts. Outcomes 1 Describe key factors contributing to Gaelic language and cultural development. 2 Describe key elements of the contemporary Gaelic arts and media world. 3 Apply Gaelic language skills in a range of contemporary arts and media contexts. Recommended entry While entry is at the discretion of the centre, candidates are expected to have, as a minimum, basic language skills in Gaelic. This may be evidenced by the attainment of Intermediate 1 Gaelic (Learners) or equivalent ability in the four skills of listening, speaking, reading and writing. -
Hugh Macdiarmid and Sorley Maclean: Modern Makars, Men of Letters
Hugh MacDiarmid and Sorley MacLean: Modern Makars, Men of Letters by Susan Ruth Wilson B.A., University of Toronto, 1986 M.A., University of Victoria, 1994 A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY in the Department of English © Susan Ruth Wilson, 2007 University of Victoria All rights reserved. This dissertation may not be reproduced in whole or in part, by photo-copying or other means, without the permission of the author. ii Supervisory Committee Dr. Iain Higgins_(English)__________________________________________ _ Supervisor Dr. Tom Cleary_(English)____________________________________________ Departmental Member Dr. Eric Miller__(English)__________________________________________ __ Departmental Member Dr. Paul Wood_ (History)________________________________________ ____ Outside Member Dr. Ann Dooley_ (Celtic Studies) __________________________________ External Examiner ABSTRACT This dissertation, Hugh MacDiarmid and Sorley MacLean: Modern Makars, Men of Letters, transcribes and annotates 76 letters (65 hitherto unpublished), between MacDiarmid and MacLean. Four additional letters written by MacDiarmid’s second wife, Valda Grieve, to Sorley MacLean have also been included as they shed further light on the relationship which evolved between the two poets over the course of almost fifty years of friendship. These letters from Valda were archived with the unpublished correspondence from MacDiarmid which the Gaelic poet preserved. The critical introduction to the letters examines the significance of these poets’ literary collaboration in relation to the Scottish Renaissance and the Gaelic Literary Revival in Scotland, both movements following Ezra Pound’s Modernist maxim, “Make it new.” The first chapter, “Forging a Friendship”, situates the development of the men’s relationship in iii terms of each writer’s literary career, MacDiarmid already having achieved fame through his early lyrics and with the 1926 publication of A Drunk Man Looks at the Thistle when they first met. -
Eadar Canaan Is Garrabost (Between Canaan and Garrabost): Religion in Derick Thomson's Lewis Poetry
Studies in Scottish Literature Volume 46 Issue 1 Article 14 8-2020 Eadar Canaan is Garrabost (Between Canaan and Garrabost): Religion in Derick Thomson’s Lewis Poetry Petra Johana Poncarová Charles University, Prague Follow this and additional works at: https://scholarcommons.sc.edu/ssl Part of the Celtic Studies Commons, and the Christian Denominations and Sects Commons Recommended Citation Poncarová, Petra Johana (2020) "Eadar Canaan is Garrabost (Between Canaan and Garrabost): Religion in Derick Thomson’s Lewis Poetry," Studies in Scottish Literature: Vol. 46: Iss. 1, 130–142. Available at: https://scholarcommons.sc.edu/ssl/vol46/iss1/14 This Article is brought to you by the Scottish Literature Collections at Scholar Commons. It has been accepted for inclusion in Studies in Scottish Literature by an authorized editor of Scholar Commons. For more information, please contact [email protected]. EADAR CANAAN IS GARRABOST (BETWEEN CANAAN AND GARRABOST): RELIGION IN DERICK THOMSON’S LEWIS POETRY Petra Johana Poncarová Since the Scottish Reformation of the sixteenth-century, the Protestant, Calvinist forms of Christianity have affected Scottish life and have become, in some attitudes, one of the “marks of Scottishness,” a “means of interpreting cultural and social realities in Scotland.”1 However treacherous and limiting such an assertion of Calvinism as an essential component of Scottish national character may be, the experience with radical Presbyterian Christianity has undoubtedly been one of the important features of life in the -
On the Study and Promotion of Drama in Scottish Gaelic Sìm Innes
Editorial: On the study and promotion of drama in Scottish Gaelic Sìm Innes (University of Glasgow) and Michelle Macleod (University of Aberdeen), Guest-Editors We are very grateful to the editors of the International Journal of Scottish Theatre and Screen for allowing us the opportunity to guest-edit a special volume about Gaelic drama. The invitation came after we had organised two panels on Gaelic drama at the biennial Gaelic studies conference, Rannsachadh na Gàidhlig, at the University Edinburgh 2014. We asked the contributors to those two panels to consider developing their papers and submit them to peer review for this special edition: each paper was read by both a Gaelic scholar and a theatre scholar and we are grateful to them for their insight and contributions. Together the six scholarly essays and one forum interview in this issue are the single biggest published work on Gaelic drama to date and go some way to highlighting the importance of this genre within Gaelic society. In 2007 Michelle Macleod and Moray Watson noted that ‘few studies of modern Gaelic drama’ (Macleod and Watson 2007: 280) exist (prior to that its sum total was an unpublished MSc dissertation by Antoinette Butler in 1994 and occasional reviews): Macleod continued to make the case in her axiomatically entitled work ‘Gaelic Drama: The Forgotten Genre in Gaelic Literary Studies’. (Dymock and McLeod 2011) More recently scholarship on Gaelic drama has begun to emerge and show, despite the fact that it had hitherto been largely neglected in academic criticism, that there is much to be gained from in-depth study of the genre. -
The Lochaber Royal National Mòd 2017
Agenda Item 5(b) Report RES/53b/17 No HIGHLAND COUNCIL Committee: Corporate Resources Committee Date: November 17th 2017 Report Title: The Lochaber Royal National Mòd 2017 Report By: Area Care & Learning Manager West Area ( Lead for Gaelic) Gaelic Development Officer 1. Purpose/Executive Summary 1.1 The purpose of the report is to:- • inform Members on the Royal National Mòd Loch Abar which took place between 13th- 21st October 2017. • to seek approval to begin to plan for future Royal National Mòds which will take place in the Highland Council area after 2020. 2. Recommendations 2.1 Members are asked to: i. to note the positive impact of the Royal National Mòd in the Lochaber area. ii. approve early work on securing the Royal National Mòd to the Highland Council area beyond 2020. 3. An Comunn Gàidhealach (ACG) 3.1 An Comunn Gàidhealach (ACG) is the organisation responsible for running the Royal National Mòd. ACG establishes the Local Organising Committee (LOC) in the area where the Mòd takes place. 4 Mòd Loch Abar 4.1 On October 13th Mòd Loch Abar commenced with a torchlight street parade led by the Deputy First Minister which departed from Cameron Square in Fort William High Street to the Nevis Centre, where the Official Opening Ceremony took place 4.2 Elected Members were present at the Torchlight Parade and the Opening Ceremony. The Chairperson of Corporate Resources Committee welcomed the Mòd to Lochaber on behalf of the Highland Council, The Deputy First Minister gave the keynote address. The Mòd was officially opened by Kate Forbes MSP. -
SS 34 2006 1St Proof.Indd
SCOTTISH STUDIES 34 Published with financial support from an anonymous donor Scottish Studies The Journal of the School of Scottish Studies University of Edinburgh Vol. 34 2006 EDITED BY JOHN SHAW ASSISTANT EDITOR JOSHUA DICKSON Published by The School of Scottish Studies University of Edinburgh 2006 Articles are invited and should be sent to: Dr John Shaw The Editor, Scottish Studies The School of Scottish Studies The University of Edinburgh 27 George Square Edinburgh eh8 9ld All articles submitted are sent out to readers for peer review. Enquiries may be made by email to: [email protected] The journal is published annually and costs £12. Subscriptions should be sent to The Subscription Secretary, Scottish Studies, at the address above. © The School of Scottish Studies, University of Edinburgh Printed in Great Britain by TBD Typeset by Brinnoven, Livingston ISBN 1 86232 000 0 Contents Contributors vii Editorial ix Andrew Breeze The Names of Blantyre, Carluke, and Carnwath, near Glasgow 1 Katherine Campbell Geikie’s A Blind Fiddler and Two Associated Traditions 5 Roderick D. Cannon Gaelic Names of Pibrochs: A Classification 20 Joy Fraser A Study of Scottish Gaelic Versions of ‘Snow-White’ 60 Neill Martin The Gaelic Rèiteach: Symbolism and Practice 77 John Stuart Murray Differentiating the Gaelic Landscape of the Perthshire Highlands 159 James Porter Does Ethnology Have A Future? 178 Dòmhnall Uilleam Stiùbhart Some Heathenish and Superstitious Rites: A Letter from Lewis, 1700 203 Jacqueline Simpson A Breton Analogue To ‘Wandering Willie’s Tale’ 225 J. C. Catford Remembering Jim Mather 227 Book Reviews 230 Books Received 244 v Contributors Andrew Breeze Katherine Campbell Roderick D. -
Cormack, Wade
UHI Thesis - pdf download summary Sport and Physical Education in the Northern Mainland Burghs of Scotland c. 1600-1800 Cormack, Wade DOCTOR OF PHILOSOPHY (AWARDED BY OU/ABERDEEN) Award date: 2016 Awarding institution: The University of Edinburgh Link URL to thesis in UHI Research Database General rights and useage policy Copyright,IP and moral rights for the publications made accessible in the UHI Research Database are retained by the author, users must recognise and abide by the legal requirements associated with these rights. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement, or without prior permission from the author. Users may download and print one copy of any thesis from the UHI Research Database for the not-for-profit purpose of private study or research on the condition that: 1) The full text is not changed in any way 2) If citing, a bibliographic link is made to the metadata record on the the UHI Research Database 3) You may not further distribute the material or use it for any profit-making activity or commercial gain 4) You may freely distribute the URL identifying the publication in the UHI Research Database Take down policy If you believe that any data within this document represents a breach of copyright, confidence or data protection please contact us at [email protected] providing details; we will remove access to the work immediately and investigate your claim. Download date: 02. Oct. 2021 Sport and Physical Education in the Northern Mainland Burghs of Scotland c. -
Pericles Coastal Interpretation
PERICLES Title Text Coastal Interpretation Webinar Myles Farnbank Head of Guides & Training for Wilderness Scotland Scotland Manager for Wilderness Foundation UK Vice-chair Scottish Adventure Activities Forum (SAAF) 30 years experience as an international wilderness guide - Mountain, sailing, sea kayaking, canoeing and wildlife guiding Created UK’s first Guide Training Programme in 2009 Active guide trainer throughout UK & internationally Lecturer Adventure Tourism, Marine & Coastal Tourism & Ecotourism Sit on Cross-party Working Group Recreational Boating & Marine Tourism - Scottish Parliament Introductions If everyone could introduce themselves and give a brief reason for attending todays webinar What is Scottish Coastal Cultural History? In break out groups - 15 minutes to note down anything that you feel is part of coastal Scotland’s cultural history story. You don’t have to agree - go ‘high low and wide’ Please agree someone in the group to scribe and feedback on the things you noted down Overview - morning session Context - Marine & Coastal Tourism What is Interpretation? Archaeology and brief history of the area Boundary or Bridge - psycho-geography of the coast Coastal Castles Coastal food & Net Product Whaling and seals Commerce and Culture Lost at Sea Lighting the way We are going to take a very wide view of coastal cultural history which will touch on most of the things you have shared. Overview - afternoon session Mystic Places - Folklore Coastal creations - art, music, poetry and prose Crofters and Fisherfolk - Personal stories from Mallaig & Arisaig We are going to take a very wide view of coastal cultural history which will touch on most of the things you have shared.