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Studies in Celtic Languages and Literatures: Irish, Scottish Gaelic and Cornish
e-Keltoi: Journal of Interdisciplinary Celtic Studies Volume 9 Book Reviews Article 7 1-29-2010 Celtic Presence: Studies in Celtic Languages and Literatures: Irish, Scottish Gaelic and Cornish. Piotr Stalmaszczyk. Łódź: Łódź University Press, Poland, 2005. Hardcover, 197 pages. ISBN:978-83-7171-849-6. Emily McEwan-Fujita University of Pittsburgh Follow this and additional works at: https://dc.uwm.edu/ekeltoi Recommended Citation McEwan-Fujita, Emily (2010) "Celtic Presence: Studies in Celtic Languages and Literatures: Irish, Scottish Gaelic and Cornish. Piotr Stalmaszczyk. Łódź: Łódź University Press, Poland, 2005. Hardcover, 197 pages. ISBN:978-83-7171-849-6.," e-Keltoi: Journal of Interdisciplinary Celtic Studies: Vol. 9 , Article 7. Available at: https://dc.uwm.edu/ekeltoi/vol9/iss1/7 This Book Review is brought to you for free and open access by UWM Digital Commons. It has been accepted for inclusion in e-Keltoi: Journal of Interdisciplinary Celtic Studies by an authorized administrator of UWM Digital Commons. For more information, please contact open- [email protected]. Celtic Presence: Studies in Celtic Languages and Literatures: Irish, Scottish Gaelic and Cornish. Piotr Stalmaszczyk. Łódź: Łódź University Press, Poland, 2005. Hardcover, 197 pages. ISBN: 978-83- 7171-849-6. $36.00. Emily McEwan-Fujita, University of Pittsburgh This book's central theme, as the author notes in the preface, is "dimensions of Celtic linguistic presence" as manifested in diverse sociolinguistic contexts. However, the concept of "linguistic presence" gives -
Fall 2003 Archipelago
archipelago An International Journal of Literature, the Arts, and Opinion www.archipelago.org Vol. 7, No. 3 Fall 2003 AN LEABHAR MÒR / THE GREAT BOOK OF GAELIC An Exhibiton : Twenty-two Irish and Scottish Gaelic Poems, Translations and Artworks, with Essays and Recitations Fiction: PATRICIA SARRAFIAN WARD “Alaine played soccer with the refugees, she traded bullets and shrapnel around the neighborhood . .” from THE BULLET COLLECTION Poem: ELEANOR ROSS TAYLOR Our Lives Are Rounded With A Sleep Reflection: ANANT KUMAR The Mosques on the Banks of the Ganges: Apart or Together? tr. from the German by Rajendra Prasad Jain Photojournalism: PETER TURNLEY Seeing Another War in Iraq in 2003 and The Unseen Gulf War : Photographs Audio report on-line by Peter Turnley Endnotes: KATHERINE McNAMARA The Only God Is the God of War : On BLOOD MERIDIAN, an American myth printed from our pdf edition archipelago www.archipelago.org CONTENTS AN LEABHAR MÒR / THE GREAT BOOK OF GAELIC 4 Introduction : Malcolm Maclean 5 On Contemporary Irish Poetry : Theo Dorgan 9 Is Scith Mo Chrob Ón Scríbainn ‘My hand is weary with writing’ 13 Claochló / Transfigured 15 Bean Dubh a’ Caoidh a Fir Chaidh a Mharbhadh / A Black Woman Mourns Her Husband Killed by the Police 17 M’anam do sgar riomsa a-raoir / On the Death of His Wife 21 Bean Torrach, fa Tuar Broide / A Child Born in Prison 25 An Tuagh / The Axe 30 Dan do Scátach / A Poem to Scátach 34 Èistibh a Luchd An Tighe-Se / Listen People Of This House 38 Maireann an t-Seanmhuintir / The Old Live On 40 Na thàinig anns a’ churach -
Bartlett, T. (2020) Time, the Deer, Is in the Wood: Chronotopic Identities, Trajectories of Texts and Community Self-Management
Bartlett, T. (2020) Time, the deer, is in the wood: chronotopic identities, trajectories of texts and community self-management. Applied Linguistics Review, (doi: 10.1515/applirev-2019-0134). This is the author’s final accepted version. There may be differences between this version and the published version. You are advised to consult the publisher’s version if you wish to cite from it. http://eprints.gla.ac.uk/201608/ Deposited on: 24 October 2019 Enlighten – Research publications by members of the University of Glasgow http://eprints.gla.ac.uk Tom Bartlett Time, the deer, is in the wood: Chronotopic identities, trajectories of texts and community self-management Abstract: This paper opens with a problematisation of the notion of real-time in discourse analysis – dissected, as it is, as if time unfolded in a linear and regular procession at the speed of speech. To illustrate this point, the author combines Hasan’s concept of “relevant context” with Bakhtin’s notion of the chronotope to provide an analysis of Sorley MacLean’s poem Hallaig, with its deep-rootedness in space and its dissolution of time. The remainder of the paper is dedicated to following the poem’s metamorphoses and trajectory as it intertwines with Bartlett’s own life and family history, creating a layered simultaneity of meanings orienting to multiple semio-historic centres. In this way the author (pers. comm.) “sets out to illustrate in theory, text analysis and (self-)history the trajectories taken by texts as they cross through time and space; their interconnectedness -
Iain Crichton Smith 1928 - 1998
Iain Crichton Smith 1928 - 1998 Contents: Biography.................................................................................................................................................................Page 1 Two Old Women .....................................................................................................................................Pages 2 - 6 The End of An Auld Sang ....................................................................................................................Pages 6 - 8 The Beginning of a New Song....................................................................................................................Page 8 Further Reading / Contacts.............................................................................................................Pages 9 - 12 Biography: Iain Crichton Smith (1928 - 1998) (his gaelic name was Iain Mac a ‘Ghobhainn’) was born in Glasgow in 1928, Smith grew up from the age of two on the island of Lewis. The language of his upbringing was Gaelic; he learned English as his second language when he went to school at the Nicolson Institute in Stornoway. Later, he took a degree in English at the University of Aberdeen. From there he became a school teacher in Clydebank then Oban, where he could con- template his island upbringing at close range, but with a necessary degree of detachment. He retired early from teaching in 1977 to concentrate on his writing. Smith won various literary awards and was made an OBE in 1980. He published work in Gaelic under the -
Angeletti, Gioia (1997) Scottish Eccentrics: the Tradition of Otherness in Scottish Poetry from Hogg to Macdiarmid
Angeletti, Gioia (1997) Scottish eccentrics: the tradition of otherness in Scottish poetry from Hogg to MacDiarmid. PhD thesis. http://theses.gla.ac.uk/2552/ Copyright and moral rights for this thesis are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Glasgow Theses Service http://theses.gla.ac.uk/ [email protected] SCOTTISH ECCENTRICS: THE TRADITION OF OTHERNESS IN SCOTTISH POETRY FROM HOGG TO MACDIARMID by Gioia Angeletti 2 VOLUMES VOLUME I Thesis submitted for the degreeof PhD Department of Scottish Literature Facultyof Arts, Universityof Glasgow,October 1997 ý'i ý'"'ý# '; iý "ý ý'; ý y' ý': ' i ý., ý, Fý ABSTRACT This study attempts to modify the received opinion that Scottish poetry of the nineteenth-centuryfailed to build on the achievementsof the century (and centuries) before. Rather it suggeststhat a number of significant poets emerged in the period who represent an ongoing clearly Scottish tradition, characterised by protean identities and eccentricity, which leads on to MacDiarmid and the `Scottish Renaissance'of the twentieth century. The work of the poets in question is thus seen as marked by recurring linguistic, stylistic and thematic eccentricities which are often radical and subversive. -
Explored Through the Revision of Place in Jackie Kay's Fiere, Kathleen Jamie's the Tree House A
Copyright is owned by the Author of the thesis. Permission is given for a copy to be downloaded by an individual for the purpose of research and private study only. The thesis may not be reproduced elsewhere without the permission of the Author. Repetition as Revision: Explored through the Revision of Place in Jackie Kay’s Fiere, Kathleen Jamie’s The Tree House, and Crane, a Creative Composition by Lynn Davidson A thesis presented in partial fulfilment of the requirements for the degree of Doctor of Philosophy in English at Massey University, Palmerston North, New Zealand Lynn Davidson 2015 Abstract This thesis examines anaphora, parallelism, and repetends, and asks if and how these techniques of repetition allow for negotiation among meanings, contexts and possibilities in contemporary poetry. The thesis is comprised of two sections, creative and critical, with a seventy percent creative and thirty percent critical split. The critical study is based on a close analysis of anaphora and parallelism in Jackie Kay’s Fiere (2010) and repetends in Kathleen Jamie’s The Tree House (2004), while repetition is explored creatively through Crane, an original collection of poetry shaped and informed by the critical research. Crane uses techniques of formal repetition to enquire into cultural and emotional links to place, and the impact of return journeys to significant places on a reimagining of place and self. There are five sections in Crane, each of which uses repetition slightly differently to engage with questions of movement between places. The collection uses repetition to explore how ‘going back’ can be a powerful part of the process of revising identity and integrating change. -
Artymiuk, Anne
UHI Thesis - pdf download summary Today's No Ground to Stand Upon A Study of the Life and Poetry of George Campbell Hay Artymiuk, Anne DOCTOR OF PHILOSOPHY (AWARDED BY OU/ABERDEEN) Award date: 2019 Awarding institution: The University of Edinburgh Link URL to thesis in UHI Research Database General rights and useage policy Copyright,IP and moral rights for the publications made accessible in the UHI Research Database are retained by the author, users must recognise and abide by the legal requirements associated with these rights. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement, or without prior permission from the author. Users may download and print one copy of any thesis from the UHI Research Database for the not-for-profit purpose of private study or research on the condition that: 1) The full text is not changed in any way 2) If citing, a bibliographic link is made to the metadata record on the the UHI Research Database 3) You may not further distribute the material or use it for any profit-making activity or commercial gain 4) You may freely distribute the URL identifying the publication in the UHI Research Database Take down policy If you believe that any data within this document represents a breach of copyright, confidence or data protection please contact us at [email protected] providing details; we will remove access to the work immediately and investigate your claim. Download date: 29. Sep. 2021 ‘Today’s No Ground to Stand Upon’: a Study of the Life and Poetry of George Campbell Hay Anne Artymiuk M.A. -
Download Northwords Now to an E-Reader
The FREE literary magazine of the North Northwords Now Issue 28, Autumn 2014 AND STILL THE DANCE GOES ON Referendum Poems by John Glenday, Aonghas Pàdraig Caimbeul, Sheenah Blackhall and others New stories and poems including Wayne Price, Ian Macpherson, Kenneth Steven and Irene Evans In the Reviews Section: Cynthia Rogerson gets hooked on farming EDITORIAL Contents week or so before the referendum I put out a call for September 19th poems via our Facebook page and by direct appeal to some 3 The Morning After: Poems for September 19th A of the many frequent contributors to the magazine. I was keen that poems had to be submitted on the day after the referendum. I 6 A Brisk Hike Up The Trossachs wanted a spontaneous heart-and-head-and-soul reaction, whatever the Short Story by Ian Macpherson result. You can read the poems for yourself on pages 3-5. It’s fair to say that the dominant note struck by the writers is one of regret – even, 7 Poems by Diana Hendry, Richie McCaffery in some cases hurt - whether that takes the form of dry humour or full-on lament. 8 Poems by Judith Taylor It is also fair to say – putting referendum politics to one side for a moment – that these are poems that exhibit, in their different ways, a 9 Radio Lives: Stories from Barra feeling for Scotland that springs from many different wells and takes Article by Janice Ross a variety of forms. Scots today are, after all, a diverse people. A host of narratives play their part in forming the character of the country. -
Eadar Canaan Is Garrabost (Between Canaan and Garrabost): Religion in Derick Thomson's Lewis Poetry
Studies in Scottish Literature Volume 46 Issue 1 Article 14 8-2020 Eadar Canaan is Garrabost (Between Canaan and Garrabost): Religion in Derick Thomson’s Lewis Poetry Petra Johana Poncarová Charles University, Prague Follow this and additional works at: https://scholarcommons.sc.edu/ssl Part of the Celtic Studies Commons, and the Christian Denominations and Sects Commons Recommended Citation Poncarová, Petra Johana (2020) "Eadar Canaan is Garrabost (Between Canaan and Garrabost): Religion in Derick Thomson’s Lewis Poetry," Studies in Scottish Literature: Vol. 46: Iss. 1, 130–142. Available at: https://scholarcommons.sc.edu/ssl/vol46/iss1/14 This Article is brought to you by the Scottish Literature Collections at Scholar Commons. It has been accepted for inclusion in Studies in Scottish Literature by an authorized editor of Scholar Commons. For more information, please contact [email protected]. EADAR CANAAN IS GARRABOST (BETWEEN CANAAN AND GARRABOST): RELIGION IN DERICK THOMSON’S LEWIS POETRY Petra Johana Poncarová Since the Scottish Reformation of the sixteenth-century, the Protestant, Calvinist forms of Christianity have affected Scottish life and have become, in some attitudes, one of the “marks of Scottishness,” a “means of interpreting cultural and social realities in Scotland.”1 However treacherous and limiting such an assertion of Calvinism as an essential component of Scottish national character may be, the experience with radical Presbyterian Christianity has undoubtedly been one of the important features of life in the -
Hamish Henderson and Nelson Mandela: Notes for “Rivonia” Patrick G
Studies in Scottish Literature Volume 40 | Issue 1 Article 18 11-15-2014 Hamish Henderson and Nelson Mandela: Notes for “Rivonia” Patrick G. Scott University of South Carolina - Columbia Follow this and additional works at: https://scholarcommons.sc.edu/ssl Part of the African History Commons, and the Literature in English, British Isles Commons Recommended Citation Scott, Patrick G. (2014) "Hamish Henderson and Nelson Mandela: Notes for “Rivonia”," Studies in Scottish Literature: Vol. 40: Iss. 1, 215–223. Available at: https://scholarcommons.sc.edu/ssl/vol40/iss1/18 This Notes/Documents is brought to you by the Scottish Literature Collections at Scholar Commons. It has been accepted for inclusion in Studies in Scottish Literature by an authorized editor of Scholar Commons. For more information, please contact [email protected]. Hamish Henderson and Nelson Mandela: Notes for “Rivonia” Cover Page Footnote Patrick Scott, "Hamish Henderson and Nelson Mandela: Notes for 'Rivonia'," Studies in Scottish Literature, 40 (2014): 215--223 This notes/documents is available in Studies in Scottish Literature: https://scholarcommons.sc.edu/ssl/vol40/iss1/18 HAMISH HENDERSON AND NELSON MANDELA: NOTES FOR “RIVONIA” Patrick Scott In this, the first volume of Studies in Scottish Literature since the death of President Nelson Mandela, it seems appropriate to include Hamish Henderson’s notes for his song “Rivonia,” written following the conviction of Mandela and seven co-defendants in the Rivonia trials of 1963-64. The notes are reproduced here by permission of the Estate of Hamish Henderson, both as documenting Henderson’s longtime commit- ment to international human rights and as a memorial to Mandela’s impact in Scotland. -
Eadar Croit Is Kiosk: Bàrdachd an Fhicheadamh Linn | University of Glasgow
09/25/21 Eadar Croit is Kiosk: Bàrdachd an fhicheadamh linn | University of Glasgow Eadar Croit is Kiosk: Bàrdachd an View Online fhicheadamh linn @article{Mac A’ Ghobhainn_1983, place={Glaschu}, title={‘An Dotair Leòinte: Bàrdachd Dhòmhnaill MhicAmhlaigh (Ath-sgrùdadh)’}, volume={125}, journal={Gairm}, publisher={[s.n.]}, author={Mac A’ Ghobhainn, I.}, year={1983}, pages={68–73} } @book{Mac A’ Ghobhainn_2014, place={Inbhir Nis}, title={Bannaimh nach gann: a’ bhàrdachd aig An t-Urramach Murchadh Mac a' Ghobhainn, 1878-1936}, publisher={Clò Fuigheagan}, author={Mac A’ Ghobhainn, Murchadh}, editor={Smith, Maggie}, year={2014} } @book{Bennett_Rice_Bennett_Bennett_MacCallum_MacCallum_MacCallum_2014, place={Ochtertyre}, title={Eilean Uaine Thiriodh: beatha, òrain agus ceòl Ethel NicChaluim = The green isle of Tiree : the life, songs and music of Ethel MacCallum}, publisher={Grace Note Publications}, author={Bennett, Margaret and Rice, Eric and Bennett, Margaret and Bennett, Margaret and MacCallum, Ethel and MacCallum, Ethel and MacCallum, Ethel}, year={2014} } @book{Black_1999a, place={Edinburgh}, title={An tuil: anthology of 20th century Scottish Gaelic verse}, publisher={Polygon}, author={Black, Ronald}, year={1999} } @book{Black_1999b, place={Edinburgh}, title={An tuil: anthology of 20th century Scottish Gaelic verse}, publisher={Polygon}, author={Black, Ronald}, year={1999} } @book{Brown_Dawson Books_2007a, place={Edinburgh}, title={The Edinburgh history of Scottish literature: Volume 3: Modern transformations: new identities (from 1918)}, -
LAMENT the Fruits of Diverse Languages and Aesthetic Values, These Traditions Are Rooted in Strikingly Different Landscapes
Traditional Song and Music in Scotland MARGARET BENNETT 77 The traditional songs, poetry, and musiC of Scotland are as easy to recognize as they are difficult to define. Just as purple heather cannot describe the whole country, so with traditional arts: no simple description will fit. M A C C R I M M 0 N ' S LAMENT The fruits of diverse languages and aesthetic values, these traditions are rooted in strikingly different landscapes. Within this small country there are enormous Dh'iadh ceo nan stuc mu contrasts. Culturally as well as geographically, Scotland could be divided aodainn Chuillionn, Is sheinn a' bhean-shith a torman into several (imaginary) areas [see map on page 70], each reflecting a mulaid, distinct spirit of the Scottish people, their songs, poetry, and music. Gorm shuilean ciuin san Along with the Western Isles (the Outer Hebrides), the Highlands Dun a' sileadh Scotland's largest land mass and most sparsely populated area-is On thriall thu uainn 's nach till traditionally home to the Gaels, who make their living from "crofting" thu tuille. (working very small farms), fishing, weaving, whisky distilling, tourism, Cha till, cha till, cha till and, nowadays, computing. uciamar a tha thu'n diugh?" a neighbor MacCriomain, enquires, in Scottish Gaelic, "How are you today?" The songs and music An cogadh no s.ith cha till e have evolved through history, from as early as the first century C.E., when tuille; Scotland and Ireland shared traditions about their heroes. These traditions Le airgiod no ni cha till MacCriomain remember the hero Cu Culainn, whose warriors were trained to fight by Cha till e gu bdth gu La na a formidable woman on the Isle of Skye.