DOCSLIB.ORG

Angeletti, Gioia (1997) Scottish Eccentrics: the Tradition of Otherness in Scottish Poetry from Hogg to Macdiarmid

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Angeletti, Gioia (1997) Scottish Eccentrics: the Tradition of Otherness in Scottish Poetry from Hogg to Macdiarmid Angeletti, Gioia (1997) Scottish eccentrics: the tradition of otherness in Scottish poetry from Hogg to MacDiarmid. PhD thesis. http://theses.gla.ac.uk/2552/ Copyright and moral rights for this thesis are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Glasgow Theses Service http://theses.gla.ac.uk/ [email protected] SCOTTISH ECCENTRICS: THE TRADITION OF OTHERNESS IN SCOTTISH POETRY FROM HOGG TO MACDIARMID by Gioia Angeletti 2 VOLUMES VOLUME I Thesis submitted for the degreeof PhD Department of Scottish Literature Facultyof Arts, Universityof Glasgow,October 1997 ý'i ý'"'ý# '; iý "ý ý'; ý y' ý': ' i ý., ý, Fý ABSTRACT This study attempts to modify the received opinion that Scottish poetry of the nineteenth-centuryfailed to build on the achievementsof the century (and centuries) before. Rather it suggeststhat a number of significant poets emerged in the period who represent an ongoing clearly Scottish tradition, characterised by protean identities and eccentricity, which leads on to MacDiarmid and the `Scottish Renaissance'of the twentieth century. The work of the poets in question is thus seen as marked by recurring linguistic, stylistic and thematic eccentricities which are often radical and subversive. The poets themselves,it is suggested, share a condition of estrangementfrom the official culture of their time either within Scotland (Hogg, Geddes, MacDiarmid) or in their English exile (Smith, Davidson and Thomson). They can be hardly associatedwith establishedtradition, but rather they belong to literary what I define as tradition of `otherness' -- other from mainstream and cultural society, and characterisedby eccentric forms and themes. The Introduction examines the notions of `eccentricity' and `otherness' in relation to the selected poets. Chapter 1, after outlining existing critical theories on nineteenth-century Scottish literature, reinforces the thesis that the dominant voices in Scottish poetry are radical and eccentric by looking retrospectively at some of the eighteenth-century `eccentrics'. Chapter 2 focuses on the work of Hogg and Byron, the former as the original nineteenth-century eccentric, evincing strong links with later poets, and the latter because of the striking affinities between his work and personality and those of contemporary and later Scottish poets. Chapter 3 focuses on Alexander Smith and attempts to rescue his most interesting poetry from the simplistic categorising of his work as `Spasmodic'. Chapter 4 on James Thomson ('B. V. ') explores the innovative and pre-modernist aura of his opera omnia. Chapter 5 concentrates on John Davidson, particularly on his diverse styles and unorthodox ideas, which also look forward to MacDiarmid. Chapter 6 on James Young Geddes analyses the stylistic and ideological radicalism and eccentricity of this almost wholly neglected Victorian poet. The Conclusion brings into focus the unacknowledged links between these poets and Hugh MacDiarmid as well as other twentieth-century Scottish poets, and it suggests that individual, literary and cultural eccentricity is a creative force. Dedicated to my mother and father Acknowledgements My first debt of thanksis to ProfessorDouglas Gifford for his expert guidanceat everystage of the preparationof this thesis. I am particularly grateful to Professor Andrew Hook for his excellent advice and constant encouragement. My thanks are also to Professor Valentina Poggi for having introduced me first to the field of Scottish literature, and supported me during my years of research,and to Professor Lilla Crisafulli Jonesfor her moral support. My special thanks also to the JamesHogg Society of Stirling, and in particular to its Head Dr Douglas Mack for his enlightening advice throughout the planning and preparation of this study. I would like to thank the British Library, the Bodleian Library, the National Library of Scotland, the Mitchell Library of Glasgow and the district libraries of Blairgowrie, Dundee and Perth for having provided me essentialmaterial in support of my research. I would like to express my gratitude to Dr Michael Bradshaw for his encouragement during difficult moments of my research. Finally, my heartfelt thanks to John Luke Barker for his moral support and his help in checking the drafts. Declaration This thesis representsmy own unassistedwork, and no part of it has been submitted previously for any academicqualification. The views expressedare my own and not those of the University of Glasgow. Gioia Angeletti TABLE OF CONTENTS INTRODUCTION ECCENTRICS AND ECCENTRICITIES FROM JAMES HOGG TO HUGH MACDIARMID 1' ................ CHAPTER 1 THEORETICAL AND HISTORICAL PERSPECTIVES i. Overview of the emergence of Scottish poetry: theoretical 21 approaches ...................................................................... ii. A step backward: eccentricities in the eighteenth 38 century................................................................................ CHAPTER 2 TWO EARLY ECCENTRICS: HOGG AND BYRON PART I James Hogg: Scottish Eccentric 52 a .................. i. `Intermineledoms' in the noetrv of JamesHone. Comic Serious 60 and choices.................................................. ii. `Intermingledoms' in poems `whaur extremesmeet'........ 93 PART II The play of comic and serious, or `whaur extremes meet': Byron and his Scottish heritage............ 145 CHAPTER 3 THE RE-ASSESSMENT OF A SPASMODIC: THE POETRY OF ALEXANDER SMITH PART I The man his ideas 166 and ...................................... PART II The man and the poet i. The `Spasmodic A Life Drama (1852) 182 years': .................. ii. Alexander Smith's City Poems (1853) and the urban metaphysical 197 ........................................................................ 4 CHAPTER 4 LIVING IN THE TWILIGHT: THE DIALECTIC OF LIGHT AND DARKNESS IN THE POETRY OF JAMES THOMSON (`B. V. ') i. Introductory 209 ................................................................... ii. Between faith doubt (1834-1860) 217 and ............................ iii. The searchfor an faith (1860-1870) 239 alternative ............. iv. The loss of light and the dreadful night (1870-1874)..... 254 v. A deep light (1874-1881) 286 gloom with sparks of ............. CHAPTER 5 JOHN DAVIDSON: DRAMATIC ECCENTRICITY AND OTHERNESS PART I The 302 outcast ................................................... PART II The old and the new: tradition and subversion in Davidson's 329 poetry .................................. i. The ballads 335 ..................................................................... ii. The music-hall 373 poems .................................................... iii. Urban 3 92 poems ................................................................ iv. The Testaments and last 409 poems ............................:........ CHAPTER 6 JAMES YOUNG GEDDES PART I i. Another case Scottish 435 of a eccentric............................... ii. Life and works .............................................................. 445 PART II Poetry ideas 449 and ............................................ CONCLUSION i. Hugh MacDiarmid and the legacy of eccentricity............ 502 ii. Epilogue:the `strange 520 procession'continues .................. BIBLIOGRAPHY ......................................................................................... 527 INTRODUCTION Eccentrics AND eccentricities FROM JAMES IIOGG TO HUGH MACDIARMID Whatever course of action we take in life there is always some element in our nature which could only find . b. satisfactionin exactly a contrary course.' Without Contraries is no progression' Do I contradict myself? Very well then I contradict myself, (I am large, I contain multitudes)' Recently modern critics have taken issue with MacDiarmid's and other critics' contention that most nineteenth-century novels are far removed from the reality of 4 Scottish life and culture of the time. On the, other hand, a proper and fully satisfactory assessment of nineteenth-century Scottish poetry is still awaited and overdue. This gap in most accounts of Scottish literature was the starting point of my research, and the present study is an attempt to follow in the steps of those critics who have already partly contributed to the revaluation of Scottish poetry produced in the last century. My study is not intended as a comprehensive account of Scottish ' Hugh MacDiarmid, Scottish Eccentrics, cd. by Alan Riach (Manchester: Carcanet Press Limited, 1993), p. 299. 2 William Blake, 'The Marriage of Heaven and Hell', in MIR= Blake's Writings, ed. by G. E. Bentley, 2 vols (Oxford: At the Clarendon Press, 1971), pp. 74-99 (p. 77). 3 Walt Whitman, `Song of Myself', in Leaves of Grass (Philadelphia: David McKay Publisher, 1891), pp. 29-79 (p.78). See for example Douglas Gifford, 'Introduction', and 'Myth, Parody and Dissociation: Scottish Fiction 1814-1914', in The History of Scottish Literature, cd. by Cairns Craig and others, 4 vols (Aberdeen: Aberdeen University Press, 1987-1989), III: Nineteenth Century, ed. by Douglas Gifford, pp. 1-12 and 217-258. nineteenth-century poets but as
Load more

Recommended publications
  • Full Bibliography (PDF)
    SOMHAIRLE MACGILL-EAIN BIBLIOGRAPHY POETICAL WORKS 1940 MacLean, S. and Garioch, Robert. 17 Poems for 6d. Edinburgh: Chalmers Press, 1940. MacLean, S. and Garioch, Robert. Seventeen Poems for Sixpence [second issue with corrections]. Edinburgh: Chalmers Press, 1940. 1943 MacLean, S. Dàin do Eimhir agus Dàin Eile. Glasgow: William MacLellan, 1943. 1971 MacLean, S. Poems to Eimhir, translated from the Gaelic by Iain Crichton Smith. London: Victor Gollancz, 1971. MacLean, S. Poems to Eimhir, translated from the Gaelic by Iain Crichton Smith. (Northern House Pamphlet Poets, 15). Newcastle upon Tyne: Northern House, 1971. 1977 MacLean, S. Reothairt is Contraigh: Taghadh de Dhàin 1932-72 /Spring tide and Neap tide: Selected Poems 1932-72. Edinburgh: Canongate, 1977. 1987 MacLean, S. Poems 1932-82. Philadelphia: Iona Foundation, 1987. 1989 MacLean, S. O Choille gu Bearradh / From Wood to Ridge: Collected Poems in Gaelic and English. Manchester: Carcanet, 1989. 1991 MacLean, S. O Choille gu Bearradh/ From Wood to Ridge: Collected Poems in Gaelic and English. London: Vintage, 1991. 1999 MacLean, S. Eimhir. Stornoway: Acair, 1999. MacLean, S. O Choille gu Bearradh/From Wood to Ridge: Collected Poems in Gaelic and in English translation. Manchester and Edinburgh: Carcanet/Birlinn, 1999. 2002 MacLean, S. Dàin do Eimhir/Poems to Eimhir, ed. Christopher Whyte. Glasgow: Association of Scottish Literary Studies, 2002. MacLean, S. Hallaig, translated by Seamus Heaney. Sleat: Urras Shomhairle, 2002. PROSE WRITINGS 1 1945 MacLean, S. ‘Bliain Shearlais – 1745’, Comar (Nollaig 1945). 1947 MacLean, S. ‘Aspects of Gaelic Poetry’ in Scottish Art and Letters, No. 3 (1947), 37. 1953 MacLean, S. ‘Am misgear agus an cluaran: A Drunk Man looks at the Thistle, by Hugh MacDiarmid’ in Gairm 6 (Winter 1953), 148.
    [Show full text]
  • Artymiuk, Anne
    UHI Thesis - pdf download summary Today's No Ground to Stand Upon A Study of the Life and Poetry of George Campbell Hay Artymiuk, Anne DOCTOR OF PHILOSOPHY (AWARDED BY OU/ABERDEEN) Award date: 2019 Awarding institution: The University of Edinburgh Link URL to thesis in UHI Research Database General rights and useage policy Copyright,IP and moral rights for the publications made accessible in the UHI Research Database are retained by the author, users must recognise and abide by the legal requirements associated with these rights. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement, or without prior permission from the author. Users may download and print one copy of any thesis from the UHI Research Database for the not-for-profit purpose of private study or research on the condition that: 1) The full text is not changed in any way 2) If citing, a bibliographic link is made to the metadata record on the the UHI Research Database 3) You may not further distribute the material or use it for any profit-making activity or commercial gain 4) You may freely distribute the URL identifying the publication in the UHI Research Database Take down policy If you believe that any data within this document represents a breach of copyright, confidence or data protection please contact us at [email protected] providing details; we will remove access to the work immediately and investigate your claim. Download date: 29. Sep. 2021 ‘Today’s No Ground to Stand Upon’: a Study of the Life and Poetry of George Campbell Hay Anne Artymiuk M.A.
    [Show full text]
  • RBWF Burns Chronicle Index
    A Directory To the Articles and Features Published in “The Burns Chronicle” 1892 – 2005 Compiled by Bill Dawson A “Merry Dint” Publication 2006 The Burns Chronicle commenced publication in 1892 to fulfill the ambitions of the recently formed Burns Federation for a vehicle for “narrating the Burnsiana events of the year” and to carry important articles on Burns Clubs and the developing Federation, along with contributions from “Burnessian scholars of prominence and recognized ability.” The lasting value of the research featured in the annual publication indicated the need for an index to these, indeed the 1908 edition carried the first listings, and in 1921, Mr. Albert Douglas of Washington, USA, produced an index to volumes 1 to 30 in “the hope that it will be found useful as a key to the treasures of the Chronicle” In 1935 the Federation produced an index to 1892 – 1925 [First Series: 34 Volumes] followed by one for the Second Series 1926 – 1945. I understand that from time to time the continuation of this index has been attempted but nothing has yet made it to general publication. I have long been an avid Chronicle collector, completing my first full set many years ago and using these volumes as my first resort when researching any specific topic or interest in Burns or Burnsiana. I used the early indexes and often felt the need for a continuation of these, or indeed for a complete index in a single volume, thereby starting my labour. I developed this idea into a guide categorized by topic to aid research into particular fields.
    [Show full text]
  • A Memorial Volume of St. Andrews University In
    DUPLICATE FROM THE UNIVERSITY LIBRARY, ST. ANDREWS, SCOTLAND. GIFT OF VOTIVA TABELLA H H H The Coats of Arms belong respectively to Alexander Stewart, natural son James Kennedy, Bishop of St of James IV, Archbishop of St Andrews 1440-1465, founder Andrews 1509-1513, and John Hepburn, Prior of St Andrews of St Salvator's College 1482-1522, cofounders of 1450 St Leonard's College 1512 The University- James Beaton, Archbishop of St Sir George Washington Andrews 1 522-1 539, who com- Baxter, menced the foundation of St grand-nephew and representative Mary's College 1537; Cardinal of Miss Mary Ann Baxter of David Beaton, Archbishop 1539- Balgavies, who founded 1546, who continued his brother's work, and John Hamilton, Arch- University College bishop 1 546-1 57 1, who com- Dundee in pleted the foundation 1880 1553 VOTIVA TABELLA A MEMORIAL VOLUME OF ST ANDREWS UNIVERSITY IN CONNECTION WITH ITS QUINCENTENARY FESTIVAL MDCCCCXI MCCCCXI iLVal Quo fit ut omnis Votiva pateat veluti descripta tabella Vita senis Horace PRINTED FOR THE UNIVERSITY BY ROBERT MACLEHOSE AND COMPANY LIMITED MCMXI GIF [ Presented by the University PREFACE This volume is intended primarily as a book of information about St Andrews University, to be placed in the hands of the distinguished guests who are coming from many lands to take part in our Quincentenary festival. It is accordingly in the main historical. In Part I the story is told of the beginning of the University and of its Colleges. Here it will be seen that the University was the work in the first instance of Churchmen unselfishly devoted to the improvement of their country, and manifesting by their acts that deep interest in education which long, before John Knox was born, lay in the heart of Scotland.
    [Show full text]
  • Representations of Scotland in Edwin Morgan's Poetry
    California State University, San Bernardino CSUSB ScholarWorks Theses Digitization Project John M. Pfau Library 2002 Representations of Scotland in Edwin Morgan's poetry Theresa Fernandez Mendoza-Kovich Follow this and additional works at: https://scholarworks.lib.csusb.edu/etd-project Part of the Literature in English, British Isles Commons Recommended Citation Mendoza-Kovich, Theresa Fernandez, "Representations of Scotland in Edwin Morgan's poetry" (2002). Theses Digitization Project. 2157. https://scholarworks.lib.csusb.edu/etd-project/2157 This Thesis is brought to you for free and open access by the John M. Pfau Library at CSUSB ScholarWorks. It has been accepted for inclusion in Theses Digitization Project by an authorized administrator of CSUSB ScholarWorks. For more information, please contact [email protected]. REPRESENTATIONS OF SCOTLAND IN EDWIN MORGAN'S POETRY A Thesis Presented to the Faculty of California State University, San Bernardino In Partial Fulfillment of the Requirements for the Degree Master of Arts in English Composition by Theresa Fernandez Mendoza-Kovich September 2002 REPRESENTATIONS OF SCOTLAND IN EDWIN MORGAN'S POETRY A Thesis Presented to the Faculty of California State University, San Bernardino by Theresa Fernandez Mendoza-Kovich September 2002 Approved by: Renee PrqSon, Chair, English Date Margarep Doane Cyrrchia Cotter ABSTRACT This thesis is an examination of the poetry of Edwin Morgan. It is a cultural analysis of Morgan's poetry as representation of the Scottish people. ' Morgan's poetry represents the Scottish people as determined and persistent in dealing with life's adversities while maintaining hope in a better future This hope, according to Morgan, is largely associated with the advent of technology and the more modern landscape of his native Glasgow.
    [Show full text]
  • Hugh Macdiarmid and Sorley Maclean: Modern Makars, Men of Letters
    Hugh MacDiarmid and Sorley MacLean: Modern Makars, Men of Letters by Susan Ruth Wilson B.A., University of Toronto, 1986 M.A., University of Victoria, 1994 A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY in the Department of English © Susan Ruth Wilson, 2007 University of Victoria All rights reserved. This dissertation may not be reproduced in whole or in part, by photo-copying or other means, without the permission of the author. ii Supervisory Committee Dr. Iain Higgins_(English)__________________________________________ _ Supervisor Dr. Tom Cleary_(English)____________________________________________ Departmental Member Dr. Eric Miller__(English)__________________________________________ __ Departmental Member Dr. Paul Wood_ (History)________________________________________ ____ Outside Member Dr. Ann Dooley_ (Celtic Studies) __________________________________ External Examiner ABSTRACT This dissertation, Hugh MacDiarmid and Sorley MacLean: Modern Makars, Men of Letters, transcribes and annotates 76 letters (65 hitherto unpublished), between MacDiarmid and MacLean. Four additional letters written by MacDiarmid’s second wife, Valda Grieve, to Sorley MacLean have also been included as they shed further light on the relationship which evolved between the two poets over the course of almost fifty years of friendship. These letters from Valda were archived with the unpublished correspondence from MacDiarmid which the Gaelic poet preserved. The critical introduction to the letters examines the significance of these poets’ literary collaboration in relation to the Scottish Renaissance and the Gaelic Literary Revival in Scotland, both movements following Ezra Pound’s Modernist maxim, “Make it new.” The first chapter, “Forging a Friendship”, situates the development of the men’s relationship in iii terms of each writer’s literary career, MacDiarmid already having achieved fame through his early lyrics and with the 1926 publication of A Drunk Man Looks at the Thistle when they first met.
    [Show full text]
  • Byron and the Scottish Literary Tradition Roderick S
    Studies in Scottish Literature Volume 14 | Issue 1 Article 16 1979 Byron and the Scottish Literary Tradition Roderick S. Speer Follow this and additional works at: https://scholarcommons.sc.edu/ssl Part of the English Language and Literature Commons Recommended Citation Speer, Roderick S. (1979) "Byron and the Scottish Literary Tradition," Studies in Scottish Literature: Vol. 14: Iss. 1. Available at: https://scholarcommons.sc.edu/ssl/vol14/iss1/16 This Article is brought to you by the Scottish Literature Collections at Scholar Commons. It has been accepted for inclusion in Studies in Scottish Literature by an authorized editor of Scholar Commons. For more information, please contact [email protected]. Roderick S. Speer Byron and the Scottish Literary 1radition It has been over forty years since T. S. Eliot proposed that we consider Byron as a Scottish poet. 1 Since then, anthologies of Scottish verse and histories of Scottish literature seldom neglect to mention, though always cursorily, Byron's rightful place in them. The anthologies typically make brief reference to Byron and explain that his work is so readily available else­ where it need be included in short samples or not at al1.2 An historian of the Scots tradition argues for Byron's Scottish­ ness but of course cannot treat a writer who did not use Scots. 3 This position at least disagrees with Edwin Muir's earlier ar­ gument that with the late eighteenth century passing of Scots from everyday to merely literary use, a Scottish literature of greatness had passed away.4 Kurt
    [Show full text]
  • View Clan Dhai Membership List, 1912
    The Clan Dhai Association forerunner of the current Clan Davidson Association, which re-formed in 1990 The Association of the Clan Dhai was formed in 1909 and soon gathered many Davidsons and their families as members. The Association published its membership list in 1912. It is this list which forms the basis of the information that we have shown below. Today, this early membership list forms an important part of our Clan Davidson Historical Archive. In recent years, we have been able to identify far more detail about many of the families included. Please do contact us if you believe your family was part of the membership at any time. Clan Badge of the Clan Dhai Example of a Clan Dhai Membership Certificate The Clan Dhai 1912 List of Members We have edited some details from this list to make it more readable and added a few portraits found in recent years. Postal Codes as we know them today did not exist in 1912. Ireland was still one entity as a country. * indicates names where we hold other historical information or portraits. Alaister Norman Godfrey Davidson* Cadogan Gdns, London Alan Herbert Davidson* Cranley Place London Alan John Davidson* Ridgway Place, Wimbledon, Surrey Alec Lloyd Davidson* Uxbridge Road, Shepherd’s Bush, London, Captain Alexander Davidson Caldew Bank, Cummersdale, 4th Battn. The Border Regt Alexander Davidson, FIC Colinton Road, Edinburgh Alexander Davidson* Ridgeway Place, Wimbledon, Surrey Dr Alexander Davidson* Appleby Magna, Atherstone Alexander Davidson Union Street, Aberdeen Alexander Davidson Rutland
    [Show full text]
  • Burns Chronicle 1895
    Robert BurnsLimited World Federation Limited www.rbwf.org.uk 1895 The digital conversion of this Burns Chronicle was sponsored by the Caledonian Society of Sheffield The digital conversion service was provided by DDSR Document Scanning by permission of the Robert Burns World Federation Limited to whom all Copyright title belongs. www.DDSR.com i&,teotton of Pat.ant o6.. TPade Map • Bl'aneh and Statlonen' Rall Regtatl'B.tlon. SPECIALTY IN WHISKY. "Jlnlb AS SUPPLIED TO THE BRITISH ROYAL COMMISSION, VICTORIA HOUSE, CHICAGO, AND LEADING CLUJIS AND MESSES IN L~DJA. As a Scotch Whisky there is nothing finer than " llul~ Scottie," made from the purest selected material, and blended with the greatest of care. Invalids requiring a genuine stimulant will find in " llul~ Scottie" Whisky one d the purest form. For Medicinal purposes it equals old Brandy. · The "LANCET1' says--" This Whisky contains 41 •75 per cent. of absolute alcohol, equal to 86·28 per cent. of proof spirit. The residue, dried at 100° C., amounts to 0·25 per cent. It is a well matured and excellent whisky." No hlghel' Medical Testimony ls enjoyed by any Bl'and. As a guarantee of the contents, every bottle is enveloped in wire and be&r11 the Proprietor's seal in lead, without which none is genuine. COLUJIBUN EXPOSITION, CHICAGO, 1808. UITBlUU.TIONil BXJIIBITlON, !JLASOOW, 1888. First Award at "World's Fair," Ohioago, For Purity of Quality, Superior Excellence, MellowneSB of Flavour and Highest Standard of Merit. Reffetered Proprietor: JAMES MENZIES, GLASGOW. res:-68 BATH "STREET. 1• ,_"_ ADVERTISEMENTS. ~~~~~~~~~~~~~~~~~~~~~~-~~~~~~ ,·:···-1 '1:0 the " Bul'ns Clubs " of Scotland.
    [Show full text]
  • 6 X 10.Long New.P65
    Cambridge University Press 978-0-521-13666-2 - English Romanticism and the Celtic World Edited by Gerard Carruthers and Alan Rawes Index More information Index Aaron, Jane 167 Bowles, William Lisle 106 Aeneas 25 Bradford, John 74 Alexander, Ian 165 Braveheart 163 Anderson, Benedict 15 Brigadoon 163 Ariosto 146, 147 Bristol 73 Arnold, Matthew 2, 8, 103 importance to British Empire 73 on classical Rome 2 Brutus 25 on Romanticism 2 Bryant, Jacob 54 Arthurian Revival; Arthurian legend A New System or, an Analysis of Ancient 43, 99 Mythology 90 Auden, W. H. 197 Bunting, Basil 197 Burke, Edmund 155, 191 Bacon, John 37 A Philosophical Enquiry into the Sublime Barbauld, Anna 18, 77 and the Beautiful 155 Baridon, Michael 156 Burnett, George 70 Barlow, Joel 80 Burney, Francis 18, 77 The Vision of Columbus: a Poem 80 Burns, Robert 5, 139 Beattie, James 5, 22 Coila 5 ‘The Minstrel’ 5, 163 as pre-Romantic 6 Beaumont, Sir George 98, 100 ‘The Vision’ 5 Beckett, Samuel 72 Burrell, Sir William 151 Bernhardt-Kabisch, Ernest 170 Butler, Marilyn 117 Betham, Sir William 216 Butler, Samuel 7 Black, G. F. 38 Butt, John 40 bibliography to Macpherson’s Ossian 38 The Oxford History of English Blair, Hugh 22, 47 Literature 40 Lectures on Rhetoric and Belles Lettres 155 Byron, George Gordon 7, 11, 19, 42, 154 on oral poetry 22 ‘Address intended to be recited at the Blake, William 6, 15, 41, 42, 54, 61, 94, 198 Caledonian Meeting’ 114 America 57 ‘The Adieu. written under the ‘Ancient Britons’ 54 impression that the author would soon and ‘Britain’ as concept 55–6,
    [Show full text]
  • The Landscapes of Scotland 21 Speyside
    The Landscapes of Scotland Descriptions 21 - 30 21 Speyside 22 Ladder and Cromdale Hills 23 Gordon and Garioch 24 Small Isles and Ardamurchan 25 Morar and Knoydart 26 Laggan and Ben Alder 27 Drumochter 28 Cairngorm Massif 29 Upper Deeside 30 Deeside and Donside 21 Speyside Description This is a long, wide and varied strath containing wetlands, woodland, farmland, and settlements. Distinctive Caledonian pine and birch woods extend uphill, giving way to open moorland on the higher adjacent hills. The valley forms a major north-south transport corridor: road and rail routes, and busy settlements, contrast with the tranquillity of the river and hills. Prehistoric settlement remains are common, and some military structures such as Ruthven barracks, are still prominent. The architectural character is predominantly mid to late 18 th century, as a result of improvements in agriculture and the opening of the railway from Perth to Aviemore in 1863. Distilleries form frequent landmarks amongst the settlements and steadings. Key technical information sources Selected creative associations LCA: Cairngorms (Report No 75) Music [Moray & Nairn small part] Haughs of Cromdale (traditional) NHF: North East Coast (12) HLA: XX Naismith - Buildings of the Scottish Countryside pp 188-191, 191-195 1 The Landscapes of Scotland 22 Ladder and Cromdale Hills Description This range of moorland hills forms simple skylines when viewed from the intervening glens. They seem large until compared to the Cairngorm Mountains immediately to the south. The uplands are heather-clad and managed for grouse. Now sparsely populated, the remains of shielings are scattered on the hills, demonstrating the importance of transhumance to past communities.
    [Show full text]
  • Of the Life and Works Lord Byron
    OF THE LIFE AND WORKS L O R D B Y R O N . W IT H ORI GI NAL AND S EL ECT E D IN FOR MATION ON TH E SUBJECTS OF THE E NGR AVI NG S W B R O C . K E D O N , M E M BER O F THE ACADE M IES OF FINE ARTS AT FLORENCE AND AT RO M E ; ” A UTHO R o r THE PAS S ES OF THE AL PS & c . ! , VOL . I . L O N D O N A L B E M AR L E T J O HN M URR AY, S R EET SOLD ALSO B Y R S TI T F T STR T . CHA LE L , LEE EE L O N D O N - A LE ar m r m LEIC E ER UA R E . m oyx s C J , ST , ST S! A DV E R T I S E M E N T. IT has been thou ht desir ab e in m ak n u g l , i g p the fir st Eight Num ber s of these Lan dsc ap e an d Por tr ait Illustr ation s of LORD B YRON in to a Vo um e to ar r an e them in a m an n er ess de l , g l sultor ythan was th e unavoidable or der of the ir ub ication an d to accom an the P ate s with p l , p y l n ts of th e sub e t of the En r avin s fr om acc ou j c s g g , m i en ce n fr m or i n a ur e author s of e n a d o gi l so c s.
    [Show full text]