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Angeletti, Gioia (1997) Scottish Eccentrics: the Tradition of Otherness in Scottish Poetry from Hogg to Macdiarmid
Angeletti, Gioia (1997) Scottish eccentrics: the tradition of otherness in Scottish poetry from Hogg to MacDiarmid. PhD thesis. http://theses.gla.ac.uk/2552/ Copyright and moral rights for this thesis are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Glasgow Theses Service http://theses.gla.ac.uk/ [email protected] SCOTTISH ECCENTRICS: THE TRADITION OF OTHERNESS IN SCOTTISH POETRY FROM HOGG TO MACDIARMID by Gioia Angeletti 2 VOLUMES VOLUME I Thesis submitted for the degreeof PhD Department of Scottish Literature Facultyof Arts, Universityof Glasgow,October 1997 ý'i ý'"'ý# '; iý "ý ý'; ý y' ý': ' i ý., ý, Fý ABSTRACT This study attempts to modify the received opinion that Scottish poetry of the nineteenth-centuryfailed to build on the achievementsof the century (and centuries) before. Rather it suggeststhat a number of significant poets emerged in the period who represent an ongoing clearly Scottish tradition, characterised by protean identities and eccentricity, which leads on to MacDiarmid and the `Scottish Renaissance'of the twentieth century. The work of the poets in question is thus seen as marked by recurring linguistic, stylistic and thematic eccentricities which are often radical and subversive. -
Byron and the Scottish Literary Tradition Roderick S
Studies in Scottish Literature Volume 14 | Issue 1 Article 16 1979 Byron and the Scottish Literary Tradition Roderick S. Speer Follow this and additional works at: https://scholarcommons.sc.edu/ssl Part of the English Language and Literature Commons Recommended Citation Speer, Roderick S. (1979) "Byron and the Scottish Literary Tradition," Studies in Scottish Literature: Vol. 14: Iss. 1. Available at: https://scholarcommons.sc.edu/ssl/vol14/iss1/16 This Article is brought to you by the Scottish Literature Collections at Scholar Commons. It has been accepted for inclusion in Studies in Scottish Literature by an authorized editor of Scholar Commons. For more information, please contact [email protected]. Roderick S. Speer Byron and the Scottish Literary 1radition It has been over forty years since T. S. Eliot proposed that we consider Byron as a Scottish poet. 1 Since then, anthologies of Scottish verse and histories of Scottish literature seldom neglect to mention, though always cursorily, Byron's rightful place in them. The anthologies typically make brief reference to Byron and explain that his work is so readily available else where it need be included in short samples or not at al1.2 An historian of the Scots tradition argues for Byron's Scottish ness but of course cannot treat a writer who did not use Scots. 3 This position at least disagrees with Edwin Muir's earlier ar gument that with the late eighteenth century passing of Scots from everyday to merely literary use, a Scottish literature of greatness had passed away.4 Kurt -
Sir Walter Scott's Templar Construct
Copyright is owned by the Author of the thesis. Permission is given for a copy to be downloaded by an individual for the purpose of research and private study only. The thesis may not be reproduced elsewhere without the permission of the Author. SIR WALTER SCOTT’S TEMPLAR CONSTRUCT – A STUDY OF CONTEMPORARY INFLUENCES ON HISTORICAL PERCEPTIONS. A THESIS PRESENTED IN FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN HISTORY AT MASSEY UNIVERSITY, EXTRAMURAL, NEW ZEALAND. JANE HELEN WOODGER 2017 1 ABSTRACT Sir Walter Scott was a writer of historical fiction, but how accurate are his portrayals? The novels Ivanhoe and Talisman both feature Templars as the antagonists. Scott’s works display he had a fundamental knowledge of the Order and their fall. However, the novels are fiction, and the accuracy of some of the author’s depictions are questionable. As a result, the novels are more representative of events and thinking of the early nineteenth century than any other period. The main theme in both novels is the importance of unity and illustrating the destructive nature of any division. The protagonists unify under the banner of King Richard and the Templars pursue a course of independence. Scott’s works also helped to formulate notions of Scottish identity, Freemasonry (and their alleged forbearers the Templars) and Victorian behaviours. However, Scott’s image is only one of a long history of Templars featuring in literature over the centuries. Like Scott, the previous renditions of the Templars are more illustrations of the contemporary than historical accounts. One matter for unease in the early 1800s was religion and Catholic Emancipation. -
The Arthurian Legend in British Women's Writing, 1775–1845
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Online Research @ Cardiff Avalon Recovered: The Arthurian Legend in British Women’s Writing, 1775–1845 Katie Louise Garner B.A. (Cardiff); M.A. (Cardiff) A thesis submitted in partial fulfilment of the requirements for the award of Doctor of Philosophy School of English, Communication and Philosophy Cardiff University September 2012 Declaration This work has not been submitted in substance for any other degree or award at this or any other university or place of learning, nor is being submitted concurrently in candidature for any degree or other award. Signed ………………………………………… (candidate) Date ……………………… STATEMENT 1 This thesis is being submitted in partial fulfilment of the requirements for the degree of PhD. Signed ………………………………………… (candidate) Date ……………………… STATEMENT 2 This thesis is the result of my own independent work/investigation, except where otherwise stated. Other sources are acknowledged by explicit references. The views expressed are my own. Signed ………………………………………… (candidate) Date ……………………… STATEMENT 3 I hereby give consent for my thesis, if accepted, to be available for photocopying and for inter-library loan, and for the title and summary to be made available to outside organisations. Signed ………………………………………… (candidate) Date………………………… STATEMENT 4: PREVIOUSLY APPROVED BAR ON ACCESS I hereby give consent for my thesis, if accepted, to be available for photocopying and for inter-library loans after expiry of a bar on access previously approved by the Academic Standards & Quality Committee. Signed ………………………………………… (candidate) Date………………………… Acknowledgements First thanks are due to my supervisors, Jane Moore and Becky Munford, for their unceasing assistance, intellectual generosity, and support throughout my doctoral studies. -
Unit 4 BRITISH LITERATURE LIFEPAC 4 the NINETEENTH CENTURY (1798–1900) CONTENTS I
Unit 4 BRITISH LITERATURE LIFEPAC 4 THE NINETEENTH CENTURY (1798–1900) CONTENTS I. THE ROMANTIC ERA • • • • • • • • • • • • • • • • • • • • • • • 1 INTRODUCTION • • • • • • • • • • • • • • • • • • • • • • • • • • 1 William Blake • • • • • • • • • • • • • • • • • • • • • • • • • • • • 5 William Wordsworth • • • • • • • • • • • • • • • • • • • • • • • 9 Samuel Taylor Coleridge • • • • • • • • • • • • • • • • • • • • 14 Sir Walter Scott • • • • • • • • • • • • • • • • • • • • • • • • • • 26 II. THE LATE ROMANTIC ERA • • • • • • • • • • • • • • • • • • • 40 Jane Austen • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 40 Charles Lamb • • • • • • • • • • • • • • • • • • • • • • • • • • • • 47 George Gordon–Lord Byron • • • • • • • • • • • • • • • • • • 52 Percy Bysshe Shelley • • • • • • • • • • • • • • • • • • • • • • 58 John Keats • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 63 III. THE VICTORIAN ERA • • • • • • • • • • • • • • • • • • • • • • • 71 INTRODUCTION • • • • • • • • • • • • • • • • • • • • • • • • • • 71 Thomas Carlyle • • • • • • • • • • • • • • • • • • • • • • • • • • • 75 John Henry Cardinal Newman • • • • • • • • • • • • • • • • 80 Alfred, Lord Tennyson • • • • • • • • • • • • • • • • • • • • • • 84 Charles John Huffman Dickens • • • • • • • • • • • • • • • • 90 Robert Browning • • • • • • • • • • • • • • • • • • • • • • • • • 100 George Eliot (Mary Ann Evans) • • • • • • • • • • • • • • • 103 Oscar Wilde • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 109 Lewis Carroll (Charles Lutwidge Dodgson) -
The Landscapes of Scotland 21 Speyside
The Landscapes of Scotland Descriptions 21 - 30 21 Speyside 22 Ladder and Cromdale Hills 23 Gordon and Garioch 24 Small Isles and Ardamurchan 25 Morar and Knoydart 26 Laggan and Ben Alder 27 Drumochter 28 Cairngorm Massif 29 Upper Deeside 30 Deeside and Donside 21 Speyside Description This is a long, wide and varied strath containing wetlands, woodland, farmland, and settlements. Distinctive Caledonian pine and birch woods extend uphill, giving way to open moorland on the higher adjacent hills. The valley forms a major north-south transport corridor: road and rail routes, and busy settlements, contrast with the tranquillity of the river and hills. Prehistoric settlement remains are common, and some military structures such as Ruthven barracks, are still prominent. The architectural character is predominantly mid to late 18 th century, as a result of improvements in agriculture and the opening of the railway from Perth to Aviemore in 1863. Distilleries form frequent landmarks amongst the settlements and steadings. Key technical information sources Selected creative associations LCA: Cairngorms (Report No 75) Music [Moray & Nairn small part] Haughs of Cromdale (traditional) NHF: North East Coast (12) HLA: XX Naismith - Buildings of the Scottish Countryside pp 188-191, 191-195 1 The Landscapes of Scotland 22 Ladder and Cromdale Hills Description This range of moorland hills forms simple skylines when viewed from the intervening glens. They seem large until compared to the Cairngorm Mountains immediately to the south. The uplands are heather-clad and managed for grouse. Now sparsely populated, the remains of shielings are scattered on the hills, demonstrating the importance of transhumance to past communities. -
Of the Life and Works Lord Byron
OF THE LIFE AND WORKS L O R D B Y R O N . W IT H ORI GI NAL AND S EL ECT E D IN FOR MATION ON TH E SUBJECTS OF THE E NGR AVI NG S W B R O C . K E D O N , M E M BER O F THE ACADE M IES OF FINE ARTS AT FLORENCE AND AT RO M E ; ” A UTHO R o r THE PAS S ES OF THE AL PS & c . ! , VOL . I . L O N D O N A L B E M AR L E T J O HN M URR AY, S R EET SOLD ALSO B Y R S TI T F T STR T . CHA LE L , LEE EE L O N D O N - A LE ar m r m LEIC E ER UA R E . m oyx s C J , ST , ST S! A DV E R T I S E M E N T. IT has been thou ht desir ab e in m ak n u g l , i g p the fir st Eight Num ber s of these Lan dsc ap e an d Por tr ait Illustr ation s of LORD B YRON in to a Vo um e to ar r an e them in a m an n er ess de l , g l sultor ythan was th e unavoidable or der of the ir ub ication an d to accom an the P ate s with p l , p y l n ts of th e sub e t of the En r avin s fr om acc ou j c s g g , m i en ce n fr m or i n a ur e author s of e n a d o gi l so c s. -
Sir Walter Scott - Poems
Classic Poetry Series Sir Walter Scott - poems - Publication Date: 2004 Publisher: Poemhunter.com - The World's Poetry Archive Sir Walter Scott(1771-1832) Walter Scott, born in College Wynd, Edinburgh, was the son of a lawyer. Educated first at Edinburgh High School and then University he was apprenticed to his father and called to the bar in 1792. An avid reader of poetry, history, drama and romances, the young Scott read widely in Italian, Spanish, Latin and German. In his twenties he was influenced particularly by the German Romantics and his first published works were translations of G.A. Bürger and Goethe. These were followed by the collections of border ballads and the narrative poems, written between 1805 and 1815, that first made him famous. By by this time he had also married Margaret Charlotte Charpenter, of a French Royalist family, and became sheriff-deputy of Selkirkshire, in 1797 and 1799 respectively. In 1809 Scott became partners with John Ballanytne in a book-selling business and also, as an ardent political conservative, helped to found the Tory 'Quarterly Review'. In 1811 he built a residence at Abbotsford on the Tweed. By 1815, beginning to feel eclipsed as a poet by Byron, he turned to the novel form for which he is now chiefly famous. A vast number of these were published, anonymously, over approximately the next fifteen years. In 1820 Scott was made a baronet and seven years later, in 1827, he first gave his name to his works. However, in 1826 the book-selling business became involved in the bankruptcy of another company, leaving Scott with debts of approximately £114,000. -
Cultural Perspectives on Lord Byron's Image in Brazilian Romanticism
Brigham Young University BYU ScholarsArchive Theses and Dissertations 2005-03-18 The Byronic Myth in Brazil: Cultural Perspectives on Lord Byron's Image in Brazilian Romanticism Matthew Lorin Squires Brigham Young University - Provo Follow this and additional works at: https://scholarsarchive.byu.edu/etd Part of the English Language and Literature Commons BYU ScholarsArchive Citation Squires, Matthew Lorin, "The Byronic Myth in Brazil: Cultural Perspectives on Lord Byron's Image in Brazilian Romanticism" (2005). Theses and Dissertations. 289. https://scholarsarchive.byu.edu/etd/289 This Thesis is brought to you for free and open access by BYU ScholarsArchive. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. THE BYRONIC MYTH IN BRAZIL: CULTURAL PERSPECTIVES ON LORD BYRON’S IMAGE IN BRAZILIAN ROMANTICISM by Matthew Lorin Squires A thesis submitted to the faculty of Brigham Young University in partial fulfillment of the requirements for the degree of Master of Arts Department of English Brigham Young University April 2005 BRIGHAM YOUNG UNIVERSITY GRADUATE COMMITTEE APPROVAL of a thesis submitted by Matthew Lorin Squires This thesis has been read by each member of the following graduate committee and by majority vote has been found to be satisfactory. ________________________ ____________________________________ Date Nicholas Mason, Chair ________________________ ____________________________________ -
Croftangry's Castle and the House of Usher: Scott
Studies in Scottish Literature Volume 44 Article 14 Issue 2 Reworking Walter Scott 12-31-2018 Croftangry’s Castle and the House of Usher: Scott, Poe, and ‘Decayed and lingering exotics’ George S. Williams Concord University Follow this and additional works at: https://scholarcommons.sc.edu/ssl Part of the Literature in English, British Isles Commons, and the Literature in English, North America Commons Recommended Citation Williams, George S. (2019) "Croftangry’s Castle and the House of Usher: Scott, Poe, and ‘Decayed and lingering exotics’," Studies in Scottish Literature: Vol. 44: Iss. 2, 142–151. Available at: https://scholarcommons.sc.edu/ssl/vol44/iss2/14 This Article is brought to you by the Scottish Literature Collections at Scholar Commons. It has been accepted for inclusion in Studies in Scottish Literature by an authorized editor of Scholar Commons. For more information, please contact [email protected]. CROFTANGRY’S CASTLE AND THE HOUSE OF USHER: SCOTT, POE, AND “DECAYED AND LINGERING EXOTICS” George S. Williams The final paragraph of Poe’s short story “The Fall of the House of Usher” (1839) leaves the reader with a vivid image of the Usher house crumbling and sinking into “the deep and dank tarn.”1 It is a dramatic scene, underscoring the end, not only of the physical house, but also of the Usher family name and, indeed, of the story itself. Jeffrey Savoye has argued that one of Poe’s sources for the scene was Scott’s Minstrelsy of the Scottish Border.2 Scott’s introductory note on the modern ballad “Lord Soulis,” by John Leyden, describes the Borders Castle of Hermitage, which, unable to support the load of iniquity which had long been accumulating within its walls, is supposed to have partially sunk beneath the ground; and its ruins are regarded by the peasants with pecular aversion and terror.3 In addition to the specific source posited by Savoye, Poe’s story also has a deeper kinship with other Scott texts. -
Walter Scott, James Hogg and Uncanny Testimony: Questions of Evidence and Authority Deirdre A
Walter Scott, James Hogg and Uncanny Testimony: Questions of Evidence and Authority Deirdre A. M. Shepherd PhD – The University of Edinburgh – 2009 Contents Preface i Acknowledgements ii Abstract iii Chapter One: Opening the Debate, 1790-1810 1 1.1 Walter Scott, James Hogg and Literary Friendship 8 1.2 The Uncanny 10 1.3 The Supernatural in Scotland 14 1.4 The Minstrelsy of the Scottish Border, 1802-3, The Lay of the Last Minstrel, 1805, and The Mountain Bard, 1807 20 1.5 Testimony, Evidence and Authority 32 Chapter Two: Experimental Hogg: Exploring the Field, 1810-1820 42 2.1 The Highlands and Hogg: literary apprentice 42 2.2 Nineteenth-Century Edinburgh: ‘Improvement’, Periodicals and ‘Polite’ Culture 52 2.3 The Spy, 1810 –1811 57 2.4 The Brownie of Bodsbeck, 1818 62 2.5 Winter Evening Tales, 1820 72 Chapter Three: Scott and the Novel, 1810-1820 82 3.1 Before Novels: Poetry and the Supernatural 82 3.2 Second Sight and Waverley, 1814 88 3.3 Astrology and Witchcraft in Guy Mannering, 1815 97 3.4 Prophecy and The Bride of Lammermoor, 1819 108 Chapter Four: Medieval Material, 1819-1822 119 4.1 The Medieval Supernatural: Politics, Religion and Magic 119 4.2 Ivanhoe, 1820 126 4.3 The Monastery, 1820 135 4.4 The Three Perils of Man, 1822 140 Chapter Five: Writing and Authority, 1822-1830 149 5.1 Divinity Matters: Election and the Supernatural 149 5.2 Redgauntlet, 1824 154 5.3 The Private Memoirs and Confessions of a Justified Sinner, 1824 163 Chapter Six: Scott: Reviewing the Fragments of Belief, 1824-1830 174 6.1 In Pursuit of the Supernatural 174 6.2 ‘My Aunt Margaret’s Mirror’ and ‘The Tapestried Chamber’ in The Keepsake, 1828 178 6.3 Letters on Demonology and Witchcraft, addressed to J. -
Partment), for Helping the Journal Stave Off Scholarly Extinction
Spring 2007 Volume VIII, Number 1 CONTENTS ESSAYS, AN INTERVIEW, AND A POEM A Poe Taster Daniel Hoffman 7 A Poe Death Dossier: Discoveries and Queries in the Death of Edgar Allan Poe Matthew Pearl 8 Politian’s Significance for Early American Drama Amy Branam 32 Sensibility, Phrenology, and “The Fall of the House of Usher” Brett Zimmerman 47 Interview with Benjamin Franklin Fisher IV Barbara Cantalupo 57 Sinking Under Iniquity Jeffrey A. Savoye 70 REVIEWS Lynda Walsh. Sins Against Science: The Scientific Media Hoaxes of Poe, Twain, and Others. Martha A. Turner 75 2 Bruce Mills. Poe, Fuller, and the Mesmeric Arts: Transition States in the American Renaissance. Adam Frank 82 Benjamin F. Fisher, Editor. Masques, Mysteries, and Mastodons: A Poe Miscellany. Thomas Bonner, Jr. 85 Harold Schechter. The Tell-Tale Corpse: An Edgar Allan Poe Mystery. Paul Jones 88 FEATURES Poe in Cyberspace by Heyward Ehrlich 91 Abstracts for PSA’s ALA Sessions 97 PSA Matters 103 In Memorial 105 Notes on Contributors 107 3 Letters from the Editors From Peter Norberg: Serving as coeditor of the Poe Review has been a rewarding experience both professionally and personally. I am grateful for the support we have received from Saint Joseph’s University and would like to thank Timothy R. Lannon, President, Brice Wachterhauser, Provost, and William Madges, Dean of the College of Arts and Sciences, for their financial support and their commitment to scholarship in the humanities. I would also like to thank the officers of the Poe Studies Association, especially Paul C. Jones, Secretary-Treasurer, for his competent oversight of our budget and subscriptions, and Scott Peeples, President, for his thoughtful management of the transition of the Review back to the editorial stewardship of Barbara Cantalupo and Penn State University.