Croftangry's Castle and the House of Usher: Scott
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Sir Walter Scott's Templar Construct
Copyright is owned by the Author of the thesis. Permission is given for a copy to be downloaded by an individual for the purpose of research and private study only. The thesis may not be reproduced elsewhere without the permission of the Author. SIR WALTER SCOTT’S TEMPLAR CONSTRUCT – A STUDY OF CONTEMPORARY INFLUENCES ON HISTORICAL PERCEPTIONS. A THESIS PRESENTED IN FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN HISTORY AT MASSEY UNIVERSITY, EXTRAMURAL, NEW ZEALAND. JANE HELEN WOODGER 2017 1 ABSTRACT Sir Walter Scott was a writer of historical fiction, but how accurate are his portrayals? The novels Ivanhoe and Talisman both feature Templars as the antagonists. Scott’s works display he had a fundamental knowledge of the Order and their fall. However, the novels are fiction, and the accuracy of some of the author’s depictions are questionable. As a result, the novels are more representative of events and thinking of the early nineteenth century than any other period. The main theme in both novels is the importance of unity and illustrating the destructive nature of any division. The protagonists unify under the banner of King Richard and the Templars pursue a course of independence. Scott’s works also helped to formulate notions of Scottish identity, Freemasonry (and their alleged forbearers the Templars) and Victorian behaviours. However, Scott’s image is only one of a long history of Templars featuring in literature over the centuries. Like Scott, the previous renditions of the Templars are more illustrations of the contemporary than historical accounts. One matter for unease in the early 1800s was religion and Catholic Emancipation. -
The Arthurian Legend in British Women's Writing, 1775–1845
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Online Research @ Cardiff Avalon Recovered: The Arthurian Legend in British Women’s Writing, 1775–1845 Katie Louise Garner B.A. (Cardiff); M.A. (Cardiff) A thesis submitted in partial fulfilment of the requirements for the award of Doctor of Philosophy School of English, Communication and Philosophy Cardiff University September 2012 Declaration This work has not been submitted in substance for any other degree or award at this or any other university or place of learning, nor is being submitted concurrently in candidature for any degree or other award. Signed ………………………………………… (candidate) Date ……………………… STATEMENT 1 This thesis is being submitted in partial fulfilment of the requirements for the degree of PhD. Signed ………………………………………… (candidate) Date ……………………… STATEMENT 2 This thesis is the result of my own independent work/investigation, except where otherwise stated. Other sources are acknowledged by explicit references. The views expressed are my own. Signed ………………………………………… (candidate) Date ……………………… STATEMENT 3 I hereby give consent for my thesis, if accepted, to be available for photocopying and for inter-library loan, and for the title and summary to be made available to outside organisations. Signed ………………………………………… (candidate) Date………………………… STATEMENT 4: PREVIOUSLY APPROVED BAR ON ACCESS I hereby give consent for my thesis, if accepted, to be available for photocopying and for inter-library loans after expiry of a bar on access previously approved by the Academic Standards & Quality Committee. Signed ………………………………………… (candidate) Date………………………… Acknowledgements First thanks are due to my supervisors, Jane Moore and Becky Munford, for their unceasing assistance, intellectual generosity, and support throughout my doctoral studies. -
Unit 4 BRITISH LITERATURE LIFEPAC 4 the NINETEENTH CENTURY (1798–1900) CONTENTS I
Unit 4 BRITISH LITERATURE LIFEPAC 4 THE NINETEENTH CENTURY (1798–1900) CONTENTS I. THE ROMANTIC ERA • • • • • • • • • • • • • • • • • • • • • • • 1 INTRODUCTION • • • • • • • • • • • • • • • • • • • • • • • • • • 1 William Blake • • • • • • • • • • • • • • • • • • • • • • • • • • • • 5 William Wordsworth • • • • • • • • • • • • • • • • • • • • • • • 9 Samuel Taylor Coleridge • • • • • • • • • • • • • • • • • • • • 14 Sir Walter Scott • • • • • • • • • • • • • • • • • • • • • • • • • • 26 II. THE LATE ROMANTIC ERA • • • • • • • • • • • • • • • • • • • 40 Jane Austen • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 40 Charles Lamb • • • • • • • • • • • • • • • • • • • • • • • • • • • • 47 George Gordon–Lord Byron • • • • • • • • • • • • • • • • • • 52 Percy Bysshe Shelley • • • • • • • • • • • • • • • • • • • • • • 58 John Keats • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 63 III. THE VICTORIAN ERA • • • • • • • • • • • • • • • • • • • • • • • 71 INTRODUCTION • • • • • • • • • • • • • • • • • • • • • • • • • • 71 Thomas Carlyle • • • • • • • • • • • • • • • • • • • • • • • • • • • 75 John Henry Cardinal Newman • • • • • • • • • • • • • • • • 80 Alfred, Lord Tennyson • • • • • • • • • • • • • • • • • • • • • • 84 Charles John Huffman Dickens • • • • • • • • • • • • • • • • 90 Robert Browning • • • • • • • • • • • • • • • • • • • • • • • • • 100 George Eliot (Mary Ann Evans) • • • • • • • • • • • • • • • 103 Oscar Wilde • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 109 Lewis Carroll (Charles Lutwidge Dodgson) -
6 X 10.Long New.P65
Cambridge University Press 978-0-521-13666-2 - English Romanticism and the Celtic World Edited by Gerard Carruthers and Alan Rawes Index More information Index Aaron, Jane 167 Bowles, William Lisle 106 Aeneas 25 Bradford, John 74 Alexander, Ian 165 Braveheart 163 Anderson, Benedict 15 Brigadoon 163 Ariosto 146, 147 Bristol 73 Arnold, Matthew 2, 8, 103 importance to British Empire 73 on classical Rome 2 Brutus 25 on Romanticism 2 Bryant, Jacob 54 Arthurian Revival; Arthurian legend A New System or, an Analysis of Ancient 43, 99 Mythology 90 Auden, W. H. 197 Bunting, Basil 197 Burke, Edmund 155, 191 Bacon, John 37 A Philosophical Enquiry into the Sublime Barbauld, Anna 18, 77 and the Beautiful 155 Baridon, Michael 156 Burnett, George 70 Barlow, Joel 80 Burney, Francis 18, 77 The Vision of Columbus: a Poem 80 Burns, Robert 5, 139 Beattie, James 5, 22 Coila 5 ‘The Minstrel’ 5, 163 as pre-Romantic 6 Beaumont, Sir George 98, 100 ‘The Vision’ 5 Beckett, Samuel 72 Burrell, Sir William 151 Bernhardt-Kabisch, Ernest 170 Butler, Marilyn 117 Betham, Sir William 216 Butler, Samuel 7 Black, G. F. 38 Butt, John 40 bibliography to Macpherson’s Ossian 38 The Oxford History of English Blair, Hugh 22, 47 Literature 40 Lectures on Rhetoric and Belles Lettres 155 Byron, George Gordon 7, 11, 19, 42, 154 on oral poetry 22 ‘Address intended to be recited at the Blake, William 6, 15, 41, 42, 54, 61, 94, 198 Caledonian Meeting’ 114 America 57 ‘The Adieu. written under the ‘Ancient Britons’ 54 impression that the author would soon and ‘Britain’ as concept 55–6, -
Sir Walter Scott - Poems
Classic Poetry Series Sir Walter Scott - poems - Publication Date: 2004 Publisher: Poemhunter.com - The World's Poetry Archive Sir Walter Scott(1771-1832) Walter Scott, born in College Wynd, Edinburgh, was the son of a lawyer. Educated first at Edinburgh High School and then University he was apprenticed to his father and called to the bar in 1792. An avid reader of poetry, history, drama and romances, the young Scott read widely in Italian, Spanish, Latin and German. In his twenties he was influenced particularly by the German Romantics and his first published works were translations of G.A. Bürger and Goethe. These were followed by the collections of border ballads and the narrative poems, written between 1805 and 1815, that first made him famous. By by this time he had also married Margaret Charlotte Charpenter, of a French Royalist family, and became sheriff-deputy of Selkirkshire, in 1797 and 1799 respectively. In 1809 Scott became partners with John Ballanytne in a book-selling business and also, as an ardent political conservative, helped to found the Tory 'Quarterly Review'. In 1811 he built a residence at Abbotsford on the Tweed. By 1815, beginning to feel eclipsed as a poet by Byron, he turned to the novel form for which he is now chiefly famous. A vast number of these were published, anonymously, over approximately the next fifteen years. In 1820 Scott was made a baronet and seven years later, in 1827, he first gave his name to his works. However, in 1826 the book-selling business became involved in the bankruptcy of another company, leaving Scott with debts of approximately £114,000. -
Readings from Sir Walter Scott. the Talisman, Ivanhoe, Anne of Geierstein, and Marmion
[PDF] Readings from Sir Walter Scott. the Talisman, Ivanhoe, Anne of Geierstein, and Marmion. with Notes,... Readings from Sir Walter Scott. the Talisman, Ivanhoe, Anne of Geierstein, and Marmion. with Notes, C (Hardback) Book Review A must buy book if you need to adding benefit. This really is for all those who statte that there had not been a really worth looking at. Your daily life period will likely be change when you complete reading this publication. (V eronica Hauck DV M) REA DINGS FROM SIR WA LTER SCOTT. THE TA LISMA N, IVA NHOE, A NNE OF GEIERSTEIN, A ND MA RMION. W ITH NOTES, C (HA RDBA CK) - To get Reading s from Sir Walter Scott. the Talisman, Ivanhoe, A nne of Geierstein, and Marmion. with Notes, C (Hardback) eBook, please refer to the web link under and save the document or have access to other information which might be related to Readings from Sir Walter Scott. the Talisman, Ivanhoe, Anne of Geierstein, and Marmion. with Notes, C (Hardback) book. » Download Reading s from Sir W alter Scott. the Talisman, Ivanhoe, A nne of Geierstein, and Marmion. with Notes, C (Hardback) PDF « Our solutions was launched using a wish to function as a complete online electronic digital library that provides access to multitude of PDF file document catalog. You could find many different types of e-guide as well as other literatures from my papers database. Specific popular subjects that distributed on our catalog are popular books, answer key, examination test questions and answer, guideline example, exercise manual, quiz trial, consumer guidebook, consumer manual, support instruction, maintenance guide, etc. -
Walter Scott, James Hogg and Uncanny Testimony: Questions of Evidence and Authority Deirdre A
Walter Scott, James Hogg and Uncanny Testimony: Questions of Evidence and Authority Deirdre A. M. Shepherd PhD – The University of Edinburgh – 2009 Contents Preface i Acknowledgements ii Abstract iii Chapter One: Opening the Debate, 1790-1810 1 1.1 Walter Scott, James Hogg and Literary Friendship 8 1.2 The Uncanny 10 1.3 The Supernatural in Scotland 14 1.4 The Minstrelsy of the Scottish Border, 1802-3, The Lay of the Last Minstrel, 1805, and The Mountain Bard, 1807 20 1.5 Testimony, Evidence and Authority 32 Chapter Two: Experimental Hogg: Exploring the Field, 1810-1820 42 2.1 The Highlands and Hogg: literary apprentice 42 2.2 Nineteenth-Century Edinburgh: ‘Improvement’, Periodicals and ‘Polite’ Culture 52 2.3 The Spy, 1810 –1811 57 2.4 The Brownie of Bodsbeck, 1818 62 2.5 Winter Evening Tales, 1820 72 Chapter Three: Scott and the Novel, 1810-1820 82 3.1 Before Novels: Poetry and the Supernatural 82 3.2 Second Sight and Waverley, 1814 88 3.3 Astrology and Witchcraft in Guy Mannering, 1815 97 3.4 Prophecy and The Bride of Lammermoor, 1819 108 Chapter Four: Medieval Material, 1819-1822 119 4.1 The Medieval Supernatural: Politics, Religion and Magic 119 4.2 Ivanhoe, 1820 126 4.3 The Monastery, 1820 135 4.4 The Three Perils of Man, 1822 140 Chapter Five: Writing and Authority, 1822-1830 149 5.1 Divinity Matters: Election and the Supernatural 149 5.2 Redgauntlet, 1824 154 5.3 The Private Memoirs and Confessions of a Justified Sinner, 1824 163 Chapter Six: Scott: Reviewing the Fragments of Belief, 1824-1830 174 6.1 In Pursuit of the Supernatural 174 6.2 ‘My Aunt Margaret’s Mirror’ and ‘The Tapestried Chamber’ in The Keepsake, 1828 178 6.3 Letters on Demonology and Witchcraft, addressed to J. -
Partment), for Helping the Journal Stave Off Scholarly Extinction
Spring 2007 Volume VIII, Number 1 CONTENTS ESSAYS, AN INTERVIEW, AND A POEM A Poe Taster Daniel Hoffman 7 A Poe Death Dossier: Discoveries and Queries in the Death of Edgar Allan Poe Matthew Pearl 8 Politian’s Significance for Early American Drama Amy Branam 32 Sensibility, Phrenology, and “The Fall of the House of Usher” Brett Zimmerman 47 Interview with Benjamin Franklin Fisher IV Barbara Cantalupo 57 Sinking Under Iniquity Jeffrey A. Savoye 70 REVIEWS Lynda Walsh. Sins Against Science: The Scientific Media Hoaxes of Poe, Twain, and Others. Martha A. Turner 75 2 Bruce Mills. Poe, Fuller, and the Mesmeric Arts: Transition States in the American Renaissance. Adam Frank 82 Benjamin F. Fisher, Editor. Masques, Mysteries, and Mastodons: A Poe Miscellany. Thomas Bonner, Jr. 85 Harold Schechter. The Tell-Tale Corpse: An Edgar Allan Poe Mystery. Paul Jones 88 FEATURES Poe in Cyberspace by Heyward Ehrlich 91 Abstracts for PSA’s ALA Sessions 97 PSA Matters 103 In Memorial 105 Notes on Contributors 107 3 Letters from the Editors From Peter Norberg: Serving as coeditor of the Poe Review has been a rewarding experience both professionally and personally. I am grateful for the support we have received from Saint Joseph’s University and would like to thank Timothy R. Lannon, President, Brice Wachterhauser, Provost, and William Madges, Dean of the College of Arts and Sciences, for their financial support and their commitment to scholarship in the humanities. I would also like to thank the officers of the Poe Studies Association, especially Paul C. Jones, Secretary-Treasurer, for his competent oversight of our budget and subscriptions, and Scott Peeples, President, for his thoughtful management of the transition of the Review back to the editorial stewardship of Barbara Cantalupo and Penn State University. -
Villainy in Scott╎s Fiction
Studies in English Volume 13 Article 7 1972 Villainy in Scott’s Fiction George W. Boswell University of Mississipi Follow this and additional works at: https://egrove.olemiss.edu/ms_studies_eng Part of the Literature in English, British Isles Commons Recommended Citation Boswell, George W. (1972) "Villainy in Scott’s Fiction," Studies in English: Vol. 13 , Article 7. Available at: https://egrove.olemiss.edu/ms_studies_eng/vol13/iss1/7 This Article is brought to you for free and open access by the English at eGrove. It has been accepted for inclusion in Studies in English by an authorized editor of eGrove. For more information, please contact [email protected]. Boswell: Villainy in Scott’s Fiction Villainy in Scott’s Fiction by George W. Boswell The natural disposition and career of Sir Walter Scott were so generally sunny that only a small handful of his many critics have seriously faulted any aspects of his character. Occasional objections have been adduced to the mystification and possible harshness of his business dealings with the Ballantynes, the maintenance of his incog nito with respect to authorship of the Waverley novels long beyond any credible reason for it, his jealousy of Robert Burns (though if existent this is certainly not very noticeable), and some of his Chester- fieldian letters to his son and heir; but these have seemed to pale into insignificance when set alongside his moral virtues. The latter in clude his industry, his openhandedness, his capacity for extensive friendships, his civil services, the generous praise of the literary pro ductions of his contemporaries, and above all the heroic stoicism with which “in his fifty-sixth year, already in uncertain health, he assumed a mountain of debt and sentenced himself to a lifetime of servi tude”1 in order to avoid bankruptcy and its stigma. -
Walter Scott and James Skene a Creative Friendship Richard• Hill
ROMANTICT EXTUALITIES LITERATURE AND PRINT CULTURE, 1780–1840 • Issue 21 (Winter 2013) Centre for Editorial and Intertextual Research Cardiff University RT21.indb 1 16/07/2014 04:53:34 Romantic Textualities is available on the web at www.romtext.org.uk, and on Twitter @romtext ISSN 1748-0116 Romantic Textualities: Literature and Print Culture, 1780–1840, 21 (Winter 2013). <www.romtext.org.uk/issues/rt21.pdf>. © 2013–14 Centre for Editorial and Intertextual Research Published by the Centre for Editorial and Intertextual Research, Cardiff University. Typeset in Adobe Garamond Pro 11 / 12.5, using Adobe InDesign cc; images and illustrations prepared using Adobe Illustrator Cc and Adobe PhotoShop Cc; final output rendered with Adobe Acrobat xi Professional. Editor: Anthony Mandal, Cardiff University, UK Associate Editor: Nicola Lloyd, Cardiff University, UK Reviews Editor: Katie Garner, University of Cork, Ireland Editorial Assistants: Esther McConnell, Rhiannon Hayes, Joshua Naylor, Cardiff University, UK Advisory Board Peter Garside (Chair), University of Edinburgh, UK Jane Aaron, University of Glamorgan, UK Stephen Behrendt, University of Nebraska, USA Emma Clery, University of Southampton, UK Benjamin Colbert, University of Wolverhampton, UK Gillian Dow, University of Southampton / Chawton House Library, UK Edward Copeland, Pomona College, USA Gavin Edwards, University of South Wales, UK Gillian Dow, University of Southampton / Chawton House Library, UK Penny Fielding, University of Edinburgh, UK Caroline Franklin, University of Swansea, -
From Epic to Romance: Barbour's Bruce and Scott's the Lord of the Isles Thomas R
Studies in Scottish Literature Volume 26 | Issue 1 Article 44 1991 From Epic to Romance: Barbour's Bruce and Scott's The Lord of the Isles Thomas R. Dale Follow this and additional works at: https://scholarcommons.sc.edu/ssl Part of the English Language and Literature Commons Recommended Citation Dale, Thomas R. (1991) "From Epic to Romance: Barbour's Bruce and Scott's The Lord of the Isles," Studies in Scottish Literature: Vol. 26: Iss. 1. Available at: https://scholarcommons.sc.edu/ssl/vol26/iss1/44 This Article is brought to you by the Scottish Literature Collections at Scholar Commons. It has been accepted for inclusion in Studies in Scottish Literature by an authorized editor of Scholar Commons. For more information, please contact [email protected]. Thomas R. Dale From Epic to Romance: Barbour's Bruce and Scott's The Lord of the Isles The Lord of the Isles was the last published but one of Scott's poetic ro mances and perhaps the least praised by contemporary critics. It seems to have been projected (under the title of The Nameless Glen) as early as Spring, 1810, soon after The Lady of the Lake appeared, but the actual writ ing of it was postponed in favor of other tasks, notably The Vision of Don Roderick (1811), Rokeby (1812), The Bridal of Triermain (1813), the edition of Swift's works (completed 1814), and Waverley (1814). Since the first three cantos and part of the fourth are set in the West Highlands and Islands (Artornish Castle on the Sound of Mull, and the southern coast of Skye) it is almost certain that they were written after Scott's excursion around the Northern coasts of Scotland with the Commissioners of lighthouses in the summer of 1814. -
Word & Image 'A Better Way to Read Great Works': Lithographs By
This article was downloaded by: [informa internal users] On: 29 October 2010 Access details: Access Details: [subscription number 755239602] Publisher Routledge Informa Ltd Registered in England and Wales Registered Number: 1072954 Registered office: Mortimer House, 37- 41 Mortimer Street, London W1T 3JH, UK Word & Image Publication details, including instructions for authors and subscription information: http://www- intra.informaworld.com/smpp/title~content=t716100761 'A better way to read great works': lithographs by Delacroix, Roqueplan, Boulanger, and the Devéria brothers in Gaugain's suite of Scott subjects (1829-1830) Beth S. Wright Online publication date: 27 October 2010 To cite this Article Wright, Beth S.(2010) ''A better way to read great works': lithographs by Delacroix, Roqueplan, Boulanger, and the Devéria brothers in Gaugain's suite of Scott subjects (1829-1830)', Word & Image, 26: 4, 337 — 363 To link to this Article: DOI: 10.1080/02666280903532728 URL: http://dx.doi.org/10.1080/02666280903532728 PLEASE SCROLL DOWN FOR ARTICLE Full terms and conditions of use: http://www-intra.informaworld.com/terms-and-conditions-of-access.pdf This article may be used for research, teaching and private study purposes. Any substantial or systematic reproduction, re-distribution, re-selling, loan or sub-licensing, systematic supply or distribution in any form to anyone is expressly forbidden. The publisher does not give any warranty express or implied or make any representation that the contents will be complete or accurate or up to date. The accuracy of any instructions, formulae and drug doses should be independently verified with primary sources. The publisher shall not be liable for any loss, actions, claims, proceedings, demand or costs or damages whatsoever or howsoever caused arising directly or indirectly in connection with or arising out of the use of this material.