DOCSLIB.ORG

Environmental Impact Report

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Environmental Impact Report E1072 v2 Public Disclosure Authorized Fuzhou World Bank Financed Projects Nanjiang Binlu, Phase-II Project of the Third Ring Road and Kuiqi Bridge ENVIRONMENTAL IMPACT REPORT Public Disclosure Authorized (Translation Version) Public Disclosure Authorized Constructor: Fuzhou Urban Utility Development and Construction Company Author: Guangzhou Research Institute of Environmental Protection December 2004 Public Disclosure Authorized Constructor: Fuzhou Urban Utility Development and Construction Company Compiler: Guangzhou Research Institute of Environmental Protection Legal person: Luo Jiahai Institute’s technical chief: Cui Xia Environment assessment project chief: Xu Guanpu Outline compilers: Name Title Env. ass. post Responsibilities Signature certificate No. General provisions, project Xu Guanfu Senior engineer No.A28020052 analysis, ecologic environmental impact assessment Current noise environment and Wang Weide Senior engineer No.A28020024 impact, noise treatment measures Alternative plan, profit and loss analysis of environmental Lu Yan Assistant engineer No.A28020058 economy, relocation and resettlement Current water environment and Peng Lin Engineer No.A28020044 impact, risk evaluation, treatment measures of water pollution Current environmental air and impact, treatment measures of Wang Junbo Engineer No.A28020039 atmosphere, cultural property assessment Reviewer: Professor-level senior Cui Xia No.A28020003 engineer He Liangwan Senior engineer No.A28020025 Environmental Impact Statement On South Jiangbin Road, the 3rd Ring Road (Phase II) and the Kuiqi Birdige Project of Fuzhou City Content 1 GENERAL PROVISION......................................................................................................................8 1.1 ROLE AND MEANING OF BUILDING TWO ROADS AND ONE BRIDGE ..............................8 1.2 ASSESSMENT PURPOSE ........................................................................................................................9 1.3 BASIS FOR COMPILATION ....................................................................................................................9 1.4 ASSESSMENT RANGE...........................................................................................................................9 1.5 ASSESSMENT CONTENTS AND KEY POINTS .......................................................................................10 1.6 LAWS AND REGULATIONS .................................................................................................................11 1.7 ENVIRONMENT FUNCTIONAL AREAS AND IMPLEMENTATION STANDARD WITHIN THE ASSESSMENT AREA ........................................................................................................................................................................12 1.7.1 Noise environment functional area...............................................................................................12 1.7.2 Air environment functional area...................................................................................................12 1.7.3 Water environment functional area and implementation standard ..............................................12 1.8 EMISSION STANDARD............................................................................................................................12 2 PROJECT DESCRIPTION AND ENGINEERING ANALYSIS ...................................................14 2.1 STATUS AND ROLE OF THE PHASE-II PROJECT OF THE THIRD RING ROAD AND NANJIANG BINLU IN THE TRAFFIC PLANNING OF FUZHOU...........................................................................................................14 2.2 ROAD STRIKE AND INTERCHANGES....................................................................................................15 2.2.1 Nanjiang Binlu strike and interchanges..................................................................................15 2.2.2 The Phase-II Project of the Third Ring Road strike and interchanges ...................................15 2.2.3 Kuiqi Bridge strike and interchange .......................................................................................15 2.3 DESIGN STANDARD............................................................................................................................16 2.4 ROAD CROSS SECTION........................................................................................................................18 2.4.1 Road cross section of Nanjiang Binlu .....................................................................................18 2.4.2 Road cross section of the Phase-II Project of the Third Ring Road........................................18 2.4.3 Road cross section of Kuiqi Bridge.........................................................................................18 2.5 DRAINAGE SYSTEM............................................................................................................................18 2.5.1 Nanjiang Binlu drainage system .............................................................................................18 2.5.2 Drainage system of the Phase-II Project of the Third Ring Road...........................................19 2.6 CONSTRUCTION SCALE AND INVESTMENT .........................................................................................20 2.6.1 Construction scale and investment of Nanjiang Binlu ............................................................20 2.6.2 Construction scale and investment of the Phase-II Project of the Third Ring Road...............20 2.6.3 Construction scale and investment of Kuiqi Bridge ................................................................21 2.7 TRAFFIC FORECAST............................................................................................................................21 2.8 ANALYSIS ON EMISSION OF MAJOR POLLUTANTS ...............................................................................22 2.8.1 Vehicle emission......................................................................................................................22 2.8.2 Noise........................................................................................................................................24 2.9 CONSTRUCTION SCHEDULE................................................................................................................25 2.10 LAND OCCUPIED BY CONSTRUCTION SITE, MATERIAL SOURCE AND PROTECTIVE MEASURES FOR CONSTRUCTION ENVIRONMENT ...................................................................................................................26 environmentprotect I Environmental Impact Statement On South Jiangbin Road, the 3rd Ring Road (Phase II) and the Kuiqi Birdige Project of Fuzhou City 2.10.1 Land occupied by Nanjiang Binlu, source of sand, stone and earth material as well as environmental protection measures for construction ............................................................................26 2.10.2 Land occupied by Phase-II Project of the Third Ring Road, source of sand, stone and earth material as well as environmental protection measures for construction .............................................26 2.10.3 Land occupied by Kuiqi Bridge, source of sand, stone and earth material as well as environmental protection measures for construction ............................................................................27 3 OVERVIEW OF NATURAL AND SOCIAL ENVIRONMENTS ALONG THE PROJECT LINE...............................................................................................................................................................29 3.1 NATURAL ENVIRONMENT..................................................................................................................29 3.1.1 Natural geographic overview..................................................................................................29 3.1.2 Landforms and Topography ....................................................................................................29 3.1.3 Stratigraphic geology..............................................................................................................30 3.1.4 Climate and meteorology ........................................................................................................31 3.1.5 River hydrology.......................................................................................................................32 3.1.6 Underground water.................................................................................................................33 3.1.7 Soil ..........................................................................................................................................33 3.2 FUZHOU’S CURRENT SOCIAL SITUATION AND PLANNING ...................................................................33 3.2.1 City nature...............................................................................................................................33 3.2.2 Geographic position................................................................................................................34 3.2.3 Current economic and social situation of Fuzhou and Nantaidao Island...............................34 3.2.4 City’s natural landscape .........................................................................................................35 3.2.5 Current situation of surface water resource development and utilization ..............................36 3.3 DEVELOPMENT
Load more

Recommended publications
  • Of ZHENJIANG
    江 苏 Culture Scenery Gourmet Useful Info © Municipal Bureau of Culture, Radio, Film and Tourism of ©Yancheng Kou Shanqin Introduction & Map 镇江简介&地图 of ZHENJIANG Zhenjiang is a southern Jiangsu city that sits on the southern shore of the Yangtze River. The place is featured in Chinese legend 'The Legend of the White Snake'. A large number of precious stone stelae could be found here. Literature Jinshan, Jiaoshan and Beigushan mountains, or the 'Three Peaks of Jingkou', 文学名山 Pilgrims are popular attractions in the city. Zhenjiang's very unique food culture is represented by three unusual food - vinegar that cannot go bad over time, pork trotter aspic which is eaten during tea time, and noodles that are cooked along with a pot lid. Jinshan Mountain Named as one of the 'Three Peaks of Jingkou' together with Jiaoshan mountain and Beigushan mountain, visitors usually visit N Jinshan mountain to experience the ambience and story background depicted in the 'White Snake Folklore'. Jinshan Temple is built at the LIANYUNGANG mountainside, ascending to the mountaintop, featuring a unique XUZHOU mountain view. SUQIAN Beigushan Mountain HUAI'AN YANCHENG Situated at the edge of Yangtze River, overlooking the entire river. This is where the well-known Ganlu Temple located, and also where the legendary warlord Liu Bei met his wife. Other than that, there are many spots associated with the history of Three Kingdoms. A famous scholar from Southern Song dynasty once left his famous quote about parenthood with a reference on the Three Kingdoms tale here. YANGZHOU NANJING TAIZHOU © Municipal Bureau of Culture, Radio, NANTONG Film and Tourism of Zhenjiang ZHENJIANG WUXI CHANGZHOU SUZHOU Beijing SHANGHAI Jiangsu Province Shanghai 01 © Baohua Mountain National Park © Chang Yungchieh Monuments 文化名山 Cultural History 历史文化 Cultural Maoshan Mountain Baohua Mountain For Chinese movie fans, you are probably familiar with Maoshan The most notable temple in the Vinaya School in Buddhism has to be Taoist as a movie icon.
    [Show full text]
  • Construction Supervision
    SAMBO ENGINEERING Corporate Profile To the World, For the Future Construction engineering is basically having big change as periodic requirements from “The 4th Industrial Revolution”. SAMBO ENGINEERING is trying hard to change and innovate in order to satisfy clients and react actively to the change of engineering market. SAMBO ENGINEERING provides total solution for the entire process of engineering such as plan, design, CM/PM, O&M in roads, railways, civil structures, tunnels & underground space development, transportation infrastructure & environmental treatment, new & renewable energy, urban & architecture planning for land development, water and sewage resource. Recently, from natural disaster such as earthquakes and ground settlement, in order to create motivation for stable profit system, we adapt BIM, perform topographical survey using Drones, design automation using AI, underground safety impact assessment as well as active investment for new & renewable energy such as solar and wind power plant. We accumulate lots of technologies and experience from R&D participation which develops and applies new technology and patent as well as technical exchange with academies and technical cooperation with major globalized engineering companies. SAMBO ENGINEERING will be one of the leading engineering companies in the future by overcoming “The 4th Industrial Revolution”. Algeria - Bir Touta~Zeralda Railway Project Armenia - Project Management for South-North Expressway Project Azerbaijan - Feasibility Study for Agdas~Laki, Arbsu~Kudamir~Bahramtepe
    [Show full text]
  • Trains and by Other Means of Transportation I Was Mapping the Possibilities of Movement of Individuals Within Large Urban Environments
    2019 THESIS East by Northeast or Performing the (mega)City: Movement of a Body Through Transportation Networks ANTONÍN BRINDA I.o Příbor, Czech Republic, before departure LIVE ART AND PERFORMANCE STUDIES 2019 THESIS LIVE ART AND PERFORMANCE STUDIES ABSTRACT DATE: 7.12.2019 AUTHOR MASTER’S OR OTHER DEGREE PROGRAMME Antonín Brinda Live Art and Performance Studies TITLE OF THE WRITTEN NUMBER OF PAGES + APPENDICES IN THE WRITTEN SECTION/THESIS SECTION East by Northeast or Performing the (mega)City: Movement of a 216 pages Body Through Transportation Networks TITLE OF THE ARTISTIC/ ARTISTIC AND PEDAGOGICAL SECTION East by Northeast The artistic section is produced by the Theatre Academy. The artistic section is not produced by the Theatre Academy (copyright issues have been resolved). No record exists of the artistic section. Supervisor/s: Ray Langenbach and Giacomo Bottà The final project can be The abstract of the final project can published online. This Yes be published online. This Yes permission is granted No permission is granted for an No for an unlimited unlimited duration. duration. This thesis deals mainly with my final artistic research work East by Northeast which was conducted across two continents, took several months and involved dozens of people. The project consists of photos, videos, audios, writings, maps, performances, discussions, presentations, artist talks, and one workshop. The main (impossible?) goal/research question was finding ways how to articulate, how to perform (mega)cities through the movement of the body through their transportation networks. I have worked with and within (mega)cities of Moscow (Russia), Ulaanbaatar (Mongolia) and Beijing (China).
    [Show full text]
  • A Preliminary Study of Kaoka 高甲 Playscripts in the Philippines
    chapter 6 A Preliminary Study of Kaoka 高甲 Playscripts in the Philippines Caroline Chia 1 Introduction As part of a book on Sinitic languages in Southeast Asia, particularly those that are increasingly endangered, this chapter emphasizes “Sinophone” and “Sinitic voices” in the Philippines. Briefly defined, the Sinophone landscape involves Sinitic languages, including Hokkien, and the associated cultures and com- munities which historically experienced colonialism and have increasingly been marginalized in more recent times.1 Here I focus on Sinophone speech, including the soundscapes in which speech is embedded, through theatrical performance in Hokkien. Kaoka was once a popular form of entertainment in Southeast Asia, but the Philippines is the only country in the region that still performs this theatrical art today. I furthermore aim to highlight the diversity of Sinophonic representations as seen in Kaoka playscripts. In these sources, only the phonetic elements have been preserved, whereas the logographic representations (known as Sinographs or Hanzi 漢字) have been omitted. As regards the “Sinitic voices” that this chapter – and this book in general – aims to highlight in the context of Southeast Asia’s Chinese minorities, the academic focus has previously been on the migration and economic devel- opment of Chinese communities in this region. These developments remain important and will be taken into consideration, but the focus here is on filling the cultural and linguistic gaps in scholarship on Kaoka in the Philippines. The people from south Fujian, known as the Hokkiens (ban lam lang 閩南 人), came in large numbers and migrated to different parts of Southeast Asia.2 Despite Southeast Asia’s relatively early interactions with Chinese people 1 Part of this definition is adapted from the Cambria Sinophone World Series, http://www .cambriapress.com/cambriaseries.cfm?template=85, retrieved 25 April 2020.
    [Show full text]
  • Download Article
    Advances in Social Science, Education and Humanities Research, volume 171 International Conference on Art Studies: Science, Experience, Education (ICASSEE 2017) Research on the Artistic Characteristics and Cultural Connotation of Women's Headgear and Hairdo of She Nationality in Fujian Province Xu Chen Clothing and Design Faculty Minjiang University Fashion Design Center of Fujian Province Fuzhou, China Jiangang Wang* Yonggui Li Clothing and Design Faculty Clothing and Design Faculty Minjiang University Minjiang University Fashion Design Center of Fujian Province Fashion Design Center of Fujian Province Fuzhou, China Fuzhou, China *Corresponding Author Abstract—In this paper, the author takes women's of She nationality includes the phoenix coronet and the headgear and hairdo of She nationality in modern times as the hairdo worn by women. According to the scholar Pan objects of study. With the historical materials and the Hongli's views, the hairdo of She nationality of Fujian literature, this paper investigates the characteristics of province can be divided into Luoyuan style, Fuan style women's headgear and hairdo of She nationality in Fujian (including Ningde), Xiapu style, Fuding style (including province, and analyzes the distribution and historical origin of Zhejiang and Anhui), Shunchang style, Guangze style and women's headgear and hairdo of She nationality in Fujian Zhangping style [1]. The author believes that the current province. Based on the theoretical foundation of semiotics and women hairdo of She nationality of Fujian province only folklore, this paper analyzes the symbolic language and the retain the four forms of Luoyuan, Fuan (the same with implication of the symbols of women's headgear and hairdo of Ningde), the eastern Xiapu, the western Xiapu (the same She nationality, and reveals the connotation of the ancestor worship, reproductive worship, migratory memory, love and with Fuding).
    [Show full text]
  • Population and Migration Characteristics of Fujian Province, China, by Judith Banister, Christina Wu Harbaugh, and Ellen Jamison (1 993)
    Population and Migration Characteristics of Fujian Province, China by Judith Banister, Christina Wu Harbaugh, and Ellen Jamison Center for International Research U.S. Bureau of the Census Washington, D.C. 20233-3700 CIR Staff Paper No. 70 November 1993 CIR STAFF PAPER No. 70 Population and Migration Characteristics of Fujian Province, China by Judith Banister, Christina Wu Harbaugh, and Ellen Jamison Center for International Research U.S. Bureau of the Census Washington, D.C. 20233-3700 November 1993 SUMMARY POPULATION AND LABOR FORCE Fujian province had nearly 30 million inhabitants in 1990, an increase from just over 12 million in 1950. Like China as a whole, Fujian province has a fairly high sex ratio, about 107 males per 100 females. The agricultural population continues to be predominant, but the nonagricultural sector is growing faster. Fujian's birth rate was reported to be about 18 per 1,000 population in 1992, having declined from a post-famine high of 45 per 1,000 around 1963. On average in 1989, Fujian women had about 2.4 children, only marginally higher than the average for all China, and by 1992 the number of births per women had declined further. For the past two decades, the reported death rate has remained fairly steady at about 6 per 1,000 population. The employed Fujian labor force has increased substantially, from 10 million workers in 1982 to 14 million in 1991. Although the majority are still employed in agriculture, the proportions in services and industry are increasing faster. Agricultural workers in Fujian are far more likely than nonagricultural workers to be illiterate or only semi-literate.
    [Show full text]
  • Table of Codes for Each Court of Each Level
    Table of Codes for Each Court of Each Level Corresponding Type Chinese Court Region Court Name Administrative Name Code Code Area Supreme People’s Court 最高人民法院 最高法 Higher People's Court of 北京市高级人民 Beijing 京 110000 1 Beijing Municipality 法院 Municipality No. 1 Intermediate People's 北京市第一中级 京 01 2 Court of Beijing Municipality 人民法院 Shijingshan Shijingshan District People’s 北京市石景山区 京 0107 110107 District of Beijing 1 Court of Beijing Municipality 人民法院 Municipality Haidian District of Haidian District People’s 北京市海淀区人 京 0108 110108 Beijing 1 Court of Beijing Municipality 民法院 Municipality Mentougou Mentougou District People’s 北京市门头沟区 京 0109 110109 District of Beijing 1 Court of Beijing Municipality 人民法院 Municipality Changping Changping District People’s 北京市昌平区人 京 0114 110114 District of Beijing 1 Court of Beijing Municipality 民法院 Municipality Yanqing County People’s 延庆县人民法院 京 0229 110229 Yanqing County 1 Court No. 2 Intermediate People's 北京市第二中级 京 02 2 Court of Beijing Municipality 人民法院 Dongcheng Dongcheng District People’s 北京市东城区人 京 0101 110101 District of Beijing 1 Court of Beijing Municipality 民法院 Municipality Xicheng District Xicheng District People’s 北京市西城区人 京 0102 110102 of Beijing 1 Court of Beijing Municipality 民法院 Municipality Fengtai District of Fengtai District People’s 北京市丰台区人 京 0106 110106 Beijing 1 Court of Beijing Municipality 民法院 Municipality 1 Fangshan District Fangshan District People’s 北京市房山区人 京 0111 110111 of Beijing 1 Court of Beijing Municipality 民法院 Municipality Daxing District of Daxing District People’s 北京市大兴区人 京 0115
    [Show full text]
  • Responsible Consumption: New Business Opportunities and Cases of Russian Companies
    RESPONSIBLE CONSUMPTION: NEW BUSINESS OPPORTUNITIES AND CASES OF RUSSIAN COMPANIES SKOLKOVO Institute for Emerging Market Studies Sustainable Business Centre This report has been published with the support of Unilever, a co-founder and partner of the Sustainable Business Centre of the Institute for Emerging Market Studies (SKOLKOVO IEMS), Moscow School of Management SKOLKOVO. ACKNOWLEDGMENTS Unilever is a leading global manufacturer of consumer goods, with products sold in more than 190 countries. Unilever employs about 169,000 people worldwide, with a turnover of EUR 52.7 billion in 2016. Unilever has four production sites in Russia, based in St. Petersburg, Tula, Omsk, and Yekaterinburg. In 2017, the company celebrated its 25th anniversary in Russia. The report was prepared by a team of Sustainable Business Centre of the Institute for Emerging Market Studies (SKOLKOVO IEMS): Natalia ZAITSEVA, Project Manager, Head of the Sustainable Business Centre PROJECT TEAM Anastasia BELOSTOTSKAYA, Analyst, Sustainable Business Centre Alina CHURIKOVA, Researcher, Sustainable Business Centre Yulia FETISOVA, Researcher, Sustainable Business Centre Angie GAREEVA, Researcher, Sustainable Business Centre Kamila NOVAK, Senior Analyst, Sustainable Business Centre Yulia POLONSKAYA, Researcher, Sustainable Business Centre Agata POSTNOVA, Researcher, Sustainable Business Centre Olga SEDINKINA, Researcher, Sustainable Business Centre Svetlana BEDIRKHANOVA, layout designer The project team is also very grateful to: Alexey KALININ, Director of the Institute for Emerging Market Studies of the Moscow School of Management SKOLKOVO, for his intellectual mentoring and support throughout the entire project; and the Chair of Strategic Marketing of the Moscow School of Management SKOLKOVO for professional insights and expert comments provided in the course of the report’s preparation.
    [Show full text]
  • CONTEMPORARY RE-WRITING of MADAME WHITE SNAKE By
    PARODY AND NOSTALGIA: CONTEMPORARY RE-WRITING OF MADAME WHITE SNAKE by VICKIE WAI KI YAU B.A., The University of British Columbia, 2003 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in THE FACULTY OF GRADUATE STUDIES (Asian Studies) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) MAY 2008 © VICKIE WAI KI YAU, 2008. ii ABSTRACT Between 1950s and 1990s, Hong Kong had a frenzy for writing and re-writing materials from classical literature and myths. The myth of Madame White Snake is one of the most well known stories that survived a long period of time. The earliest known version of Madame White Snake was a supernatural story in 1550, which later became a prototype of numerous subsequent versions starting in 1624. This prototype was repeatedly re-written throughout history and was also made into different genres including plays, playlets, novels, films and television dramas. One of the latest versions was written by Li Pikwah, a popular novelist in Hong Kong, in 1993, titled, Green Snake. Green Snake is a parody of Madame White Snake written from the perspective of Little Green, the servant of Madame White and an auxiliary figure in the tradition. The novel is also an autobiography of Little Green, who satirically criticizes the story of Madame White Snake in retrospect. Little Green’s autobiography is a nostalgic reflection of the past as well as a critique of the structure of the story that has survived throughout history. These implications made in the story hint at the author’s personal yearning for traditional China as a Chinese resident in Hong Kong.
    [Show full text]
  • Please Click Here to Download
    No.1 October 2019 EDITORS-IN-CHIEF Tobias BIANCONE, GONG Baorong EDITORIAL BOARD MEMBERS (in alphabetical order by Pinyin of last name) Tobias BIANCONE, Georges BANU, Christian BIET, Marvin CARLSON, CHEN Jun, CHEN Shixiong, DING Luonan, Erika FISCHER-LICHTE, FU Qiumin, GONG Baorong, HE Chengzhou, HUANG Changyong, Hans-Georg KNOPP, HU Zhiyi, LI Ruru, LI Wei, LIU Qing, LIU Siyuan, Patrice PAVIS, Richard SCHECHNER, SHEN Lin, Kalina STEFANOVA, SUN Huizhu, WANG Yun, XIE Wei, YANG Yang, YE Changhai, YU Jianchun. EDITORS WU Aili, CHEN Zhongwen, CHEN Ying, CAI Yan CHINESE TO ENGLISH TRANSLATORS HE Xuehan, LAN Xiaolan, TANG Jia, TANG Yuanmei, YAN Puxi ENGLISH CORRECTORS LIANG Chaoqun, HUANG Guoqi, TONG Rongtian, XIONG Lingling，LIAN Youping PROOFREADERS ZHANG Qing, GUI Han DESIGNER SHAO Min CONTACT TA The Center Of International Theater Studies-S CAI Yan: [email protected] CHEN Ying: [email protected] CONTENTS I 1 No.1 CONTENTS October 2019 PREFACE 2 Empowering and Promoting Chinese Performing Arts Culture / TOBIAS BIANCONE 4 Let’s Bridge the Culture Divide with Theatre / GONG BAORONG STUDIES ON MEI LANFANG 8 On the Subjectivity of Theoretical Construction of Xiqu— Starting from Doubt on “Mei Lanfang’s Performing System” / CHEN SHIXIONG 18 The Worldwide Significance of Mei Lanfang’s Performing Art / ZOU YUANJIANG 31 Mei Lanfang, Cheng Yanqiu, Qi Rushan and Early Xiqu Directors / FU QIUMIN 46 Return to Silence at the Golden Age—Discussion on the Gains and Losses of Mei Lanfang’s Red Chamber / WANG YONGEN HISTORY AND ARTISTS OF XIQU 61 The Formation
    [Show full text]
  • 禅画禅语 Chan Heart, Chan
    禅画禅语 Chan Heart, Chan Art by 星雲 Xing Yun (Venerable Master Hsing Yun) Translated and edited by Pey-Rong Lee and Dana Dunlap Painting by 高尔泰/高爾泰 Gao Ertai & 蒲小雨 Pu Xiaoyu CONTENTS 1. NO MERIT AT ALL 2. HUIKE’S SETTLED MIND 3. WHERE ARE YOU FROM? 4. A MODEL THROUGH THE AGES 5. LIKE AN INSECT EATING WOOD 6. WILD FOX CHAN 7. SELF-LIBERATING PERSON 8. CAN’T BE SNATCHED AWAY 9. THE BUDDHAS DO NOT LIE 10. THE WAY TO RECEIVE GUESTS 11. SPACE WINKS 12. NOT BELIEVING IS THE ULTIMATE TRUTH 13. I’M AN ATTENDANT 14. MIND AND NATURE 15. FLOWING OUT FROM THE MIND 16. NOT EVEN A THREAD 17. BETTER SILENT THAN NOISY 18. I WANT EYEBALLS 19. QUESTION AND ANSWER IN THE CHAN SCHOOL 20. ORIGINAL FACE 21. ARRIVE AT LONGTAN 22. ONE AND TEN 23. THE CHAN IN TEA AND MEALS 24. WHERE CAN WE ABIDE IN PEACE? 25. HOE THE WEEDS, CHOP THE SNAKE 26. BIG AND SMALL HAVE NO DUALITY 27. A TASTE OF CHAN 28. CLOSE THE DOOR PROPERLY 29. EVERYTHING IS CHAN 30. TRANSFERRING MERITS 31. A PLACE FOR LIVING IN SECLUSION 32. HIGH AND FAR 33. THE ROOSTER AND THE BUG 34. THE MOST CHARMING 35. A STICK OF INCENSE INCREASES MERITS 1 36. PURIFY THE MIND, PURIFY THE LAND 37. ORIGINALLY EMPTY WITHOUT EXISTENCE 38. LIKE COW DUNG 39. THE EIGHT WINDS CANNOT MOVE ME 40. THE UNIVERSE AS MY BED 41. WHAT ARE LICE MADE OF? 42. SPEAKING OF THE SUPREME DHARMA 43.
    [Show full text]
  • Tracking B Odhidharma
    /.0. !.1.22 placing Zen Buddhism within the country’s political landscape, Ferguson presents the Praise for Zen’s Chinese Heritage religion as a counterpoint to other Buddhist sects, a catalyst for some of the most revolu- “ A monumental achievement. This will be central to the reference library B)"34"35%65 , known as the “First Ances- tionary moments in China’s history, and as of Zen students for our generation, and probably for some time after.” tor” of Zen (Chan) brought Zen Buddhism the ancient spiritual core of a country that is —R)9$%: A4:;$! Bodhidharma Tracking from South Asia to China around the year every day becoming more an emblem of the 722 CE, changing the country forever. His modern era. “An indispensable reference. Ferguson has given us an impeccable legendary life lies at the source of China and and very readable translation.”—J)3! D54") L))%4 East Asian’s cultural stream, underpinning the region’s history, legend, and folklore. “Clear and deep, Zen’s Chinese Heritage enriches our understanding Ferguson argues that Bodhidharma’s Zen of Buddhism and Zen.”—J)5! H5<4=5> was more than an important component of China’s cultural “essence,” and that his famous religious movement had immense Excerpt from political importance as well. In Tracking Tracking Bodhidharma Bodhidharma, the author uncovers Bodhi- t r a c k i n g dharma’s ancient trail, recreating it from The local Difang Zhi (historical physical and textual evidence. This nearly records) state that Bodhidharma forgotten path leads Ferguson through established True Victory Temple China’s ancient heart, exposing spiritual here in Tianchang.
    [Show full text]