SAN FERNANDO VALLEY BUSINESS JOURNAL DIGITAL EDITION to Read Your Copy of the Digital Edition INSTRUCTION Please Select a Reading Preference for PC/MAC
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Henry Jenkins Convergence Culture Where Old and New Media
Henry Jenkins Convergence Culture Where Old and New Media Collide n New York University Press • NewYork and London Skenovano pro studijni ucely NEW YORK UNIVERSITY PRESS New York and London www.nyupress. org © 2006 by New York University All rights reserved Library of Congress Cataloging-in-Publication Data Jenkins, Henry, 1958- Convergence culture : where old and new media collide / Henry Jenkins, p. cm. Includes bibliographical references and index. ISBN-13: 978-0-8147-4281-5 (cloth : alk. paper) ISBN-10: 0-8147-4281-5 (cloth : alk. paper) 1. Mass media and culture—United States. 2. Popular culture—United States. I. Title. P94.65.U6J46 2006 302.230973—dc22 2006007358 New York University Press books are printed on acid-free paper, and their binding materials are chosen for strength and durability. Manufactured in the United States of America c 15 14 13 12 11 p 10 987654321 Skenovano pro studijni ucely Contents Acknowledgments vii Introduction: "Worship at the Altar of Convergence": A New Paradigm for Understanding Media Change 1 1 Spoiling Survivor: The Anatomy of a Knowledge Community 25 2 Buying into American Idol: How We are Being Sold on Reality TV 59 3 Searching for the Origami Unicorn: The Matrix and Transmedia Storytelling 93 4 Quentin Tarantino's Star Wars? Grassroots Creativity Meets the Media Industry 131 5 Why Heather Can Write: Media Literacy and the Harry Potter Wars 169 6 Photoshop for Democracy: The New Relationship between Politics and Popular Culture 206 Conclusion: Democratizing Television? The Politics of Participation 240 Notes 261 Glossary 279 Index 295 About the Author 308 V Skenovano pro studijni ucely Acknowledgments Writing this book has been an epic journey, helped along by many hands. -
College of Arts and Letters
Winter 2018 Newsletter College of Arts and Letters Coyote Advertising and Art Department students win major awards The Coyote Advertising team along with talented students from the Art Department, won 38 ADDY awards at the annual American Advertising Federation Inland Empire Chapter’s Awards Gala. These included one gold award, three silver awards and six bronze awards. Congratulations to our amazing students! Read entire press release: https://inside.csusb.edu/node/10531 CSUSB mourns the passing of distinguished alumnus Paul De Meo (BA Theatre Arts '78) who died unexpectedly on February 26. Paul (left) and his writing and producing partner, alumnus Danny Bilson (right), seen here at CSUSB's production of "The World Goes 'Round" last June, met at CSUSB. The duo acted in Chekov's "The Seagull," the first production in the Barnes Theatre, and wrote and performed in the second show, "The Houdini Deception," under the mentorship of Professor Bill Slout. Paul and Danny went on to successful careers as screenwriters, authors, and producers of films, television series, video games and graphic novels including Disney's "The Rocketeer" now considered a cult classic. Other works included the original TV series of "The Flash," "The Sentinel," "Viper," and the video game "The Sims." Our heartfelt condolences go out to Paul's wife, Lauren Glassman, daughters Miranda and Annabella, and Danny Bilson and his family. He will be missed. Department of World Languages and Literatures wins California Languages Teachers Association Presidential Award The Department of World Languages and Literatures was the recipient of the Cali- fornia Language Teachers Association Presidential award. -
Make America America Again
# 2020/26 dschungel https://jungle.world/artikel/2020/26/make-america-america-again Spike Lees »Da 5 Bloods« über schwarze Veteranen des Vietnamkriegs Make America America Again Von Daniel Moersener Spike Lees »Da 5 Bloods« zeigt, dass Afroamerikaner nicht den Vietnamkrieg brauchten, um traumatisiert zu werden. Wenn es eine Sache an Spike Lees Vietnamkriegsfilm »Da 5 Bloods« zu bemängeln gibt, dann einzig und allein, dass ihm als Produktion von Netflix der Start im Kino versagt bleibt. Das ist freilich nicht Spike Lee selbst anzulasten, sondern der derzeitigen Mutlosigkeit Hollywoods. Diese Mutlosigkeit ist es, die nun auch Lee, wie zuvor schon Martin Scorsese, in die Arme der Streaming-Anbieter treibt. Der Kinosaal und »Da 5 Bloods«, sie hätten einander redlich verdient. Denn Spike Lee präsentiert sich in Bestform und springt virtuos zwischen dem Vietnam der späten Sechziger und der Gegenwart und verwebt Archivaufnahmen, digitale Aufnahmetechnik, Fotografien, Super- 8-Aufnahmen und 16mm-Film miteinander. Anstatt – apropos Scorsese – die Hauptdarsteller für Rückblenden digital verjüngen zu lassen, setzt Spike Lee sie unverändert sowohl in den Gegenwartsszenen wie auch in denen der Vergangenheit ein. Das klingt zwar gewagt, geht aber gerade deshalb als ästhetische Strategie voll auf. Die Vereinigten Staaten, so wird im Film gesagt, führten seit ihrer Gründung einen Krieg gegen sich selbst, und dieser Krieg scheine bis heute anzudauern. Drei Minuten, länger braucht Spike Lee nicht, um in der rasant montierten Eröffnungssequenz von »Da 5 Bloods« ein Panorama der Vietnamkriegsära in den USA zu entwerfen. Interviewfetzen und Statements von Muhammad Ali, Bobby Seale, Angela Davis und Malcolm X werden mit Ansprachen Lyndon B. -
Vigilantes, Incorporated: an Ideological Economy of the Superhero Blockbuster
VIGILANTES, INCORPORATED: AN IDEOLOGICAL ECONOMY OF THE SUPERHERO BLOCKBUSTER BY EZRA CLAVERIE DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in English with a minor in Cinema Studies in the Graduate College of the University of Illinois at Urbana-Champaign, 2016 Urbana, Illinois Doctoral Committee: Associate Professor José B. Capino, Chair Associate Professor Jim Hansen Associate Professor Lilya Kaganovsky Associate Professor Robert A. Rushing Professor Frank Grady,Department of English, University of Missouri, Saint Louis ii ABSTRACT Since 2000, the comic-book superhero blockbuster has become Hollywood’s most salient genre. “Heroes, Incorporated: A Political Economy of the Superhero Blockbuster” examines these seemingly reactionary fantasies of American power, analyzing their role in transmedia storytelling for a conglomerated and world-spanning entertainment industry. This dissertation argues that for all their apparent investment in the status quo and the hegemony of white men, superhero blockbusters actually reveal the disruptive and inhuman logic of capital, which drives both technological and cultural change. Although focused on the superhero film from 2000 to 2015, this project also considers the print and electronic media across which conglomerates extend their franchises. It thereby contributes to the materialist study of popular culture and transmedia adaptation, showing how 21st century Hollywood adapts old media for new platforms, technologies, and audiences. The first chapter traces the ideology of these films to their commercial roots, arguing that screen superheroes function as allegories of intellectual property. The hero’s “brand” identity signifies stability, even as the character’s corporate owners continually revise him (rarely her). -
Las Adaptaciones Cinematográficas De Cómics En Estados Unidos (1978-2014)
UNIVERSITAT DE VALÈNCIA Facultat de Filologia, Traducció i Comunicació Departament de Teoria dels Llenguatges i Ciències de la Comunicació Programa de Doctorado en Comunicación Las adaptaciones cinematográficas de cómics en Estados Unidos (1978-2014) TESIS DOCTORAL Presentada por: Celestino Jorge López Catalán Dirigida por: Dr. Jenaro Talens i Dra. Susana Díaz València, 2016 Por Eva. 0. Índice. 1. Introducción ............................................................................................. 1 1.1. Planteamiento y justificación del tema de estudio ....................... 1 1.2. Selección del periodo de análisis ................................................. 9 1.3. Sinergias industriales entre el cine y el cómic ........................... 10 1.4. Los cómics que adaptan películas como género ........................ 17 2. 2. Comparación entre los modos narrativos del cine y el cómic .......... 39 2.1. El guion, el primer paso de la construcción de la historia ....... 41 2.2. La viñeta frente al plano: los componentes básicos esenciales del lenguaje ........................................................................................... 49 2.3. The gutter ................................................................................. 59 2.4. El tiempo .................................................................................. 68 2.5. El sonido ................................................................................... 72 3. Las películas que adaptan cómics entre 1978 y 2014 ........................... 75 -
AFI PREVIEW Is Published by the Sat, Jul 9, 7:00; Wed, Jul 13, 7:00 to Pilfer the Family's Ersatz Van American Film Institute
ISSUE 77 AFI.com/Silver AFI SILVER THEATRE AND CULTURAL CENTER JULY 8–SEPTEMBER 14, 2016 44T H AFI LIFE ACHIEVEMENT AWARD HONOREE A FILM RESTROSPECTIVE THE COMPOSER B EHIND THE GREAT EST A MERICAN M OVIES O F OUR TIME PLUS GLORIOUS TECHNICOLOR ★ ’90S C INEMA N OW ★ JOHN C ARPENT E R LOONEY TUNES ★ KEN ADAM REMEMBERED ★ OLIVIA DE HAVILLAND CENTENNIAL Contents AFI Life Achievement Award: John Williams AFI Life Achievement Award: July 8–September 11 John Williams ......................................2 John Williams' storied career as the composer behind many of the greatest American films and television Keepin' It Real: '90s Cinema Now ................6 series of all time boasts hundreds of credits across seven decades. His early work in Hollywood included working as an orchestrator and studio pianist under such movie composer maestros as Bernard Herrmann, Ken Adam Remembered ..........................9 Alfred Newman, Henry Mancini, Elmer Bernstein and Franz Waxman. He went on to write music for Wim Wenders: Portraits Along the Road ....9 more than 200 television programs, including the groundbreaking anthology series ALCOA THEATRE Glorious Technicolor .............................10 and KRAFT TELEVISION THEATRE. Perhaps best known for his enduring collaboration with director Steven Spielberg, his scores are among the most iconic and recognizable in film history, from the edge-of-your- Special Engagements .................. 14, 16 seat JAWS (1975) motif to the emotional swell of E.T. THE EXTRA-TERRESTRIAL (1982) and the haunting UCLA Festival of Preservation ...............14 elegies of SCHINDLER'S LIST (1993). Always epic in scale, his music has helped define over half a century of the motion picture medium. -
USC Games Establishes the Gerald A. Lawson Endowment Fund, Supporting Black and Indigenous Students in Game Design and Engineering
USC Games Establishes The Gerald A. Lawson Endowment Fund, Supporting Black and Indigenous Students in Game Design and Engineering May 6, 2021 Industry Leader Take-Two Interactive Helps to Found and Fund Endowment Supporting Racial Equity and Inclusion in Gaming and Tech for the #1 Game Design Program in North America LOS ANGELES--(BUSINESS WIRE)--May 6, 2021-- Today, USC Games, ranked as Princeton Review’s #1 Games Program in North America in 2021, announced the establishment of The Gerald A. Lawson Endowment Fund for Black and Indigenous Students, with the goal of increasing those groups’ representation in games and tech industries. Take-Two Interactive Software, Inc. (NASDAQ: TTWO), global industry-leading developer, publisher, and marketer of interactive entertainment, made a significant seed contribution to establish the Lawson Fund for student support. The Fund will provide student support for Black and Indigenous students who wish to pursue undergraduate or graduate degrees in game design or computer science from USC's prestigious program. With financial support from additional game and technology companies and donors, USC Games’ vision is to expand the initiative and support other aspects of diversity and equity, including salary support for additional Black and Indigenous faculty as well as labs and projects that addressed issues that affect these marginalized communities. Student recipients of the funds will be known as Lawson Scholars and the initiative will be featured during the program’s annual USC Games Expo on May 15, 2021 -
Diplomarbeit
DIPLOMARBEIT Titel der Diplomarbeit History Recycling Postmoderne Theorien und das Motiv der Zeitreise im US-amerikanischen Film der 1980er Jahre Verfasserin Jill Amanda Meißner Angestrebter akademischer Grad Magistra der Philosophie (Mag.phil.) Wien, September 2011 Studienkennzahl lt. Studienblatt: A 317 Studienrichtung lt. Studienblatt: Theater-, Film- und Medienwissenschaft Betreuer: Mag. Thomas Ballhausen Eidesstattliche Erklärung Ich versichere, dass ich die vorliegende Arbeit selbstständig und ohne Benutzung anderer als der angegebenen Hilfsmittel angefertigt habe. Die aus fremden Quellen direkt oder indirekt übernommenen Ausführungen sind als solche kenntlich gemacht. Die Arbeit wurde bisher in gleicher oder ähnlicher Form keiner anderen Prüfungsbehörde vorgelegt und auch noch nicht veröffentlicht. Wien, am 01.09.2011 .................................... Jill Meißner Danksagung Danke all jenen, die zum Gelingen dieser Arbeit beigetragen und mit mir geduldig über Zeitreisefilme diskutiert haben! Besonderer Dank gilt an dieser Stelle meinem Betreuer Mag. Thomas Ballhausen, der mir geholfen hat, aus einer vagen Idee eine Diplomarbeit zu formen und mir stets mit Rat und Tat zur Seite stand. Ohne mich zeitlich unter Druck zu setzen, hat er mich darin unterstützt, eine Arbeit zu schreiben, auf die ich stolz sein kann. Danke an Tanja Wittrien und Margrita Hägele, die mir ihre Arbeiten zur Verfügung gestellt haben! Besonders möchte ich mich auch bei meinen Freundinnen Eva, Julia und Jana für das geduldige Korrekturlesen dieser Arbeit bedanken. Danke an meine Kollegen und Freunde Katharina L., Dominik, Elias, Desiree und Katharina Z., die das gleiche durchgemacht und mich stets motiviert haben! Danke an Hanna und Veronika, die sich geduldig meine Probleme angehört haben! Danke an meine Mutter und meine Schwester Janis, die mir immer wieder Mut gemacht und an mich geglaubt haben! Janis hat außerdem eine wunderbare Zeichnung zum Thema dieser Diplomarbeit angefertigt, welche sich vor dem Anhang befindet. -
The Brave New World of Gaming: Mobiles, Online Distribution, and Touchscreens
Level Up! The Guide to Great Video Game Design 2nd Edition Scott Rogers This edition first published 2014 © 2014 John Wiley and Sons, Ltd. Registered office John Wiley & Sons Ltd, The Atrium, Southern Gate, Chichester, West Sussex, PO19 8SQ, United Kingdom For details of our global editorial offices, for customer services and for information about how to apply for permission to reuse the copyright material in this book please see our website at www.wiley.com. The right of the author to be identified as the author of this work has been asserted in accordance with the Copyright, Designs and Patents Act 1988. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, except as permitted by the UK Copyright, Designs and Patents Act 1988, without the prior permission of the publisher. Wiley also publishes its books in a variety of electronic formats. Some content that appears in print may not be available in electronic books. Designations used by companies to distinguish their products are often claimed as trademarks. All brand names and prod- uct names used in this book are trade names, service marks, trademarks or registered trademarks of their respective own- ers. The publisher is not associated with any product or vendor mentioned in this book. This publication is designed to provide accurate and authoritative information in regard to the subject matter covered. It is sold on the understanding that the publisher is not engaged in rendering professional services. -
Web Magazine Approaches to Christmas
Page 1 of 3 Print entire issue Web Magazine Approaches to Christmas Issue 198: December 19, 2006 FEATURED ARTICLES The Spouse Who Stole Christmas By Sue Eisenfeld Her non-Jewish husband decided not to do Christmas, but now she misses it. Read More Bringing Christmas Back By Gina Hagler If you convert, can you still have a tree? Read More Don't Bring Christmas Back By Dawn C. Kepler An outreach professional responds to Bringing Christmas Back. http://www.interfaithfamily.com/site/pp.aspx?c=ekLSK5MLIrG&b=1711661&printmode... 12/19/2006 Page 2 of 3 Read More Learning to Let Go of Christmas By Alice Hale Now that she's converted, she's ready to stop celebrating Christmas. But her kids aren't. Read More ALSO IN THIS ISSUE More Articles on Approaches to Christmas What Will We Do About Christmas? (After the Grandparents Are Gone) By Suzanne Koven Hanukkah at home, Christmas at the in-laws. But what happens when the in-laws die? Planning "Far Enough" By Rosanne Levitt An outreach professional responds to What Will We Do About Christmas? (After the Grandparents Are Gone). The Greatest Game: Playing Dreidel in Iowa By Susan Freudenheim A self-avowed East Coast liberal introduces her husband's devout Catholic family to gelt and latkes. "In the Mix": (Out of the) Home for Christmas By Julie Wiener A Jewish woman struggles to keep Christmas at arm's length from her interfaith family. News Survey: Interfaith Families Raising Jewish Kids Can Negotiate Christmas By Sue Fishkoff http://www.interfaithfamily.com/site/pp.aspx?c=ekLSK5MLIrG&b=1711661&printmode.. -
Complimentary Single-Use Copy Only
WEEK OF JUNE 4-10, 2020 www.FloridaWeekly.com Vol. 5, No. 7 • FREE COMPLIMENTARY SINGLE-USE COPY ONLY Emmy-winning Florida filmmaker’s latest creative venture is also a vehicle to Streaming now Through the eyes of Spike: “Da accomplish good. 5 Bloods” and more fresh out to watch. A10 X PHOTO BY MILA BRIDGER; ILLUSTRATION BY ERIC RADDATZ / FLORIDA WEEKLY BY ERIC RADDATZ PHOTO BY MILA BRIDGER; ILLUSTRATION Peace X is his John Biffar Cuisine Stay cool with Keys Coffee BY ROGER WILLIAMS Company. A4 X rwilliams@fl oridaweekly.com OHN BIFFAR HAD TO ASCEND, BUT with little time left to do it. Old story in a new body: His J oxygen tank was running dry, leaving him airless far below the surface of the Atlantic off Cape Verde, 350 miles east of the Sen- egalese coast of Africa. To compound the problem, Long John, as they call him, had been filming in a cave. And, at 6 feet, 7 inches and about 250 pounds, his body requires a lot of oxygen. Real estate “It was the last dive of the trip 1309 Villa Mill Alley priced at and I wanted to get as much $2,549,000. A8 X SEE PEACE, A6 X Writing contest Send in your write stuff Top picks for virtual fun this week will surely get you excited for Round 3 of our fiction challenge. A9 X _________________________FLORIDA WEEKLY STAFF you occupied during COVID-19. To submit Brad Bertelli. To register: https://register. items for possible future publication, email gotowebinar.com/register/52823720252713 Bored, anxious or got the blues during plain text or Word documents by noon 00365?source=Email. -
Trump Nixes Renaming
SPORTS: Pandemic will change experience for fans Back page TRAVEL: Touring a gem Spike Lee’s tale of vets mine in Germany Page 23 returning to Vietnam feels urgent amid current crises MUSIC: The 1975’s Healy Movies, Pages 20-21 as complex as ever Page 32 stripes.com Volume 79, No. 40 ©SS 2020 FRIDAY, JUNE 12, 2020 $1.00 AMERICA PROTESTS Milley says he was wrong to participate in church walk BY ROBERT BURNS Associated Press WASHINGTON — Army Gen. Mark Milley, the nation’s top mili- tary officer, said Thursday he was wrong to accompany President Donald Trump on a walk through Lafayette Square that ended in a photo op at a church. He said his presence “created a perception of the military involved in domestic politics.” “I should not have been there,” the Joint Chiefs chairman said in remarks to a National De- fense University commencement ceremony. Trump’s June 1 walk through the park to pose with a Bible at a church came after authori- ties used pepper spray and flash bangs to clear the park and streets of largely peaceful protesters demonstrating in the aftermath of George Floyd’s death in Min- nesota in police custody. Milley said his presence and the photographs compromised Trump nixes renaming SEE MILLEY ON PAGE 8 President ‘will not even consider’ stripping Army posts of Confederate names BY COREY DICKSTEIN the Army, which has for decades defended the naming Congress Stars and Stripes of those posts during the Jim Crow era. In late Febru- ary, Army officials foot-stomped their unwillingness to advances bills WASHINGTON — President Donald Trump in a consider the issue, saying the names were rooted in the trio of tweets Wednesday afternoon appeared to quash “spirit of reconciliation” and not meant to honor any that would any chance that the Army could change the names of particular cause.