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Kicking Off with Comedy Central's Roast of Rob Lowe
Media Release: Tuesday August 23, 2016 Get ready for a feast of Roasts on Foxtel Kicking off with Comedy Central’s Roast of Rob Lowe Tuesday September 6 at 8.30pm Express from the US on The Comedy Channel Hollywood heartthrob Rob Lowe is treated with his very own special Roast – and considering the skeletons in Lowe's closet, which include struggles with alcohol and an affair with Princess Stephanie of Monaco – the Roasters should have no problem finding topics to poke fun at. Comedy Central’s Roast of Rob Lowe will premiere Tuesday September 6 at 8.30pm Express from the US on The Comedy Channel. Known for his roles in St Elmo’s Fire, Wayne’s World, the Austin Powers franchise, The West Wing, Brothers & Sisters, Parks & Recreation, The Grinder and many, many more – Lowe has been a handsome fixture of our small and silver screens since the early 1980s. Get ready for Lowe’s dirty laundry to be aired when the Roasters spill the beans on his movie star lifestyle and brat pack antics. Comedy Central’s Roast of Rob Lowe will assemble a dais of comedians and celebrities, along with Roast Master David Spade (Saturday Night Live, Joe Dirt, Just Shoot Me!, Rules of Engagement), to take down the ageless sex symbol one burn at a time. The first round of Roasters confirmed include one of the UK's most distinctive comedians Jimmy Carr, Saturday Night Live’s Pete Davidson, actress and Lowe’s co- star Bo Derek, former NFL quarterback Peyton Manning, comedic actor Rob Riggle, and Roast alumni Jeff Ross. -
'Live from New York'
Thursday, October 11, 2018 • APG News B5 5 2 0 part of the cast for _______ years. 9. He served as the original anchor for the “Weekend Update” segment of “Saturday - + ( 19. She was the first woman to host Night Live.” % “Saturday Night Live.” 11. Colin Jost and _________ currently serve as 20. “The Unfrozen Caveman __________,” was a co-anchors on the recurring “SNL” sketch # recurring character created by Jack Handey “Weekend Update.” " 5! and played by Phil Hartman on “Saturday 55 Night Live” from 1991 through 1996. 13. Actor Alec Baldwin has hosted “Saturday Night Live” more than anyone else, _________ 52 50 21. This original “SNL” cast member played a times between 1990 and 2017. 5- samurai in several sketches. 16. “Saturday TV________” was the title of a 5+ 23. Enid Strict, better known as “The recurring skit on “Saturday Night Live” 5( 5% _________Lady”, is a recurring character from featuring cartoons created by “SNL” writer aseries of sketches on “Saturday Night Live,” Robert Smigel. that was created and played by cast 5# 5" member Dana Carvey. 17. This comedian was the first to host 2! “Saturday Night Live,” in the debut October 25 24. An “SNL” episode normally begins with a 1975 episode. ________ open sketch that ends with 22 20 someone breaking character and 18. This co-creator and writer of the hit NBC 2- proclaiming, “Live from New Yo rk, it’s show “Seinfeld” briefly wrote for “SNL.” Saturday Night!” 2+ 19. This current “SNL” cast member has 2( 25. “The Boston __________” are fictional impersonated celebrities like Roseanne Barr, characters featured on “Saturday Night Live,” Meghan Trainor, Rebel Wilson and Adele. -
Henry Jenkins Convergence Culture Where Old and New Media
Henry Jenkins Convergence Culture Where Old and New Media Collide n New York University Press • NewYork and London Skenovano pro studijni ucely NEW YORK UNIVERSITY PRESS New York and London www.nyupress. org © 2006 by New York University All rights reserved Library of Congress Cataloging-in-Publication Data Jenkins, Henry, 1958- Convergence culture : where old and new media collide / Henry Jenkins, p. cm. Includes bibliographical references and index. ISBN-13: 978-0-8147-4281-5 (cloth : alk. paper) ISBN-10: 0-8147-4281-5 (cloth : alk. paper) 1. Mass media and culture—United States. 2. Popular culture—United States. I. Title. P94.65.U6J46 2006 302.230973—dc22 2006007358 New York University Press books are printed on acid-free paper, and their binding materials are chosen for strength and durability. Manufactured in the United States of America c 15 14 13 12 11 p 10 987654321 Skenovano pro studijni ucely Contents Acknowledgments vii Introduction: "Worship at the Altar of Convergence": A New Paradigm for Understanding Media Change 1 1 Spoiling Survivor: The Anatomy of a Knowledge Community 25 2 Buying into American Idol: How We are Being Sold on Reality TV 59 3 Searching for the Origami Unicorn: The Matrix and Transmedia Storytelling 93 4 Quentin Tarantino's Star Wars? Grassroots Creativity Meets the Media Industry 131 5 Why Heather Can Write: Media Literacy and the Harry Potter Wars 169 6 Photoshop for Democracy: The New Relationship between Politics and Popular Culture 206 Conclusion: Democratizing Television? The Politics of Participation 240 Notes 261 Glossary 279 Index 295 About the Author 308 V Skenovano pro studijni ucely Acknowledgments Writing this book has been an epic journey, helped along by many hands. -
(FCC) Complaints About Saturday Night Live (SNL), 2019-2021 and Dave Chappelle, 11/1/2020-12/10/2020
Description of document: Federal Communications Commission (FCC) Complaints about Saturday Night Live (SNL), 2019-2021 and Dave Chappelle, 11/1/2020-12/10/2020 Requested date: 2021 Release date: 21-December-2021 Posted date: 12-July-2021 Source of document: Freedom of Information Act Request Federal Communications Commission Office of Inspector General 45 L Street NE Washington, D.C. 20554 FOIAonline The governmentattic.org web site (“the site”) is a First Amendment free speech web site and is noncommercial and free to the public. The site and materials made available on the site, such as this file, are for reference only. The governmentattic.org web site and its principals have made every effort to make this information as complete and as accurate as possible, however, there may be mistakes and omissions, both typographical and in content. The governmentattic.org web site and its principals shall have neither liability nor responsibility to any person or entity with respect to any loss or damage caused, or alleged to have been caused, directly or indirectly, by the information provided on the governmentattic.org web site or in this file. The public records published on the site were obtained from government agencies using proper legal channels. Each document is identified as to the source. Any concerns about the contents of the site should be directed to the agency originating the document in question. GovernmentAttic.org is not responsible for the contents of documents published on the website. Federal Communications Commission Consumer & Governmental Affairs Bureau Washington, D.C. 20554 December 21, 2021 VIA ELECTRONIC MAIL FOIA Nos. -
College of Arts and Letters
Winter 2018 Newsletter College of Arts and Letters Coyote Advertising and Art Department students win major awards The Coyote Advertising team along with talented students from the Art Department, won 38 ADDY awards at the annual American Advertising Federation Inland Empire Chapter’s Awards Gala. These included one gold award, three silver awards and six bronze awards. Congratulations to our amazing students! Read entire press release: https://inside.csusb.edu/node/10531 CSUSB mourns the passing of distinguished alumnus Paul De Meo (BA Theatre Arts '78) who died unexpectedly on February 26. Paul (left) and his writing and producing partner, alumnus Danny Bilson (right), seen here at CSUSB's production of "The World Goes 'Round" last June, met at CSUSB. The duo acted in Chekov's "The Seagull," the first production in the Barnes Theatre, and wrote and performed in the second show, "The Houdini Deception," under the mentorship of Professor Bill Slout. Paul and Danny went on to successful careers as screenwriters, authors, and producers of films, television series, video games and graphic novels including Disney's "The Rocketeer" now considered a cult classic. Other works included the original TV series of "The Flash," "The Sentinel," "Viper," and the video game "The Sims." Our heartfelt condolences go out to Paul's wife, Lauren Glassman, daughters Miranda and Annabella, and Danny Bilson and his family. He will be missed. Department of World Languages and Literatures wins California Languages Teachers Association Presidential Award The Department of World Languages and Literatures was the recipient of the Cali- fornia Language Teachers Association Presidential award. -
Never Forget | Page 1
Never Forget | Page 1 Never Forget By: Jack Greiner on November 13, 2018 on graydon.law This post is admittedly out of my lane. It’s not about a legal issue or the law even. But I can’t stop watching this clip from the November 10 broadcast of Saturday Night Live. As many readers likely know, in the November 3 broadcast of SNL, Pete Davidson made a dumb joke about Republican Congressional candidate Lt. Commander Dan Crenshaw’s eye patch. Never a great idea to make fun of a person’s missing eye, but especially given that Crenshaw lost the eye to an IED while on active duty in Afghanistan. Davidson was, to put it mildly, ripped on social media, and any number of outlets. But the guy who had the real beef – Lt. Com. Crenshaw took it in stride. So much so, that he appeared on the November 10 broadcast to accept Davidson’s apology. I watched the very first broadcast of SNL in October of 1975 and I’ve watched it off and on ever since. This may be my favorite moment for a number of reasons: 1. Davidson’s apology was sincere. I’m sure he was under pressure to do it, but there was no “if I offended anyone” qualifications. He said he made a poor choice and he took full responsibility; 2. It was funny. Lt. Com. Crenshaw has tremendous timing. When his cell phone ring tone played an Ariana Grande song and he asked Davidson “do you know her?” I almost fell off my chair. -
Make America America Again
# 2020/26 dschungel https://jungle.world/artikel/2020/26/make-america-america-again Spike Lees »Da 5 Bloods« über schwarze Veteranen des Vietnamkriegs Make America America Again Von Daniel Moersener Spike Lees »Da 5 Bloods« zeigt, dass Afroamerikaner nicht den Vietnamkrieg brauchten, um traumatisiert zu werden. Wenn es eine Sache an Spike Lees Vietnamkriegsfilm »Da 5 Bloods« zu bemängeln gibt, dann einzig und allein, dass ihm als Produktion von Netflix der Start im Kino versagt bleibt. Das ist freilich nicht Spike Lee selbst anzulasten, sondern der derzeitigen Mutlosigkeit Hollywoods. Diese Mutlosigkeit ist es, die nun auch Lee, wie zuvor schon Martin Scorsese, in die Arme der Streaming-Anbieter treibt. Der Kinosaal und »Da 5 Bloods«, sie hätten einander redlich verdient. Denn Spike Lee präsentiert sich in Bestform und springt virtuos zwischen dem Vietnam der späten Sechziger und der Gegenwart und verwebt Archivaufnahmen, digitale Aufnahmetechnik, Fotografien, Super- 8-Aufnahmen und 16mm-Film miteinander. Anstatt – apropos Scorsese – die Hauptdarsteller für Rückblenden digital verjüngen zu lassen, setzt Spike Lee sie unverändert sowohl in den Gegenwartsszenen wie auch in denen der Vergangenheit ein. Das klingt zwar gewagt, geht aber gerade deshalb als ästhetische Strategie voll auf. Die Vereinigten Staaten, so wird im Film gesagt, führten seit ihrer Gründung einen Krieg gegen sich selbst, und dieser Krieg scheine bis heute anzudauern. Drei Minuten, länger braucht Spike Lee nicht, um in der rasant montierten Eröffnungssequenz von »Da 5 Bloods« ein Panorama der Vietnamkriegsära in den USA zu entwerfen. Interviewfetzen und Statements von Muhammad Ali, Bobby Seale, Angela Davis und Malcolm X werden mit Ansprachen Lyndon B. -
Borderline Personality Disorder: Destroying Stigma and Promoting Normalization”
Gilbert 1 Logan Gilbert AP English 12 Mrs. Kirkpatrick January 12, 2020 “Borderline Personality Disorder: Destroying Stigma and Promoting Normalization” “BPD isn’t a real psychological disorder. It's basically a way for a shrink to say “sorry you’re clinically an a**hole” [Appendix A]. The social media platform allows for public vocalization of derogatory and dehumanizing comments that perpetuate stigmas surrounding controversial mental illnesses such as borderline personality disorder (BPD). Media platforms, like Twitter, are whirlpools of blasphemous quotes (as shown above), which reinforce stigmatizing stereotypes misconstrued with mental illnesses, furthermore, misleading public conceptions concerning borderline personality disorder. The psychological definition of borderline personality is “an illness marked by an ongoing pattern of varying moods, self-image, and behavior”(NIH). “People with borderline personality disorder may experience intense episodes of anger, depression, and anxiety that can last from a few hours to days” (“Borderline 2”). The National Alliance of Mental Illnesses (NAMI) appallingly reports, an “estimated 1.4% of the adult U.S. population experiences BPD” (“Borderline 1”). Furthermore, meaning that approximately 4.6 million adults who suffer from mood shifts, anxiety, and depression, are also forced to combat the demoralizing stereotypes manifested in modern media and film. This, however, excludes the undiagnosed population, who endures opprobrium (harsh criticism) without the support of trained doctors and nurses. Psychiatrists Biskin and Paris give professional incitement concerning BPD diagnosis, elucidating the fact that “borderline personality disorder can be a difficult diagnosis because of similarities to other conditions, particularly mood disorders'' (Biskin and Paris). In general practice, accurate diagnoses are seen “in 10% of psychiatric outpatients, 20% of psychiatric inpatients, and 6% of family medicine patients” (Biskin and Paris). -
Vigilantes, Incorporated: an Ideological Economy of the Superhero Blockbuster
VIGILANTES, INCORPORATED: AN IDEOLOGICAL ECONOMY OF THE SUPERHERO BLOCKBUSTER BY EZRA CLAVERIE DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in English with a minor in Cinema Studies in the Graduate College of the University of Illinois at Urbana-Champaign, 2016 Urbana, Illinois Doctoral Committee: Associate Professor José B. Capino, Chair Associate Professor Jim Hansen Associate Professor Lilya Kaganovsky Associate Professor Robert A. Rushing Professor Frank Grady,Department of English, University of Missouri, Saint Louis ii ABSTRACT Since 2000, the comic-book superhero blockbuster has become Hollywood’s most salient genre. “Heroes, Incorporated: A Political Economy of the Superhero Blockbuster” examines these seemingly reactionary fantasies of American power, analyzing their role in transmedia storytelling for a conglomerated and world-spanning entertainment industry. This dissertation argues that for all their apparent investment in the status quo and the hegemony of white men, superhero blockbusters actually reveal the disruptive and inhuman logic of capital, which drives both technological and cultural change. Although focused on the superhero film from 2000 to 2015, this project also considers the print and electronic media across which conglomerates extend their franchises. It thereby contributes to the materialist study of popular culture and transmedia adaptation, showing how 21st century Hollywood adapts old media for new platforms, technologies, and audiences. The first chapter traces the ideology of these films to their commercial roots, arguing that screen superheroes function as allegories of intellectual property. The hero’s “brand” identity signifies stability, even as the character’s corporate owners continually revise him (rarely her). -
Las Adaptaciones Cinematográficas De Cómics En Estados Unidos (1978-2014)
UNIVERSITAT DE VALÈNCIA Facultat de Filologia, Traducció i Comunicació Departament de Teoria dels Llenguatges i Ciències de la Comunicació Programa de Doctorado en Comunicación Las adaptaciones cinematográficas de cómics en Estados Unidos (1978-2014) TESIS DOCTORAL Presentada por: Celestino Jorge López Catalán Dirigida por: Dr. Jenaro Talens i Dra. Susana Díaz València, 2016 Por Eva. 0. Índice. 1. Introducción ............................................................................................. 1 1.1. Planteamiento y justificación del tema de estudio ....................... 1 1.2. Selección del periodo de análisis ................................................. 9 1.3. Sinergias industriales entre el cine y el cómic ........................... 10 1.4. Los cómics que adaptan películas como género ........................ 17 2. 2. Comparación entre los modos narrativos del cine y el cómic .......... 39 2.1. El guion, el primer paso de la construcción de la historia ....... 41 2.2. La viñeta frente al plano: los componentes básicos esenciales del lenguaje ........................................................................................... 49 2.3. The gutter ................................................................................. 59 2.4. El tiempo .................................................................................. 68 2.5. El sonido ................................................................................... 72 3. Las películas que adaptan cómics entre 1978 y 2014 ........................... 75 -
Snl Skit Rap Consent
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Vigil and Rally Held for 16-Year Old Mikayla Miller As Community Searches for Answers Regarding Her Death by Abigail Basile News Editor
Vol. 54 iSSUE 29 www.umassmedia.com the massUMass Boston’s independentmedia student newspaper May 10, 2021 Vigil and rally held for 16-year old Mikayla Miller as community searches for answers regarding her death By Abigail Basile News Editor On Thursday, May 6, a vigil was held for 16-year-old Mikayla Miller, a Black, LGBTQIA+ identifying girl from Hopkinton, Massachusetts. The vigil also served as a rally for those who believe not enough investigation has been conducted regarding Miller’s cause of death. Hundreds of supporters showed up to the Hopkinton Town Green, right by the Boston Marathon starting line. Supporters held signs reading “Justice for Mikayla,” and many brought flowers. Mikayla Miller’s mother, Calvina Strothers, gave an emotional speech to the crowd at the rally. She said she and her daughter were “two peas in a pod,” and criticized the lack of transparency from the Middlesex County District Attorney Marian Ryan. “Due to the lack of urgency for some, I’ve had to not only be the grieving mother, but also put pressure on the DA, Marian Ryan, who I did not hear from until twelve days after Mikayla’s death,” said Strothers at the rally. “I don’t want to be a vigilante in this,” continued Strothers. “I don’t want to have to spend all day on the phone getting and passing along evidence in order for justice to be served. What I want is for the criminal justice system to work.” The rally was organized by Monica Cannon-Grant—the founder of Violence in Boston—and former Boston City Councilor Tito Jackson, both of whom spoke at the rally as well.