Kanye West Will Reportedly Appear on Netflix's 'My Next Guest Needs No Introduction' with David Letterman

Total Page:16

File Type:pdf, Size:1020Kb

Kanye West Will Reportedly Appear on Netflix's 'My Next Guest Needs No Introduction' with David Letterman Kanye West Will Reportedly Appear on Netflix's 'My Next Guest Needs No Introduction' With David Letterman popculture.com/streaming/2019/01/20/kanye-west-reportedly-appear-netflix-my-next-guest-needs-no-introduction- david-letterman By Daniel S. Levine - January 19, 2019 Letterman filmed an episode at the Nate Holden Performing Arts Center in Los Angeles on Monday. Ticket-holders were not told who Letterman's guest would be, but sources for Vulture said it was West. Thank you @1iota I really can't believe I started the year by sitting in a room with 3 legends... David Letterman, Kanye West and Kim Kardashian..just wow pic.twitter.com/ybwT6cRrfJ — GutTheBih (@Trev76999044) January 18, 2019 Vulture's sources said Letterman and West's conversation included a portion on mental health, a subject close to both of them. Letterman has been open about his battle with depression since 2012, while West talked about his mental condition frequently in 2018. West's 2018 album Ye included the message "I hate being bi-polar, it's awesome," but during his infamous Oval Office meeting with President Donald Trump, he claimed he "actually wasn't bipolar," but instead "had sleep deprivation." In several tweets this past December, West claimed he was "free" from his medications and compared his mental state to how he felt while recording My Beautiful Dark Twisted Fantasy. "I’m loving the new music I’ve been working on. 6 months off meds I can feel me again. Remember when dark fantasy came out I used to tweet a storm also," West tweeted on Dec. 15. West's openness about his mental health earned praise from Saturday Night Live comedian Pete Davidson, who has also been open about mental health issues. "Bravo Kanye West for standing up for yourself and speaking out against mental health," Davidson wrote in a now-deleted Instagram post . "I can't explain to you enough how difficult and scary it is to be honest about stuff like this. We need people like Kanye. No one should ever point fingers at you for your bravery in speaking about mental health. I'm seriously disgusted." According to Zinoman's 2017 Letterman biography, the comedian went into a deep depression after his 2009 scandal, when a producer tried to blackmail him after learning about Letterman's affair with an assistant. 1/3 The first season of My Guest Needs No Introduction included interviews with Tina Fey, George Clooney, Jay-Z and former President Barack Obama. The show was renewed for a second season in December. Photo credit: Getty Images Start the Conversation 'You' Season Finale Offers up Wild New Theory About Beck's Fate By Stephen Andrew - March 15, 2019 The You Season 1 finale offered up a wild detail about Beck's fate, and some fans might have missed it. Please Note: Spoilers Ahead for You Season 1 As first reported by Glamour, the clue comes during the very last scene of Season 1 when Joe Goldberg's (Penn Badgley) ex-girlfriend Candace (Ambyr Childers) suddenly appears and Joe is noticeably shaken. The book-store-manager-by-day, stalker-by-night then addresses her by saying, "Candace. You're..." but Candace interjects by saying, "alive?" This is notable, the theory suggests, because it implies that Joe believed Candace to be dead, and she clearly knew that he thought that, which means that something potentially fatal must have happened between them. Earlier in the series, Candace appears to Joe in an hallucination and asks him if Beck (Elizabeth Lail) — the unfortunate newest object of Joe's desire — will "end up" like she did. This too implies some kind of death. Well, it seems that there is now a thought that Beck may also not actually be dead, since her body was never actually shown. When the "Beck's Dead" montage rolled at the end of the episode, her body was implied to have been inside a black bag. Some fans are convinced that it's possible Joe did not succeed in killing Beck or Candace, for that matter — and that the character could turn up again in the future. In confirmed You news, You showrunner Sera Gamble previously revealed that The Haunting of Hill House actress Victoria Pedretti had been added to the cast for the new season. She will be playing a character named Love Quinn 2/3 Gamble went on to speak to EW about why Pedretti was chosen for the role, saying that the actresses incredible performance in Hill House was the main reason why. “It is very f—ing cool that Victoria is playing this role,” Gamble said. “I binged Hill House, and she was incredible. And then a couple of days later, [You executive producer] Greg [Berlanti] sent an email asking, ‘Have you seen Hill House? Have you seen Victoria Pedretti, wouldn’t she make a perfect Love?’ Leave it to Greg to put that together.” The showrunner also shared some details about the character Pedretti is playing, stating that, "like her name," Love Quinn is "very warm and there is a carefree aspect to her spirit that really comes from the fact that she has constructed a life for herself that’s about being in the moment and doing what she loves every day." "In that way, she’s very very different than the woman that you got to know in season one, Beck, who was ambitious and driven as a writer and also as a young person in a social circle that had a certain kind of status," Gamble continued. "Beck had been quite aware of her social media presence, and Love is extremely disinterested in all of that.” Photo credit: Netflix Start the Conversation 3/3.
Recommended publications
  • Greetings from Tim Buckley
    GREETINGS FROM TIM BUCKLEY EEN FILM VAN DAN ALGRANT WILD BUNCH WILLEMSSTRAAT 24 B - 1015 JD – AMSTERDAM WWW.WILDBUNCH.NL [email protected] WILDBUNCHblx GREETINGS FROM TIM BUCKLEY – DAN ALGRANT PROJECT SUMMARY EEN PRODUCTIE VAN FROM A TO Z PRODUCTIONS, SMUGGLER FILMS TAAL ENGELS LENGTE 99 MINUTEN GENRE DRAMA LAND VAN HERKOMST USA FILMMAKER DAN ALGRANT HOOFDROLLEN PENN BADGLEY, IMOGEN POOTS RELEASEDATUM 26 SEPTEMBER 2013 KIJKWIJZER SYNOPSIS In 1991 repeteert een jonge Jeff Buckley voor zijn optreden tijdens een tribute show ter ere van zijn vader, wijlen volkszanger Tim Buckley. Terwijl hij worstelt met de erfenis van een man die hij nauwelijks kende, vormt Jeff een vriendschap met een mysterieuze jonge vrouw die bij de show werkt en begint hij de potentie van zijn eigen muzikale stem te ontdekken. CAST JEFF PENN BADGLEY ALLIE IMOGEN POOTS TIM BEN ROSENFIELD GARY FRANK WOOD JEN JENNIFER TURNER CAROL KATE NASH JANE ISABELLE MCNALLY LEE WILLIAM SADLER HAL NORBERT LEO BUTZ YOUNG LINDA JADYN STRAND RICHARD FRANK BELLO JANINE NICHOLS JESSICA STONE YOUNG LEE TYLER GILHAM SIRENS KEMP AND EDEN C.H. DAVID SCHNIRMAN CARTER STEPHEN TYRONE WILLIAMS MILOS CHRISTOPH MANUEL FRANK DAVID LIPMAN GARY LUCAS GARY LUCAS CREW DIRECTOR DAN ALGRANT SCREENWRITER DAN ALGRANT DAVID BRENDEL EMMA SHEANSHANG CINEMATOGRAPHER ANDRIJ PAREKH EDITOR BILL PANKOW CASTING AVY KAUFMAN PRODUCTION DESIGN JOHN PAINO COSTUME DESIGN DAVID C. ROBINSON ORIGINAL MUSIC GARY LUCAS GREETINGS FROM TIM BUCKLEY – DAN ALGRANT DIRECTOR’S STATEMENT Before GREETINGS FROM TIM BUCKLEY, I had made two short films about my father. When I was 21, I made the first film about how much I hated him when he left my mother.
    [Show full text]
  • Kicking Off with Comedy Central's Roast of Rob Lowe
    Media Release: Tuesday August 23, 2016 Get ready for a feast of Roasts on Foxtel Kicking off with Comedy Central’s Roast of Rob Lowe Tuesday September 6 at 8.30pm Express from the US on The Comedy Channel Hollywood heartthrob Rob Lowe is treated with his very own special Roast – and considering the skeletons in Lowe's closet, which include struggles with alcohol and an affair with Princess Stephanie of Monaco – the Roasters should have no problem finding topics to poke fun at. Comedy Central’s Roast of Rob Lowe will premiere Tuesday September 6 at 8.30pm Express from the US on The Comedy Channel. Known for his roles in St Elmo’s Fire, Wayne’s World, the Austin Powers franchise, The West Wing, Brothers & Sisters, Parks & Recreation, The Grinder and many, many more – Lowe has been a handsome fixture of our small and silver screens since the early 1980s. Get ready for Lowe’s dirty laundry to be aired when the Roasters spill the beans on his movie star lifestyle and brat pack antics. Comedy Central’s Roast of Rob Lowe will assemble a dais of comedians and celebrities, along with Roast Master David Spade (Saturday Night Live, Joe Dirt, Just Shoot Me!, Rules of Engagement), to take down the ageless sex symbol one burn at a time. The first round of Roasters confirmed include one of the UK's most distinctive comedians Jimmy Carr, Saturday Night Live’s Pete Davidson, actress and Lowe’s co- star Bo Derek, former NFL quarterback Peyton Manning, comedic actor Rob Riggle, and Roast alumni Jeff Ross.
    [Show full text]
  • The Storyworld Dynamics of Supernatural
    PRODUCTIONS / MARKETS / STRATEGIES ANGELS, DEMONS AND WHATEVER COMES NEXT: THE STORYWORLD DYNAMICS OF SUPERNATURAL FLORENT FAVARD Name Florent Favard the series with an analysis of its writing, production and Academic centre IECA, Université de Lorraine reception contexts, and divides the long-running series into E-mail address [email protected] four eras, each defined by a specific showrunner. It starts by exploring the context of the series’ creation, before KEYWORDS cataloguing the shifting dynamics of the storyworld during Storyworld; narratology; writing; ethos; showrunner. the four eras: the ‘stealth teleological’ approach of series creator Eric Kripke; the complex reconfigurations of the Sera Gamble era; the ‘mythology reboot’ of the Jeremy ABSTRACT Carver era; and the ever-increasing stakes and expansionist This paper explores the narrative dynamics of the fantasy dynamics of the Andrew Dabb era. The aim of this paper television series Supernatural (2005-) in order to better is to show how ‘periodising’ a long-running series by using understand how this particular program has become a close-reading and studying the dynamics of a storyworld backbone of The CW network. Combining formal and can expand and complete analysis focused on audiences contextual narratologies, it blends a close-reading of and the genesis of the text. 19 SERIES VOLUME IV, Nº 2, WINTER 2018: 19-26 DOI https://doi.org/10.6092/issn.2421-454X/8164 INTERNATIONAL JOURNAL OF TV SERIAL NARRATIVES ISSN 2421-454X INVESTIGATING THE CW PRODUCTIONS / MARKETS / STRATEGIES > FLORENT FAVARD ANGELS, DEMONS AND WHATEVER COMES NEXT: THE STORYWORLD DYNAMICS OF SUPERNATURAL The Apocalypse has just been averted.
    [Show full text]
  • MICHAEL BONVILLAIN, ASC Director of Photography
    MICHAEL BONVILLAIN, ASC Director of Photography official website FEATURES (partial list) OUTSIDE THE WIRE Netflix Dir: Mikael Håfström AMERICAN ULTRA Lionsgate Dir: Nima Nourizadeh Trailer MARVEL ONE-SHOT: ALL HAIL THE KING Marvel Entertainment Dir: Drew Pearce ONE NIGHT SURPRISE Cathay Audiovisual Global Dir: Eva Jin HANSEL & GRETEL: WITCH HUNTERS Paramount Pictures Dir: Tommy Wirkola Trailer WANDERLUST Universal Pictures Dir: David Wain ZOMBIELAND Columbia Pictures Dir: Ruben Fleischer Trailer CLOVERFIELD Paramount Pictures Dir: Matt Reeves A TEXAS FUNERAL New City Releasing Dir: W. Blake Herron THE LAST MARSHAL Filmtown Entertainment Dir: Mike Kirton FROM DUSK TILL DAWN 3 Dimension Films Dir: P.J. Pesce AMONGST FRIENDS Fine Line Features Dir: Rob Weiss TELEVISION (partial list) PEACEMAKER (Season 1) HBO Max DIR: James Gunn WAYS & MEANS (Season 1) CBS EP: Mike Murphy, Ed Redlich HAP AND LEONARD (Season 3) Sundance TV, Netflix EP: Jim Mickle, Nick Damici, Jeremy Platt Trailer WESTWORLD (Utah; Season 1, 4 Episodes.) Bad Robot, HBO EP: Lisa Joy, Jonathan Nolan CHANCE (Pilot) Fox 21, Hulu EP: Michael London, Kem Nunn, Brian Grazer Trailer THE SHANNARA CHRONICLES MTV EP: Al Gough, Miles Millar, Jon Favreau (Pilot & Episode 102) FROM DUSK TIL DAWN (Season 1) Entertainment One EP: Juan Carlos Coto, Robert Rodriguez COMPANY TOWN (Pilot) CBS EP: Taylor Hackford, Bill Haber, Sera Gamble DIR: Taylor Hackford REVOLUTION (Pilot) NBC EP: Jon Favreau, Eric Kripke, Bryan Burk, J.J. Abrams DIR: Jon Favreau UNDERCOVERS (Pilot) NBC EP: J.J. Abrams, Bryan Burk, Josh Reims DIR: J.J. Abrams OUTLAW (Pilot) NBC EP: Richard Schwartz, Amanda Green, Lukas Reiter DIR: Terry George *FRINGE (Pilot) Fox Dir: J.J.
    [Show full text]
  • Thrill of the Chace
    REVIEW Ed and Thrill of Jessica are dating in real life KELLY RUTHERFORD CE (Lily van der Woodsen) It’s a case of life imitating THELUCKY SHANNON O’M EARACHA KEEPS A DATE Ed and art as 40-year-old WITH GOSSIP GIRL NICE GUY NATE Chace are Kelly, who plays a great mates multi-divorced mum, off-screen battles for custody of her WAKE-UP call at 6am is not real-life son, Hermès. much fun, although if Chace ED WESTWICK Crawford – Gossip Girl’s Nate (Chuck A Bass), CHACE CRAWFORD Archibald – is at the end of the line, (Nate Archibald) and JESSICA could there be a better reason to get SZOHR (Vanessa Abrams) up in the morning? Nate and Vanessa briefly dated on So Grazia happily (and breathlessly) the show, but party-boy Ed is now takes the call from the Texan romancing Jessica in the real world – heart-throb, who has a rare day off despite the gay rumours that plague former flatmates Ed and Chace. from !lming the hit drama series. The 23-year-old is eager to tell us about his crush on Australia and his penchant for Aussie stars. “I want to get to Australia so bad,” Chace says. “Ed [Westwick, aka Chuck Bass] has of the been down there and he had a blast. Real-life drama s Australia is de!nitely next on my list. The accent, the girls!” CAST Despite having hordes of female GOSSIP GI RL fans, the actor remains surprisingly THE ON-SCREEN SOAP OPERA HAS grounded, mostly thanks to some NOTHING ON THEIR OFF-SCREEN PLOTS good ole southern values.
    [Show full text]
  • 'Live from New York'
    Thursday, October 11, 2018 • APG News B5 5 2 0 part of the cast for _______ years. 9. He served as the original anchor for the “Weekend Update” segment of “Saturday - + ( 19. She was the first woman to host Night Live.” % “Saturday Night Live.” 11. Colin Jost and _________ currently serve as 20. “The Unfrozen Caveman __________,” was a co-anchors on the recurring “SNL” sketch # recurring character created by Jack Handey “Weekend Update.” " 5! and played by Phil Hartman on “Saturday 55 Night Live” from 1991 through 1996. 13. Actor Alec Baldwin has hosted “Saturday Night Live” more than anyone else, _________ 52 50 21. This original “SNL” cast member played a times between 1990 and 2017. 5- samurai in several sketches. 16. “Saturday TV________” was the title of a 5+ 23. Enid Strict, better known as “The recurring skit on “Saturday Night Live” 5( 5% _________Lady”, is a recurring character from featuring cartoons created by “SNL” writer aseries of sketches on “Saturday Night Live,” Robert Smigel. that was created and played by cast 5# 5" member Dana Carvey. 17. This comedian was the first to host 2! “Saturday Night Live,” in the debut October 25 24. An “SNL” episode normally begins with a 1975 episode. ________ open sketch that ends with 22 20 someone breaking character and 18. This co-creator and writer of the hit NBC 2- proclaiming, “Live from New Yo rk, it’s show “Seinfeld” briefly wrote for “SNL.” Saturday Night!” 2+ 19. This current “SNL” cast member has 2( 25. “The Boston __________” are fictional impersonated celebrities like Roseanne Barr, characters featured on “Saturday Night Live,” Meghan Trainor, Rebel Wilson and Adele.
    [Show full text]
  • (FCC) Complaints About Saturday Night Live (SNL), 2019-2021 and Dave Chappelle, 11/1/2020-12/10/2020
    Description of document: Federal Communications Commission (FCC) Complaints about Saturday Night Live (SNL), 2019-2021 and Dave Chappelle, 11/1/2020-12/10/2020 Requested date: 2021 Release date: 21-December-2021 Posted date: 12-July-2021 Source of document: Freedom of Information Act Request Federal Communications Commission Office of Inspector General 45 L Street NE Washington, D.C. 20554 FOIAonline The governmentattic.org web site (“the site”) is a First Amendment free speech web site and is noncommercial and free to the public. The site and materials made available on the site, such as this file, are for reference only. The governmentattic.org web site and its principals have made every effort to make this information as complete and as accurate as possible, however, there may be mistakes and omissions, both typographical and in content. The governmentattic.org web site and its principals shall have neither liability nor responsibility to any person or entity with respect to any loss or damage caused, or alleged to have been caused, directly or indirectly, by the information provided on the governmentattic.org web site or in this file. The public records published on the site were obtained from government agencies using proper legal channels. Each document is identified as to the source. Any concerns about the contents of the site should be directed to the agency originating the document in question. GovernmentAttic.org is not responsible for the contents of documents published on the website. Federal Communications Commission Consumer & Governmental Affairs Bureau Washington, D.C. 20554 December 21, 2021 VIA ELECTRONIC MAIL FOIA Nos.
    [Show full text]
  • ABSTRACT the Women of Supernatural: More Than
    ABSTRACT The Women of Supernatural: More than Stereotypes Miranda B. Leddy, M.A. Mentor: Mia Moody-Ramirez, Ph.D. This critical discourse analysis of the American horror television show, Supernatural, uses a gender perspective to assess the stereotypes and female characters in the popular series. As part of this study 34 episodes of Supernatural and 19 female characters were analyzed. Findings indicate that while the target audience for Supernatural is women, the show tends to portray them in traditional, feminine, and horror genre stereotypes. The purpose of this thesis is twofold: 1) to provide a description of the types of female characters prevalent in the early seasons of Supernatural including mother-figures, victims, and monsters, and 2) to describe the changes that take place in the later seasons when the female characters no longer fit into feminine or horror stereotypes. Findings indicate that female characters of Supernatural have evolved throughout the seasons of the show and are more than just background characters in need of rescue. These findings are important because they illustrate that representations of women in television are not always based on stereotypes, and that the horror genre is evolving and beginning to depict strong female characters that are brave, intellectual leaders instead of victims being rescued by men. The female audience will be exposed to a more accurate portrayal of women to which they can relate and be inspired. Copyright © 2014 by Miranda B. Leddy All rights reserved TABLE OF CONTENTS Tables
    [Show full text]
  • Gender and Bodies in the Netflix Series "YOU" Morgan Bates Longwood University
    Longwood University Digital Commons @ Longwood University Spring Showcase for Research and Creative Inquiry Research & Publications Spring 2019 From Desire to Obsession: Gender and Bodies in the Netflix Series "YOU" Morgan Bates Longwood University Follow this and additional works at: https://digitalcommons.longwood.edu/rci_spring Part of the English Language and Literature Commons Recommended Citation Bates, Morgan, "From Desire to Obsession: Gender and Bodies in the Netflix Series "YOU"" (2019). Spring Showcase for Research and Creative Inquiry. 10. https://digitalcommons.longwood.edu/rci_spring/10 This Poster is brought to you for free and open access by the Research & Publications at Digital Commons @ Longwood University. It has been accepted for inclusion in Spring Showcase for Research and Creative Inquiry by an authorized administrator of Digital Commons @ Longwood University. For more information, please contact [email protected], [email protected]. From Desire to Obsession: Gender & Bodies in the Netflix Series “YOU” Morgan Bates Longwood University Thesis Abstract The show YOU exhibits how stalking is gendered and how it The intention of this poster presentation is to display a Supporting Point 3: further exemplifies the ceaseless male necessity to control personal interpretation of the show as well as the themes, • Connection to Gender and Bodies: women particularly once romantically involved. The series issues, and a connection to gender and bodies allows for the audience to see how easy stalking can be in our throughout the series. The show exemplifies how stalking is a gendered obsession modern age and how it generally involves toxic masculinity for male control over women. Joe believes, as a male, his intertwined with femininity.
    [Show full text]
  • Never Forget | Page 1
    Never Forget | Page 1 Never Forget By: Jack Greiner on November 13, 2018 on graydon.law This post is admittedly out of my lane. It’s not about a legal issue or the law even. But I can’t stop watching this clip from the November 10 broadcast of Saturday Night Live. As many readers likely know, in the November 3 broadcast of SNL, Pete Davidson made a dumb joke about Republican Congressional candidate Lt. Commander Dan Crenshaw’s eye patch. Never a great idea to make fun of a person’s missing eye, but especially given that Crenshaw lost the eye to an IED while on active duty in Afghanistan. Davidson was, to put it mildly, ripped on social media, and any number of outlets. But the guy who had the real beef – Lt. Com. Crenshaw took it in stride. So much so, that he appeared on the November 10 broadcast to accept Davidson’s apology. I watched the very first broadcast of SNL in October of 1975 and I’ve watched it off and on ever since. This may be my favorite moment for a number of reasons: 1. Davidson’s apology was sincere. I’m sure he was under pressure to do it, but there was no “if I offended anyone” qualifications. He said he made a poor choice and he took full responsibility; 2. It was funny. Lt. Com. Crenshaw has tremendous timing. When his cell phone ring tone played an Ariana Grande song and he asked Davidson “do you know her?” I almost fell off my chair.
    [Show full text]
  • Borderline Personality Disorder: Destroying Stigma and Promoting Normalization”
    Gilbert 1 Logan Gilbert AP English 12 Mrs. Kirkpatrick January 12, 2020 “Borderline Personality Disorder: Destroying Stigma and Promoting Normalization” “BPD isn’t a real psychological disorder. It's basically a way for a shrink to say “sorry ​ you’re clinically an a**hole” [Appendix A]. The social media platform allows for public vocalization of derogatory and dehumanizing comments that perpetuate stigmas surrounding controversial mental illnesses such as borderline personality disorder (BPD). Media platforms, like Twitter, are whirlpools of blasphemous quotes (as shown above), which reinforce stigmatizing stereotypes misconstrued with mental illnesses, furthermore, misleading public conceptions concerning borderline personality disorder. The psychological definition of borderline personality is “an illness marked by an ongoing pattern of varying moods, self-image, and behavior”(NIH). “People with borderline personality disorder may experience intense episodes of anger, depression, and anxiety that can last from a few hours to days” (“Borderline 2”). The National Alliance of Mental Illnesses (NAMI) appallingly reports, an “estimated 1.4% of the adult U.S. population experiences BPD” (“Borderline 1”). Furthermore, meaning that approximately 4.6 million adults who suffer from mood shifts, anxiety, and depression, are also forced to combat the demoralizing stereotypes manifested in modern media and film. This, however, excludes the undiagnosed population, who endures opprobrium (harsh criticism) without the support of trained doctors and nurses. Psychiatrists Biskin and Paris give professional incitement concerning BPD diagnosis, elucidating the fact that “borderline personality disorder can be a difficult diagnosis because of similarities to other conditions, particularly mood disorders'' (Biskin and Paris). In general practice, accurate diagnoses are seen “in 10% of psychiatric outpatients, 20% of psychiatric inpatients, and 6% of family medicine patients” (Biskin and Paris).
    [Show full text]
  • Showcase Makes Magic with Series Premiere of Critically Acclaimed Novel the Magicians
    SHOWCASE MAKES MAGIC WITH SERIES PREMIERE OF CRITICALLY ACCLAIMED NOVEL THE MAGICIANS An exclusive advance airing of The Magicians’ first episode follows the finale of Childhood’s End on December 16 Series kicks off January 25 at 9pm ET/PT with special two-episode premiere presentation Watch a trailer here: http://bit.ly/1UczJJx New drama based on Lev Grossman’s best-selling fantasy trilogy “Sly and lyrical, [The Magicians] captures the magic of childhood and the sobering years beyond.” – Entertainment Weekly For additional photography and press kit material visit: shawmedia.ca/media Follow us on Twitter at @ShawMediaTV_PR For Immediate Release TORONTO, December 11, 2015 – This winter Showcase enrolls in the enchanting Brakebills University with The Magicians, the new series based on Lev Grossman’s internationally acclaimed novels. With excitement and anticipation surrounding the premiere, Showcase presents viewers a special advance airing of the first episode of The Magicians on Wednesday, December 16 at 10pm ET/PT following the finale of miniseries Childhood’s End. The full season of The Magicians begins Monday, January 25 with a two-episode series premiere at 9pm ET/PT. Filmed on location in Vancouver and based on Lev Grossman’s best-selling trilogy of novels, the new scripted fantasy drama from Syfy and Universal Cable Productions (UCP) takes viewers to Brakebills University, an elite, secret college specializing in magic. Starring Jason Ralph (Quentin Coldwater), Stella Maeve (Julia), Olivia Taylor Dudley (Alice), Hale Appleman (Eliot), Arjun Gupta (Penny), and Summer Bishil (Margo), The Magicians centres on Quentin, a gifted grad student chosen to attend Brakebills University in upstate New York.
    [Show full text]