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What Would You Do If You Met a Fairy
Synopsis: Celebrate the 20th anniversary of director Joe Johnston’s (Captain America: The First Avenger) action-filled, witty The Rocketeer. Now with state-of-the-art digital restoration and enhanced high definition sound, experience it as it jets off for the first time on Disney Blu-ray™. The discovery of a top-secret jetpack hurls test pilot Cliff Secord into a daring adventure of mystery, suspense, and intrigue! Cliff encounters an assortment of ruthless villains, led by a Hollywood screen star who is a secret Nazi spy. With the help of his actress girlfriend, the young pilot battles enormous odds to defeat his foes who are anxious to use the device in an evil plan to rule the world. The dangerous mission transforms the ordinary young man into an extraordinary hero. Talent: Billy Campbell (“The OC,” Enough) Jennifer Connelly (Blood Diamond, The Dilemma) Alan Arkin (Little Miss Sunshine, Get Smart) Timothy Dalton (The Tourist, “Chuck”) Director: Joe Johnston (Captain America: The First Avenger) Director of Photography: Hiro Narita (James and the Giant Peach) Executive Producer: Larry J. Franco (Batman Begins) Writers: Dave Stevens (graphic novel "The Rocketeer") Danny Bilson, Paul De Meo & William Dear (story) Danny Bilson & Paul De Meo (screenplay) Street Date: December 13, 2011 (Direct Prebook: Oct. 18/Distributor Prebook: Nov. 1) Release Format: 1 Disc Blu-ray Suggested Retail Price: $26.50 (US)/$31.50 (Canada) Feature Run Time: Approx. run time 109 minutes Rated: PG (US & Canada) Aspect Ratio: 1080p High Definition/2.35:1 Sound: English 5.1 DTS-HD Master Audio Languages: English and French Subtitles: English SDH and French Distribution: Walt Disney Studios Home Entertainment # # # © 2011 Disney MEDIA CONTACTS: Broadcast: Maria Barraza Regional: Marilyn Hsiung Print: Darrell Borquez Online: Gabrielle Bilicki 818-295-5279 818.295.4829 818-295-5224 818-295-4926 [email protected] [email protected] [email protected] [email protected] . -
Henry Jenkins Convergence Culture Where Old and New Media
Henry Jenkins Convergence Culture Where Old and New Media Collide n New York University Press • NewYork and London Skenovano pro studijni ucely NEW YORK UNIVERSITY PRESS New York and London www.nyupress. org © 2006 by New York University All rights reserved Library of Congress Cataloging-in-Publication Data Jenkins, Henry, 1958- Convergence culture : where old and new media collide / Henry Jenkins, p. cm. Includes bibliographical references and index. ISBN-13: 978-0-8147-4281-5 (cloth : alk. paper) ISBN-10: 0-8147-4281-5 (cloth : alk. paper) 1. Mass media and culture—United States. 2. Popular culture—United States. I. Title. P94.65.U6J46 2006 302.230973—dc22 2006007358 New York University Press books are printed on acid-free paper, and their binding materials are chosen for strength and durability. Manufactured in the United States of America c 15 14 13 12 11 p 10 987654321 Skenovano pro studijni ucely Contents Acknowledgments vii Introduction: "Worship at the Altar of Convergence": A New Paradigm for Understanding Media Change 1 1 Spoiling Survivor: The Anatomy of a Knowledge Community 25 2 Buying into American Idol: How We are Being Sold on Reality TV 59 3 Searching for the Origami Unicorn: The Matrix and Transmedia Storytelling 93 4 Quentin Tarantino's Star Wars? Grassroots Creativity Meets the Media Industry 131 5 Why Heather Can Write: Media Literacy and the Harry Potter Wars 169 6 Photoshop for Democracy: The New Relationship between Politics and Popular Culture 206 Conclusion: Democratizing Television? The Politics of Participation 240 Notes 261 Glossary 279 Index 295 About the Author 308 V Skenovano pro studijni ucely Acknowledgments Writing this book has been an epic journey, helped along by many hands. -
Paramount Collection
Paramount Collection Airtight To control the air is to rule the world. Nuclear testing has fractured the Earth's crust, releasing poisonous gases into the atmosphere. Breathable air is now an expensive and rare commodity. A few cities have survived by constructing colossal air stacks which reach through the toxic layer to the remaining pocket of precious air above. The air is pumped into a huge underground labyrinth system, where a series of pipes to the surface feed the neighborhoods of the sealed city. It is the Air Force, known as the "tunnel hunters", that polices the system. Professor Randolph Escher has made a breakthrough in a top-secret project, the extraction of oxygen from salt water in quantity enough to return breathable air to the world. Escher is kidnapped by business tycoon Ed Conrad, who hopes to monopolize the secret process and make a fortune selling the air by subscription to the masses. Because Conrad Industries controls the air stacks, not subscribing to his "air service" would mean certain death. When Air Force Team Leader Flyer Lucci is murdered, his son Rat Lucci soon uncovers Conrad's involvement in his father's death and in Escher's kidnapping. Rat must go after Conrad, not only to avenge his father's murder, but to rescue Escher and his secret process as well. The loyalties of Rat's Air Force colleagues are questionable, but Rat has no choice. Alone, if necessary, he must fight for humanity's right to breathe. Title Airtight Genre Action Category TV Movie Format two hours Starring Grayson McCouch, Andrew Farlane, Tasma Walton Directed by Ian Barry Produced by Produced by Airtight Productions Proprietary Ltd. -
Make America America Again
# 2020/26 dschungel https://jungle.world/artikel/2020/26/make-america-america-again Spike Lees »Da 5 Bloods« über schwarze Veteranen des Vietnamkriegs Make America America Again Von Daniel Moersener Spike Lees »Da 5 Bloods« zeigt, dass Afroamerikaner nicht den Vietnamkrieg brauchten, um traumatisiert zu werden. Wenn es eine Sache an Spike Lees Vietnamkriegsfilm »Da 5 Bloods« zu bemängeln gibt, dann einzig und allein, dass ihm als Produktion von Netflix der Start im Kino versagt bleibt. Das ist freilich nicht Spike Lee selbst anzulasten, sondern der derzeitigen Mutlosigkeit Hollywoods. Diese Mutlosigkeit ist es, die nun auch Lee, wie zuvor schon Martin Scorsese, in die Arme der Streaming-Anbieter treibt. Der Kinosaal und »Da 5 Bloods«, sie hätten einander redlich verdient. Denn Spike Lee präsentiert sich in Bestform und springt virtuos zwischen dem Vietnam der späten Sechziger und der Gegenwart und verwebt Archivaufnahmen, digitale Aufnahmetechnik, Fotografien, Super- 8-Aufnahmen und 16mm-Film miteinander. Anstatt – apropos Scorsese – die Hauptdarsteller für Rückblenden digital verjüngen zu lassen, setzt Spike Lee sie unverändert sowohl in den Gegenwartsszenen wie auch in denen der Vergangenheit ein. Das klingt zwar gewagt, geht aber gerade deshalb als ästhetische Strategie voll auf. Die Vereinigten Staaten, so wird im Film gesagt, führten seit ihrer Gründung einen Krieg gegen sich selbst, und dieser Krieg scheine bis heute anzudauern. Drei Minuten, länger braucht Spike Lee nicht, um in der rasant montierten Eröffnungssequenz von »Da 5 Bloods« ein Panorama der Vietnamkriegsära in den USA zu entwerfen. Interviewfetzen und Statements von Muhammad Ali, Bobby Seale, Angela Davis und Malcolm X werden mit Ansprachen Lyndon B. -
Vigilantes, Incorporated: an Ideological Economy of the Superhero Blockbuster
VIGILANTES, INCORPORATED: AN IDEOLOGICAL ECONOMY OF THE SUPERHERO BLOCKBUSTER BY EZRA CLAVERIE DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in English with a minor in Cinema Studies in the Graduate College of the University of Illinois at Urbana-Champaign, 2016 Urbana, Illinois Doctoral Committee: Associate Professor José B. Capino, Chair Associate Professor Jim Hansen Associate Professor Lilya Kaganovsky Associate Professor Robert A. Rushing Professor Frank Grady,Department of English, University of Missouri, Saint Louis ii ABSTRACT Since 2000, the comic-book superhero blockbuster has become Hollywood’s most salient genre. “Heroes, Incorporated: A Political Economy of the Superhero Blockbuster” examines these seemingly reactionary fantasies of American power, analyzing their role in transmedia storytelling for a conglomerated and world-spanning entertainment industry. This dissertation argues that for all their apparent investment in the status quo and the hegemony of white men, superhero blockbusters actually reveal the disruptive and inhuman logic of capital, which drives both technological and cultural change. Although focused on the superhero film from 2000 to 2015, this project also considers the print and electronic media across which conglomerates extend their franchises. It thereby contributes to the materialist study of popular culture and transmedia adaptation, showing how 21st century Hollywood adapts old media for new platforms, technologies, and audiences. The first chapter traces the ideology of these films to their commercial roots, arguing that screen superheroes function as allegories of intellectual property. The hero’s “brand” identity signifies stability, even as the character’s corporate owners continually revise him (rarely her). -
Las Adaptaciones Cinematográficas De Cómics En Estados Unidos (1978-2014)
UNIVERSITAT DE VALÈNCIA Facultat de Filologia, Traducció i Comunicació Departament de Teoria dels Llenguatges i Ciències de la Comunicació Programa de Doctorado en Comunicación Las adaptaciones cinematográficas de cómics en Estados Unidos (1978-2014) TESIS DOCTORAL Presentada por: Celestino Jorge López Catalán Dirigida por: Dr. Jenaro Talens i Dra. Susana Díaz València, 2016 Por Eva. 0. Índice. 1. Introducción ............................................................................................. 1 1.1. Planteamiento y justificación del tema de estudio ....................... 1 1.2. Selección del periodo de análisis ................................................. 9 1.3. Sinergias industriales entre el cine y el cómic ........................... 10 1.4. Los cómics que adaptan películas como género ........................ 17 2. 2. Comparación entre los modos narrativos del cine y el cómic .......... 39 2.1. El guion, el primer paso de la construcción de la historia ....... 41 2.2. La viñeta frente al plano: los componentes básicos esenciales del lenguaje ........................................................................................... 49 2.3. The gutter ................................................................................. 59 2.4. El tiempo .................................................................................. 68 2.5. El sonido ................................................................................... 72 3. Las películas que adaptan cómics entre 1978 y 2014 ........................... 75 -
{PDF} the Rocketeer: the Complete Collection Ebook Free Download
THE ROCKETEER: THE COMPLETE COLLECTION PDF, EPUB, EBOOK Dave Stevens | 144 pages | 29 Dec 2009 | Idea & Design Works | 9781600105388 | English | San Diego, United States Rocketeer Complete Collection HC Vol 01 - InStockTrades The discovery of a top-secret jetpack hurls test pilot Cliff Secord into a daring adventure of mystery, suspense, and intrigue! Cliff encounters an assortment of ruthless villains, led by a Hollywood screen star who's a secret Nazi spy Timothy Dalton. With the help of his actress girlfriend, the young pilot battles enormous odds to defeat his foes who are anxious to use the device in an evil plan to rule the world! The dangerous mission transforms the ordinary young man into an extraordinary hero! Director :. Joe Johnston. Producer :. Danny Bilson , Paul De Meo. Critics Consensus: An action-packed, if anachronistic, look back at pulp matinee serials, The Rocketeer may ring hollow with viewers expecting more than simple fun and gee-whiz special effects. Previous Gone With The Twins. September 24, Hollywood Jesus. April 1, Solzy at the Movies. December 2, The Spectator. July 19, Stevens was one of the most promising superstars in his field, his fluid inks praised by the likes of Frank Frazetta and Al Williamson. His ghost-duties on miscellaneous titles like Tarzan was enough to cement his reputation as artist extraordinaire. Obviously, he was not alone in his affection for the gentle adventure stories of yesteryear, because The Rocketeer has a fan-following that ranges from industry veterans to children. The fact that he was a notorious perfectionist also ensured that the stories trickled out slowly, and through different publishing houses, which meant fans had to track down the issues individually all these years. -
SAN FERNANDO VALLEY BUSINESS JOURNAL DIGITAL EDITION to Read Your Copy of the Digital Edition INSTRUCTION Please Select a Reading Preference for PC/MAC
Thumbnails | SFVBJ User Guide | Fronts Page | Table of Contents WELCOME TO THE SAN FERNANDO VALLEY BUSINESS JOURNAL DIGITAL EDITION To read your copy of the Digital Edition INSTRUCTION Please select a reading preference FOR PC/MAC How to read SFVBJ Digital Edition on iPad in iBooks: To read the Digital Edition you must move the Edition from your browser to a digital reader. $3.00 VOL. 16 NO. 7 March 28 - April 10, 2011 www.sfvbj.com $3.00 VOL. 16 NO. 7 March 28 - April 10, 2011 www.sfvbj.com $3.00 VOL. 16 NO. 7 March 28 - April 10, 2011 www.sfvbj.com Up Companies Seek New Business Lines, Enter Into Mergers ISSUES: Rocketdyne ney Rocketdyne’s increased expansion nologies to expand beyond the rocket focus. This is particularly due to the fact Front to other business models, acquisitions and shuttle engines it is known for. that NASA has pulled back from certain Up Companies Seek New Business Lines, Enter Into Mergers Up Companies Seek New Business Lines, Enter Into Mergers waits for NASA decision. involving several com- While the com- programs and is taking its time to ney Rocketdyne’s increased expansion nologies to expand beyond the rocket focus. This is particularly due to the fact ney Rocketdyne’s increased expansion nologies to expand beyond the rocket focus. This is particularly due to the fact panies and the addition Special Issue: pany has delved into announce what its next steps will be ISSUES: ISSUES: Rocketdyne By JESSICA VERNABE Front Rocketdyne to other business models, acquisitions Front to other business models, acquisitions and shuttle engines it is known for. -
AFI PREVIEW Is Published by the Sat, Jul 9, 7:00; Wed, Jul 13, 7:00 to Pilfer the Family's Ersatz Van American Film Institute
ISSUE 77 AFI.com/Silver AFI SILVER THEATRE AND CULTURAL CENTER JULY 8–SEPTEMBER 14, 2016 44T H AFI LIFE ACHIEVEMENT AWARD HONOREE A FILM RESTROSPECTIVE THE COMPOSER B EHIND THE GREAT EST A MERICAN M OVIES O F OUR TIME PLUS GLORIOUS TECHNICOLOR ★ ’90S C INEMA N OW ★ JOHN C ARPENT E R LOONEY TUNES ★ KEN ADAM REMEMBERED ★ OLIVIA DE HAVILLAND CENTENNIAL Contents AFI Life Achievement Award: John Williams AFI Life Achievement Award: July 8–September 11 John Williams ......................................2 John Williams' storied career as the composer behind many of the greatest American films and television Keepin' It Real: '90s Cinema Now ................6 series of all time boasts hundreds of credits across seven decades. His early work in Hollywood included working as an orchestrator and studio pianist under such movie composer maestros as Bernard Herrmann, Ken Adam Remembered ..........................9 Alfred Newman, Henry Mancini, Elmer Bernstein and Franz Waxman. He went on to write music for Wim Wenders: Portraits Along the Road ....9 more than 200 television programs, including the groundbreaking anthology series ALCOA THEATRE Glorious Technicolor .............................10 and KRAFT TELEVISION THEATRE. Perhaps best known for his enduring collaboration with director Steven Spielberg, his scores are among the most iconic and recognizable in film history, from the edge-of-your- Special Engagements .................. 14, 16 seat JAWS (1975) motif to the emotional swell of E.T. THE EXTRA-TERRESTRIAL (1982) and the haunting UCLA Festival of Preservation ...............14 elegies of SCHINDLER'S LIST (1993). Always epic in scale, his music has helped define over half a century of the motion picture medium. -
USC Games Establishes the Gerald A. Lawson Endowment Fund, Supporting Black and Indigenous Students in Game Design and Engineering
USC Games Establishes The Gerald A. Lawson Endowment Fund, Supporting Black and Indigenous Students in Game Design and Engineering May 6, 2021 Industry Leader Take-Two Interactive Helps to Found and Fund Endowment Supporting Racial Equity and Inclusion in Gaming and Tech for the #1 Game Design Program in North America LOS ANGELES--(BUSINESS WIRE)--May 6, 2021-- Today, USC Games, ranked as Princeton Review’s #1 Games Program in North America in 2021, announced the establishment of The Gerald A. Lawson Endowment Fund for Black and Indigenous Students, with the goal of increasing those groups’ representation in games and tech industries. Take-Two Interactive Software, Inc. (NASDAQ: TTWO), global industry-leading developer, publisher, and marketer of interactive entertainment, made a significant seed contribution to establish the Lawson Fund for student support. The Fund will provide student support for Black and Indigenous students who wish to pursue undergraduate or graduate degrees in game design or computer science from USC's prestigious program. With financial support from additional game and technology companies and donors, USC Games’ vision is to expand the initiative and support other aspects of diversity and equity, including salary support for additional Black and Indigenous faculty as well as labs and projects that addressed issues that affect these marginalized communities. Student recipients of the funds will be known as Lawson Scholars and the initiative will be featured during the program’s annual USC Games Expo on May 15, 2021 -
Diplomarbeit
DIPLOMARBEIT Titel der Diplomarbeit History Recycling Postmoderne Theorien und das Motiv der Zeitreise im US-amerikanischen Film der 1980er Jahre Verfasserin Jill Amanda Meißner Angestrebter akademischer Grad Magistra der Philosophie (Mag.phil.) Wien, September 2011 Studienkennzahl lt. Studienblatt: A 317 Studienrichtung lt. Studienblatt: Theater-, Film- und Medienwissenschaft Betreuer: Mag. Thomas Ballhausen Eidesstattliche Erklärung Ich versichere, dass ich die vorliegende Arbeit selbstständig und ohne Benutzung anderer als der angegebenen Hilfsmittel angefertigt habe. Die aus fremden Quellen direkt oder indirekt übernommenen Ausführungen sind als solche kenntlich gemacht. Die Arbeit wurde bisher in gleicher oder ähnlicher Form keiner anderen Prüfungsbehörde vorgelegt und auch noch nicht veröffentlicht. Wien, am 01.09.2011 .................................... Jill Meißner Danksagung Danke all jenen, die zum Gelingen dieser Arbeit beigetragen und mit mir geduldig über Zeitreisefilme diskutiert haben! Besonderer Dank gilt an dieser Stelle meinem Betreuer Mag. Thomas Ballhausen, der mir geholfen hat, aus einer vagen Idee eine Diplomarbeit zu formen und mir stets mit Rat und Tat zur Seite stand. Ohne mich zeitlich unter Druck zu setzen, hat er mich darin unterstützt, eine Arbeit zu schreiben, auf die ich stolz sein kann. Danke an Tanja Wittrien und Margrita Hägele, die mir ihre Arbeiten zur Verfügung gestellt haben! Besonders möchte ich mich auch bei meinen Freundinnen Eva, Julia und Jana für das geduldige Korrekturlesen dieser Arbeit bedanken. Danke an meine Kollegen und Freunde Katharina L., Dominik, Elias, Desiree und Katharina Z., die das gleiche durchgemacht und mich stets motiviert haben! Danke an Hanna und Veronika, die sich geduldig meine Probleme angehört haben! Danke an meine Mutter und meine Schwester Janis, die mir immer wieder Mut gemacht und an mich geglaubt haben! Janis hat außerdem eine wunderbare Zeichnung zum Thema dieser Diplomarbeit angefertigt, welche sich vor dem Anhang befindet. -
The Rocketeer: the Complete Collection Pdf, Epub, Ebook
THE ROCKETEER: THE COMPLETE COLLECTION PDF, EPUB, EBOOK Dave Stevens | 144 pages | 29 Dec 2009 | Idea & Design Works | 9781600105388 | English | San Diego, United States The Rocketeer: The Complete Collection PDF Book This is a scan of a sketch Stevens did for me from my collection. Even his mask is inexpressive and gestureless. Starred Review. The character seemed so pitch-perfect that I took it for granted that he dated back to the golden age of pulp, so it was surprising to find out that his first appearance was as late as Got it for christmas. But man, that story. Wikimedia Commons. After all, it did fit. It's a damn shame Dave Stevens didn't produce more Rocketeer material during his time on Earth. So with that in mind, I was quite willing to roll with Betty being Betty. All of Dave Stevens' original The Rocketeer comics collected in one book! I agree with you Ron, The Rockteer is a great comic, and one of my favorite comics that got made into a movie and done well. Tokyo Ghoul: re, Vol. As such, he had to keep the narrative as simple as possible and throw everything he could into the art and the sense of adventure, which he did. I gave up on it because it seemed puerile and could barely capture my interest to turn the page. This is a great review, I agree! Show Details Description:. Can you think of other comics that are done better by their film adaptations? Jul 14, Justin rated it it was ok.