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Film Suggestions to Celebrate Black History
Aurora Film Circuit I do apologize that I do not have any Canadian Films listed but also wanted to provide a list of films selected by the National Film Board that portray the multi-layered lives of Canada’s diverse Black communities. Explore the NFB’s collection of films by distinguished Black filmmakers, creators, and allies. (Link below) Black Communities in Canada: A Rich History - NFB Film Info – data gathered from TIFF or IMBd AFC Input – Personal review of the film (Nelia Pacheco Chair/Programmer, AFC) Synopsis – this info was gathered from different sources such as; TIFF, IMBd, Film Reviews etc. FILM TITEL and INFO AFC Input SYNOPSIS FILM SUGGESTIONS TO CELEBRATE BLACK HISTORY MONTH SMALL AXE I am very biased towards the Director Small Axe is based on the real-life experiences of London's West Director: Steve McQueen Steve McQueen, his films are very Indian community and is set between 1969 and 1982 UK, 2020 personal and gorgeous to watch. I 1st – MANGROVE 2hr 7min: English cannot recommend this series Mangrove tells this true story of The Mangrove Nine, who 5 Part Series: ENOUGH, it was fantastic and the clashed with London police in 1970. The trial that followed was stories are a must see. After listening to the first judicial acknowledgment of behaviour motivated by Principal Cast: Gary Beadle, John Boyega, interviews/discussions with Steve racial hatred within the Metropolitan Police Sheyi Cole Kenyah Sandy, Amarah-Jae St. McQueen about this project you see his 2nd – LOVERS ROCK 1hr 10 min: Aubyn and many more.., A single evening at a house party in 1980s West London sets the passion and what this production meant to him, it is a series of “love letters” to his scene, developing intertwined relationships against a Category: TV Mini background of violence, romance and music. -
Blackkklansman and Postcolonial Studies in the EFL Classroom
Independent Project, 15 credits “Dis joint is based upon some fo’ real, fo’ real sh*t” Challenging perspectives on race and ethnicity by incorporating Spike Lee’s movie BlacKkKlansman and postcolonial studies in the EFL classroom Author: Sofija Stanic Supervisor: Anna Greek Examiner: Anne Holm Term: HT19 Subject: English Level: Bachelor Course code: 2ENÄ2E Abstract This essay argues for the benefits of incorporating Spike Lee’s film BlacKkKlansman and discussions of postcolonialism in the Swedish upper secondary EFL classroom in order to challenge students’ perspectives on race and ethnicity. The film BlacKkKlansman by Spike Lee is a work that challenges not only American history but also the perspectives of black and white people in contemporary society. Discussing the white and black characters and the social criticism in the movie with students in the English classroom may encourage them to be more open-minded and aware of global political and social issues. Key words Postcolonial criticism; BlacKkKlansman; racial issues; racism; EFL classroom; fundamental values; stereotypes Thanks To my supervisor Anna Greek, thank you for all your kind support and help during the writing of this essay, you helped spark my interest for the subject. Table of contents Abstract 2 1 Introduction 1 2 Postcolonialism 4 2.1 Overview 4 2.2 Postcolonial Criticism and Literature Didactical Theory 9 3 Spike Lee’s BlacKkKlansman 13 3.1 The Depiction of Blackness and Whiteness 13 3.2 Connections to the Trump-Era 18 3.3 Postcolonial criticism and BlacKkKlansman in the EFL Classroom 21 4 Conclusion 25 Works Cited 1 1 Introduction The movie BlacKkKlansman from 2018, directed by Spike Lee, is a story set in the early 1970s which revolves around the protagonist Ron Stallworth who becomes the first African American police officer in the Colorado Springs police force. -
Following Is a List of All 2019 Festival Jurors and Their Respective Categories
Following is a list of all 2019 Festival jurors and their respective categories: Feature Film Competition Categories The jurors for the 2019 U.S. Narrative Feature Competition section are: Jonathan Ames – Jonathan Ames is the author of nine books and the creator of two television shows, Bored to Death and Blunt Talk His novella, You Were Never Really Here, was recently adapted as a film, directed by Lynne Ramsay and starring Joaquin Phoenix. Cory Hardrict– Cory Hardrict has an impressive film career spanning over 10 years. He currently stars on the series The Oath for Crackle and will next be seen in the film The Outpostwith Scott Eastwood. He will star and produce the film. Dana Harris – Dana Harris is the editor-in-chief of IndieWire. Jenny Lumet – Jenny Lumet is the author of Rachel Getting Married for which she received the 2008 New York Film Critics Circle Award, 2008 Toronto Film Critics Association Award, and 2008 Washington D.C. Film Critics Association Award and NAACP Image Award. The jurors for the 2019 International Narrative Feature Competition section are: Angela Bassett – Actress (What’s Love Got to Do With It, Black Panther), director (Whitney,American Horror Story), executive producer (9-1-1 and Otherhood). Famke Janssen – Famke Janssen is an award-winning Dutch actress, director, screenwriter, and former fashion model, internationally known for her successful career in both feature films and on television. Baltasar Kormákur – Baltasar Kormákur is an Icelandic director and producer. His 2012 filmThe Deep was selected as the Icelandic entry for the Best Foreign Language Oscar at the 85th Academy Awards. -
“Why So Serious?” Comics, Film and Politics, Or the Comic Book Film As the Answer to the Question of Identity and Narrative in a Post-9/11 World
ABSTRACT “WHY SO SERIOUS?” COMICS, FILM AND POLITICS, OR THE COMIC BOOK FILM AS THE ANSWER TO THE QUESTION OF IDENTITY AND NARRATIVE IN A POST-9/11 WORLD by Kyle Andrew Moody This thesis analyzes a trend in a subgenre of motion pictures that are designed to not only entertain, but also provide a message for the modern world after the terrorist attacks of September 11, 2001. The analysis provides a critical look at three different films as artifacts of post-9/11 culture, showing how the integration of certain elements made them allegorical works regarding the status of the United States in the aftermath of the attacks. Jean Baudrillard‟s postmodern theory of simulation and simulacra was utilized to provide a context for the films that tap into themes reflecting post-9/11 reality. The results were analyzed by critically examining the source material, with a cultural criticism emerging regarding the progression of this subgenre of motion pictures as meaningful work. “WHY SO SERIOUS?” COMICS, FILM AND POLITICS, OR THE COMIC BOOK FILM AS THE ANSWER TO THE QUESTION OF IDENTITY AND NARRATIVE IN A POST-9/11 WORLD A Thesis Submitted to the Faculty of Miami University in partial fulfillment of the requirements for the degree of Master of Arts Department of Communications Mass Communications Area by Kyle Andrew Moody Miami University Oxford, Ohio 2009 Advisor ___________________ Dr. Bruce Drushel Reader ___________________ Dr. Ronald Scott Reader ___________________ Dr. David Sholle TABLE OF CONTENTS ACKNOWLEDGMENTS .......................................................................................................................... III CHAPTER ONE: COMIC BOOK MOVIES AND THE REAL WORLD ............................................. 1 PURPOSE OF STUDY ................................................................................................................................... -
Henry Jenkins Convergence Culture Where Old and New Media
Henry Jenkins Convergence Culture Where Old and New Media Collide n New York University Press • NewYork and London Skenovano pro studijni ucely NEW YORK UNIVERSITY PRESS New York and London www.nyupress. org © 2006 by New York University All rights reserved Library of Congress Cataloging-in-Publication Data Jenkins, Henry, 1958- Convergence culture : where old and new media collide / Henry Jenkins, p. cm. Includes bibliographical references and index. ISBN-13: 978-0-8147-4281-5 (cloth : alk. paper) ISBN-10: 0-8147-4281-5 (cloth : alk. paper) 1. Mass media and culture—United States. 2. Popular culture—United States. I. Title. P94.65.U6J46 2006 302.230973—dc22 2006007358 New York University Press books are printed on acid-free paper, and their binding materials are chosen for strength and durability. Manufactured in the United States of America c 15 14 13 12 11 p 10 987654321 Skenovano pro studijni ucely Contents Acknowledgments vii Introduction: "Worship at the Altar of Convergence": A New Paradigm for Understanding Media Change 1 1 Spoiling Survivor: The Anatomy of a Knowledge Community 25 2 Buying into American Idol: How We are Being Sold on Reality TV 59 3 Searching for the Origami Unicorn: The Matrix and Transmedia Storytelling 93 4 Quentin Tarantino's Star Wars? Grassroots Creativity Meets the Media Industry 131 5 Why Heather Can Write: Media Literacy and the Harry Potter Wars 169 6 Photoshop for Democracy: The New Relationship between Politics and Popular Culture 206 Conclusion: Democratizing Television? The Politics of Participation 240 Notes 261 Glossary 279 Index 295 About the Author 308 V Skenovano pro studijni ucely Acknowledgments Writing this book has been an epic journey, helped along by many hands. -
College of Arts and Letters
Winter 2018 Newsletter College of Arts and Letters Coyote Advertising and Art Department students win major awards The Coyote Advertising team along with talented students from the Art Department, won 38 ADDY awards at the annual American Advertising Federation Inland Empire Chapter’s Awards Gala. These included one gold award, three silver awards and six bronze awards. Congratulations to our amazing students! Read entire press release: https://inside.csusb.edu/node/10531 CSUSB mourns the passing of distinguished alumnus Paul De Meo (BA Theatre Arts '78) who died unexpectedly on February 26. Paul (left) and his writing and producing partner, alumnus Danny Bilson (right), seen here at CSUSB's production of "The World Goes 'Round" last June, met at CSUSB. The duo acted in Chekov's "The Seagull," the first production in the Barnes Theatre, and wrote and performed in the second show, "The Houdini Deception," under the mentorship of Professor Bill Slout. Paul and Danny went on to successful careers as screenwriters, authors, and producers of films, television series, video games and graphic novels including Disney's "The Rocketeer" now considered a cult classic. Other works included the original TV series of "The Flash," "The Sentinel," "Viper," and the video game "The Sims." Our heartfelt condolences go out to Paul's wife, Lauren Glassman, daughters Miranda and Annabella, and Danny Bilson and his family. He will be missed. Department of World Languages and Literatures wins California Languages Teachers Association Presidential Award The Department of World Languages and Literatures was the recipient of the Cali- fornia Language Teachers Association Presidential award. -
Katya Thomas - CV
Katya Thomas - CV CELEBRITIES adam sandler josh hartnett adrien brody julia stiles al pacino julianne moore alan rickman justin theroux alicia silverstone katherine heigl amanda peet kathleen kennedy amber heard katie holmes andie macdowell keanu reeves andy garcia keira knightley anna friel keither sunderland anthony hopkins kenneth branagh antonio banderas kevin kline ashton kutcher kit harrington berenice marlohe kylie minogue bill pullman laura linney bridget fonda leonardo dicaprio brittany murphy leslie mann cameron diaz liam neeson catherine zeta jones liev schreiber celia imrie liv tyler chad michael murray liz hurley channing tatum lynn collins chris hemsworth madeleine stowe christina ricci marc forster clint eastwood matt bomer colin firth matt damon cuba gooding jnr matthew mcconaughey daisy ridley meg ryan dame judi dench mia wasikowska daniel craig michael douglas daniel day lewis mike myers daniel denise miranda richardson deborah ann woll morgan freeman ed harris naomi watts edward burns oliver stone edward norton orlando bloom edward zwick owen wilson emily browning patrick swayze emily mortimer paul giamatti emily watson rachel griffiths eric bana rachel weisz eva mendes ralph fiennes ewan mcgregor rebel wilson famke janssen richard gere geena davis rita watson george clooney robbie williams george lucas robert carlyle goldie hawn robert de niro gwyneth paltrow robert downey junior harrison ford robin williams heath ledger roger michell heather graham rooney mara helena bonham carter rumer willis hugh grant russell crowe -
Appendix 01. Synopsis of Blackkklansman Film the Film
Appendix 01. Synopsis of BlacKkKlansman Film The film starts with a small video of a battlefield lying everywhere with the bodies of Confederate soldiers as some try to support those injured and others weep over the dead. This then switches to another video by Dr. Kennebrew Beauregard (Alec Baldwin), who launches into a racial tirade about how African Americans take hold of the country and cause problems for white Protestant Americans. Colorado Springs, CO. 1979 John David Washington (Ron Stallworth) arrives at the local police station. Chief Bridges (Robert John Burke) and Mr. Turrerntine (Isiah Whitlock, Jr.) interview him about whether or not he should be eligible on the team. I want to know how Ron would respond if a white officer were to bully him, considering the current social and political environment surrounding African Americans, and Ron says he 'd turn the other cheek if he has to. Ron is then put on duty as the first black officer. The first task Ron does is to work inside the filing department. One Patrolman named Andy Landers (Frederick Weller) antagonizes him. Ron then goes to Bridges and asks to put him on an assignment to get out in the field, but Bridges refuses his application. Bridges later, though, changes his mind and wants to bring Ron to a Black Panther meeting to see if they intend on radicalizing themselves. Stokely Carmichael (Corey Hawkins), a popular activist, is said to speak there. Bridges has Flip Zimmerman (Adam Driver) detectives and Jimmy Creek (Michael Buscemi) sit in while Ron enters with a cable. -
Sagawkit Acceptancespeechtran
Screen Actors Guild Awards Acceptance Speech Transcripts TABLE OF CONTENTS INAUGURAL SCREEN ACTORS GUILD AWARDS ...........................................................................................2 2ND ANNUAL SCREEN ACTORS GUILD AWARDS .........................................................................................6 3RD ANNUAL SCREEN ACTORS GUILD AWARDS ...................................................................................... 11 4TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 15 5TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 20 6TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 24 7TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 28 8TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 32 9TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 36 10TH ANNUAL SCREEN ACTORS GUILD AWARDS ..................................................................................... 42 11TH ANNUAL SCREEN ACTORS GUILD AWARDS ..................................................................................... 48 12TH ANNUAL SCREEN ACTORS GUILD AWARDS .................................................................................... -
From Page to Screen: Two-Thirds of Canadians Say the Best Television Shows and Movies Are Based on Books
From Page to Screen: Two-Thirds of Canadians Say the Best Television Shows and Movies are Based on Books Ipsos and Indigo explore the reading habits of Canadians aged 18-70 and find that books make some of the best stories for film and TV, with most Canadians waiting to watch the movie to read the book first. Toronto, ON, September 22, 2020 — A new Ipsos poll, conducted on behalf of Indigo Books & Music Inc. (TSX:IDG), reveals the power of books and their influence on popular culture, with two-thirds of Canadians stating the best TV shows and movies are based on books. The vast majority (88%) of Canadians have read a book that is associated with a TV series or movie, and one in three (34%) have even postponed watching a TV series or movie so they could read the book it was based on first. Furthermore, three-quarters (73%) of those who have watched a TV series or movie based on a book prefer the book. Canadians enjoy a good story and appear to be interested in consuming the same story through multiple channels wherever possible. In fact, after watching a good TV series or movie, three-fifths (61%) of Canadians say they look forward to reading the book, a figure which rises to seven in ten (69%) among those aged 18-44 (vs. 52% aged 45-70). After reading a good book, an even higher proportion (81%; 86% aged 18-44 vs. 77% aged 45-70) look forward to watching the screen adaptation. Gen Z (97% 18-24 vs. -
Make America America Again
# 2020/26 dschungel https://jungle.world/artikel/2020/26/make-america-america-again Spike Lees »Da 5 Bloods« über schwarze Veteranen des Vietnamkriegs Make America America Again Von Daniel Moersener Spike Lees »Da 5 Bloods« zeigt, dass Afroamerikaner nicht den Vietnamkrieg brauchten, um traumatisiert zu werden. Wenn es eine Sache an Spike Lees Vietnamkriegsfilm »Da 5 Bloods« zu bemängeln gibt, dann einzig und allein, dass ihm als Produktion von Netflix der Start im Kino versagt bleibt. Das ist freilich nicht Spike Lee selbst anzulasten, sondern der derzeitigen Mutlosigkeit Hollywoods. Diese Mutlosigkeit ist es, die nun auch Lee, wie zuvor schon Martin Scorsese, in die Arme der Streaming-Anbieter treibt. Der Kinosaal und »Da 5 Bloods«, sie hätten einander redlich verdient. Denn Spike Lee präsentiert sich in Bestform und springt virtuos zwischen dem Vietnam der späten Sechziger und der Gegenwart und verwebt Archivaufnahmen, digitale Aufnahmetechnik, Fotografien, Super- 8-Aufnahmen und 16mm-Film miteinander. Anstatt – apropos Scorsese – die Hauptdarsteller für Rückblenden digital verjüngen zu lassen, setzt Spike Lee sie unverändert sowohl in den Gegenwartsszenen wie auch in denen der Vergangenheit ein. Das klingt zwar gewagt, geht aber gerade deshalb als ästhetische Strategie voll auf. Die Vereinigten Staaten, so wird im Film gesagt, führten seit ihrer Gründung einen Krieg gegen sich selbst, und dieser Krieg scheine bis heute anzudauern. Drei Minuten, länger braucht Spike Lee nicht, um in der rasant montierten Eröffnungssequenz von »Da 5 Bloods« ein Panorama der Vietnamkriegsära in den USA zu entwerfen. Interviewfetzen und Statements von Muhammad Ali, Bobby Seale, Angela Davis und Malcolm X werden mit Ansprachen Lyndon B. -
Brecht, Emotion, and the Reflective Spectator: the Case of ‘Blackkklansman’
Repositorium für die Medienwissenschaft Carl Plantinga Brecht, emotion, and the reflective spectator: The case of BLACKKKLANSMAN 2019 https://doi.org/10.25969/mediarep/4192 Veröffentlichungsversion / published version Zeitschriftenartikel / journal article Empfohlene Zitierung / Suggested Citation: Plantinga, Carl: Brecht, emotion, and the reflective spectator: The case of BLACKKKLANSMAN. In: NECSUS. European Journal of Media Studies, Jg. 8 (2019), Nr. 1, S. 151–169. DOI: https://doi.org/10.25969/mediarep/4192. Erstmalig hier erschienen / Initial publication here: https://necsus-ejms.org/brecht-emotion-and-the-reflective-spectator-the-case-of-blackkklansman/ Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Creative Commons - This document is made available under a creative commons - Namensnennung - Nicht kommerziell - Keine Bearbeitungen 4.0/ Attribution - Non Commercial - No Derivatives 4.0/ License. For Lizenz zur Verfügung gestellt. Nähere Auskünfte zu dieser Lizenz more information see: finden Sie hier: https://creativecommons.org/licenses/by-nc-nd/4.0/ https://creativecommons.org/licenses/by-nc-nd/4.0/ EUROPEAN JOURNAL OF MEDIA STUDIES www.necsus-ejms.org Brecht, emotion, and the reflective spectator: The case of ‘BlacKkKlansman’ Carl Plantinga NECSUS 8 (1), Spring 2019: 151–169 URL: https://necsus-ejms.org/brecht-emotion-and-the-reflective- spectator-the-case-of-blackkklansman/ Keywords: Brecht, emotional engagement, emotional estrangement, Emotions, reflective spectatorship One enduring concern of film theory has been the question of what film structures and styles encourage critical, reflective, and active spectatorship. Neo-Brechtian theory has been influential in this regard, as many of Brecht’s theories regarding the epic theatre were incorporated into film theory in the 1970s, just as the field was being formalised as an academic discipline.