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16 Mars 2005 1,25$ + T.P.S
CANADIAN 362TIRE 5822 HEARST SUPER SPÉCIAL DÉMARREUR À DISTANCE Pièces et main d’oeuvre Vol. 29 No 52 Hearst On ~ Le mercredi 16 mars 2005 1,25$ + T.P.S. 149 $ Festival de l’orignal de Hearst Modèle pour voiture sans antivol. Surplus pour voiture avec antivol. Parmi les 50 meilleurs en Ontario HEARST(DJ) - Le Festival de Le Festival de l’orignal de Festival de l’orignal de Hearst se déroulera du 14 au 17 juillet. Il l’orignal de Hearst apprenait Hearst a été retenu parmi plus de depuis la mise sur pied du festi- a donc été déplacé de deux récemment qu’il figurait main- 3 000 festivals et événements val. semaines puisqu’au cours des tenant, après deux éditions seule- communautaires qui se tiennent En figurant sur cette liste, le dernières années, le festival se ment, sur la liste des 50 meilleurs annuellement en Ontario. Le Festival de l’orignal de Hearst tenait durant la longue fin de festivals en Ontario. Festival des bûcherons de sera mis en évidence dans les semaine de la Fête du Canada. Celui qui veut forger La liste des 50 meilleurs festi- Kapuskasing fait quant à lui de pages du guide 2005 des festivals Les forfaits pour prendre part à son caractère peut vals en province, une initiative de nouveau partie de la liste cette et événements commuanutaires toutes les activités du troisième l’association provinciale Festi- année. ontariens, guide produit par la Festival de l’orignal de Hearst, trouver une aide vals & Events Ontario a été «En faisant partie de cette liste, Ontario Tourism Marketing dont le spectacle du groupe précieuse auprès des établie et rendue publique il y a ça nous donne de la bonne visi- Partnership Corporation. -
Le Nord 2 Mars 2005 Part.1
La francophonie nous tient à coeur ! 1976-2005 CANADIAN 362TIRE 5822 HEARST SUPER SPÉCIAL DÉMARREUR À DISTANCE Pièces et main d’oeuvre Vol. 29 No 50 Hearst On ~ Le mercredi 2 mars 2005 1,25$ + T.P.S. 149 $ Une réception est prévue le 8 mars Modèle pour voiture sans antivol. Surplus pour voiture Josée Camiré termine au 7e rang à sa première sortie à Nagano avec antivol. HEARST(AB) - Josée Camiré a 100m au cours des prochains onnats canadiens l’an dernier. prévue pour le 8 mars prochain pris le septième rang lors de jours. La population de Hearst et des au 3e étage du 923 rue Edward. l’épreuve de 200 mètres à raque- Mlle Camiré a mérité sa partic- environs sera invitée à rencontrer Plus d’une cinquantaine d’invi- À L’INTÉRIEUR ttes à l’occasion des Jeux ipation aux Jeux mondiaux suite l’athlète de Hearst à son retour de tations ont été lancées jusqu’à olympiques spéciaux mondiaux à ses prestations aux champi- Nagano puisqu’une réception est maintenant. ∆ Carnaval Missinaïbi....HA2 qui se déroulent présentement à Nagano au Japon. Rapport annuel des L’athlète de 31 ans de Hearst a Visite surprise au Carnaval Missinaïbi pompiers.............HA6 complété le parcours en 2:10:49. Elle participera également aux Saison terminée pour épreuves de 100m et au relais 4 X les Élans............HA31 Incendie chez La nécessité n'a Tri-Cept HEARST(DJ) - Près d’une pas de prise sur les vingtaine de pompiers volon- taires du département de lutte philosophes car ils contre les incendies de la Ville de Hearst se sont rendus sur n'acceptent pas ses les lieux d’un incendie à l’u- cadeaux. -
The Good Eats Cookbook from Alton Brown's Show
Every Single Bloomin Recipe From the Food Network Show, Good Eats, Starring Alton Brown. (Date Ending: November 12, 2006; Show Ending Fry, Turkey, Fry) Recipes From: Foodnetwork.com Formatting By: Michael Menninger, Mikemenn Productions © 2006 Copyright 2005 Mikemenn Productions Page 1 What s in this Cookbook? Good Eats starring Alton Brown has a lot of good recipes. Instead of surfing the web, why not print them all out and stick them in a binder? This cookbook is a compilation of all the recipes in a unique and easy to read format. The recipes come from foodnetwork.com and can also be found in verbal form from the episodes of the show. Print out the Odd pages first, restack and flip and then print out the Even pages next. What s up with the format of the recipes? I hate the normal format for recipes. You can t find where you are in the recipe very easily and it s hard to determine which ingredient goes in when. With the layouts in this cook book, each step is linked to the ingredients for that step and each step is broken out and numbered for easy remembering. I hope you like it. Where d you get the data for each recipe? That, too, came from Food Network. I sometimes filled in my best guess. However, if there s little or no info, that s because Food Network didn t provide it. What if I need more info about the recipe? Each recipe notes he show from which it came. (Note: The title noted is the actual title. -
Jennifer “Kaylene” Carter Email: [email protected]
Jennifer “Kaylene” Carter Email: [email protected] (615)828-2644 EXPERIENCE Belmont University Nashville, TN Adjunct Instructor May 2017-present ● Currently teaching First Year Seminar to Entertainment Industry majors. Warner University Central Florida Adjunct Faculty Sep. 2015- present ● Taught Composition I, Composition II, and online courses. Valencia College Orlando, FL Associate Faculty Nov. 2012- present ● Taught Composition I, Dev. Writing, & online courses. Obtained Digital Professor certification. Columbia State Community College Nashville, TN Adjunct Instructor Jan. 2013- present ● Taught Humanities (hybrid). Previously on call to teach Entertainment Business and Songwriting. MTV Networks Los Angeles, CA Casting Assistant Nov. 2009- Aug. 2010 ● Coordinated with Shed Media Group on casting strategy and efforts in the Orlando and Nashville markets. ● Recruited & interviewed talent for World’s Strictest Parents reality television show. Southern Wine & Spirits c/o Soleil Marketing, Pierce Promotions, LA Promotions, Spotlight Promotions, Influence Marketing, Alloy Marketing & Promotions, Signature Concepts, Scannell Productions, Convention Model & Talent Promotional Model (Independent Contractor) Sep. 2002- July 2009 ● Modeled and ran my own promotions, including setup and breakdown- on & off premise and in the field, including outdoor festivals, race events, concert events, car shows, golf tournaments and conventions. ● Conducted market research and demographic studies, conducted customer surveys, discussed new products. ● Worked as brand ambassador in high-end restaurants and nightlife spots. ● Bartended, cocktailed, and hosted at private and corporate events. ● Represented companies at conventions and trade shows- including Premier Beauty Show 2002/2004/2005, Focus 2003/2004, Surf Expo 2003, Food & Restaurant 2002, PRI 2005, Home Show 2005, IAAPA 2003, Southern Women’s Show 2003, Super Show 2005, Flooring 2003/2004, and PGA 2003. -
Writing & Journalism
140 Writing & Journalism Enroll at uclaextension.edu or call (800) 825-9971 Reg# 375735 Fee: $399 Writers’ Program No refund after 10 Nov. WRITING & ❖ Remote Instruction 6 mtgs Tuesday, 7-10pm, Oct. 27-Dec. 1 Creative Writing Enrollment limited to 15 students. c For help in choosing a course or determining if a Rachel Kann, MFA, author of the collection 10 for course fulfills certificate requirements, contact the Everything. Ms. Kann is an award-winning poet whose Writers’ Program at (310) 825-9415. work has appeared in various anthologies, including JOURNALISM Word Warriors: 35 Women Leaders in the Spoken Word Revolution. She is the recipient of the UCLA Extension Basics of Writing Outstanding Instructor Award for Creative Writing. These basic creative writing courses are for WRITING X 403 students with no prior writing experience. Finding Your Story Instruction is exercise-driven; the process of 2.0 units workshopping—in which students are asked to The scariest part of writing is staring at that blank page! share and offer feedback on each other’s work This workshop is for anyone who has wanted to write but with guidance from the instructor—is introduced. doesn’t know where to start or for writers who feel stuck Please call an advisor at (310) 825-9415 to deter- and need a new form or jumping off point for unique mine which course will best help you reach your story ideas. The course provides a safe, playful atmo- writing goals. sphere to experiment with different resources for stories, such as life experiences, news articles, interviews, his- WRITING X 400 tory, and mythology. -
The BG News February 25, 1999
Bowling Green State University ScholarWorks@BGSU BG News (Student Newspaper) University Publications 2-25-1999 The BG News February 25, 1999 Bowling Green State University Follow this and additional works at: https://scholarworks.bgsu.edu/bg-news Recommended Citation Bowling Green State University, "The BG News February 25, 1999" (1999). BG News (Student Newspaper). 6456. https://scholarworks.bgsu.edu/bg-news/6456 This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. This Article is brought to you for free and open access by the University Publications at ScholarWorks@BGSU. It has been accepted for inclusion in BG News (Student Newspaper) by an authorized administrator of ScholarWorks@BGSU. The BG News Workshop features Irish dance Long will be working along with Deb- By ANNE MOSS orah Tell, coordinator of the University's The BG News dance program, and Lynne Hamer, a fac- St. Patrick's Day is about three weeks ulty member at the University of Toledo. away and already the University is "Irish dance is a great topic to buzzing with Irish spirit. explore," Tell said. "Especially since it has This Saturday, Feb. 27, there will be a been highlighted within the past years." day devoted to Irish dance in the Lenhart There will be a session beginning at Grand Ballroom. The day will include a 9:30 a.m. and ending at noon. According variety of workshops and presentations to Long, the morning workshop is gener- i Jud Laipply advocates on traditional Irish dance and music. ally for teachers of elementary to high spontaneous open University instructor Lucy Long will school students, and will focus on how to discussion. -
The Unladylike Ladies of Roller Derby?: How Spectators, Players and Derby Wives Do and Redo Gender and Heteronormativity in All-Female Roller Derby
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by White Rose E-theses Online The Unladylike Ladies of Roller Derby?: How Spectators, Players and Derby Wives Do and Redo Gender and Heteronormativity in All-Female Roller Derby Megan Geneva Murray PhD The University of York Women’s Studies January 2012 Abstract All-female roller derby is a rapidly growing full-contact sport played on quad roller skates, with a highly popularized punk, feminine, sexual and tough aesthetic. Utilising theories on the institution of heterosexuality, I conducted a qualitative study on all-female roller derby which evaluated the way in which derby aligns with or challenges heteronormativity. In order to approach this question, I analysed, firstly, thirty-eight interviews with spectators, and twelve with players about their interactions with spectators. Secondly, I interviewed twenty-six players about the phenomenon of “derby wives,” a term used to describe particular female friendships in roller derby. My findings relate the complex relationship between players and spectators by focusing on: (i) spectators’ interpretations of the dress, pseudonyms, and identities of players, as well as the ways in which they were actively involved in doing gender through their discussions of all-female, coed, and all-male roller derby; (ii) players’ descriptions of their interactions with spectators, family members, romantic partners, friends and strangers, regarding roller derby. Additionally, I address the reformulation of the role “wife” to meet the needs of female players within the community, and “derby wives” as an example of Adrienne Rich’s (1980) “lesbian continuum.” “Derby girls” are described as “super heroes” and “rock stars.” Their pseudonyms are believed to help them “transform” once they take to the track. -
Finding Aid to the Historymakers ® Video Oral History with Hattie Winston Wheeler
Finding Aid to The HistoryMakers ® Video Oral History with Hattie Winston Wheeler Overview of the Collection Repository: The HistoryMakers®1900 S. Michigan Avenue Chicago, Illinois 60616 [email protected] www.thehistorymakers.com Creator: Winston, Hattie Title: The HistoryMakers® Video Oral History Interview with Hattie Winston Wheeler, Dates: October 7, 2005 Bulk Dates: 2005 Physical 5 Betacame SP videocasettes (2:17:53). Description: Abstract: Actress Hattie Winston (1945 - ) has been recognized with an Obie Award, among other honors. Winston's theatre credits include, "Hair," "The Tap Dance Kid," and, "To Take Up Arms." Her television and film credits include, "Jackie Brown," "Becker," and, "True Crime." Wheeler was interviewed by The HistoryMakers® on October 7, 2005, in Encino, California. This collection is comprised of the original video footage of the interview. Identification: A2005_237 Language: The interview and records are in English. Biographical Note by The HistoryMakers® Actress Hattie Mae Winston was born in Lexington, Mississippi, on March 3, 1945, to Selena Thurmond Winston and Roosevelt Love Winston. Winston was raised by her grandmother, Cora Thurmond, in nearby Greenville, Mississippi. Attending Washington Irving High School in New York City, Winston graduated in 1963; throughout her academic career she was an accomplished student and an exceptionally talented vocalist. Winston attended Howard University in Washington, D.C. after receiving a full voice scholarship. Winston moved back to New York City after one year at Howard and enrolled in an actor’s group study workshop; success came quickly. In 1968, Winston became a replacement performer in Hair, in 1969 obtained a part in Does a Tiger Wear a Necktie?, and in 1970 was cast in The Me Nobody Knows, all of which were significant Broadway roles. -
The Lumberjack Folding Five
m&k The Lumberjack For the week of Jan. 7-13 Folding five The Ben Folds Five trio will be stopping by to perform Feb. 9 at Club Rio in Scottsdale. Dance Hall Punk band The Dance Hall Crashers is com ing in Febuary to Gibson’s in Tempe. lext Is The Man, The Myth, The Ghost. Space Ghost. I Inside this - „ w e e k : A look at 1998 • I ¥ h t tp:/fwvm.t hejac k.nau.edu/happc n i n gs V S STORY VIES Jackie Brown *** Rainmaker ***1/2 I think Quentin Tarantino For a lawyer turned writer, might be a one-trick pony. John Grisham has turned into Granted, that one trick is fun quite a little movie machine. to watch, but if all you can do All of his legal thrillers have back on 1997 S is re-rnake “Pulp Fiction," been turned into movies, you’ll lose the casual audi ^ome even before they’ve Ahh, what a year. L o o k in g could it? ence. Samuel Jackson is great, been written. Where Michael back, we here at Happenings Most likely to be on future and Pam Grier does a pretty Crichtonks movies block decided to compile a year episodes of “C.O.P.S”: Rob Harkins 11 good job, but Robert De Niro buster, Grisham’s movies get book and look at what the ert Downey Ir. and Christian is miscast and Bridget Fonda more critical acclaim, which stars of 97 may be looking for Slater. Firestorm <r> is out of place. -
PERFECTION, WRETCHED, NORMAL, and NOWHERE: a REGIONAL GEOGRAPHY of AMERICAN TELEVISION SETTINGS by G. Scott Campbell Submitted T
PERFECTION, WRETCHED, NORMAL, AND NOWHERE: A REGIONAL GEOGRAPHY OF AMERICAN TELEVISION SETTINGS BY G. Scott Campbell Submitted to the graduate degree program in Geography and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. ______________________________ Chairperson Committee members* _____________________________* _____________________________* _____________________________* _____________________________* Date defended ___________________ The Dissertation Committee for G. Scott Campbell certifies that this is the approved version of the following dissertation: PERFECTION, WRETCHED, NORMAL, AND NOWHERE: A REGIONAL GEOGRAPHY OF AMERICAN TELEVISION SETTINGS Committee: Chairperson* Date approved: ii ABSTRACT Drawing inspiration from numerous place image studies in geography and other social sciences, this dissertation examines the senses of place and regional identity shaped by more than seven hundred American television series that aired from 1947 to 2007. Each state‘s relative share of these programs is described. The geographic themes, patterns, and images from these programs are analyzed, with an emphasis on identity in five American regions: the Mid-Atlantic, New England, the Midwest, the South, and the West. The dissertation concludes with a comparison of television‘s senses of place to those described in previous studies of regional identity. iii For Sue iv CONTENTS List of Tables vi Acknowledgments vii 1. Introduction 1 2. The Mid-Atlantic 28 3. New England 137 4. The Midwest, Part 1: The Great Lakes States 226 5. The Midwest, Part 2: The Trans-Mississippi Midwest 378 6. The South 450 7. The West 527 8. Conclusion 629 Bibliography 664 v LIST OF TABLES 1. Television and Population Shares 25 2. -
I Love to Eat by James Still in Performance: April 15 - June 27, 2021
Commonweal Theatre Company presents I Love To Eat by James Still In performance: April 15 - June 27, 2021 products and markets. Beard nurtured a genera- tion of American chefs and cookbook authors who have changed the way we eat. James Andrew Beard was born on May 5, 1903, in Portland, Oregon, to Elizabeth and John Beard. His mother, an independent English woman passionate about food, ran a boarding house. His father worked at Portland’s Customs House. The family spent summers at the beach at Gearhart, Oregon, fishing, gathering shellfish and wild berries, and cooking meals with whatever was caught. He studied briefly at Reed College in Portland in 1923, but was expelled. Reed claimed it was due to poor scholastic performance, but Beard maintained it was due to his homosexuality. Beard then went on the road with a theatrical troupe. He lived abroad for several years study- ing voice and theater but returned to the United States for good in 1927. Although he kept trying to break into the theater and movies, by 1935 he needed to supplement what was a very non-lucra- Biography tive career and began a catering business. With From the website of the James Beard Founda- the opening of a small food shop called Hors tion: jamesbeard.org/about d’Oeuvre, Inc., in 1937, Beard finally realized that his future lay in the world of food and cooking. nointed the “Dean of American cookery” by In 1940, Beard penned what was then the first Athe New York Times in 1954, James Beard major cookbook devoted exclusively to cock- laid the groundwork for the food revolution that tail food, Hors d’Oeuvre & Canapés. -
Queen Sugar” Biographies
“QUEEN SUGAR” BIOGRAPHIES AVA DUVERNAY CREATOR/WRITER/DIRECTOR/EXECUTIVE PRODUCER Award-winning filmmaker Ava DuVernay is the creator and executive producer of “Queen Sugar.” She directed the first two episodes and wrote the premiere and finale episodes of season one. Nominated for two Academy Awards and four Golden Globes, DuVernay’s feature "Selma" was one of 2015's most critically acclaimed films. Winner of the 2012 Sundance Film Festival's Best Director Prize for her previous feature "Middle of Nowhere," DuVernay's earlier directorial work includes "I Will Follow," "Venus Vs," "My Mic Sounds Nice" and "This is The Life." DuVernay is currently directing Disney’s “A Wrinkle in Time” based on the beloved children’s novel of the same name; this marks the first time an African American woman has directed a feature with a budget over $100 million. Her commitment to activism and reform will soon be seen in the criminal justice documentary “13th,” which has the honor of opening the New York Film Festival before premiering on Netflix. In 2010, she founded ARRAY, a distribution collective for filmmakers of color and women, named one of Fast Company’s Most Innovative Companies in Hollywood 2016. DuVernay was born and raised in Los Angeles, California. OPRAH WINFREY EXECUTIVE PRODUCER Oprah Winfrey is executive producer of OWN’s new drama series “Queen Sugar.” Winfrey is a global media leader, philanthropist, producer and actress. She has created an unparalleled connection with people around the world for nearly 30 years, making her one of the most respected and admired people today. As Chairman and CEO, she's guiding her successful cable network, OWN: Oprah Winfrey Network, and is the founder of O, The Oprah Magazine and Harpo Films.