Nordisk Filologi
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
"Ok Er Þetta Upphaf´"--First-Stanza Quotation in Old Norse Prosimetrum
Judy Quinn “Ok er þetta upphaf”— First-Stanza Quotation in Old Norse Prosimetrum* hen prosimetrum involves the quotation of poetry — as medieval Scandinavian prosimetrum almost invariably does1 — the narrator’s voice is at once in competition with another voice, which through its Wpoetic form is graced with significance and authority. Verse quotations in sagas are conventionally very short, most typically of only one stanza, but occa- sionally of two, three, or more stanzas. As the evidence of other records demon- strates, however, a verse presented by a saga-narrator as a lausavísa, or single- stanza composition, may well be an excerpt from a longer poem.2 Sometimes acknowledgement is made of the loosening of the stanza from the whole poem through the narrator’s mention of the poem’s name, particularly in kings’ sagas where praise and memorial poems are frequently cited to verify aspects of an account,3 but even in this genre — avowedly indebted to the existence of whole * I am grateful to the Modern Language Association of America and the organizers of the Discussion Group on Old Norse Literature at the 1995 convention for inviting me to present an earlier version of this article there. 1. One important exception to this is Snorri Sturluson’s pedagogic prosimetrum composition, Hátta- tal, in which Snorri follows the learned Latin practice of crafting prosimetrum from his own verse and prose. Otherwise Old Norse prosimetrum seems to have conventionally been composed of prose and quoted poetry — either as evidence of events narrated or as the declamations of the participants in the narrative (see Einarsson 1974 and Friis-Jensen 1987 for a survey of these types). -
International Journal of Language and Linguistics Vol
International Journal of Language and Linguistics Vol. 7, No. 3, September 2020 doi:10.30845/ijll.v7n3p2 Skaldic Panegyric and the Anglo-Saxon Chronicle Poem on the Redemption of the Five Boroughs Leading Researcher Inna Matyushina Russian State University for the Humanities Miusskaya Ploshchad korpus 6, Moscow Russia, 125047 Honorary Professor, University of Exeter Queen's Building, The Queen's Drive Streatham Campus, Exeter, EX4 4QJ Summary: The paper attempts to reveal the affinities between skaldic panegyric poetry and the Anglo-Saxon Chronicle poem on the ‘Redemption of the Five Boroughs’ included into four manuscripts (Parker, Worcester and both Abingdon) for the year 942. The thirteen lines of the Chronicle poem are laden with toponyms and ethnonyms, prompting scholars to suggest that its main function is mnemonic. However comparison with skaldic drápur points to the communicative aim of the lists of toponyms and ethnonyms, whose function is to mark the restoration of the space defining the historical significance of Edmund’s victory. The Chronicle poem unites the motifs of glory, spatial conquest and protection of land which are also present in Sighvat’s Knútsdrápa (SkP I 660. 9. 1-8), bearing thematic, situational, structural and functional affinity with the former. Like that of Knútsdrápa, the function of the Chronicle poem is to glorify the ruler by formally reconstructing space. The poem, which, unlike most Anglo-Saxon poetry, is centred not on a past but on a contemporary event, is encomium regis, traditional for skaldic poetry. ‘The Redemption of the Five Boroughs’ can be called an Anglo-Saxon equivalent of erfidrápa, directed to posterity and ensuring eternal fame for the ruler who reconstructed the spatial identity of his kingdom. -
On Freyr—The 'Lord' Or 'The Fertile One'? Some Comments on the Discussion of Etymology from the Historian of Religions
On Freyr—the ‘Lord’ or ‘the fertile one’? Some comments on the discussion of etymology from the historian of religions’ point of view1 Olof SUNDQVIST Introduction Ever since the beginning of modern research in the 19th century, histo- rians of religions have used gods’ names, and the etymologies that can be associated with them, as a method to determine and distinguish the various mythical beings, their nature and functions. Also the Old Norse deities have been interpreted by means of their names. In the present paper focus will be put on the ancient Scandinavian deity Freyr. His name has been a matter of debate in recent research, especially among philologists and specialists on names (onomasticians). Their arguments have, however, not always been based on linguistic arguments exclu- sively, but also on knowledge brought from the history of religions. Since some of the theories on Freyr in the history of religions are dis- puted, it is important that such aspects are brought to light also for the researchers in onomastics. A paradox may be discerned in research today. A new etymology of the god’s name has been suggested. This etymology has support from previous interpretations of the god Freyr made by historians of religions working in the mid 20th century. While a new and more nuanced image of Freyr, produced by historians of religions around 1995-2015, can find support from the old etymology. Freyr and the etymology of his name There has almost been consensus that Freyr’s name should be con- ceived as a Proto-Nordic *Fraujaz (derived from the Indo-European 1 During the preparation of this article some individuals have given me important advices, answered questions and discussed some problems related to linguistic aspects. -
Scripta Islandica 65/2014
SCRIPTA ISLANDICA ISLÄNDSKA SÄLLSKAPETS ÅRSBOK 65/2014 REDIGERAD AV LASSE MÅRTENSSON OCH VETURLIÐI ÓSKARSSON GÄSTREDAKTÖRER JONATHAN ADAMS ALEXANDRA PETRULEVICH HENRIK WILLIAMS under medverkan av Pernille Hermann (Århus) Else Mundal (Bergen) Guðrún Nordal (Reykjavík) Heimir Pálsson (Uppsala) UPPSALA, SVERIGE Publicerad med stöd från Vetenskapsrådet. © Författarna och Scripta Islandica 2014 ISSN 0582-3234 Sättning: Ord och sats Marco Bianchi urn:nbn:se:uu:diva-235580 http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-235580 Contents Preface ................................................. 5 ÞÓRDÍS EDDA JÓHANNESDÓTTIR & VETURLIÐI ÓSKARSSON, The Manu- scripts of Jómsvíkinga Saga: A Survey ...................... 9 Workshop Articles SIRPA AALTO, Jómsvíkinga Saga as a Part of Old Norse Historiog - raphy ................................................ 33 Leszek P. słuPecki, Comments on Sirpa Aalto’s Paper ........... 59 ALISON FINLAY, Jómsvíkinga Saga and Genre ................... 63 Judith Jesch, Jómsvíkinga Sǫgur and Jómsvíkinga Drápur: Texts, Contexts and Intertexts .................................. 81 DANIEL SÄVBORG, Búi the Dragon: Some Intertexts of Jómsvíkinga Saga. 101 ALISON FINLAY, Comments on Daniel Sävborg’s Paper ............ 119 Jakub Morawiec, Danish Kings and the Foundation of Jómsborg ... 125 władysław duczko, Viking-Age Wolin (Wollin) in the Norse Context of the Southern Coast of the Baltic Sea ............... 143 MichaeL Lerche NieLseN, Runic Inscriptions Reflecting Linguistic Contacts between West Slav Lands and Southern -
Grímnismál: Acriticaledition
GRÍMNISMÁL: A CRITICAL EDITION Vittorio Mattioli A Thesis Submitted for the Degree of PhD at the University of St Andrews 2017 Full metadata for this item is available in St Andrews Research Repository at: http://research-repository.st-andrews.ac.uk/ Please use this identifier to cite or link to this item: http://hdl.handle.net/10023/12219 This item is protected by original copyright This item is licensed under a Creative Commons Licence Grímnismál: A Critical Edition Vittorio Mattioli This thesis is submitted in partial fulfilment for the degree of PhD at the University of St Andrews 12.11.2017 i 1. Candidate’s declarations: I Vittorio Mattioli, hereby certify that this thesis, which is approximately 72500 words in length, has been written by me, and that it is the record of work carried out by me, or principally by myself in collaboration with others as acknowledged, and that it has not been submitted in any previous application for a higher degree. I was admitted as a research student in September, 2014 and as a candidate for the degree of Ph.D. in September, 2014; the higher study for which this is a record was carried out in the University of St Andrews between 2014 and 2017. Date signature of candidate 2. Supervisor’s declaration: I hereby certify that the candidate has fulfilled the conditions of the Resolution and Regulations appropriate for the degree of Ph.D. in the University of St Andrews and that the candidate is qualified to submit this thesis in application for that degree. Date signature of supervisors 3. -
ROBERTA FRANK Department of English Yale
1 November 2016 CURRICULUM VITAE: ROBERTA FRANK University address: Department of English Yale University P.O. Box 208302 Linsly-Chittenden Hall, Room 302 New Haven, Connecticut 06520-8302 Telephone: (203) 432-2238 Fax: (203) 432-7066 E-mail: [email protected] Academic degrees: BA, New York University PhD thesis: 1962 summa cum laude MA, Harvard University 1964 PhD, Harvard University 1968 MA, Yale University 2001 "Wordplay in Old English Poetry" supervisor: Morton W. Bloomfield Appointments: Douglas Tracy Smith Professor of English, Yale University 2000-2008 Marie Borroff Professor of English, 2008- Yale University Courtesy appointment, Linguistics 2001- Senior Research Fellow, MacMillan Center for International and Area Studies 2013- Professor, Department of English 1978-2000 and Centre for Medieval Studies, University of Toronto Associate Professor, Toronto 1973-78 Assistant Professor, Toronto 1968-73 (tenure conferred 1972) Teaching fellow and tutor, 1965-68 Harvard University . Visiting Professor, University of Jaen, Spain May 2005 British Academy Visiting Professor May 2003 Visiting Professor, University of Sydney (Australia); also "Distinguished Guest", Centre for Medieval Studies, Sydney July 1999 Distinguished Visiting Professor, Spring 1993 Università degli Studi di Roma “La Sapienza" Distinguished Visiting Professor Spring 1992 of Medieval Studies, University of California, Berkeley Visiting Senior Fellow, Linacre 1979-80 College, Oxford University Fellow, Institute of November 1979 Social and Economic Research, Rhodes University, South Africa Prizes and honors: Bowdoin Prize in the Humanities, 1968 Harvard University Elliott Prize, Medieval Academy 1972 of America Fellow, Medieval Academy of America, elected 1989 Fellow, Royal Society of Canada, elected 1995 University Professor, University of Toronto, appointed 1995 University Professor emerita, University of Toronto 2000 British Academy Visiting Professor May 2003 Verbal Encounters: Anglo-Saxon and Old Norse Studies for Roberta Frank, ed. -
The Image of the Peasant Within National Museums in the Nordic Countries
The Image of the Peasant within National Museums in the Nordic Countries Peter Aronsson National narratives are crucial to the construction of legitimate citizenship: who belongs to what community, what qualifies inclusion and exclusion, what virtues are celebrated and what vices are refuted? These questions do not have arbitrary answers, but instead are connected to rather stable ideas of states and nation, and are continuously changing alongside the emergence of new ideals and new territorial boundaries. The new ideas, which restructured earlier sets of feudal relationships at the turns of 18th and 19th centuries, show a remarkable resemblance, at least superficially, to those appearing in many parts of the world where social and political conditions might instead imply a greater variety of ideals. Cultural transfer and the creation of narratives of uniqueness appear hand in hand. The idea of citizenship itself might be seen as an infusion of aristocratic ideas of individual rights into a bourgeois setting, a Bürgerlische Öffentlich- keit, developing an independent sphere of equality, freedom of speech, toler- ance, and mutual respect. But at the same time as rapid change and turmoil, historical vision imagery was transformed from an earlier construction of a glorious past with Biblical and classical references into a national history where the persistence of an independent peasant culture that supposedly thrived before the development of a stratified society and the state created a decisive starting point. This is true for 19th century cultural Swedish heroes such as E.G. Geijer and E. Tegnér – but also for Karl Marx. This is the case for Sweden, which had a large number of historical free-owning peasantry within 18th and 19th C societies, but also for Denmark, which had just created a class of that standard, and for Iceland, which was more dominated by fish- ing than by toiling the soil, and finally for Romania. -
Identitet Og Politikk
norsk utenrik institufl Identitet og politikk En utredning om kollektive selvbilder i politikken Karsten Friis Nr. 233 August 1998 Utgiver: NUPI Copyright: © Norsk Utenrikspolitisk Institutt ISSN 0804 - 7253 ISBN 82 7002 066 4 Alle synspunkter stir for forfatternes regning. De ml ikke tolkes som uttrykk for oppfatninger som kan tillegges Norsk Utenrikspo litisk Institutt. Artiklene kan ikkereproduseres - helt eller delvis -ved trykking, fotokopiering eller pi annen mite uten tillatelse fra forfatterne. Any views expressed in this publication are those of the authors. They should not be interpreted as reflecting the views of the Norwegian Institute of International Affairs. The text may not be printed in part or in full without the permission of the authors. The Norwegian Institute of International Affairs Phone: Internet: Postal Address: 22 05 65 00 http://www.nupi.no/ P.O. Box 8159 Dep. Telefax: E-Mail: N-0033 Oslo 22 17 70 IS [email protected] Norway Innhold 1. Innledning 5 2. Kollektive selvbilder, identitet og politikk 6 Hva er identitet? 6 Individuell og kollektiv identitet 7 Identitet, etnisitet, kultur B Objektiv eller subjektiv identitet? 10 Forholdet mellom Selv og Andre 13 Grenser, liminalitet 17 Identitet og politikk 18 Konklusjon 21 3. Nasjonale identiteter 23 Nasjonalismens fundament 23 “Ethnie” eller forestilt fellesskap? 24 Selv/Andre 29 Utenrikspolitikk som identitetsbygger 30 Konklusjon 32 4. Norge: annerledes eller normal ? 33 Kampen om det nasjonale i Norge 33 Norge i dag 36 Det (post)modeme samfunn: Staten og nasjonen svekkes 41 Konklusjon 45 5. Internasjonal anerkjennelse 46 Statssystemets anerkjennelse 46 Sikkerhetspolitikk og anerkjennelse 47 Organisasjoner, institusjoner og normer 48 Kulturell anerkjennelse 49 6. -
3P EMS 207-74305 Ch01 0P.Indd 1 10/15/18 1:01 PM Locked in Ice Lourie Nansen’S Daring Quest for the North Pole PETER LOURIE
Locked IN Ice —-1 —0 —+1 3P_EMS_207-74305_ch01_0P.indd 1 10/15/18 1:01 PM Locked in Ice Lourie Nansen’s Daring Quest for the North Pole PETER LOURIE -1— —-1 Christy Ottaviano Books 0— —0 Henry Holt and Company Peter NEW YORK +1— —+1 3P_EMS_207-74305_ch01_0P.indd 2-3 10/15/18 1:01 PM There are many people I’d like to thank for help researching and writing this book. First, a special thank- you to Larry Rosler and Geoff Carroll, longtime friends and wise counselors. Also a big thank- you to the following: Anne Melgård, Guro Tangvald, and Jens Petter Kollhøj at the National Library of Norway in Oslo; Harald Dag Jølle of the Norwegian Polar Institute, in Tromsø; Karen Blaauw Helle, emeritus professor of physiology, Department of Biomedicine, University of Bergen, Bergen, Norway; Carl Emil Vogt, University of Oslo and the Center for Studies of Holocaust and Religious Minorities; Susan Barr, se nior polar adviser, Riksantikvaren/Directorate for Cultural Heritage; Dr. Robert Marc Friedman, professor of history, Department of Archaeology, Conservation, and History, University of Oslo; Karin Berg, former director of Oslo’s Holmenkollen Ski Museum; Geir O. Kløver, director, Fram Museum; Tom Nickelsen Gram, tour guide at the Fram Museum; Ola Just Haugbo, man ag er of information systems, Fridtjof Nansen Institute; Claes Lykke Ragner, head of administration and information, Fridtjof Nansen Institute; Will Ambrose, vice-dean for the School of the Coastal Environment at Coastal Carolina University; and Joanne Muratori. Also Paul Schurke, Gerald Johnson, Charles Johnson, Ed Blechner, Martin Wik Fowler, Maartje Nelemans, Ratchanee and Tor- Inge Eriksen, Atle Larssen, Charlotte Schippers, Samantha and Matt Freemont- Smith, Henry Jova, Kyla and Clifford Hart, Bjorn Peterson, Jessica Anderson, For Dan Brayton, and wise counselor Brooke Bessesen. -
A-History-Of-Old-Norse-Poetry-And
A HISTORY OF OLD NORSE POETRY AND POETICS A HISTORY OF OLD NORSE POETRY AND POETICS Margaret Clunies Ross D. S. BREWER © Margaret Clunies Ross 2005 All Rights Reserved. Except as permitted under current legislation no part of this work may be photocopied, stored in a retrieval system, published, performed in public, adapted, broadcast, transmitted, recorded or reproduced in any form or by any means, without the prior permission of the copyright owner The right of Margaret Clunies Ross to be identified as the author of this work has been asserted in accordance with sections 77 and 78 of the Copyright, Designs and Patents Act 1988 Thanks are due to the Australian Academy of the Humanities, Canberra, for a financial subsidy granted to the author towards the publication of this volume. First published 2005 D. S. Brewer, Cambridge ISBN 1 84384 034 0 D. S. Brewer is an imprint of Boydell & Brewer Ltd PO Box 9, Woodbridge, Suffolk IP12 3DF, UK and of Boydell & Brewer Inc. 668 Mt Hope Avenue, Rochester, NY 14620, USA website: www.boydellandbrewer.com A CIP catalogue record for this book is available from the British Library Library of Congress Cataloging-in-Publication Data Ross, Margaret Clunies. A history of old Norse poetry and poetics / Margaret Clunies Ross. p. cm. Summary: "Guide to and description of the medieval poetic tradition in Scandinavia" – Provided by publisher. Includes bibliographical references and index. ISBN 1-84384-034-0 (hardback : alk. paper) 1. Old Norse poetry – History and criticism. 2. Poetics – History. I. Title. PT7170.R67 2005 839.6'1009–dc22 2004025181 This publication is printed on acid-free paper Typeset by Word and Page, Chester Printed in the United Kingdom at the University Press, Cambridge contents Acknowledgements vii Editorial Note viii Abbreviations x 1. -
Sword in Early Medieval Northern Europe
The ‘Living’ Sword in Early Medieval Northern Europe: An Interdisciplinary Study Volume 1: Thesis, Appendices and Bibliography Susan Elaine Brunning Institute of Archaeology, University College London PhD Supervisors: Professor Andrew Reynolds (Institute of Archaeology) Dr. Jeremy Tanner (Institute of Archaeology) Dr. Chris Abram (formerly Department of Scandinavian Studies) Word Count: 74,276 (excluding appendices and bibliography) 1 Signed declaration: I, Susan Elaine Brunning, confirm that the work presented in this thesis is my own. Where information has been derived from other sources, I confirm that this has been indicated in the thesis. …………………………………………. 2 Volume 1 Table of Contents Abstract ...................................................................................................................... 10 Acknowledgements .................................................................................................... 11 Chapter 1. Introduction ............................................................................................. 13 Chapter 2. Literature Review .................................................................................... 16 1) Form and function .............................................................................................. 16 a) Typology ........................................................................................................ 16 b) Production and distribution ............................................................................ 18 c) Combat function ............................................................................................ -
Finding Poetry in the Ground – a Kenning of Silver from Neble, Zealand
DANISH JOURNAL OF ARCHAEOLOGY 2021, VOL 10, 1-7, https://doi.org/10.7146/dja.v10i0.124251 1 Finding poetry in the ground – a kenning of silver from Neble, Zealand Peter Pentz1 1 The National Museum of Denmark, Frederiksholms Kanal 12, 1220 København K, Denmark ([email protected]) Abstract ARTICLE HISTORY Received A circular pendant or brooche found near Neble, Zealand, is interpreted as a double-sided 04 February 2021; amulet, decorated respectively on one side as a shield and as a wheel on the reverse. This Accepted dual iconography is suggested as a material reference to the kenning shield-wheel, known 06 May 2021 from Snorri Sturluson´s Skáldskaparmál. KEYWORDS Miniature shields, Kenning, Ekphra- sis, Amulets In recent years, the comparable nature of Viking where guests were received and feasts were held. art, poetry, myths and cognition have been inten- Shields and woven or embroidered decorative wall sively studied (e.g. Hedeager 2011; Andrén 2000; hangings, like the Oseberg tapestries, adorned the Domeij Lundborg 2006; Price 2010 and 2014; walls and were probably intended to motivate the Lund 2017). More specifically, it has been point- performers (Clunies Ross 2007, 163). ed out that the complicated composition of poetry The shield poems were one of the most high-sta- seems to have much in common with the concept tus genres of skaldic art. In manuscripts of Snorri of art that is found in the animal ornamentation Sturluson´s Edda, the high status of such poems and non-figurative patterns of the Viking Age (Lie is evident from the extensive attention devoted to 1952; Andrén 2000, 11; Stavnem 2014, Mundal this poetry and the practitioners of ekphrasis.