Scripta Islandica 65/2014
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Icelandic Folklore
i ICELANDIC FOLKLORE AND THE CULTURAL MEMORY OF RELIGIOUS CHANGE ii BORDERLINES approaches,Borderlines methodologies,welcomes monographs or theories and from edited the socialcollections sciences, that, health while studies, firmly androoted the in late antique, medieval, and early modern periods, are “edgy” and may introduce sciences. Typically, volumes are theoretically aware whilst introducing novel approaches to topics of key interest to scholars of the pre-modern past. FOR PRIVATE AND NON-COMMERCIAL USE ONLY iii ICELANDIC FOLKLORE AND THE CULTURAL MEMORY OF RELIGIOUS CHANGE by ERIC SHANE BRYAN iv We have all forgotten our names. — G. K. Chesterton British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library. © 2021, Arc Humanities Press, Leeds The author asserts their moral right to be identified as the author of this work. Permission to use brief excerpts from this work in scholarly and educational works is hereby granted provided that the source is acknowledged. Any use of material in this work that is an exception or limitation covered by Article 5 of the European Union’s Copyright Directive (2001/29/ EC) or would be determined to be “fair use” under Section 107 of the U.S. Copyright Act September 2010 Page 2 or that satisfies the conditions specified in Section 108 of the U.S. Copyright Act (17 USC §108, as revised by P.L. 94– 553) does not require the Publisher’s permission. FOR PRIVATE AND ISBN (HB): 9781641893756 ISBN (PB): 9781641894654 NON-COMMERCIAL eISBN (PDF): 9781641893763 USE ONLY www.arc- humanities.org Printed and bound in the UK (by CPI Group [UK] Ltd), USA (by Bookmasters), and elsewhere using print-on-demand technology. -
ŚREDNIOWIECZE Polskie I Powszechne
ŚREDNIOWIECZE Polskie i Powszechne Tom 9 (13) ŚREDNIOWIECZEŚREDNIOWIECZE PolskiePolskie i Powszechne Tom 9 (13) pod redakcją Jerzego Sperki i Bożeny Czwojdrak Wydawnictwo Uniwersytetu Śląskiego Katowice 2017 Redaktor serii: Historia Sylwester Fertacz Recenzenci dr hab. Janusz Grabowski (Archiwum Główne Akt Dawnych w Warszawie) prof. dr hab. Tomasz Jurek (Polska Akademia Nauk, Oddział w Poznaniu) prof. dr hab. Beata Możejko (Uniwersytet Gdański) dr Łukasz Neubauer (Politechnika Koszalińska) dr hab. Andrzej Pleszczyński, prof. UMCS (Uniwersytet Marii Curie-Skłodowskiej) dr hab. Sobiesław Szybkowski, prof. UG (Uniwersytet Gdański) dr Marek L. Wójcik (Uniwersytet Wrocławski) dr hab. Paweł Żmudzki (Uniwersytet Warszawski) Rada Naukowa Jerzy Sperka Idzi Panic Bożena Czwojdrak Jakub Morawiec Sobiesław Szybkowski Stanisław Sroka Leontij Wojtowycz Marek L. Wójcik Janusz Grabowski Joanna Sobiesiak Katarzyna Niemczyk Sekretarz Redakcji Iwona Pietrzyk Kodeks Postępowania Etycznego w naszym czasopiśmie oparty jest na standardach Comittee on Pub- lication Ethics (COPE). Szczegółowe informacje dostępne są na stronie: http://historia.us.edu.pl/index. php?pokaz=showart&id=91 Code of Ethic Practices in our journal is based on standards Comittee on Publication Ethics (COPE). For more information look: http://historia.us.edu.pl/index.php?pokaz=showart&id=91 Publikacja jest dostępna w wersji internetowej: Baza Czasopism Humanistycznych i Społecznych www.bazhum.pl Central and Eastern European Online Library www.ceeol.com TreśćTreść Wykaz skrótów instytucji, -
"Ok Er Þetta Upphaf´"--First-Stanza Quotation in Old Norse Prosimetrum
Judy Quinn “Ok er þetta upphaf”— First-Stanza Quotation in Old Norse Prosimetrum* hen prosimetrum involves the quotation of poetry — as medieval Scandinavian prosimetrum almost invariably does1 — the narrator’s voice is at once in competition with another voice, which through its Wpoetic form is graced with significance and authority. Verse quotations in sagas are conventionally very short, most typically of only one stanza, but occa- sionally of two, three, or more stanzas. As the evidence of other records demon- strates, however, a verse presented by a saga-narrator as a lausavísa, or single- stanza composition, may well be an excerpt from a longer poem.2 Sometimes acknowledgement is made of the loosening of the stanza from the whole poem through the narrator’s mention of the poem’s name, particularly in kings’ sagas where praise and memorial poems are frequently cited to verify aspects of an account,3 but even in this genre — avowedly indebted to the existence of whole * I am grateful to the Modern Language Association of America and the organizers of the Discussion Group on Old Norse Literature at the 1995 convention for inviting me to present an earlier version of this article there. 1. One important exception to this is Snorri Sturluson’s pedagogic prosimetrum composition, Hátta- tal, in which Snorri follows the learned Latin practice of crafting prosimetrum from his own verse and prose. Otherwise Old Norse prosimetrum seems to have conventionally been composed of prose and quoted poetry — either as evidence of events narrated or as the declamations of the participants in the narrative (see Einarsson 1974 and Friis-Jensen 1987 for a survey of these types). -
Det Kongelige Bibliotek the Royal Library
Digitaliseret af | Digitised by det kongelige bibliotek the royal library København | Copenhagen DK Digitaliserede udgaver af materiale fra Det Kongelige Biblioteks samlinger må ikke sælges eller gøres til genstand for nogen form for kommerciel udnyttelse. For oplysninger om ophavsret og brugerrettigheder, se venligst www.kb.dk UK Digitised versions of material from the Royal Librarys collections may not be sold or be subject to any form for commercial use. For information on copyright and user rights, please consult www.kb.dk / f K \ ‘■t \ I ' v / i \ \ * N C * -/ m j •• DET KONGELIGE BIBLIOTEK f;HM '■■:■. '■■■. % - t .A •»? h 130022042761 yjfc HEIMSKRINGLA SOGVR NOREGS KONE KGA SNORRA STURLUSONAR. I UPPSALA, W. S C H U L T Z, » © ■1 © U PPSA LA , 1870. AKADEMISKA BOKTRYCKERIET, * ED. BERLING. K \ • .y/, V YNGLINGA SAGA. SAGA HÅLFDANAR SVARTA. HARALDS SAGA HINS HARFAGRA. SAGA HÅKONAR GODA. SAGAN AF HARALDI KONUNGI GRAFELD OK HÅKONI JARLI. SAGA OLAFS TRYGGYASONAR. HEIMSKRINGLA. Prologus. i A b6k pessi lét ek rita fråsagnir um hhfdingja, på er nki hafa haft å nordrlondum ok å danska tungu hafa 5 mælt, svå sem ek hefi heyrt froda menn segja, svå ok ♦ nokkurar kynkvislir peira, eptir pvi sem mér hefir kent - verit; sumt pat er finnst i langfedgatali, pvi er konungar i_ ! hafa rakit kyn sitt, eda adrir storættadir menn, en sumt j er ritat eptir fornum kvædum e8a soguljodum, er menn [ 10 hafa haft til skemtanar sér. En p6 at vér vitim eigi j sannyndi å pvi, [>å vitum vér dæmi til pess, at gamlir } frædimenn hafa slikt fyrir satt haft. Pjodolfr or Hvini var skåld Haraids hins hårfagra; hann orti ok um Rhgn- vald konung heidum-hæra kvædi pat, er kaliat er Yngl-"1. -
Herjans Dísir: Valkyrjur, Supernatural Femininities, and Elite Warrior Culture in the Late Pre-Christian Iron Age
Herjans dísir: Valkyrjur, Supernatural Femininities, and Elite Warrior Culture in the Late Pre-Christian Iron Age Luke John Murphy Lokaverkefni til MA–gráðu í Norrænni trú Félagsvísindasvið Herjans dísir: Valkyrjur, Supernatural Femininities, and Elite Warrior Culture in the Late Pre-Christian Iron Age Luke John Murphy Lokaverkefni til MA–gráðu í Norrænni trú Leiðbeinandi: Terry Gunnell Félags- og mannvísindadeild Félagsvísindasvið Háskóla Íslands 2013 Ritgerð þessi er lokaverkefni til MA–gráðu í Norrænni Trú og er óheimilt að afrita ritgerðina á nokkurn hátt nema með leyfi rétthafa. © Luke John Murphy, 2013 Reykjavík, Ísland 2013 Luke John Murphy MA in Old Nordic Religions: Thesis Kennitala: 090187-2019 Spring 2013 ABSTRACT Herjans dísir: Valkyrjur, Supernatural Feminities, and Elite Warrior Culture in the Late Pre-Christian Iron Age This thesis is a study of the valkyrjur (‘valkyries’) during the late Iron Age, specifically of the various uses to which the myths of these beings were put by the hall-based warrior elite of the society which created and propagated these religious phenomena. It seeks to establish the relationship of the various valkyrja reflexes of the culture under study with other supernatural females (particularly the dísir) through the close and careful examination of primary source material, thereby proposing a new model of base supernatural femininity for the late Iron Age. The study then goes on to examine how the valkyrjur themselves deviate from this ground state, interrogating various aspects and features associated with them in skaldic, Eddic, prose and iconographic source material as seen through the lens of the hall-based warrior elite, before presenting a new understanding of valkyrja phenomena in this social context: that valkyrjur were used as instruments to propagate the pre-existing social structures of the culture that created and maintained them throughout the late Iron Age. -
Henrik Williams. Scripta Islandica 65/2014
Comments on Michael Lerche Nielsen’s Paper HENRIK WILLIAMS The most significant results of Michael Lerche Nielsen’s contribution are two fold: (1) There is a fair amount of interaction between Scandinavians and Western Slavs in the Late Viking Age and Early Middle Ages — other than that recorded in later medieval texts (and through archaeology), and (2) This interaction seems to be quite peaceful, at least. Lerche Nielsen’s inventory of runic inscriptions and name material with a West Slavic connection is also good and very useful. The most important evidence to be studied further is that of the place names, especially Vinderup and Vindeboder. The former is by Lerche Niel sen (p. 156) interpreted to contain vindi ‘the western Slav’ which would mean a settlement by a member of this group. He compares (p. 156) it to names such as Saxi ‘person from Saxony’, Æistr/Æisti/Æist maðr ‘person from Estonia’ and Tafæistr ‘person from Tavastland (in Finland)’. The problem here, of course, is that we do not know for sure if these persons really, as suggested by Lerche Nielsen, stem ethnically from the regions suggested by their names or if they are ethnic Scandi navians having been given names because of some connection with nonScandi navian areas.1 Personally, I lean towards the view that names of this sort are of the latter type rather than the former, but that is not crucial here. The importance of names such as Æisti is that it does prove a rather intimate connection on the personal plane between Scandinavians and nonScan dinavians. -
Germanic Standardizations: Past to Present (Impact: Studies in Language and Society)
<DOCINFO AUTHOR ""TITLE "Germanic Standardizations: Past to Present"SUBJECT "Impact 18"KEYWORDS ""SIZE HEIGHT "220"WIDTH "150"VOFFSET "4"> Germanic Standardizations Impact: Studies in language and society impact publishes monographs, collective volumes, and text books on topics in sociolinguistics. The scope of the series is broad, with special emphasis on areas such as language planning and language policies; language conflict and language death; language standards and language change; dialectology; diglossia; discourse studies; language and social identity (gender, ethnicity, class, ideology); and history and methods of sociolinguistics. General Editor Associate Editor Annick De Houwer Elizabeth Lanza University of Antwerp University of Oslo Advisory Board Ulrich Ammon William Labov Gerhard Mercator University University of Pennsylvania Jan Blommaert Joseph Lo Bianco Ghent University The Australian National University Paul Drew Peter Nelde University of York Catholic University Brussels Anna Escobar Dennis Preston University of Illinois at Urbana Michigan State University Guus Extra Jeanine Treffers-Daller Tilburg University University of the West of England Margarita Hidalgo Vic Webb San Diego State University University of Pretoria Richard A. Hudson University College London Volume 18 Germanic Standardizations: Past to Present Edited by Ana Deumert and Wim Vandenbussche Germanic Standardizations Past to Present Edited by Ana Deumert Monash University Wim Vandenbussche Vrije Universiteit Brussel/FWO-Vlaanderen John Benjamins Publishing Company Amsterdam/Philadelphia TM The paper used in this publication meets the minimum requirements 8 of American National Standard for Information Sciences – Permanence of Paper for Printed Library Materials, ansi z39.48-1984. Library of Congress Cataloging-in-Publication Data Germanic standardizations : past to present / edited by Ana Deumert, Wim Vandenbussche. -
Norse Mythology
^^^m,'^^^' Section .tP 231922 NORSE OB, THE RELIGION OF OUR FOREFATHERS, CONTAINING ALL THE MYTHS OF THE EDDAS, SYSTEMATIZED AND INTEEPEETED. AN INTRODUCTION, VOCABULARY AND INDEX. By E. B. ANDERSON, A.M., PROFESSOR OF THE SCANDINAVIAN LANGUAGES IN THE UNIVERSITY OP WISCONSIN, AUTHOR OP "AMERICA NOT DISCOVERED BY COLUMBUS," "den NORSKE MAALSAG," ETC. CHICAGO: S. C. GKIGGS AND COMPANY. LONDON. TRUBNER & CO. 1875. COPTKIGHT 1875. By 8. C, GRIGGS AND COMPANY. I KMIGHT St LEONARD I ELECTROTYPED BY A. ZEESE <tl CO. TO HENRY WADSWORTH LONGFELLOW, THE AMERICAN POET, WHO HAS NOT ONLY REFRESHED HIMSELF AT THE CASTALIAN FOUNTAIN, BUT ALSO COMMUNED WITH BRAGE, AND TAKEN DEEP DRAUGHTS FROM THE WELLS OF URD AND MIMER, THIS VOLUME IS DEDICATED, WITH THE GRATEFUl. REVERENCE OF THE AUTHOR. I think Scandinavian Paganism, to us here, is more interesting than any other. It is, for one thing, the latest ; it continued in these regions of Europe till the eleventh century : eight hundred years ago the Norwegians were still worshipers of Odin. It is interesting also as the creed of our fathers ; the men whose blood still runs in our veins, whom doubtless we still resemble in so many ways. Strange : they did believe that, while we believe so differently. Let us look a little at this poor Norse creed, for many reasons. We have tolerable means to do it ; for there is another point of interest in these Scandinavian mythologies : that they have been preserved so well. Neither is there no use in knowing something about this old Paganism of our fathers. Unconsciously, and combined with higher things, it is in us yet, that old faith withal. -
Situne Dei Årsskrift För Sigtunaforskning Och Historisk Arkeologi
Situne Dei Årsskrift för Sigtunaforskning och historisk arkeologi 2018 Redaktion: Anders Söderberg Charlotte Hedenstierna-Jonson Anna Kjellström Magnus Källström Cecilia Ljung Johan Runer Utgiven av Sigtuna Museum SITUNE DEI 2018 Viking traces – artistic tradition of the Viking Age in applied art of pre-Mongolian Novgorod Nadezhda N. Tochilova The Novgorod archaeological collection of wooden items includes a significant amount of pieces of decorative art. Many of these were featured in the fundamental work of B.A. Kolchin Novgorod Antiquities. The Carved Wood (Kolchin 1971). This work is, perhaps, the one generalizing study capable of providing a full picture of the art of carved wood of Ancient Novgorod. Studying the archaeological collec- tions of Ancient Novgorod, one’s attention is drawn to a number of wooden (and bone) objects, the art design of which distinctly differs from the general conceptions of ancient Russian art. The most striking examples of such works of applied art will be discussed in this article. The processes of interaction between the two cultures are well researched and presented in the works of a group of Swedish archaeologists, whose work showed the complex bonds of interaction between Sweden and Russia, reflected in a number of aspects of material culture (Arbman 1960; Jansson 1996; Fransson et al (eds.) 2007; Hedenstierna- Jonson 2009). Moreover, in art history literature, a few individ- ual works of applied art refer to the context of the spread of Viking art (Roesdahl & Wilson eds 1992; Graham-Campbell 2013), but not to the interrelation, as a definite branch of Scandinavian art, in Eastern Europe. If we apply this focus to Russian historiography, then the problem of studying archaeological objects of applied art is comparatively small, and what is important to note is that all of these studies also have an archaeological direction (Kolchin 1971; Bocharov 1983). -
Heimskringla III.Pdf
SNORRI STURLUSON HEIMSKRINGLA VOLUME III The printing of this book is made possible by a gift to the University of Cambridge in memory of Dorothea Coke, Skjæret, 1951 Snorri SturluSon HE iMSKrinGlA V oluME iii MAG nÚS ÓlÁFSSon to MAGnÚS ErlinGSSon translated by AliSon FinlAY and AntHonY FAulKES ViKinG SoCiEtY For NORTHErn rESEArCH uniVErSitY CollEGE lonDon 2015 © VIKING SOCIETY 2015 ISBN: 978-0-903521-93-2 The cover illustration is of a scene from the Battle of Stamford Bridge in the Life of St Edward the Confessor in Cambridge University Library MS Ee.3.59 fol. 32v. Haraldr Sigurðarson is the central figure in a red tunic wielding a large battle-axe. Printed by Short Run Press Limited, Exeter CONTENTS INTRODUCTION ................................................................................ vii Sources ............................................................................................. xi This Translation ............................................................................. xiv BIBLIOGRAPHICAL REFERENCES ............................................ xvi HEIMSKRINGLA III ............................................................................ 1 Magnúss saga ins góða ..................................................................... 3 Haralds saga Sigurðarsonar ............................................................ 41 Óláfs saga kyrra ............................................................................ 123 Magnúss saga berfœtts .................................................................. 127 -
International Journal of Language and Linguistics Vol
International Journal of Language and Linguistics Vol. 7, No. 3, September 2020 doi:10.30845/ijll.v7n3p2 Skaldic Panegyric and the Anglo-Saxon Chronicle Poem on the Redemption of the Five Boroughs Leading Researcher Inna Matyushina Russian State University for the Humanities Miusskaya Ploshchad korpus 6, Moscow Russia, 125047 Honorary Professor, University of Exeter Queen's Building, The Queen's Drive Streatham Campus, Exeter, EX4 4QJ Summary: The paper attempts to reveal the affinities between skaldic panegyric poetry and the Anglo-Saxon Chronicle poem on the ‘Redemption of the Five Boroughs’ included into four manuscripts (Parker, Worcester and both Abingdon) for the year 942. The thirteen lines of the Chronicle poem are laden with toponyms and ethnonyms, prompting scholars to suggest that its main function is mnemonic. However comparison with skaldic drápur points to the communicative aim of the lists of toponyms and ethnonyms, whose function is to mark the restoration of the space defining the historical significance of Edmund’s victory. The Chronicle poem unites the motifs of glory, spatial conquest and protection of land which are also present in Sighvat’s Knútsdrápa (SkP I 660. 9. 1-8), bearing thematic, situational, structural and functional affinity with the former. Like that of Knútsdrápa, the function of the Chronicle poem is to glorify the ruler by formally reconstructing space. The poem, which, unlike most Anglo-Saxon poetry, is centred not on a past but on a contemporary event, is encomium regis, traditional for skaldic poetry. ‘The Redemption of the Five Boroughs’ can be called an Anglo-Saxon equivalent of erfidrápa, directed to posterity and ensuring eternal fame for the ruler who reconstructed the spatial identity of his kingdom. -
Þingvellir National Park
World Heritage Scanned Nomination File Name: 1152.pdf UNESCO Region: EUROPE AND NORTH AMERICA __________________________________________________________________________________________________ SITE NAME: Þingvellir National Park DATE OF INSCRIPTION: 7th July 2004 STATE PARTY: ICELAND CRITERIA: C (iii) (vi) CL DECISION OF THE WORLD HERITAGE COMMITTEE: Excerpt from the Report of the 28th Session of the World Heritage Committee Criterion (iii): The Althing and its hinterland, the Þingvellir National Park, represent, through the remains of the assembly ground, the booths for those who attended, and through landscape evidence of settlement extending back possibly to the time the assembly was established, a unique reflection of mediaeval Norse/Germanic culture and one that persisted in essence from its foundation in 980 AD until the 18th century. Criterion (vi): Pride in the strong association of the Althing to mediaeval Germanic/Norse governance, known through the 12th century Icelandic sagas, and reinforced during the fight for independence in the 19th century, have, together with the powerful natural setting of the assembly grounds, given the site iconic status as a shrine for the national. BRIEF DESCRIPTIONS Þingvellir (Thingvellir) is the National Park where the Althing - an open-air assembly, which represented the whole of Iceland - was established in 930 and continued to meet until 1798. Over two weeks a year, the assembly set laws - seen as a covenant between free men - and settled disputes. The Althing has deep historical and symbolic associations for the people of Iceland. Located on an active volcanic site, the property includes the Þingvellir National Park and the remains of the Althing itself: fragments of around 50 booths built of turf and stone.